1913 LOCKOUT SPECIAL 2 Liberty • 1913 Lockout Special
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The Failure of an Irish Political Party
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service 1 Journalism in Ireland: The Evolution of a Discipline Mark O’Brien While journalism in Ireland had a long gestation, the issues that today’s journalists grapple with are very much the same that their predecessors had to deal with. The pressures of deadlines and news gathering, the reliability and protection of sources, dealing with patronage and pressure from the State, advertisers and prominent personalities, and the fear of libel and State regulation were just as much a part of early journalism as they are today. What distinguished early journalism was the intermittent nature of publication and the rapidity with which newspaper titles appeared and disappeared. The Irish press had a faltering start but by the early 1800s some of the defining characteristics of contemporary journalism – specific skill sets, shared professional norms and professional solidarity – had emerged. In his pioneering work on the history of Irish newspapers, Robert Munter noted that, although the first newspaper printed in Ireland, The Irish Monthly Mercury (which carried accounts of Oliver Cromwell’s campaign in Ireland) appeared in December 1649 it was not until February 1659 that the first Irish newspaper appeared. An Account of the Chief Occurrences of Ireland, Together with some Particulars from England had a regular publication schedule (it was a weekly that published at least five editions), appeared under a constant name and was aimed at an Irish, rather than a British, readership. It, in turn, was followed in January 1663 by Mercurius Hibernicus, which carried such innovations as issue numbers and advertising. -
Download the Liberty Ballygown Article Here
Vol.13 No. 5 June 2014 ISSN 0791-458X CRISIS AT BAUSCH PRIVATISATIONdscsdcsdcsdcsd THREAT cdscdscdscdsDEFENDING IRISH AND LOMB TO BUS SERVICES UNIVERSITIES Page 2, 6, 7 PagePage xxxxxxxx10 PagePage xxxxxxxxx 22 REMEMBERING No to THE TUAM BABIES further Page 9 budget ENDING THE HOUSING CRISIS cuts Page 13 by Frank Connolly Labour in Government must insist that there will be no further cuts affecting working fami- lies or those who depend on public services in the October budget, SIPTU President Jack O’Connor has said. He said the plan for a further €2 billion in cuts or LIBERTY new taxes is not justified in the light of recent excheq- CROSSWORD uer returns which are €1.2 billion ahead of target for the first five months of the year. WIN A HOTEL BREAK O’Connor said that the new leader of the Labour FOR TWO... Party must resist the call for the €2 billion adjustment in any talks with Fine Gael over Budget 2015 and to Page 31 leave the Government over the issue, if necessary. 1122 33454 5 “If the public finances remain as good as this for the 7 8 remainder of the year there will be absolutely no justi- 9 10 fication for a budget of anything remotely approaching Activists from the SIPTU Fair Deal for Cleaners Campaign held a series of colourful events to mark 111211 12 13 International Justice Day for Cleaners on Monday, 16th June in Dublin, Cork and Galway. 14 €2bn. Therefore, it is perfectly feasible to insist that 15 16 Pictured at the event in Connolly Station in Dublin were from left to right: Galyna Korytko, 17 there must be no further cuts affecting working 18 19 20 Jay Esteron and Carmen Maria Villanueva See page 3. -
References to Ffrench Mullen in the Allen Library
Dr. Kathleen Lynn Collection IE/AL/KL/1/7 25 June 1910 1 item; 2pp Empty envelope addressed to ‘Miss M. ffrench Mullen, 9 Belgrave Road, Rathmines, Dublin, Ireland.’ A list of names and numbers is written on the back of the envelope. IE/AL/KL/1/14 30 April 1916 1 item Handwritten last will and testament of Constance Markievicz. ‘I leave to my husband Casimir de Markievicz the sum of £100 pounds, to my stepson Stanislas de Markievicz the sum of £100 to Bessie Lynch who lived with me £25. Everything else I possess to my daughter, Medb Alys de Markievicz.’ Michael Mallin and Madeleine ffrench Mullen witnessed it. [Provenance: Given by Dr. Lynn, 10 September 1952]. IE/AL/KL/1/28 12 August 1916 1 item; 2pp Handwritten letter from Constance Markievicz, Holloway Jail to Madeleine ffrench Mullen. Constance Markievicz thanks her for the present and tells her ‘Mrs. Clarke is wonderful, with her bad health, its marvellous how she sticks it out at all. Give Kathleen and Emer my love and thank Emer for fags she sent me. I hope K is well; I heard that she was back from her holiday, but not going about much. I am all right again, gone up in weight and all the better for my enforced rest! …now goodbye much love to you and yours and my soldier girls.’ IE/AL/KL/1/30/1-2 7 November 1916 2 items Envelope and handwritten letter from Eva Gore Booth, 33 Fitzroy, Square, London to Dr. Lynn and Madeleine ffrench Mullen. -
