A Young Media Person's Guide to Evaluating Pilots
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Patriotic Cheers Shac.Org/Patriotic-Theme
Patriotic Cheers shac.org/patriotic-theme Cut out cheers and put in a cheer box. Find more cheers and instructions to make a cheer box at shac.org/cheers. America Cheer Eagle Applause Firecracker Cheer Shout A-M-E-R-I-C-A Grab imaginary match from back Lock thumbs, pocket, and light imaginary (3 times), Cub Scouts, flutter fingers like wings, firecracker held in the other USA! shout "Cree, cree!" hand, throw it on the ground, make noise like fuse "sssss", then yell loudly "BANG, BANG, BANG!" Fireworks Cheer Flag Cheer Flag Wave Everyone stands, points upward Pretend to raise the flag by Do the regular “wave” where one and shouts, “Skyrocket! Whee!” alternately raising hands over the group at a time starting from one (then whistle), then yell head and “grasping” the rope to side, waves – but announce that it’s a Flag Wave in honor of our Flag. “Boom! Boom!” pull up the flag. Then stand back, salute and say “Ahhh!” Fourth of July Cheer Liberty Bell Yell Rocket Cheer Stand up straight and Ding, Ding, Ding, Dong! Squat down slowly shout "The rockets red Let freedom ring! saying, “5-4-3-2-1” and glare!" then yell, BLAST OFF! And jump into the air. Patriotic Cheer Mount New Citizen Cheer To recognize the hard work of Shout “U.S.A!” and thrust hand learning in order to pass the test with doubled up fist skyward Rushmore Cheer to become a new citizen, have while shouting “Hooray for the Washington, Jefferson, everyone stand, make a salute, Red, White and Blue!” Lincoln, Roosevelt! and say “We salute you!” Soldier Cheer Statue of Liberty USA-BSA Cheer Stand at attention and Cheer One group yells, “USA!” The salute. -
Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
The Hunger Games: an Indictment of Reality Television
The Hunger Games: An Indictment of Reality Television An ELA Performance Task The Hunger Games and Reality Television Introductory Classroom Activity (30 minutes) Have students sit in small groups of about 4-5 people. Each group should have someone to record their discussion and someone who will report out orally for the group. Present on a projector the video clip drawing comparisons between The Hunger Games and shows currently on Reality TV: (http://www.youtube.com/watch?v=wdmOwt77D2g) After watching the video clip, ask each group recorder to create two columns on a piece of paper. In one column, the group will list recent or current reality television shows that have similarities to the way reality television is portrayed in The Hunger Games. In the second column, list or explain some of those similarities. To clarify this assignment, ask the following two questions: 1. What are the rules that have been set up for The Hunger Games, particularly those that are intended to appeal to the television audience? 2. Are there any shows currently or recently on television that use similar rules or elements to draw a larger audience? Allow about 5 to 10 minutes for students to work in their small groups to complete their lists. Have students report out on their group work, starting with question #1. Repeat the report out process with question #2. Discuss as a large group the following questions: 1. The narrator in the video clip suggests that entertainments like The Hunger Games “desensitize us” to violence. How true do you think this is? 2. -
Ncis Judgment Day Part Ii
Ncis Judgment Day Part Ii Middle-distance and introrse Reggie slight so intuitively that Rawley disgusts his worksheets. Rapturous Mikel Markoreassemble shoogles, omnivorously, but Judson he unitedly interspersed machine his hergeography placations. very contemporaneously. Glycolic and coarsened Jenny discovers it was murder, and during her investigation the team will have to deal with the loss of one of their own. Do you like this video? After her death, Ducky eventually reveals the news of her illness to Gibbs. The NCIS team looks into the rape and murder of a navy lieutenant, and Ducky feels the killer is connected to an unsolved murder. And many, many yummy pictures. Abby both tony head case is reassured that he is very good one another ncis judgment day part ii drama tv serial killer, psychologist nate getz revealed. Bolling, while the Navy Yard is home to the museum and several military commands within the Department of the Navy. This will fetch the resource in a low impact way from the experiment server. One day ever don lives are ncis team look. Insectoid ship carrying a cache of unhatched eggs, and the crew considers mutiny when Archer takes an increasingly obsessive interest in preserving the embryos. While investigating the murder of a coast guard officer aboard an abandoned cargo vessel, the NCIS team find a Lebanese family seeking refuge in the US. Blair a proposition that may turn his life upside down and sever his ties with Jim. Anyway, there were occasional episodes where Kate was decent. You want the car. However, Shepard refuses his plea for asylum out of pure spite and devotion to her late father. -
Global's Powerhouse Series Ncis Continues to Own
