Journal of Italian Cinema and Media Studies

Daniela Turco (Editorial Board of Filmcritica, Roma, Italia) [Panel 33]

Irene Valle Corpas (Universidad de Grenada, Spain) [Panel 43]

Karen Venturini (Università della Repubblica di San Marino) [Panel 45]

Roberta K. Waldbaum (University of Denver, USA) [Panel 15]

Marguerite Waller (University of California, Riverside, USA) [Panels 11, 17]

Rhiannon Noel Welch (Rutgers University, New Brunswick, USA) [Panel 35]

Vito Zagarrio (Università degli Studi Roma Tre, Italia) [Panel 32]

Luca Zamparini (City University of New York, USA) [Panel 24]

Gaoheng Zhang (University of British Columbia, Vancouver, Canada) [Panels 37, 42]

Conference Directors Flavia Laviosa (Wellesley College) Journal of Italian Cinema and Media Studies Catherine Ramsey-Portolano (The American University of Rome) International Conference Assistant to the Directors Ryan Calabretta-Sajder (University of Arkansas)

Conference Assistants

Matilde Borio, Cassy Miller, Margaret Roberts (Wellesley College)

Sponsors Innovations and Tensions Wellesley College

Italian Cinema and Media in a Global World The American University of Rome The American University of Rome, Italia Intellect Ltd Via Pietro Roselli 4, Roma

Keynote Speaker 9-10 June 2017 Prof.ssa Milly Buonanno

Sapienza Università di Roma

Ambigue distanze e incontri ravvicinati tra la televisione e il cinema in Italia

ConferenceConference Directors Directors FlaviaFlavia Laviosa Laviosa (Wellesley (Wellesley College) College) JournalJournal ofof ItalianItalian CinemaCinema andand MediaMedia StudiesStudies CatherineCatherine Ramsey Ramsey--PortolanoPortolano (The(The American American University University of of Rome) Rome) InternationalInternational ConferenceConference AssistantAssistant toto thethe DirectorsDirectors RyanRyan CalabrettaCalabretta--SajderSajder (University(University ofof Arkansas)Arkansas)

ConferenceConference AssistantsAssistants

MatildeMatilde Borio,Borio, C CassyCassyassie Miller,Miller, MargaretMargaret RobertsRoberts (Wellesley(Wellesley College)College)

SponsorsSponsors InnovationsInnovations andand TensionsTensions WellesleyWellesley College College

ItalianItalian CinemaCinema andand MediaMedia inin aa GlobalGlobal WorldWorld TheThe American American University University of of Rome Rome TheThe AmericanAmerican UniversityUniversity ofof RomeRome,, ItaliaItalia IntellectIntellect Ltd Ltd ViaVia PietroPietro RoselliRoselli 4,4, RomaRoma

KeynoteKeynote Speaker Speaker 99--1010 JuneJune 20172017 Prof.ssaProf.ssa Milly Milly Buonanno Buonanno

SapienzaSapienza Università Università di di Roma Roma

AmbigueAmbigue distanze distanze e e incontri incontri ravvicinati ravvicinati tratra la la televisione televisione e e il il cinema cinema in in Italia Italia

1 Schedule Outline

Friday 9 June 2017 Saturday 10 June 2017

8.30-17.00 Registration 8.30-17.00 Registration 9.00-10.15 Panel Series F 9.00-9.30 Opening Remarks 10.30-11.45 Panel Series G 9.45-11.00 Panel Series A 12.00-12.30 Intellect Presentation 11.15-12.30 Panel Series B 12.35-13.30 Lunch (Buffet) 12.30-13.30 Lunch (Buffet) 13.30-14.45 Panel Series H 13.30-14.45 Panel Series C 15.00-16.15 Panel Series I 15.00-16.15 Panel Series D 16.30-17.45 Panel Series J 16.30-17.45 Panel Series E 18.00-19.30 Film Screening 18.00-19.00 Keynote Address Director Fred Kuwornu Blaxploitalian; 100 Years of Blackness in Italian Cinema Professor Milly Buonanno (2016) Sapienza Università di Roma Registration: Building B, Garden 2 19.30-21.00 Welcome Reception Intellect Book Exhibition: Building B, Garden 1 All Panels: Building B Opening Remarks, Intellect Presentation, Keynote Address, Film Screening: Auriana Auditorium

2 Schedule Outline

Friday 9 June 2017 Saturday 10 June 2017

Conference Schedule Conference Schedule

Friday 9 June 2017 9.45 – 11.00 Panel Series A Friday 9 June 2017 9.45 – 11.00 Panel Series A

8.30 – 17.00 Registration – B 8.30 – 17.00 Registration – B Panel 1: RAI Past and Future - B 205 Panel 1: RAI Past and Future - B 205 9.00 – 9.30 Opening Remarks (Auriana Auditorium) 9.00 – 9.30 Opening Remarks (Auriana Auditorium) Chair: Tijana Mamula Chair: Tijana Mamula Flavia Laviosa, Conference Director John Cabot University in Rome, Italia John Cabot University in Rome, Italia WellesleyFlavia Laviosa, College Conference Director

Wellesley College 1. Mihaela Gavrila and Mario Morcellini 1. Mihaela Gavrila and Mario Morcellini Lisa Colletta, Dean of Academic Affairs Sapienza Università di Roma, Italia TheLisa American Colletta, DeanUniversity of Academic of Rome Affairs Sapienza Università di Roma, Italia The American University of Rome “Ripensare i media di Servizio Pubblico partendo dalla ricerca. Mario Morcellini, Consigliere alla Comunicazione Una“Ripensare consultazione i media pubblica di Servizio con Pubblico i giovani partendo per la RAI dalla ricerca. Mario Morcellini, Consigliere alla Comunicazione Sapienza Università di Roma delUna futuro” consultazione pubblica con i giovani per la RAI Sapienza Università di Roma del futuro” 2. Giulia Muggeo James Campbell, International Marketing Manager 2. Giulia Muggeo IntellectJames Campbell, Ltd International Marketing Manager Università degli Studi di Torino, Italia Intellect Ltd Università degli Studi di Torino, Italia

Catherine Ramsey-Portolano, Conference Director “I ragazzi di Bandiera Gialla. Il caso Rocky Roberts Catherine Ramsey-Portolano, Conference Director tra“I ragazzi televisione di Bandiera e riviste Gialla giovanili”. Il caso Rocky Roberts The American University of Rome tra televisione e riviste giovanili” The American University of Rome 3. Emma Barron 3. Emma Barron University of Sydney, Australia University of Sydney, Australia

“The Promise of Readers: 1960s Italian Television and“The I PromisePromessi of Sposi Readers:” 1960s Italian Television and I Promessi Sposi”

4 Conference Schedule

Friday 9 June 2017 9.45 – 11.00 Panel Series A

8.30 – 17.00 Registration – B Panel 1: RAI Past and Future - B 205 9.00 – 9.30 Opening Remarks (Auriana Auditorium) Chair: Tijana Mamula Flavia Laviosa, Conference Director John Cabot University in Rome, Italia Wellesley College 1. Mihaela Gavrila and Mario Morcellini Lisa Colletta, Dean of Academic Affairs Sapienza Università di Roma, Italia The American University of Rome “Ripensare i media di Servizio Pubblico partendo dalla ricerca. Mario Morcellini, Consigliere alla Comunicazione Una consultazione pubblica con i giovani per la RAI Sapienza Università di Roma del futuro”

James Campbell, International Marketing Manager 2. Giulia Muggeo Intellect Ltd Università degli Studi di Torino, Italia

Catherine Ramsey-Portolano, Conference Director “I ragazzi di Bandiera Gialla. Il caso Rocky Roberts The American University of Rome tra televisione e riviste giovanili”

