Elon Journal of Undergraduate Research in Communications
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Elvis Costello and Blondie
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums). -
Podcaster Prosody: Creaky Voice and Sarah Koenig's Journalistic Persona
Volume 6 Issue 2 2020 Podcaster Prosody: Creaky Voice and Sarah Koenig’s Journalistic Persona Edgar Yau [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v6i2.2020.5215 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ Podcaster Prosody: Creaky Voice and Sarah Koenig’s Journalistic Persona Edgar Yau This paper addresses the style-shifting of podcast host Sarah Koenig, specifically in her use of utterance final creaky voice in different contexts. I find that Koenig uses more creaky voice on her podcast Serial than in an interview context. Additionally, her creaky voice in the interview occurs in specific contexts related to her work as a journalist. Based on analyses of how phonetic features can construct certain personae, I argue that Koenig may be designing her speech to construct a journalistic persona with her use of creaky voice. 1 Introduction Podcasts are episodic audio series that are typically downloaded and streamed. In purely auditory mediums like podcasts and radio, hosts must connect with their audience through only their voice. While there are many linguistic studies about radio and radio hosts (e.g., Rodero 2014), there are very few studies on the language of podcasting and podcast hosts. In 2014, the creators of the popular American radio show This American Life uploaded the first episode of the podcast Serial, created and hosted by journalist and radio personality Sarah Koenig. Years after its initial release, Serial holds the record for the most listened to podcast of all time and had been downloaded over 320 million times as of its third season in late 2018 (Quah 2018). -
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28 Established 1961 Tuesday, March 20, 2018 Lifestyle Gossip Fifth Harmony announce hiatus ifth Harmony are going on hiatus. time to learn and grow creatively and The ‘Work From Home’ hitmakers - really find out footing as individuals. In Fwhich are comprised of Ally Brooke, doing this we are allowing ourselves to Normani, Dinah Jane and Lauren Jauregui gain new experiences, strengths and per- - have decided to go on a break, six years spectives that we can bring back to our after they formed on US TV show ‘The X Fifth Harmony family.” The ‘Worth It’ hit- Factor’, in order to focus on solo projects. makers - whose fifth member, Camila They announced in a statement: Cabello, quit in December 2016 - went on “Reflecting on the past six years since we to thank fans for their support and prom- started on ‘X Factor’, we’ve realized just ised that concerts they have scheduled in how far we’ve come and we appreciate 2018 will still be going ahead as planned. everything so much, more now than ever. The statement concluded: “To our “We’ve really had one hell of a memorable Harmonizers, thank you for everything we journey together and can’t begin to have been able to build as Fifth Harmony. express our gratitude to y’all for coming With your love and encouragement we along with us on this wild ride!” “After six will continue to build on ourselves, sup- years gong hard, non stop, we also real- port one another in everything we do, and ized that in order to stay authentic to our- keep making you proud, each other proud selves and to you, we do need to take and ourselves proud. -
IMPACT the Journal of the CENTER for INTERDISCIPLINARY TEACHING and LEARNING
IMPACT The Journal of the CENTER FOR INTERDISCIPLINARY TEACHING AND LEARNING Volume 6, Number 2, SUMMer 20177 Impact TABLE OF CONTENTS About Us ................................................................................................................................................. 3 Editorial Statement ................................................................................................................................... 4 About This Issue’s Authors ...................................................................................................................... 5 Announcements ....................................................................................................................................... 6 Impact Essay Competition ....................................................................................................................... 7 Essays: Podcasts and the Twenty-first Century College Classroom By Rick Cole and Beth Kramer ....................................................................................................... 8 Podcasting in the Composition Classroom: Writing, Research, and Activism By Bethany Holmstrom .................................................................................................................. 12 Teaching Serial at the Criminal Justice College: Discomforting Ethics and Interdisciplinary Methods for Critical Thinking By Julie L. Gafney ......................................................................................................................... -