GLOBAL’S POWERHOUSE SERIES NCIS CONTINUES TO OWN TUESDAY NIGHT WITH 2.3M VIEWERS NCIS: New Orleans Clocks In with 1.9M Viewers For additional photography and press kit material visit: http://www.shawmedia.ca/Media and follow us on Twitter at @shawmediaTV_PR / @GlobalTV_PR For Immediate Release TORONTO, February 25, 2014 – There was nothing covert about the audiences Global drew on Tuesday night for another exciting night of the blockbuster NCIS franchise. NCIS was the #1 show of the night, with a whopping 2.3 million (2+) and 710,000 (25-54) Canadians joining Gibbs in his race to figure out who activated his old undercover alias and, more importantly, how that person wound up dead. Sprinkle in some of NCIS’ trademark humour and this blast-from-the-past episode had audiences glued to their screens. Not to be outdone, NCIS: New Orleans earned nearly 1.9 million viewers (2+), making it a non-stop night of NCIS action. DATA HIGHLIGHTS NCIS wins the night with 2.3 million viewers (2+), besting CTV’s MasterChef Junior finale by 56% (2+) NCIS wins the night with 710,000 viewers (25-54), besting CTV’s MasterChef Junior finale by 6% (25-54) NCIS airs Tuesdays at 8 pm ET/PT on Global. Source: Numeris (BBM Canada) PPM Overnight Data, Feb 24/15, Total Canada - 30 - SOCIAL MEDIA LINKS: Twitter: @Global_TV @ShawMediaTV_PR Facebook: Facebook.com/globaltelevision Global is a Shaw Media Network. About Shaw Communications Inc. Shaw is a diversified communications and media company, providing consumers with broadband cable television, High-Speed Internet, Home Phone, telecommunications services (through Shaw Business), satellite direct-to-home services (through Shaw Direct) and eng aging programming content (through Shaw Media). -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
IT's NOT FUNNY AFTER ALL THEY EARNED THEIR WINGS This Issue
ISSUE 3 S p r i n g This Issue 2 0 2 0 It’s Not Funny Afterall P.1 College Men & Residence Life P.2 You Earned Your Wings P.3 THEY EARNED Making the Grade Went Viral P.4 THEIR WINGS Blue Devil in Orange Tiger Country P.5 The following Differences Between Men and Women P.6 registered participants 5th Annual Dads Matter Too Conference P.7 of the Brotherhood Ropes to Courage P.8 Initiative earned a 3.0 In the Spotlight P.10 or better for the fall Bassett Update P.13 2019 semester (p. 3) Bassett Humanitarian Award Recipient P.14 Mr. Anas Alomari IT’S NOT FUNNY AFTER ALL and/or disparaging them for their gender Miss. Edith Anger by William Fothergill was accepted and seen as humorous. We all Miss. Tara Brooks Over the course of the COVID-19 pandemic, I laughed, and probably never really thought Mr. Cameron Clark had the opportunity to catch up on my about the power of the hidden message. We Mr. Eric Desmarais television viewing. I am not sure if this was a laughed when Edith Bunker (Jean Stapleton) good or bad thing, but it provided me with was called a “dingbat” by her tv husband Dr. Byron Dickens the opportunity to do what social scientist Archie on the sitcom All in the Family. We all Mr. Mahmoud Elassy loves to do – observe. It only took a few days laughed at Chrissy (Suzanne Somers), on the Mr. Joseph Gohar to remind myself about the biases that exist show Three is Company, when she was depicted as the embodiment of a “dumb in the media. -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
Everybody Loves Raymond” Let’S Shmues--Chat
THANKSGIVING WITH THE CAST OF “EVERYBODY LOVES RAYMOND” LET’S SHMUES--CHAT The Yiddish word for “turkey” is “indik.” “Dankbar” is the Yiddish word for “thankful.” By MARJORIE GOTTLIEB WOLFE 46 “milyon” turkeys are eaten each Thanksgiving. Turkey consumption has increased 104% since 1970. And 88% of Americans surveyed by the National Turkey Federation eat turkey on this holiday. Marie Barone (Doris Roberts) is devoted to making sure her boys are well-fed. She gets her adult children back with food. It’s like a culinary hostage trade-off. Marie wants Debra, her daughter-in-law, to be a better cook. She calls her “cooking-challenged” and thinks that she should live directly opposite Zabar’s. Marie want the children to have better food. She says, “A mother’s love for her sons is a lot like a dog’s piercing bark: protective, loyal, and impossible to ignore. Many episodes of “Everybody Loves Raymond” dealt with Thanksgiving. Grab a #2 pencil and see if you can identify which of the following story lines is real or fabricated. Good luck. EPISODE 1. Thanksgiving has arrived. Marie is on a “diete.” She has just returned from a residential treatment facility for weight (“vog”) loss at Duke University in North Carolina. It was an expensive (“tayer”) program. The lockdown began: Low-Fat, No-Sugar (“tsuker”), No Taste foods, and 750 calories a day. (That’s the equivalent of a slice of chocolate cake.) One woman in the program sent herself “Candygrams” each week (“vokh”). Doris eats very little (“a bisl”) at the Thanksgiving table, but as she is preparing to leave Debra’s house, she asks for a little leftover turkey and apple (“epl”) chutney. -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
General Cheers
NWA Kickball Cheers General Cheers Alamo: Kick it high. Kick it low. Kick it to the Alamo. Alamo, here we come. __________ is number one! Hot Dog: __________ wants a hot dog. __________ wants a coke. __________ wants a Home Run, and that's no joke! __________ wants a an orange. __________ wants a shake. __________ wants a to make it to Home Plate! Rock You [ Stomp, stomp, clap. Stomp, stomp, clap. ] We will, we will … Rock you down. Shake you up. Like a volcano ready to erupt. Watch out world. Here we come. __________ is number one! Froggy There was a little froggy -- sitting on a log He rooted for the other team -- it made no sense at all. We pushed him the water, and bonked his little head. And when he came back up again, this is what he said, he said: Go! Go, go! Go, mighty __________ . Fight! Fight, fight! Fight, mighty __________ . Win! Win, win! Win, mighty __________ . Go! Fight! WIn! Beat 'em till the end. Wooo! Big We’re BIG - B. I. G. And we’re BAD - B. A. D. And we’re BOSS - B. O. S. S. - B. O. S. S. - BOSS ! (REPEAT) We Are We are the __________ . Couldn't be prouder. If you can't hear us, we'll yell a little louder. (REPEAT - Louder each time) Stand Up Two bits! Four bits! Six bits! A dollar! All for the __________ stand up and holler! Call & Answer Cheers Dynamite: Our team is WHAT? DYNAMITE! Our team is WHAT? DYNAMITE! Our team is -- Hold on.