Luas Red Line Customer Notice
Luas Red Line Customer Notice Luas Red Line stops from Abbey Street to The Point are closed until the end of July. Red Line services from Jervis to Tallaght and Saggart are running as normal but inbound trams will terminate at Jervis stop. A replacement bus is serving Jervis and the closed stops during this temporary closure. The bus stops are located on the Quays a short walking distance from the closed Luas stops. The inbound Bus departs from Bachelor’s Walk (close to Jervis stop) and terminates at Castleforbes Road (close to The Point stop) serving stops along The Quays. The outbound bus departs from Mayor Street Upper (close to The Point stop) terminating at Crampton Quay (close to Jervis stop) serving stops along the Quays. You don’t need a ticket for the replacement bus. You do need a valid ticket for tram services. Leap Card customers should Touch On/Off at Jervis stop. Customers who buy tickets from ticket machines should buy a ticket to/from Jervis stop. This temporary closure is necessary to facilitate Luas Cross City construction works on O’Connell Street and Marlborough Street. Thank you for your patience and cooperation during these works. For more info see www.luas.ie & www.luascrosscity.ie 1 Walking Directions Abbey Street Luas Stop to/from Replacement Bus Service Bus Stops Abbey Street Luas Stop to Bus Stop Number 297, Eden Quay (150 meters) for replacement bus services to The Point Head east on Abbey Street Lower towards Marlborough Street for approximately 40 meters. Cross Marlborough Street at the traffic lights turning right along Marlborough Street. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
James Quinn First Catholic Bishop of Brisbane
LATE RIGHT REV. JAMES O'QUINN, V .t FIRST BISHOP OF BRISBANE Taken faom CaAdinctf. Motion’6 Hl&to/uj oX the CcuthotLc. Chwmh ST. STEPHEN'S CATHEDRAL 'in AuA&ialaAjji. ' ’ JAMES QUINN FIRST CATHOLIC BISHOP OF BRISBANE Yvonne Margaret (Anne) Mc La y , B.A., M.Ed . A THESIS SUBMITTED AS PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy of the University of Queensland Department of History University of Queensland Br i s b a n e . December, 197A To My Mottvlk and Vathun and to St&tin. M. Xav2,ntuJ> 0 ' Vonogkue [teacher, i^tznd, and ^zllow-hlktonian) ABSTRACT OF THESIS Title: "James Quinn, First Catholic Bishop of Brisbane". Y.M. (Anne) McLay. Now - as in his lifetime - Bishop James Quinn is a controversial, and to many an unattractive, though highly significant figure of the foundation years of the Catholic Church in Queensland. My interest was aroused in discovering his true personality through my work in the history of Catholic education in this State, especially that of Mother Vincent Whitty and the first Sisters of Mercy. After several years of research I am still ambivalent towards him. I feel, however, this ambivalence is due to the paradoxes inherent in his personality rather than to any deficiency in my research. I have tried to show in this thesis the complexity of his character that these paradoxes caused. Bishop Quinn died in 1881, but the foundations of his work in Queensland were laid by 1875. To appreciate the shape of the Church that soared grandly from these foundations, to understand the conflict and the turmoil that surrounded the man and his creation, the bishop must be first seen in his original environment, Ireland and Rome. -
Seanad Éireann
Vol. 235 Thursday, No. 9 13 November 2014 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES SEANAD ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Insert Date Here 13/11/2014A00100Business of Seanad 516 13/11/2014A00300Order of Business 516 13/11/2014K00100Commemoration Planning: Statements ����������������������������������������������������������������������������������������������������������������532 13/11/2014W00800Adjournment Matters ��������������������������������������������������������������������������������������������������������������������������������������������558 13/11/2014W00850Autism Support Services 558 13/11/2014Y00350Housing Regeneration 562 SEANAD ÉIREANN Déardaoin, 13 Samhain 2014 Thursday, 13 November 2014 Chuaigh an Cathaoirleach i gceannas ar 1030 am Machnamh agus Paidir. Reflection and Prayer. 13/11/2014A00100Business of Seanad 13/11/2014A00200An Leas-Chathaoirleach: I have received notice from Senator Rónán Mullen that, on the motion for the Adjournment of the House today, he proposes to raise the following matter: The need for the Minister for Education and Skills to implement a programme of fund- ing, support and promotion of the rapid prompting method of education for children with learning disabilities I have also received notice from Senator Colm -