Issue 19, 2018 Shape a Healthy Future
ISSUE 19, 2018 SHAPE A HEALTHY FUTURE ► Postgraduate Certifi cate in Health (PGCertHlth) ► Master of Health NEW ► Postgraduate Diploma in Health (PGDipHlth) ► Professional Doctorates NEW Gain skills and knowledge to meet the ever-growing demand for qualified professionals in the health and wellbeing sector in your area of specialisation. Taught in block courses to fit work commitments. SUBJECTS AVAILABLE PROFESSIONAL ► Health Leadership and Management DOCTORATE PROGRAMMES ► Health Policy, Planning and Service Delivery Pursue original, applied research to make a diff erence in health delivery and outcomes with ► Health Promotion the Doctor of Health, Doctor of Midwifery and ► Midwifery Doctor of Nursing. ► Nursing Undertake taught courses and a thesis project ► Professional Practice alongside a cohort of health professionals. ► Workplace Health and Safety ► Doctor of Health (DHlth) ► Doctor of Midwifery (DMid) ► Doctor of Nursing (DNurs) ENQUIRE NOW www.victoria.ac.nz/health [email protected] CREDITS EDITOR EDITORIAL Andrew Winstanley DESIGN 4 NEWS 5 Nick Withers FEATURES EDITOR Daniel Gambitsis COMMUNITY 10 POLITICS AND NEWS EDITOR Cameron Leakey COMMUNITY EDITOR EATING YOUR Emelia Masari ARTS & LIFESTYLE EDITORS DUMPLING Rushika Bhatnagar & Chris Wong SCIENCE EDITOR Nandita Bhatnagar CHILD: IT VISUAL ARTS EDITOR & ORIGINAL DESIGN Daphne Zheng SOUNDS PUZZLES Courtesy of Puzzles, Riddles and Quizzes Society ATTRACTIVE, CONTRIBUTORS Andrew Winstanley, Cameron Leakey, Chris Wong, Naomi BUT DON’T Simon-Kumar, Olisa Unakalamba, Moss Bioletti, Brian Gu, Hazel Oh, Gemma Henderson, Nandita DO IT 14 Bhatnagar, Olivia Maxwell, Jessica Thomas, Jami Kerrigan. BLOOMING COVER ARTIST Daphne Zheng ILLUSTRATORS CHAOS 17 ARTS Daphne Zheng, Justine Thomas CALL FOR WRITERS AND ILLUSTRATORS! Flick us an email at editor@crac- & REVIEWS cum.co.nz if you’re interested in contributing. -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Clubbers (These are excerpts from my book "A History of Rock and Dance Music") Electroclash TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. The "electroclash" movement was basically a revival of the dance-punk style of the new wave. It was New York dj Lawrence "Larry Tee" who coined the term, and the first Electroclash Festival was held in that city in 2001. However, the movement had its origins on the other side of the Atlantic Ocean. One could argue that electroclash was born with Space Invaders Are Smoking Grass (1997), released by Belgian dj Ferenc van der Sluijs under the moniker I-f. At about the same time German house dj Helmut-Josef "DJ Hell" Geier was promoting a scene in Berlin that was basically electroclash. Another forerunner was French dj Caroline "Miss Kittin" Herve', who had recorded the EP Champagne (1998), a collaboration with Michael "The Hacker" Amato that included the pioneering hit 1982. The duo joined the fad that they had pioneered with First Album (2001). Britain was first exposed to electroclash when Liverpool's Ladytron released He Took Her To A Movie (1999), that was basically a cover of Kraftwerk's The Model. Next came Liverpool's Robots In Disguise with the EP Mix Up Words and Sounds (2000). -
When Podcast Met True Crime: a Genre-Medium Coevolutionary Love Story
Article When Podcast Met True Crime: A Genre-Medium Coevolutionary Love Story Line Seistrup Clausen Stine Ausum Sikjær 1. Introduction “I hear voices talking about murder... Relax, it’s just a podcast” — Killer Instinct Press 2019 Critics have been predicting the death of radio for decades, so when the new podcasting medium was launched in 2005, nobody believed it would succeed. Podcasting initially presented itself as a rival to radio, and it was unclear to people what precisely this new medium would bring to the table. As it turns out, radio and podcasting would never become rivals, as podcasting took over the role of audio storytelling medium – a role that radio had abandoned prior due to the competition from TV. During its beginning, technological limitations hindered easy access to podcasts, as they had to be downloaded from the Internet onto a computer and transferred to an MP3 player or an iPod. Meanwhile, it was still unclear how this new medium would come to satisfy an audience need that other types of storytelling media could not already fulfill. Podcasting lurked just below the mainstream for some time, yet it remained a niche medium for many years until something happened in 2014. In 2014, the true crime podcast Serial was released, and it became the fastest podcast ever to reach over 5 million downloads (Roberts 2014). After its release, podcasting entered the “post-Serial boom” (Nelson 2018; Van Schilt 2019), and the true crime genre spread like wildfire on the platform. Statistics show that the podcasting medium experienced a rise in popularity after 2014, with nearly a third of all podcasts listed on iTunes U.S. -