3. Emma Barron

University of Sydney, Australia

“The Promise of Readers: 1960s Italian Television and I Promessi Sposi”

5 Panel 2: Italian Film Genres I – B 206 Panel 3: Video Games – B 204

Chair: Massimiliano Pistonesi Chair: Marco Benoît Carbone Independent Scholar, DeA Planeta Libri, Milano, Italia University College London, UK

1. Myriam Swennen Ruthenberg 1. Marco Benoît Carbone Florida Atlantic University, Boca Raton, USA University College London, UK

“Healing the World: the Role of the Poet in Eduardo Ponti’s “Producers, designers, and film culture: Ideas Il turno di notte lo fanno le stelle” of national identity in Italian video games”

2. Patrizia La Trecchia 2. Mattia Filigoi and Matteo Genovesi University of South Florida, Tampa, USA Università degli Studi di Udine, Italia “Soggettiva videoludica italiana: tra Grezzo 2 “Politics of Italian Gastronationalism in Cinema” e The Town of Light”

3. Marta Perrotta 3. Ambra Benvenuto Università degli Studi Roma Tre, Italia Università degli Studi di Napoli Federico II, Italia

“‘Vedi Napoli e poi muori’. Analisi delle subalternità culturali “L’architettura nei video-games è solo nei codici?” in tre docu-soaps ambientate a Napoli: Il boss delle cerimonie, Lucky Ladies e Morti e stramuorti”

6 7 Panel 2: Italian Film Genres I – B 206 Panel 3: Video Games – B 204

Chair: Massimiliano Pistonesi Chair: Marco Benoît Carbone Independent Scholar, DeA Planeta Libri, Milano, Italia University College London, UK

1. Myriam Swennen Ruthenberg 1. Marco Benoît Carbone Florida Atlantic University, Boca Raton, USA University College London, UK

“Healing the World: the Role of the Poet in Eduardo Ponti’s “Producers, designers, and film culture: Ideas Il turno di notte lo fanno le stelle” of national identity in Italian video games”

3. Marta Perrotta 3. Ambra Benvenuto Università degli Studi Roma Tre, Italia Università degli Studi di Napoli Federico II, Italia

6 7 Panel 4: Lui, lei e l’altro. Re-tracing Gender across Panel 5: Studi Cinematografici e Cineteca – B 306 the Popular/Auteur Divide in Recent Italian Film - B 304 Chair: Vanesa Coscia Universidad de Buenos Aires, Argentina Organizer: Dom Holdaway Università degli Studi di Bologna, Italia 1. Enzo Lavagnini Archivio Pasolini di Ciampino, Italia Chair: Louis Bayman University of Southampton, UK “Cinecittà 80 anni, 1937-2017. Gli studios che hanno raccontato l’Italia” 1. Valerio Coladonato American University of Paris, France 2. Donatella Maraschini and Paola Nasini London South Bank University, UK and “Vatican Masculinity: Reshaping Normative Models Hoben Ltd, London, UK in Habemus Papam and The Young Pope” “Filmmaker and the Milanese Independent Cinema Scape 2. Dalila Missero of the 1980s and 1990s” Università degli Studi di Bologna, Italia 3. Andrea Gelardi “Are Italian Genres Beyond Gender? Lo chiamavano University of St. Andrew, UK Jeeg Robot and the Claim for Realism” “Tra vocazione al territorio e azioni internazionali: 3. Dom Holdaway Bologna e la sua Cineteca” Università degli Studi di Bologna, Italia

“Un altro pianeta: the Non-Normative Potential of Mainstream Film”

8 9 Panel 4: Lui, lei e l’altro. Re-tracing Gender across Panel 5: Studi Cinematografici e Cineteca – B 306 the Popular/Auteur Divide in Recent Italian Film - B 304 Chair: Vanesa Coscia Universidad de Buenos Aires, Argentina Organizer: Dom Holdaway Università degli Studi di Bologna, Italia 1. Enzo Lavagnini Archivio Pasolini di Ciampino, Italia Chair: Louis Bayman University of Southampton, UK “Cinecittà 80 anni, 1937-2017. Gli studios che hanno raccontato l’Italia” 1. Valerio Coladonato American University of Paris, France 2. Donatella Maraschini and Paola Nasini London South Bank University, UK and “Vatican Masculinity: Reshaping Normative Models Hoben Ltd, London, UK in Habemus Papam and The Young Pope” “Filmmaker and the Milanese Independent Cinema Scape 2. Dalila Missero of the 1980s and 1990s” Università degli Studi di Bologna, Italia 3. Andrea Gelardi “Are Italian Genres Beyond Gender? Lo chiamavano University of St. Andrew, UK Jeeg Robot and the Claim for Realism” “Tra vocazione al territorio e azioni internazionali: 3. Dom Holdaway Bologna e la sua Cineteca” Università degli Studi di Bologna, Italia

“Un altro pianeta: the Non-Normative Potential of Mainstream Film”

8 9 11.15 – 12.30 Panel Series B

11.15 – 12.30 Panel Series B

Panel 6: Postcolonial Intermediality – B 304 Panel 7: Anna Magnani: Re-thinking Stardom Panel 6: Postcolonial Intermediality – B 304 Paneland Film 7: Anna Acting Magnani: in the Post Re--warthinking Period Stardom – B 206 Organizer: Serena Alessi and Film Acting in the Post-war Period – B 206 Organizer:The British SchoolSerena at Alessi Rome, Italia Organizer: Sergio Rigoletto

The British School at Rome, Italia Organizer:University of Sergio Oregon, Rigoletto Eugene, USA Chair: Caterina Romeo Un iversity of Oregon, Eugene, USA Chair:Sapienza Caterina Università Romeo di Roma, Italia Chair: Catherine Ramsey-Portolano Sapienza Università di Roma, Italia The American University of Rome, Italia 1. Cristina Lombardi-Diop Chair: Catherine Ramsey-Portolano

1.Loyola Cristina University Lombardi Chicago,-Diop USA The American University of Rome, Italia 1. Giulia Carluccio Loyola University Chicago, USA Università degli Studi di Torino, Italia “Interrupted Postcoloniality: Mediterranean Crossings 1. Giulia Carluccio

“Interruptedin the Visual Postcoloniality:Arts” Mediterranean Crossings Università degli Studi di Torino, Italia “Scrivere la Magnani. Persona, personaggio, in the Visual Arts” diva nel lavoro di Suso Cecchi D’Amico” 2. Serena Alessi “Scrivere la Magnani. Persona, personaggio,

2.The Serena British Alessi School at Rome, Italia diva nel lavoro di Suso Cecchi D’Amico” 2. Maria Paola Pierini The British School at Rome, Italia Università degli Studi di Torino, Italia “Images of Postcolonial Rome” 2. Maria Paola Pierini

“Images of Postcolonial Rome” Università degli Studi di Torino, Italia “Anomalia Magnani: donna versus diva” 3. Gianmarco Mancosu

3.University Gianmarco of Warwick, Mancosu UK “Anomalia Magnani: donna versus diva” 3. Sergio Rigoletto University of Warwick, UK University of Oregon, Eugene, USA “Filling Colonial Aphasia. The Use of Found Footage, 3. Sergio Rigoletto

“FillingSongs and Colonial Pictures Aphasia. in Asmarina The Use” of Found Footage, University of Oregon, Eugene, USA “Labored Acting, Acting as Labor” Songs and Pictures in Asmarina” “Labored Acting, Acting as Labor”

10 11 11.15 – 12.30 Panel Series B

Panel 6: Postcolonial Intermediality – B 304 Panel 7: Anna Magnani: Re-thinking Stardom and Film Acting in the Post-war Period – B 206 Organizer: Serena Alessi The British School at Rome, Italia Organizer: Sergio Rigoletto

