Relationship-Enhancing Communication Skills in Prime-Time Family-Oriented Situation Comedies
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Gunsmokenet.Com
GUNSMOKE ! By GORDON BUDGE f you had lived in Dodge City in I the 1870’s, Matt Dillon-the fic- tional Marshal of CBS Radio and TV’s Gunsmoke-would have been just the sort of man you would like to have for a friend. The same holds for his sidekick, Chester, and his special pals, Kitty and Doc. They are down-to-earth, ‘good and honest people. That one word “honest” is, to a great extent, responsible for the success of Gunsmoke on both radio and TV. It best describes the sto- ries, characters and detailed his- torical background which go to make up the show. Norman Macdonnell and John Meston, Gunsmoke’s producer and writer, are the two men who created the format and guided the show to its success (the TV version has topped the Nielsen ratings since June, 1957)) and the show is a fair reflection of their own characters: Producer Macdonnell is a straight- forward, clear-thinking young man of forty-two, born in Pasadena and raised in the West, with a passion for pure-bred quarter horses. He joined the CBS Radio network as a page, rose to assistant producer in two years, ultimately commanded such network properties as Sus- pense, Escape, and Philip Marlowe. Writer John Meston’s checkered career began in Colorado some forty-three years ago and grass- hopped through Dartmouth (‘35) to the Left Bank in Paris, school- teaching in Cuba, range-riding in Colorado, and ultimately, the job as Network Editor for CBS Radio in Hollywood. It was here that Meston and Macdonnell met. -
Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
From Broadcast to Broadband: the Effects of Legal Digital Distribution
From Broadcast to Broadband: The Effects of Legal Digital Distribution on a TV Show’s Viewership by Steven D. Rosenberg An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Jarl G. Kallberg Faculty Adviser Thesis Advisor 1. Introduction ................................................................................................................... 3 2. Legal Digital Distribution............................................................................................. 6 2.1 iTunes ....................................................................................................................... 7 2.2 Streaming ................................................................................................................. 8 2.3 Current thoughts ...................................................................................................... 9 2.4 Financial importance ............................................................................................. 12 3. Data Collection ............................................................................................................ 13 3.1 Ratings data ............................................................................................................ 13 3.2 Repeat data ............................................................................................................ -
Sliders Nielsen Ratings.Xlsx
"Sliders" Nielsen Ratings Television Universe 95.4 million Share (percentage of sets in use) * denotes a ratings tie Season 1 (1995) Viewers (in millions) Ratings Point 954,000 TV Households Episode Network Airdate Day Time Viewers Rating Share Rank Pilot Fox 3/22/95 Wednesday 8:00 p.m. EST 14.1 9.5 15 51 Fever Fox 3/29/95 Wednesday 9:00 p.m. EST 11.6 7.6 12 *62 Last Days Fox 4/5/95 Wednesday 9:00 p.m. EST 10.1 7.2 12 *58 Prince of Wails Fox 4/12/95 Wednesday 9:00 p.m. EST 10.3 7.2 7.2 *66 Summer of Love Fox 4/19/95 Wednesday 9:00 p.m. EST 9.3 6.7 10 69 Eggheads Fox 4/26/95 Wednesday 9:00 p.m. EST 7.9 5.9 10 *78 The Weaker Sex Fox 5/3/95 Wednesday 9:00 p.m. EST 8.8 6.1 10 *73 The King is Back Fox 5/10/95 Wednesday 9:00 p.m. EST 7.7 5.6 9 80 Luck of the Draw Fox 5/17/95 Wednesday 9:00 p.m. EST 9.9 6.7 11 70 Season Two (1996) Television Universe 95.9 million Ratings Point 959,000 TV Households Episode Network Airdate Day Time Viewers Rating Share Rank Into the Mystic Fox 3/1/96 Friday 8:00 p.m. EST 9.3 6.2 11 76 Love Gods Fox 3/8/96 Friday 8:00 p.m. EST 9.5 6.5 11 83 Gillian of the Spirits Fox 3/15/96 Friday 8:00 p.m. -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
5. Study Guide: Ratings & Methodology
5. Study Guide: Ratings & Methodology Active/Passive meters – Nielsen’s most recent metering equipment. The A/P meter identifies what channel/network a television set is tuned to Area Probability (AP) – Nielsen methodology for based on audio codes. Television stations and placing meter samples. The first point of contact is made in person to specific sampling points. cable networks encode their signals to allow Nielsen meters to know what channel the These sampling points are predetermined television is tuned. The new meter also household addresses. determines un-encoded signals via a passive signal matching technology. The A/P meter also allowed Audience Composition – The percentage of the for the measurement of Digital Video Recorders overall audience that is in the target or selected (DVRs) “TiVo”-type devices. demographic. Address Based Sampling – Nielsen’s sampling Average – the average of a series of numbers is methodology to properly include households that calculating by adding all numbers in the series and do not have a land line telephone. These are then dividing by the total number of items in the typically cell phone only households. series. Zero values must be included in the calculation. ADS (Alternative Delivery Systems) – Nielsen’s term referring to television delivery methods like Average minute ratings – Nielsen method for Direct Broadcast Satellite (DBS) and large satellite calculating average ratings in their national or NTI homes. The bulk of ADS homes receive their sample. The ratings for each minute the program television signals via DBS. is on are averaged to calculate the program average rating. Alliance for Audited Media – Collects newspaper and magazine circulation information based on Average quarter-hour ratings – Nielsen method industry supplied circulation data. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Sex and Difference in the Jewish American Family: Incest Narratives in 1990S Literary and Pop Culture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2018 Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture Eli W. Bromberg University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Studies Commons Recommended Citation Bromberg, Eli W., "Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture" (2018). Doctoral Dissertations. 1156. https://doi.org/10.7275/11176350.0 https://scholarworks.umass.edu/dissertations_2/1156 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented by ELI WOLF BROMBERG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2018 Department of English Concentration: American Studies © Copyright by Eli Bromberg 2018 All Rights Reserved SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented By ELI W. BROMBERG -
Developments in Television Viewership
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Developments in Television Viewership Lucile E. Hecht Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/730 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DEVELOPMENTS IN TELEVISION VIEWERSHIP by LUCILE E. HECHT A masters’ thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2016 © 2016 LUCILE E. HECHT All Rights Reserved ii DEVELOPMENTS IN TELVISION VIEWERSHIP by LUCILE E. HECHT This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies satisfying the thesis requirement for the degree of Master of Arts. Giancarlo Lombardi ___________________ ______________________________ Date Thesis Adviser Matthew Gold ___________________ ______________________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract DEVELOPMENTS IN TELEVISION VIEWERSHIP by Lucile E. Hecht Adviser: Professor Giancarlo Lombardi In recent years the ways in which we watch television has changed, and so has the television we watch. “Binge watching,” almost the Oxford English Dictionary’s Word of the Year in 2013, has taken a firm hold on the American television audience who now watches television not according to the broadcast schedule but on its own terms. So, too, has the practice of engaging with other audience members, be they friends, family, or strangers, while watching a show by using a secondary device – a “second screen.” These practices have been developing for some time, and as technology adapts to facilitate them the denizens of television viewers now consider them normal. -
Cbs' “60 Minutes”
CBS’ “60 MINUTES” TO FEATURE AWARD-WINNING DOCUMENTARY SEARCHING FOR SUGAR MAN SUNDAY, OCTOBER 7TH AT 7PM ET/PT Bob Simon Spotlights Artist/Musician Rodriguez’s Extraordinary & Inspirational Story Sony Pictures Classics Continues the Film’s Nationwide Expansion on Friday, October 12th New York (October 3, 2012) – CBS “60 Minutes” correspondent Bob Simon will spotlight artist/musician Rodriguez and director Malik Bendjelloul’s critically- acclaimed documentary Searching For Sugar Man on the show this Sunday, October 7th at 7pm ET/PT. The film was released by Sony Pictures Classics on July 27th and is continuing to expand nationwide. The film's soundtrack album is now available from Legacy Recordings, the catalog division of Sony Music Entertainment. Searching For Sugar Man opened the 2012 Sundance festival, where it won a World Cinema Audience Award (Documentary) and a World Cinema Documentary Special Jury Prize for its Celebration of the Artistic Spirit. It has become an audience and critics’ favorite premiering at this year's South By South West Film Festival, Tribeca Film Festival, Los Angeles Film Festival, Michael Moore’s Traverse City Film Festival and was hosted by Alec Baldwin at the Hamptons International Film Festival's Summer Docs series. Searching For Sugar Man chronicles the improbable story of Sixto Diaz Rodriguez, an uncompromising artist on the brink of success in the early 1970s who'd taken American protest music into stark new urban territory with two classic cult albums--Cold Fact in 1970 and Coming From Reality in 1971--before vanishing from public view after both albums tanked. In a twist of history, a bootleg copy of Cold Fact found its way to South Africa, where the album's streetwise narratives of chaos, corruption, revolution and redemption became anthems of the anti-apartheid movement. -
Tv Pg 01-04-11.Indd
The Goodland Star-News / Tuesday, January 4, 2011 7 All Mountain Time, for Kansas Central TIme Stations subtract an hour TV Channel Guide Tuesday Evening January 4, 2011 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 28 ESPN 57 Cartoon Net 21 TV Land 41 Hallmark ABC No Ordinary Family V Detroit 1-8-7 Local Nightline Jimmy Kimmel Live S&T Eagle CBS Live to Dance NCIS Local Late Show Letterman Late 29 ESPN 2 58 ABC Fam 22 ESPN 45 NFL NBC The Biggest Loser Parenthood Local Tonight Show w/Leno Late 2 PBS KOOD 2 PBS KOOD 23 ESPN 2 47 Food FOX Glee Million Dollar Local 30 ESPN Clas 59 TV Land Cable Channels 3 KWGN WB 31 Golf 60 Hallmark 3 NBC-KUSA 24 ESPN Nws 49 E! A&E The First 48 The First 48 The First 48 The First 48 Local 5 KSCW WB 4 ABC-KLBY AMC Demolition Man Demolition Man Crocodile Local 32 Speed 61 TCM 25 TBS 51 Travel ANIM 6 Weather When Animals Strike When Animals Strike When Animals Strike When Animals Strike Animals Local 6 ABC-KLBY 33 Versus 62 AMC 26 Animal 54 MTV BET American Gangster The Mo'Nique Show Wendy Williams Show State 2 Local 7 CBS-KBSL BRAVO Matchmaker Matchmaker The Fashion Show Matchmaker Matchmaker 7 KSAS FOX 34 Sportsman 63 Lifetime 27 VH1 55 Discovery CMT Local Local The Dukes of Hazzard The Dukes of Hazzard Canadian Bacon 8 NBC-KSNK 8 NBC-KSNK 28 TNT 56 Fox Nws CNN 35 NFL 64 Oxygen Larry King Live Anderson Cooper 360 Larry King Live Anderson Local 9 Eagle COMEDY 29 CNBC 57 Disney Tosh.0 Tosh.0 Tosh.0 Tosh.0 Daily Colbert Tosh.0 Tosh.0 Futurama Local 9 NBC-KUSA 37 USA 65 We DISC Local Local Dirty Jobs