Julie Snyder
12 Western Avenue, Petaluma, CA 94952 tel: 707.773.0654 fax: 707.778.1868 www.barclayagency.com Julie Snyder Co-Creator & Producer of Award-Winning Podcast SERIAL Julie Snyder has been the guid- “In the normally low-profile world of podcasting, “Serial” is ing force behind two of the a certified sensation—a most successful ventures in testament to the power of audio broadcasting: she is the great storytelling. It’s quickly become the most popular co-creator of the podcast Seri- podcast in the world, accord- al, which debuted in October ing to Apple, and the fastest to reach 5 million downloads 2014 and has been download- and streams in iTunes history. ed more than 175 million times, “Serial” is the top podcast in the U.S., Canada, the U.K. and making it the most listened-to Australia, and in the top 10 in podcast in the history of the Germany, South Africa and form; and for many years, she India — Wall Street Journal Photo: Kristen Luce was the senior producer of the public radio show This Ameri- can Life, which is heard by more than 4 million listeners each week. Julie Snyder began working at This American Life in 1997 – almost from its incep- tion – and along with host Ira Glass, has set the editorial agenda for the program, winning four Peabody Awards along the way. She has produced many of This American Life’s most entertaining and memorable episodes, including “24 Hours at the Golden Apple,” and “Notes on Camp.” In addition, she has also headed the program’s most ambitious and topical programs, notably episodes covering the wars in Iraq and Afghanistan, health care reform, and urban violence in Chicago. -
From Storytelling to Storylistening: How the Hit Podcast S-Town Reconfigured the Production and Reception of Narrative Nonfiction
From Storytelling to Storylistening: How the Hit Podcast S-Town Reconfigured the Production and Reception of Narrative Nonfiction Ella Waldmann Université de Paris, France. _____________________________________________________________________________________________ Abstract The 2017 hit podcast S-Town has been hailed for inaugurating a new genre, the audio nonfiction novel. Drawing from the recent evolutions in the field of media-conscious narratology (Ryan and Thon; DeMair), this article envisions creative nonfiction podcasts as narrative constructs. Previous research has thus far tended to assimilate such original podcast productions to conventional radio programs, seldom taking into account the specificity of the podcast as a new medium. This article explores the implications of this innovation through the case study of S-Town. By reclaiming the model of the novel, S-Town’s innovative load paradoxically relies on a return to traditional written forms. But in terms of broadcasting and reception, the podcast introduces a change of paradigm insofar as it offers a more immersive and interactive listening experience. This experience is in turn embedded in the creative process, and narrative nonfiction becomes as much storytelling as storylistening. Keywords: podcasting; audio storytelling; S-Town; narrative nonfiction. https://doi.org/10.26262/exna.v0i4.7913 _____________________________________________________________________________________________ Fifteen years after the term ‘podcast’ was coined by journalist Ben Hammersley in reference to the online radio practices that were budding in the early 2000s, podcasts have become ubiquitous.1 A recent study showed that in 2020, more than one third of Americans listened to podcasts at least once a month (Edison Research). The trajectory of podcasting from niche phenomenon to mainstream medium has been thoroughly documented by a growing body of literature on the subject (Bottomley; Berry, “Golden Age”; Bonini; Llinares et al.; McHugh “How”). -
Serial Episode 3: “Leakin Park” Sarah Koenig