University of Oregon, Eugene, USA Chair: Caterina Romeo Sapienza Università di Roma, Italia Chair: Catherine Ramsey-Portolano 1. Cristina Lombardi-Diop The American University of Rome, Italia Loyola University Chicago, USA 1. Giulia Carluccio “Interrupted Postcoloniality: Mediterranean Crossings Università degli Studi di Torino, Italia in the Visual Arts” “Scrivere la Magnani. Persona, personaggio, 2. Serena Alessi diva nel lavoro di Suso Cecchi D’Amico” The British School at Rome, Italia 2. Maria Paola Pierini “Images of Postcolonial Rome” Università degli Studi di Torino, Italia

3. Gianmarco Mancosu “Anomalia Magnani: donna versus diva” University of Warwick, UK 3. Sergio Rigoletto “Filling Colonial Aphasia. The Use of Found Footage, University of Oregon, Eugene, USA Songs and Pictures in Asmarina” “Labored Acting, Acting as Labor”

10 11 Panel 8: Streaming Media e Social Networks I – B 205 3. Massimiliano Pistonesi Independent Scholar, DeA Planeta Libri, Milano, Italia Chair: Antonia Cava Università degli Studi di Messina, Italia “La storia del cinema per comprendere la svolta della nuova serialità italiana: Romanzo Criminale, Gomorra, I Medici 1. Paola Panarese, Stefania Parisi, and Marco Binotto e The Young Pope” Sapienza Università di Roma, Italia “Fertility Day, Fertility Fake. Studio su una campagna istituzionale e la sua contro-campagna creativa” Panel 10: Beauty and Fashion – B 306 Chair: Catherine Ramsey-Portolano 2. Luca Massidda The American University of Rome, Italia Università degli Studi di Camerino, Italia 1. Francesca Calamita “Serializzare gli archivi. Netflix e la microfisica University of Virginia, Charlottesville, USA dei contenuti narrativi” “Beauty Standards, Photoshop Effects and Patriarchal Indoctrination: Francesca Lolli’s How It Has To Be” Panel 9: Television Series I – B 204 2. Loredana La Fortuna Chair: Gevisa La Rocca Università degli Studi di Bari, Italia Università di Enna ‘Kore’, Italia

1. Stefania Antonioni and Chiara Checcaglini “Cinema e moda. La bellezza made in Italy. Stereotipi Università degli Studi di Urbino Carlo Bo, Italia e tratti identitari”

“Da Parenthood a Tutto può succedere: tra remake, 3. Vladislav Dekalov and Kristina Grigoryeva adattamento e traduzione transculturale” Saint Petersburg State University, Russia

2. Luca Bandirali “Concept ‘fashion’ as an Instrument of the Italian Soft Power” Università del Salento, Lecce, Italia

“Un modello americano per la serialità italiana: il caso 1992” 12.30 – 13.30 Lunch in the Garden

12 13 Panel 8: Streaming Media e Social Networks I – B 205 3. Massimiliano Pistonesi Independent Scholar, DeA Planeta Libri, Milano, Italia Chair: Antonia Cava Università degli Studi di Messina, Italia “La storia del cinema per comprendere la svolta della nuova serialità italiana: Romanzo Criminale, Gomorra, I Medici 1. Paola Panarese, Stefania Parisi, and Marco Binotto e The Young Pope” Sapienza Università di Roma, Italia “Fertility Day, Fertility Fake. Studio su una campagna istituzionale e la sua contro-campagna creativa” Panel 10: Beauty and Fashion – B 306 Chair: Catherine Ramsey-Portolano 2. Luca Massidda The American University of Rome, Italia Università degli Studi di Camerino, Italia 1. Francesca Calamita “Serializzare gli archivi. Netflix e la microfisica University of Virginia, Charlottesville, USA dei contenuti narrativi” “Beauty Standards, Photoshop Effects and Patriarchal Indoctrination: Francesca Lolli’s How It Has To Be” Panel 9: Television Series I – B 204 2. Loredana La Fortuna Chair: Gevisa La Rocca Università degli Studi di Bari, Italia Università di Enna ‘Kore’, Italia

1. Stefania Antonioni and Chiara Checcaglini “Cinema e moda. La bellezza made in Italy. Stereotipi Università degli Studi di Urbino Carlo Bo, Italia e tratti identitari”

“Da Parenthood a Tutto può succedere: tra remake, 3. Vladislav Dekalov and Kristina Grigoryeva adattamento e traduzione transculturale” Saint Petersburg State University, Russia

2. Luca Bandirali “Concept ‘fashion’ as an Instrument of the Italian Soft Power” Università del Salento, Lecce, Italia

“Un modello americano per la serialità italiana: il caso 1992” 12.30 – 13.30 Lunch in the Garden

12 13 13.30 – 14.45 Panel Series C

2. Giacomo Ravesi 1. Frank Burke 1. Frank Burke Università degli Studi Roma Tre, Italia Queen’s University, Kingston, Canada “Vestiti da sposa, sogni imprenditoriali e pistole. L’immagine “New Directions in Fellini Studies” del Nord Est nelle serie tv: Sposami, Faccia d’angelo, Di padre in figlia” 2. Marita Gubareva Independent Scholar and Journalist, Roma, Italia 3. Giuseppe Fidotta Concordia University, Montreal, Canada “Fellini’s Aesthetics and the Decadent Movement” “The Bible Project Religious TV and the Pursuit “The Bible Project Religious TV and the Pursuit of an Ecumenical Vernacular” 3. Marguerite Waller of an Ecumenical Vernacular”

University of California, Riverside, USA

“Transnational Fellini: The Cuban Connection”

14 15 13.30 – 14.45 Panel Series C

Panel 11: Future Memories: Anniversaries Panel 12: Television Series II – B 304 of Cinema and Media Institutions – B 204 Chair: Massimiliano Pistonesi Organizer: Marguerite Waller Independent Scholar, DeA Planeta Libri, Milano, Italia University of California, Riverside, USA 1. Anna Lucia Natale Chair: Rebecca Bauman Sapienza Università di Roma, Italia Fashion Institute of Technology, State University of New York, USA “Parenthood. Family stories tra Italia e Stati Uniti” 2. Giacomo Ravesi 1. Frank Burke Università degli Studi Roma Tre, Italia Queen’s University, Kingston, Canada “Vestiti da sposa, sogni imprenditoriali e pistole. L’immagine “New Directions in Fellini Studies” del Nord Est nelle serie tv: Sposami, Faccia d’angelo, Di padre in figlia” 2. Marita Gubareva Independent Scholar and Journalist, Roma, Italia 3. Giuseppe Fidotta Concordia University, Montreal, Canada “Fellini’s Aesthetics and the Decadent Movement” “The Bible Project Religious TV and the Pursuit 3. Marguerite Waller of an Ecumenical Vernacular” University of California, Riverside, USA

“Transnational Fellini: The Cuban Connection”

14 15 Panel 13: Transnational Identities I – B 306 Panel 14: Web Series – B 206 Chair: Ryan Calabretta-Sajder Chair: Annachiara Mariani University of Arkansas, Fayettville, USA The University of Tennessee, Knoxville, USA

1. Giuseppe Natale 1. Maria Luisa Terrizzi University of Nevada, Las Vegas, USA Independent Scholar, Messina, Italia “Italy Within and Without: A Cinema of (Non)Migration” “Italianità sul web. Visioni, generi e prospettive attraverso i progetti web-seriali: A’ famigghia, Welcome to Italy, 2. Caterina Romeo Italicus, Ritals” Sapienza Università di Roma, Italia 2. Antonio Mastrogiacomo “Shaping Transnational Identities in the Web Series Università degli Studi di Napoli Federico II, Italia Italianers and the Documentary La deutsche vita” “citofona@casasurace. Le web series: identità geoculturali 3. Phillip Drummond ad alta definizione” New York University in London, UK