A Hard Days Night Angie About a Girl Acky Breaky Heart All Along the Watchtowers Angels All the Small Things Ain`T No Sunshine A
A hard days night Angie About a girl Acky breaky heart All along the watchtowers Angels All the small things Ain`t no sunshine All shook up Alberta Alive And I love her Anna (go to him) 500 miles 7 nation army Back to you Bad moon rising Be bop a lula Beds are burnng Big monkey man Bitter sweet symphony Big yellow taxi Blue suede shoes Born to be wild Breakfast at Tiffany`s Bonasera Brown eyed girl Can`t take my eyes off of you Californication Change the world Cigarettes and alcohol Cocain blues Baby,Come back Chasing cars Come together Creep Come as you are Cocain Cotton fields Crazy Country roads Crazy little thing called love Dont look back in anger Don't worry be happy Dancing in the moonlight Don`t stop belivin` Dance the night away Dead or alive Englishman in NY Every breath you take Easy Faith Feel like making love Fortunate son Fields of gold Further on up the road Free falling Gimme all your lovin' Gimme love Gimme all your love Great balls of fire Green grass of home Happy Hello Heart-shaped box Have you ever seen the rain Hello Mary Lou Highway to hell High and dry Hey jude Hotel california Human touch Hurt Hound dog (ISun Can't is shining Get No) Satisfaction I'm yours I don't wanna miss a thing I saw her staning there I got stripes I walk the line Imagine I`m a believer It`s my life (D) Impossible Jamming Johny be goode Keep on rockin` in a free world Knockin` on the heavens door Kingston town La bamba (E) Lay down Sally Learn to fly Light my fire Let her go Let it be Love is all around Layla Learning to fly Living next door -
The Banshee's Kiss: Conciliation, Class and Conflict in Cork and The
The Banshee’s Kiss: Conciliation, Class and Conflict in Cork and the All for Ireland League. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by Patrick Joseph Murphy. August 2019 1 The Banshee’s Kiss: Conciliation, Class and Conflict in Cork and the All for Ireland League. ABSTRACT Historians have frequently portrayed constitutional nationalism as being homogeneous - ‘the Home Rule movement’- after the reunification of the Irish parliamentary party in 1900. Yet there were elements of nationalist heterodoxy all over the country, but it was only in Cork where dissent took an organised form in the only formal breakaway from the Irish party when the All for Ireland League (A.F.I.L.) was launched in 1910. The AFIL took eight of the nine parliamentary seats in Cork and gained control of local government in the city and county the following year. Existing historical accounts do not adequately explain why support for the Home Rule movement collapsed in Cork, but also why the AFIL flourished there but failed, despite the aspiration of its name, to expand beyond its regional base. The AFIL is chiefly remembered for its visionary policy of conciliation with unionists following the Damascene conversion of its leader William O’Brien, transformed from the enemy of the landed classes to an apostle of a new kind of bi- confessional politics. This would, he claimed, end the ‘Banshee’s Kiss’, a cycle of conflict in which each new generation attempts to achieve Irish freedom. However, conciliation was a policy which was unpopular with both nationalists and unionists and O’Brien therefore needed to develop an electoral base by other means with more popular policies. -
Snow Patrol (UK) Till Stockholm