Serial Episode 3: “Leakin Park” Sarah Koenig: From This American Life and WBEZ Chicago it’s Serial. One story week by week. I’m Sarah Koenig. The cops that investigated the murder of Hae Min Lee were both experienced Baltimore City detectives. Their names were Ritz and MacGillivary. Bill Ritz and Greg MacGillivary. And how I wish right now that I could play you tape of their perspective on this case, but they didn’t want to be interviewed. When Bill Ritz finally turned me down after six weeks of back and forth, he said he didn’t see the point. The case has been adjudicated. What good would it do? I also spoke on the phone, briefly, to MacGillivary and he said just a few sentences to me and one of them was “beyond question, he did it.” Meaning Adnan did it. He didn’t hem or haw or hesitate. He remembered the case right away. “Beyond question he did it.” How did they arrive at that level of certainty? Before Hae’s body was found, this was a missing person case. She disappeared January 13, and the investigation starts out a little slowly, which makes sense to me. She’s a not a small child, she’s eighteen. She’s got a car which is also missing. That first day, the police call around to her friends, they talk to Aisha, to Adnan, remember that’s when he tells them he was supposed to get a ride from her, but didn’t. The next day they call around to hospitals, hotels, motels, they check the area around the high school parking lot where she was last seen. -
Challenging the Privileging of Objectivity in Serial‑Style Podcasts
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. This Is your warning : challenging the privileging of objectivity in serial‑style podcasts Siti Sarah Daud 2017 Siti Sarah Daud. (2017). This Is your warning : challenging the privileging of objectivity in serial‑style podcasts. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/72879 https://doi.org/10.32657/10356/72879 Downloaded on 24 Sep 2021 08:25:44 SGT Privileging Objectivityof in THIS IS YOUR WARNING: Challenging the Serial - style Podcasts THIS IS YOUR WARNING: Challenging the Privileging of Objectivity in Serial-style Podcasts Siti SarahSiti Binte Daud SITI SARAH BINTE DAUD SCHOOL OF HUMANITIES 2017 2017 Daud i THIS IS YOUR WARNING: Challenging the Privileging of Objectivity in Serial-style Podcasts Siti Sarah Binte Daud School of Humanities A thesis submitted to Nanyang Technological University in partial fulfilment of the requirement for the degree of Master of Arts. 2017 Daud ii ACKNOWLEDGEMENTS Just like a podcast, a Masters’ Thesis has a whole team preparing the one single voice that goes out into the world. Here they are. To Prof Sam, thank you for taking me under your wing when I was just another name on the register and building me up into someone capable of doing an entire MA. I could not have dreamed up a better mentor; your endless patience, encouragement and steadfast belief in me and this project has made all the difference, and I will never be able to thank you enough. To Kevin, this whole thing is probably because of all the Orson Welles and Nellie Bly you made me look into! With all our conversations, emailed links and the shot in the arm from Global Shakespeare, you’ve always made staying in the attempt that much easier. -
Program for the 2014 Annual Meeting Theme: “Disagreement, Debate, Discussion”
Thursday, Jan. 2, Digital History Workshop, LAC Tours, Teaching Workshop 29 Program for the 2014 Annual Meeting Theme: “Disagreement, Debate, Discussion” (Re)Calibrating a World History Survey at a Public HBCU WORKSHOP Charles V. Reed, Elizabeth City State University History at an Urban Two-Year College Thursday, January 2, 9:00 a.m.–12:00 p.m. Emily Sohmer Tai, Queensborough Community College, City How to Get Started in Digital History University of New York Marriott Wardman Park, Delaware Suite Preserving History: The Value of History Education for a Career- Minded Generation See www.historians.org/annual for further information. David J. Trowbridge, Marshall University 9:50–10:30 a.m. Thinking about Gen Ed as Part of a Larger System LOCAL ARRANGEMENTS COMMITTEE Chair: Richard Bond, Virginia Wesleyan College TOURS Panel: History Teaching at/on an AAC&U-LEAP Campus Kenneth Nivison, Southern New Hampshire University Thursday, January 2, 9:30 a.m.–12:30 p.m. System-Wide Learning Outcomes at a Texas Community College Jonathan A. Lee, San Antonio College Tour 1: Up Close with Original Civil War Photos Marriott Wardman Park, Park Tower Room 8226 Pressures for Transferability Marianne S. Wokeck, Indiana University-Purdue University Tour leader: Helena Zinkham, director, Prints and Photographs Division, Indianapolis Library of Congress Participants will tour the Library of Congress Prints and Photographs Division 10:45–11:30 a.m. Approaches to History Pedagogy in General in the Madison Building. The division holds thousands of images relating to Education Curricula the Civil War, including glass negatives, ambrotype and tintype portraits, and Chair: Nancy L.