“Sicily in Cinema: Narratives of Place Panel 15: Film Festivals – B 205 and Intercultural Identity” Chair: Lorenzo Fabbri University of Minnesota, Twin Cities, USA

1. Ludovico Ferro Università degli Studi di Padova, Italia

“I festival cinematografici. Ipotesi e metodologia

di una ricerca empirica di sociologia del Cinema”

2. Roberta K. Waldbaum University of Denver, USA

“The Denver Film Festival: Focus on Italian Cinema”

16 17 Panel 13: Transnational Identities I – B 306 Panel 14: Web Series – B 206 Chair: Ryan Calabretta-Sajder Chair: Annachiara Mariani University of Arkansas, Fayettville, USA The University of Tennessee, Knoxville, USA

“Sicily in Cinema: Narratives of Place Panel 15: Film Festivals – B 205 and Intercultural Identity” Chair: Lorenzo Fabbri University of Minnesota, Twin Cities, USA

1. Ludovico Ferro Università degli Studi di Padova, Italia

“I festival cinematografici. Ipotesi e metodologia

di una ricerca empirica di sociologia del Cinema”

2. Roberta K. Waldbaum University of Denver, USA

“The Denver Film Festival: Focus on Italian Cinema”

16 17

15.00 – 16.15 Panel Series D 15.00 – 16.15 Panel Series D

Panel 16: Women and Cinema – B 304 Panel 17: (Roundtable): Responses to the Wiley-Blackwell Companion to Italian Cinema: Reconfiguring the Scene Panel 16: Women and Cinema – B 304 Panel 17: (Roundtable): Responses to the Wiley-Blackwell Companionof Contemporary to Italian Italian Cinema Cinema: Reconfiguring Studies – B the204 Scene Chair: Flavia Brizio-Skov (University of Tennessee, Knoxville, USA) of Contemporary Italian Cinema Studies – B 204 Chair: Flavia Brizio-Skov (University of Tennessee, Organizer and Chair: Frank Burke Knoxville, USA) Queen’s University, Kingston, Canada 1. Flavia Brizio-Skov (University of Tennessee, Organizer and Chair: Frank Burke Queen’s University, Kingston, Canada 1.Knoxville, Flavia Brizio USA)- Skov (University of Tennessee, Frank Burke Queen’s University, Kingston, Canada “DoKnoxville, we Have USA) Heroines in Western Films?” Frank Burke Queen’s University, Kingston, Canada 2.“Do Bernadette we Have Heroines Luciano in(University Western Films?” of Auckland, New Adriano Aprà Zealand) AdrianoIndependent Aprà Scholar , Roma, Italia 2. Bernadette Luciano (University of Auckland, New Zealand) Independent Scholar, Roma, Italia “Costanza Quatriglio’s Transnational Triangle: Veronica Pravadelli “CostanzaVoices from Quatriglio’s the Rubble” Transnational Triangle: VeronicaUniversità Pravadelli degli Studi Roma Tre, Italia Voices from the Rubble” Universit à degli Studi Roma Tre, Italia 3. Nicoletta Marini-Maio (Dickinson College, Carlisle, USA) Dom Holdaway 3. Nicoletta Marini-Maio (Dickinson College, Carlisle, USA) DomUniversità Holdaway degli Studi di Bologna, Italia “The Entrepreneurial Model of the Self: Narratives of Desire, Università degli Studi di Bologna, Italia “TheStruggle, Entrepreneurial and Failure inModel Italian of Womenthe Self: Directors’ Narratives Cinema” of Desire, Marguerite Waller Struggle, and Failure in Italian Women Directors’ Cinema” MargueriteUniversity of Waller California, Riverside, USA University of California, Riverside, USA

Luca Caminati Concordia University, Montreal, Canada Luca Caminati Concordi a University, Montreal, Canada Louis Bayman University of Southampton, UK Louis Bayman University of Southampton, UK

18 19

15.00 – 16.15 Panel Series D

Panel 16: Women and Cinema – B 304 Panel 17: (Roundtable): Responses to the Wiley-Blackwell Companion to Italian Cinema: Reconfiguring the Scene

of Contemporary Italian Cinema Studies – B 204 Chair: Flavia Brizio-Skov (University of Tennessee,

Knoxville, USA) Organizer and Chair: Frank Burke

Queen’s University, Kingston, Canada 1. Flavia Brizio-Skov (University of Tennessee, Knoxville, USA) Frank Burke Queen’s University, Kingston, Canada “Do we Have Heroines in Western Films?”

2. Bernadette Luciano (University of Auckland, New Adriano Aprà Zealand) Independent Scholar, Roma, Italia

“Costanza Quatriglio’s Transnational Triangle: Veronica Pravadelli Voices from the Rubble” Università degli Studi Roma Tre, Italia

3. Nicoletta Marini-Maio (Dickinson College, Carlisle, USA) Dom Holdaway Università degli Studi di Bologna, Italia “The Entrepreneurial Model of the Self: Narratives of Desire, Struggle, and Failure in Italian Women Directors’ Cinema” Marguerite Waller University of California, Riverside, USA

Luca Caminati Concordia University, Montreal, Canada

Louis Bayman University of Southampton, UK

18 19 Panel 18: Italian Screen Studies Inside and Outside of Italy Panel 19: Representations of LGBTQ Communities B 306 in Cinema – B 205

Chair: Alan O’Leary Chair: Serena Anderlini-D’Onofrio University of Leeds, UK University of Puerto Rico, Mayaguez, USA

1. Giancarlo Lombardi 1. Laura Leonardo College of Staten Island, New York, USA Newcastle University, UK

“It’s not TV, it’s Sky and HBO: Transnational Seriality “Reception and Perception: Who are Ferzan Ozpetek’s in The Young Pope and The Leftovers” films for?”

2. Catherine O’Rawe 2. Serena Anderlini-D’Onofrio University of Bristol, UK University of Puerto Rico, Mayaguez, USA

“Acting, Non-Acting, and Unconventional Stardom “Sacred Ecosex: Teorema, il Sessantotto, and Pasolini’s from Neorealism to Fuocoammare” Math/Map of Sexual Fluidity and Amorous Inclusiveness”

3. Dana Renga The Ohio State University, Columbus, USA

“The Face of Recent Italian Criminal Television”

20 21 Panel 18: Italian Screen Studies Inside and Outside of Italy Panel 19: Representations of LGBTQ Communities B 306 in Cinema – B 205

Chair: Alan O’Leary Chair: Serena Anderlini-D’Onofrio University of Leeds, UK University of Puerto Rico, Mayaguez, USA

1. Giancarlo Lombardi 1. Laura Leonardo College of Staten Island, New York, USA Newcastle University, UK

“It’s not TV, it’s Sky and HBO: Transnational Seriality “Reception and Perception: Who are Ferzan Ozpetek’s in The Young Pope and The Leftovers” films for?”