2009-02-26 14:54 CET Snow Patrol (UK) till Stockholm 18 maj - Stockholm, Cirkus (stående parkett) Snow Patrol föddes i exil. Sångaren och gitarristen Gary Lightbody och bassisten Mark McClelland var nämligen båda uppvuxna på Nordirland men möttes först efter att de flyttat till Skottland och universitet i Dundee. Tillsammans blev de embryot till det band som senare skulle hänföra folk runt om i världen. Tillsammans med Jonny Quinn på trummor släppte de 1998 debuten i form av "Songs for Polar Bears", och snart nog var de inte bara en lokal angelägenhet i Dundee, de omfamnades hjärtligt av en enad kritikerkår runt om på de brittiska öarna. När uppföljaren "When It's All Over We Still Have To Clear Up" kom blev den däremot inte mer än en perifer framgång och bandet blev av med kontraktet från det lilla indiebolaget Jeepster ( Belle & Sebastian). Här kunde historien ha tagit slut, men i samma veva anslöt sig gitarristen Nathan Connolly till Snow Patrol och bandet signade med storbolaget Polydor. Det ambitiösa arbetet med vad som skulle lyfta bandet som en projektil mot skyarna påbörjades, och inom kort skulle de fastslå den storhet som redan var inneboende i bandet. Tillsammans med producenten Jacknife Lee ( The Hives, Weezer) skapade de mästerverket "Final Straw", ett episkt verk som fullföljde de bombastiska drömmar Gary Lightbody såg inom sig. Det är knappast någon som kan ha undgått att beröras av "Chasing Cars", låten som etsade sig fast i etern för tre år sedan. Snow Patrols signum kan sägas vara enkelhet. Några få välvalda toner som vävs samman med Lightbodys lätt sorgsna stämma plöjer vägen för, i kontrast, stora arrangemang. -
Snow Patrol ‘Chasing Cars’
Rockschool Grade Pieces Snow Patrol ‘Chasing Cars’ Snow Patrol SONG TITLE: CHASING CARS ALBUM: EYES OPEN RELEASED: 2006 LABEL: POLYDOR GENRE: INDIE PERSONNEL: GARY LIGHTBODY (VOX+GTR) NATHAN CONNOLLY (GTR) PAUL WILSON (BASS) JONNY QUINN (DRUMS) TOM SIMPSON (KEYS) UK CHART PEAK: 6 US CHART PEAK: 5 BACKGROUND INFO NOTES ‘Chasing Cars’ is the second single from Snow Although it didn’t achieve a number 1 in the UK or Patrol’s 2006 album Eyes Open. It is a based on a the U.S. ‘Chasing Cars’ still receives massive airplay single three-chord progression, but ‘Chasing Cars’ is and can be heard almost constantly in TV shows. A far from simple. The song starts with a sparse picked moving acoustic version of ‘Chasing Cars’ appears on eighth-note guitar line which is augmented by subtle the soundtrack for the US TV show Grey’s Anatomy. keyboard parts. The arrangement uses changes in dynamics to develop the song. The third chorus sees ‘Chasing Cars’ move up another notch adding RECOMMENDED LISTENING drums and several distorted guitars playing different inversions (where the notes of a chord are arranged Snow Patrol’s songs are masterpieces of in a different order) to create an orchestra-like wall of arrangement and see the guitar adopting a supporting guitars. The end of the song sees the song return to role on their songs rather than the dominant riffs its sparse beginnings with the re-stating of the simple and extended guitar solos you might expect to hear picked guitar part. from a rock, blues or metal band. -
Contents PROOF
PROOF Contents Notes on the Contributors vii Introduction 1 1 The Men of Property: Politics and the Languages of Class in the 1790s 7 Jim Smyth 2 William Thompson, Class and His Irish Context, 1775–1833 21 Fintan Lane 3 The Rise of the Catholic Middle Class: O’Connellites in County Longford, 1820–50 48 Fergus O’Ferrall 4 ‘Carrying the War into the Walks of Commerce’: Exclusive Dealing and the Southern Protestant Middle Class during the Catholic Emancipation Campaign 65 Jacqueline Hill 5 The Decline of Duelling and the Emergence of the Middle Class in Ireland 89 James Kelly 6 ‘You’d be disgraced!’ Middle-Class Women and Respectability in Post-Famine Ireland 107 Maura Cronin 7 Middle-Class Attitudes to Poverty and Welfare in Post-Famine Ireland 130 Virginia Crossman 8 The Industrial Elite in Ireland from the Industrial Revolution to the First World War 148 Andy Bielenberg v October 9, 2009 17:15 MAC/PSMC Page-v 9780230_008267_01_prex PROOF vi Contents 9 ‘Another Class’? Women’s Higher Education in Ireland, 1870–1909 176 Senia Pašeta 10 Class, Nation, Gender and Self: Katharine Tynan and the Construction of Political Identities, 1880–1930 194 Aurelia L. S. Annat 11 Leadership, the Middle Classes and Ulster Unionism since the Late-Nineteenth Century 212 N. C. Fleming 12 William Martin Murphy, the Irish Independent and Middle-Class Politics, 1905–19 230 Patrick Maume 13 Planning and Philanthropy: Travellers and Class Boundaries in Urban Ireland, 1930–75 249 Aoife Bhreatnach 14 ‘The Stupid Propaganda of the Calamity Mongers’?: The Middle Class and Irish Politics, 1945–97 271 Diarmaid Ferriter Index 289 October 9, 2009 17:15 MAC/PSMC Page-vi 9780230_008267_01_prex PROOF 1 The Men of Property: Politics and the Languages of Class in the 1790s Jim Smyth Political rhetoric in Ireland in the 1790s – the sharply conflicting vocabularies of reform and disaffection, liberty, innovation.