2. Catherine O’Rawe 2. Serena Anderlini-D’Onofrio University of Bristol, UK University of Puerto Rico, Mayaguez, USA

3. Dana Renga The Ohio State University, Columbus, USA

“The Face of Recent Italian Criminal Television”

20 21 16.30 – 17.45 Panel Series E

Panel 20: Cinema and Art – B 206 Panel 21: Representations of LGBTQ Communities in Media – B 204 Chair: Tijana Mamula John Cabot University in Rome, Italia Chair: Sciltian Gastaldi MIUR, Roma, Italia 1. Jacopo Benci British School at Rome, Italia 1. Lorenzo Fabbri University of Minnesota, Twin Cities, USA “Building on Bertolucci and Wenders. On Luigi Ghirri’s Iconography” “Remediated Transitions: The Transgender Body in New Media” 2. Chiara Palermo Université de Strasbourg, France 2. Gevisa La Rocca Università di Enna ‘Kore’, Italia “Tra anti-storicismo e nuove forme di storicità. L’Arte Povera e il cinema sperimentale” “Protagonisti o comparse? Un’analisi delle story-line gay nelle serie tv sulla famiglia italiana” 3. Antonio Falduto Università degli Studi Internazionali di Roma UNINT, Italia 3. Julia Heim City University of New York, Graduate Center, USA “Cinearchitetture: The Belly of an Architect, Underground e L’Eclisse” “Televisual Re/Mediation and Italian LGBTQ Communities”

22 23 16.30 – 17.45 Panel Series E

Panel 20: Cinema and Art – B 206 Panel 21: Representations of LGBTQ Communities in Media – B 204 Chair: Tijana Mamula Chair: Sciltian Gastaldi John Cabot University in Rome, Italia Chair: Sciltian Gastaldi MIUR, Roma, Italia 1. Jacopo Benci 1. Lorenzo Fabbri British School at Rome, Italia 1. Lorenzo Fabbri University of Minnesota, Twin Cities, USA “Building on Bertolucci and Wenders. On Luigi Ghirri’s “Remediated Transitions: The Transgender Body Iconography” “Remediated Transitions: The Transgender Body in New Media” 2. Chiara Palermo Université de Strasbourg, France 2. Gevisa La Rocca Università di Enna ‘Kore’, Italia “Tra anti-storicismo e nuove forme di storicità. L’Arte Povera e il cinema sperimentale” “Protagonisti o comparse? Un’analisi delle story-line gay nelle serie tv sulla famiglia italiana” 3. Antonio Falduto Università degli Studi Internazionali di Roma UNINT, Italia 3. Julia Heim City University of New York, Graduate Center, USA “Cinearchitetture: The Belly of an Architect, Underground e L’Eclisse” “Televisual Re/Mediation and Italian LGBTQ Communities”

22 23 Panel 22: Italian Auteur Cinema I – B 206 Panel 23: Italy’s ‘Expanded Cinema’: Cinema and The Electronic Arts – B 304 Chair: Antonella Del Fattore-Olson The University of Texas at Austin, USA Organizer: Emanuela Patti University of Birmingham, UK 1. Alessandro Marini

Univerzita Palackého, Olomouc, Repubblica Ceca Chair: Laura Leuzzi “L’infanzia di Sergio. Retrospezione e coscienza DJCAD, University of Dundee, UK in Il sole anche di notte, di Paolo e Vittorio Taviani” 1. Emanuela Patti 2. Ryan Calabretta-Sajder University of Birmingham, UK University of Arkansas, Fayetteville, USA “Italy’s Expanded Cinema in Practice: Gianni Toti” “Water, Rebirth, and Feminist Awakenings in the Cinema of Emanuele Crialese” 2. Clodagh Brook University of Birmingham, UK 3. Massimiliano Delfino Columbia University, New York, USA “Italy’s Expanded Cinema in Practice: “For a Phenomenology of the Digital Poetic Image: The Expanded Screens of Studio Azzurro’s Video Art” Martone’s Il giovane favoloso” 3. Mirko Lino Università degli Studi dell’Aquila, Italia

“Interferenze intermediali: le esperienze cinematiche in Realtà Aumentata. Il caso di Komplex - Live Cinema Group”

24 25 Panel 22: Italian Auteur Cinema I – B 206 Panel 23: Italy’s ‘Expanded Cinema’: Cinema and The Electronic Arts – B 304 Chair: Antonella Del Fattore-Olson The University of Texas at Austin, USA Organizer: Emanuela Patti University of Birmingham, UK 1. Alessandro Marini

“Interferenze intermediali: le esperienze cinematiche in Realtà Aumentata. Il caso di Komplex - Live Cinema Group”

24 25 Panel 24: Who Exploits Whom? Spectatorship in Italian Panel 25: Celebrity and Fandom – B 205 Exploitation Cinema – B 306 Chair: Flavia Brizio-Skov Chair: Giancarlo Lombardi University of Tennessee, Knoxville, USA College of Staten Island, New York, USA 1. Enrico Biasin 1. Luca Zamparini University of Bristol, UK City University of New York, USA “The Online Star Text Connection in Contemporary “Spectatorship and Giallo Films: the Case of A Bay of Blood” Italian Male Film Celebrities”

2. Paolo Pellecchia 2. Agnese Pietrobon City University of New York, USA fanheart3, Padova, Italia “From Exploitation to Ethical Engagement in Zombie Cinema” “Fan e Cinema: caratteristiche che determinano 3. Riccardo Antonangeli lo sviluppo di fandom” New York University, USA 3. Susanna Norbiato “The Grammar of Deformation: the Disruption of Space, fanheart3, Padova, Italia Narrative, Memory in Nazi-Sexploitation Movies” “Fan e Cinema: elementi di correlazione fra popolarità di un film e costituzione di un fandom”

26 27 Panel 24: Who Exploits Whom? Spectatorship in Italian Panel 25: Celebrity and Fandom – B 205 Exploitation Cinema – B 306 Chair: Flavia Brizio-Skov Chair: Giancarlo Lombardi University of Tennessee, Knoxville, USA College of Staten Island, New York, USA 1. Enrico Biasin 1. Luca Zamparini University of Bristol, UK City University of New York, USA “The Online Star Text Connection in Contemporary “Spectatorship and Giallo Films: the Case of A Bay of Blood” Italian Male Film Celebrities”

26 27 Saturday 10 June 2017

8.30 – 17.00 Registration – B 18.00 – 19.00 9.00 – 10.15 Panel Series F Auriana Auditorium Panel 26: (Roundtable): Towards an Historiography of Italian Documentary Cinema – B 204 Keynote Speaker Organizers and Chairs: Luca Caminati and Ivelise Perniola Prof.ssa Milly Buonanno Concordia University, Montreal, Canada, and Università degli Studi Roma Tre, Italia Sapienza Università di Roma Adriano Aprà Ambigue distanze e incontri ravvicinati Independent Scholar, Roma, Italia tra la televisione e il cinema in Italia Marco Bertozzi Università di Venezia-IUAV, Italia

Paola Bonifazio 19.30 – 21.00 Univesity of Texas at Austin, USA

Reception in the Garden Alan O’Leary University of Leeds, UK

28 29 Saturday 10 June 2017

Paola Bonifazio 19.30 – 21.00 Univesity of Texas at Austin, USA

Reception in the Garden Alan O’Leary University of Leeds, UK

28 29 Panel 27: The Contribution of Italian Filmmakers Panel 28: La violenza femminile nel discorso mediale to World Cinema – B 206 contemporaneo – B 205

Chair: Antonella Del Fattore-Olson Chair: Ellen Nerenberg The University of Texas at Austin, USA Wesleyan University, Middletown, USA

1. Elisa Giomi 1. Vanesa Coscia Università degli Studi Roma Tre, Italia Universidad de Buenos Aires, Argentina “Non per autodifesa: la violenza entro relazione intima “Daniele Incalcaterra: uno sguardo italiano sul conflitto nella docufiction Chi diavolo ho sposato?” del lavoro in Argentina”

2. Antonia Cava 2. Tuğba Görgülü Università degli Studi di Messina, Italia Istanbul Bilgi University, Turkey “Maschicidio? La rappresentazione televisiva delle donne “Turkification of Italian Sex Comedies: When an Italian che uccidono in Storie maledette” ‘Nonna’ Comes to Istanbul” 3. Silvia Pezzoli 3. Alberto Lena Università degli Studi di Firenze, Italia Universidad de Valladolid, Spain “Le rappresentazioni mediali delle donne camorriste” “The Changing Cinematic Representation of the Italian American: from Giuliano Montaldo’s Sacco and Vanzetti to Terry Green’s No God, No Master”

30 31 Panel 27: The Contribution of Italian Filmmakers Panel 28: La violenza femminile nel discorso mediale to World Cinema – B 206 contemporaneo – B 205

Chair: Antonella Del Fattore-Olson Chair: Ellen Nerenberg The University of Texas at Austin, USA Wesleyan University, Middletown, USA

30 31 Panel 29: State Portrait. La rappresentazione Panel 30: Television Series III – B 304 del potere tra fiction e politica – B 306 Chair: Ellen Nerenberg Chair: Ryan Calabretta-Sajder Wesleyan University, Middletown, USA University of Arkansas, Fayettville, USA 1. Chiara Ferrari 1. Fabio Benincasa California State University, Chico, USA Duquesne University Rome Campus, Italia “The Dark Side of Italian (Quality) TV: “Moro, Andreotti e Mazzini: i fantasmi della politica Romanzo Criminale, Gomorra, and Suburra” in Bellocchio, Sorrentino e Martone” 2. Anna Bisogno 2. Marco Pacioni Università degli Studi Roma Tre, Italia University of Alberta, Edmonton, Canada

“Concetto e mediaticità dello ‘Stato’ da Machiavelli all’Isis” “Da Raccontami a I Medici, da Karol a Luisa Spagnoli: formati della narrazione e memoria collettiva nella 3. Andrea Polegato fiction italiana” University of North Texas, Denton, USA 3. Rebecca Bauman “L’oscenità del potere. Machiavelli nella fiction americana” Fashion Institute of Technology, State University of New York, USA “Of Mice and Mafiosi: Masculinity and La piovra”

32 33 Panel 29: State Portrait. La rappresentazione Panel 30: Television Series III – B 304 del potere tra fiction e politica – B 306 Chair: Ellen Nerenberg Chair: Ryan Calabretta-Sajder Wesleyan University, Middletown, USA University of Arkansas, Fayettville, USA 1. Chiara Ferrari 1. Fabio Benincasa California State University, Chico, USA Duquesne University Rome Campus, Italia “The Dark Side of Italian (Quality) TV: “Moro, Andreotti e Mazzini: i fantasmi della politica Romanzo Criminale, Gomorra, and Suburra” in Bellocchio, Sorrentino e Martone” 2. Anna Bisogno 2. Marco Pacioni Università degli Studi Roma Tre, Italia University of Alberta, Edmonton, Canada

32 33 10.30 – 11.45 Panel Series G

Panel 31 (Roundtable): Universi seriali nella fiction Panel 32: Paolo Sorrentino’s Filmic and Narrative Production I – B 304 italiana tra convenzioni e complessità narrative – B 204 Production I – B 304

Organizer: Marta Perrotta Organizer: Annachiara Mariani Organizer: Marta Perrotta The University of Tennessee, Knoxville, USA Università degli Studi Roma Tre, Italia The University of Tennessee, Knoxville, USA Chair: Stefano Gnasso Chair: Giacomo Tagliani Chair: Stefano Gnasso Università degli Studi di Siena, Italia Università Cattolica del Sacro Cuore, Milano, Italia Università degli Studi di Siena, Italia Chiara Ferrari 1. Vito Zagarrio Chiara Ferrari Università degli Studi Roma Tre, Italia California State University, Chico, USA Università degli Studi Roma Tre, Italia Elisa Giomi “Il piano sequenza di Sorrentino. Messa in scena Elisa Giomi e retorica dello sguardo” Università degli Studi Roma Tre, Italia e retorica dello sguardo”

2. Roy Menarini Veronica Innocenti 2. Roy Menarini Università degli Studi di Bologna, Italia Università degli Studi di Bologna, Italia Università degli Studi di Bologna, Italia “Italiano/internazionale: Paolo Sorrentino e il caso Marta Perrotta “Italiano/internazionale: Paolo Sorrentino e il caso The Young Pope, ricezioni critiche a confronto” Università degli Studi Roma Tre, Italia The Young Pope, ricezioni critiche a confronto”

3. Anna Manzato and Antonella Mascio

Università IULM, Milano and Università degli Studi di Bologna, Italia Università degli Studi di Bologna, Italia

“The Young Pope: un caso italiano di ‘celevision’” “The Young Pope: un caso italiano di ‘celevision’”

34 35 10.30 – 11.45 Panel Series G

Panel 31 (Roundtable): Universi seriali nella fiction Panel 32: Paolo Sorrentino’s Filmic and Narrative italiana tra convenzioni e complessità narrative – B 204 Production I – B 304

Organizer: Marta Perrotta Organizer: Annachiara Mariani Università degli Studi Roma Tre, Italia The University of Tennessee, Knoxville, USA Chair: Stefano Gnasso Chair: Giacomo Tagliani Università Cattolica del Sacro Cuore, Milano, Italia Università degli Studi di Siena, Italia Chiara Ferrari 1. Vito Zagarrio California State University, Chico, USA Università degli Studi Roma Tre, Italia Elisa Giomi “Il piano sequenza di Sorrentino. Messa in scena Università degli Studi Roma Tre, Italia e retorica dello sguardo”

Veronica Innocenti 2. Roy Menarini Università degli Studi di Bologna, Italia Università degli Studi di Bologna, Italia Marta Perrotta “Italiano/internazionale: Paolo Sorrentino e il caso Università degli Studi Roma Tre, Italia The Young Pope, ricezioni critiche a confronto”

3. Anna Manzato and Antonella Mascio Università IULM, Milano and Università degli Studi di Bologna, Italia

“The Young Pope: un caso italiano di ‘celevision’”

34 35 Panel 33: Italian Auteur Cinema III – B 205 2. Valentino Catricalà Chair: Ivelise Perniola Fondazione Mondo Digitale, Roma, Italia Università degli Studi Roma Tre, Italia “Contemporary Italian Artists and New Media: Roots, 1. Amanda Minervini New Approaches and New Perspectives” Colorado College, Colorado Springs, USA

“Levity, Ethics, and Aesthetics in Sorrentino’s Cinema” 3. Nicoletta Peluffo Kent State University Florence Center, Italia 2. Daniela Turco Independent Scholar, Editorial Board of Filmcritica, Roma, “Il viaggio transmediale di Le avventure di Pinocchio” Italia “Luoghi, spostamenti, derive. L’esplorazione di un ‘altro lato’ Panel 35: Transnational Identities II – B 206 del cinema italiano, nel percorso poetico-politico di Roberto Minervini” Chair: Rhiannon Noel Welch Rutgers University, New Brunswick, USA 3. Tijana Mamula John Cabot University in Rome, Italia 1. Alessandro Monti and Carole Rozzonelli Università degli Studi di Torino and Université Lumière “‘Words Matter Less and Less’: Tacit Multilingualism Lyon 2, France and Antonioni’s L’avventura” “Vindications of Nationhood through Cinematic Imagination in Italy and in India” Panel 34: New Media and Transmedia I – B 306 2. Achille Castaldo Chair: Bernardo Piciché Duke University, Durham, USA Virginia Commonwealth University, Richmond, USA “La dimensione liminare del cinema di Pietro Marcello”

1. Laura Leuzzi 3. Lisa Dolasinski DJCAD, University of Dundee, UK Indiana University, Bloomington, USA

“Contemporary Italian Artists and New Media: Roots, “Projecting the ‘Sterile Body’: Masculinities, Migrant Men, New Approaches and New Perspectives” and Italy”

36 37 Panel 33: Italian Auteur Cinema III – B 205 2. Valentino Catricalà Chair: Ivelise Perniola Fondazione Mondo Digitale, Roma, Italia Università degli Studi Roma Tre, Italia “Contemporary Italian Artists and New Media: Roots, 1. Amanda Minervini New Approaches and New Perspectives” Colorado College, Colorado Springs, USA

1. Laura Leuzzi 3. Lisa Dolasinski DJCAD, University of Dundee, UK Indiana University, Bloomington, USA

“Contemporary Italian Artists and New Media: Roots, “Projecting the ‘Sterile Body’: Masculinities, Migrant Men, New Approaches and New Perspectives” and Italy”

36 37 13.30 – 14.45 Panel Series H

Panel 36: Framing the Word – B 304 Organizer: Gaetana Marrone-Puglia Princeton University, USA 12.00- 12.30 Chair: Gaetana Marrone-Puglia Auriana Auditorium Princeton University, USA Intellect Presentation 1. Gloria Lauri-Lucente University of Malta, Msida, Malta James Campbell, International Marketing Manager “Mafia Narratives in the New Millenium: Francesco Munzi’s (Intellect Ltd) Anime nere”

“Academic Publishing with Intellect” 2. Stefania Benini Temple University, Philadelphia, USA

“The Poetry of Adaptation in Mario Martone’s Il giovane favoloso”

12.30 – 13.30 Lunch in the Garden 3. Alessandro Giammei Princeton University, USA

“Adapting an Era: the Interactive Political and Aesthetic Universe of Assassin’s Creed II”

38 39 13.30 – 14.45 Panel Series H 13.30 – 14.45 Panel Series H

Panel 36: Framing the Word – B 304 Panel 36: Framing the Word – B 304 Organizer: Gaetana Marrone-Puglia PrincetonOrganizer: University, Gaetana USAMarrone -Puglia Princeton University, USA 12.00- 12.30 12.00- 12.30 Chair: Gaetana Marrone-Puglia Chair: Gaetana Marrone-Puglia Auriana Auditorium Princeton University, USA Auriana Auditorium Princeton University, USA Intellect Presentation 1. Gloria Lauri-Lucente Intellect Presentation Uni1. Gloriaversity Lauri of Malta,-Lucente Msida, Malta University of Malta, Msida, Malta James Campbell, International Marketing Manager James Campbell, International Marketing Manager “Mafia Narratives in the New Millenium: Francesco Munzi’s (Intellect Ltd) “Mafia Narratives in the New Millenium: Francesco Munzi’s (Intellect Ltd) Anime nere” Anime nere” “Academic Publishing with Intellect” “Academic Publishing with Intellect” 2. Stefania Benini Temple2. Stefania University, Benini Philadelphia, USA Temple University, Philadelphia, USA

“The Poetry of Adaptation in Mario Martone’s Il“The giovane Poetry favoloso of Adaptation” in Mario Martone’s Il giovane favoloso”

12.30 – 13.30 Lunch in the Garden 3. Alessandro Giammei 3. Alessandro Giammei 12.30 – 13.30 Lunch in the Garden Princeton University, USA Princeton University, USA “Adapting an Era: the Interactive Political and Aesthetic

Universe“Adapting of an Assassin’s Era: the Interactive Creed II” Political and Aesthetic Universe of Assassin’s Creed II”

38 39 Panel 37: Italy’s Hybrid Cinematic Spaces – B 204 Panel 38: Subtitling and Dubbing – B 306 Organizer: Alan O’Leary Chair: Biagio Aulino University of Leeds, UK University of Toronto-Mississauga, Canada Chair: Gaoheng Zhang 1. Emilio Audissino University of British Columbia, Vancouver, Canada University of Southampton, UK 1. Áine O’Healy “Bringing The Nanny to the Italian Audience. Loyola Marymount University, Los Angeles, USA Dubbing as Adaptation and Assimilation”

“Gender Melancholia in the Borderlands” 2. Andrea Bini The American University of Rome, Italia 2. Alan O’Leary University of Leeds, UK “L’evoluzione del doppiaggio e la sua influenza nel cinema italiano” “The Power to Picture: Orientalism, Transnational

Italian Cinema and Postcolonial Space” 3. Giusi Coppola

University of Liverpool, UK 3. Allison Cooper

Bowdoin College, Brunswick, USA “A Socio-cognitive Approach to Dubbing “Migratory Nightmares in Contemporary Italian and Subtitling in Television Series” Horror Cinema”

40 41 Panel 37: Italy’s Hybrid Cinematic Spaces – B 204 Panel 38: Subtitling and Dubbing – B 306 Organizer: Alan O’Leary Chair: Biagio Aulino University of Leeds, UK University of Toronto-Mississauga, Canada Chair: Gaoheng Zhang 1. Emilio Audissino University of British Columbia, Vancouver, Canada University of Southampton, UK 1. Áine O’Healy “Bringing The Nanny to the Italian Audience. Loyola Marymount University, Los Angeles, USA Dubbing as Adaptation and Assimilation”

Italian Cinema and Postcolonial Space” 3. Giusi Coppola

University of Liverpool, UK 3. Allison Cooper

Bowdoin College, Brunswick, USA “A Socio-cognitive Approach to Dubbing “Migratory Nightmares in Contemporary Italian and Subtitling in Television Series” Horror Cinema”

40 41 Panel 39: Italian Film Genres II – B 206 Panel 40: Italian Auteur Cinema III – B 205 Chair: Simone Dubrovic Chair: Serena Alessi Kenyon College, Gambier, USA The British School at Rome, Italia 1. Sciltian Gastaldi 1. Matteo Gilebbi MIUR, Roma, Italia Duke University, Durham, USA “Colts, Horses and Oedipus: Tonino Valerii’s Day of Anger” “La specie regista: tracce dell’Antropocene nel cinema di Rohrwacher, Garrone, Sorrentino e Frammartino” 2. Giovanna De Luca College of Charleston, USA 2. Francesca Borrione University of Rhode Island, Providence, USA “Paranza dei bambini: The Uses of Children in Contemporary Italian Mafia Movies” “Stop the Pounding Heart di Roberto Minervini: Un viaggio etnografico negli Stati Uniti” 3. Giulio Olesen Bournemouth University, UK 3. Eleonora Sartoni Rutgers University, New Brunswick, USA “Slap the Monster on Page One: Representations of History in the Italian Poliziottesco” “From Non-place to Poetic Space: Borderland in Gianfranco Rosi’s Sacro GRA”

42 43 Panel 39: Italian Film Genres II – B 206 Panel 40: Italian Auteur Cinema III – B 205 Chair: Simone Dubrovic Chair: Serena Alessi Kenyon College, Gambier, USA The British School at Rome, Italia 1. Sciltian Gastaldi 1. Matteo Gilebbi MIUR, Roma, Italia Duke University, Durham, USA “Colts, Horses and Oedipus: Tonino Valerii’s Day of Anger” “La specie regista: tracce dell’Antropocene nel cinema di Rohrwacher, Garrone, Sorrentino e Frammartino” 2. Giovanna De Luca College of Charleston, USA 2. Francesca Borrione University of Rhode Island, Providence, USA “Paranza dei bambini: The Uses of Children in Contemporary Italian Mafia Movies” “Stop the Pounding Heart di Roberto Minervini: Un viaggio etnografico negli Stati Uniti” 3. Giulio Olesen Bournemouth University, UK 3. Eleonora Sartoni Rutgers University, New Brunswick, USA “Slap the Monster on Page One: Representations of History in the Italian Poliziottesco” “From Non-place to Poetic Space: Borderland in Gianfranco Rosi’s Sacro GRA”

42 43 15.00- 16.15 Panel Series I

Panel 41: Paolo Sorrentino’s Filmic and Narrative Panel 42: Transnational Migrants – B 204 Production II – B 306 Chair: Giacomo Tagliani Organizer: Annachiara Mariani Organizer: Annachiara Mariani Università degli Studi di Siena, Italia The University of Tennessee, Knoxville, USA 1. Cinzia Padovani Chair: Sciltian Gastaldi Chair: Sciltian Gastaldi Southern Illinois University, Carbondale, USA MIUR, Roma, Italia “Public Media and Immigrant Audiences in Italy” 1. Antonella Del Fattore-Olson The University of Texas at Austin, USA 2. Anna Botta Smith College, Northampton, USA “Sorrentino’s Homage to Pasolini in La grande bellezza” “Remaking the Mediterranean Borderscape: Tracking 2. Russell Kilbourn 2. Russell Kilbourn Lives Lost during Migration” Wilfrid Laurier University, Waterloo, Canada Wilfrid Laurier University, Waterloo, Canada 3. Gaoheng Zhang “The ‘Primal Scene’: Sorrentino and (the image of) ‘Woman’” 3. Gaoheng Zhang University of British Columbia, Vancouver, Canada 3. Annachiara Mariani “Morality and Globalization in Italian Fiction Films The University of Tennessee, Knoxville, USA “Morality and Globalization in Italian Fiction Films about Chinese Migrants” “Experiencing Panismo in La grande bellezza and Youth”

44 45 15.00- 16.15 Panel Series I

Panel 41: Paolo Sorrentino’s Filmic and Narrative Panel 42: Transnational Migrants – B 204 Production II – B 306 Chair: Giacomo Tagliani Organizer: Annachiara Mariani Università degli Studi di Siena, Italia The University of Tennessee, Knoxville, USA 1. Cinzia Padovani Chair: Sciltian Gastaldi Southern Illinois University, Carbondale, USA MIUR, Roma, Italia “Public Media and Immigrant Audiences in Italy” 1. Antonella Del Fattore-Olson The University of Texas at Austin, USA 2. Anna Botta Smith College, Northampton, USA “Sorrentino’s Homage to Pasolini in La grande bellezza” “Remaking the Mediterranean Borderscape: Tracking 2. Russell Kilbourn Lives Lost during Migration” Wilfrid Laurier University, Waterloo, Canada “The ‘Primal Scene’: Sorrentino and (the image of) ‘Woman’” 3. Gaoheng Zhang University of British Columbia, Vancouver, Canada 3. Annachiara Mariani The University of Tennessee, Knoxville, USA “Morality and Globalization in Italian Fiction Films about Chinese Migrants” “Experiencing Panismo in La grande bellezza and Youth”

44 45 Panel 43: Italian Auteur Cinema IV – B 205 Panel 44: New Media and Transmedia II - B 304

Chair: Tijana Mamula Chair: Valentino Catricalà John Cabot University in Rome, Italia Fondazione Mondo Digitale, Roma, Italia

1. Giuseppe Gargiulo 1. Marco Dalla Gassa MoDyCo/CNRS Université de Paris Nanterre, France Università Ca’ Foscari di Venezia, Italia “Il naufragio del Costa Concordia o la narrazione “Prossemica delle rappresentazioni. Il viaggio di un Titanic transmediale” in Giappone di Antonioni”

2. Ricardo Domizio 2. Bernardo Piciché London South Bank University, UK Virginia Commonwealth University, Richmond, USA

“Francesco Rosi e la corrida” “Digital Affect and the Microbiological in Alex Infascelli’s H2Odio” 3. Irene Valle Corpas Universidad de Grenada, Spain 3. Cara Takakjian University of Massachusetts, Amherst, USA “The Global World through ‘false documentary’ in Pasolini's Appunti per un’Orestiade africana” “Between Myself and Me: Continuum of Identity in Bertolucci’s Io e te”

46 47 Panel 43: Italian Auteur Cinema IV – B 205 Panel 44: New Media and Transmedia II - B 304

Chair: Tijana Mamula Chair: Valentino Catricalà John Cabot University in Rome, Italia Fondazione Mondo Digitale, Roma, Italia

2. Ricardo Domizio 2. Bernardo Piciché London South Bank University, UK Virginia Commonwealth University, Richmond, USA

46 47 16.30 – 17.45 Panel Series J 16.30 – 17.45 Panel Series J

Panel 45: Italian and Foreign Co-productions – B 306 Panel 46: Transnational Identities III – B 304 Panel 45: Italian and Foreign Co-productions – B 306 Panel 46: Transnational Identities III – B 304 Chair: Claudia Romanelli Chair: Rebecca Bauman TheChair: Univers Claudiaity of Romanelli Alabama, Tuscaloosa, USA Chair:Fashion Rebecca Institute Baumanof Technology, Sta te University The University of Alabama, Tuscaloosa, USA Fashionof New York,Institute USA of Technology, State University 1. Claudia Romanelli of New York, USA The1. Claudia Universi Romanellity of Alabama, Tuscaloosa, USA The University of Alabama, Tuscaloosa, USA 1. Giuseppina Sapio 1.Université Giuseppina Panth Sapioéon-Assas Paris II, France “The ‘Fondo bilaterale di sostegno alla coproduzione Université Panthéon-Assas Paris II, France “The ‘Fondo bilaterale di sostegno alla coproduzione italo-francese’ and the Decline of French and Italian italo-francese’ and the Decline of French and Italian “‘Believe me, I’m Italian’ Uno studio semiotico dell’opera Co-productions” “‘Believe me, I’m Italian’ Uno studio semiotico dell’opera Co-productions” dell’artista diasporico Adrian Paci” dell’artista diasporico Adrian Paci”

2. Maria Elena D’Amelio and Karen Venturini 2. Maria Elena D’Amelio and Karen Venturini 2. Massimiliano Coviello Università della Repubblica di San Marino 2. Massimiliano Coviello Università della Repubblica di San Marino Università degli Studi di Siena, Italia Università degli Studi di Siena, Italia “Performance and Exchange Knowledge in film “Performance and Exchange Knowledge in film “Immagini e immaginari migranti. Strategie di co-productions: learning from the documentary Michel “Immagini e immaginari migranti. Strategie di co-productions: learning from the documentary Michel rappresentazione dei fenomeni migratori nel cinema italiano Petrucciani” rappresentazione dei fenomeni migratori nel cinema italiano Petrucciani” del Terzo Millennio. Parte prima: dall’assoggettamento alla del Terzo Millennio. Parte prima: dall’assoggettamento alla 3. Rui Trindade Oliveira compassione” compassione” Northumbria3. Rui Trindade University, Oliveira Newcastle, UK Northumbria University, Newcastle, UK 3. Giacomo Tagliani 3. Giacomo Tagliani “Italian-Spanish Horror Co-productions of the 1970s Università degli Studi di Siena, Italia Università degli Studi di Siena, Italia and“Italian 1980s”-Spanish Horror Co-productions of the 1970s

and 1980s” “Immagini e immaginari migranti. Strategie di “Immagini e immaginari migranti. Strategie di rappresentazione dei fenomeni migratori nel cinema italiano rappresentazionedel Terzo Millennio. dei fenomeniParte seconda: migratori dall’umanitarismo nel cinema italiano alla delsoggettivazione” Terzo Millennio. Parte seconda: dall’umanitarismo alla

soggettivazione”

48 49 16.30 – 17.45 Panel Series J

Panel 45: Italian and Foreign Co-productions – B 306 Panel 46: Transnational Identities III – B 304 Chair: Claudia Romanelli Chair: Rebecca Bauman The University of Alabama, Tuscaloosa, USA Fashion Institute of Technology, State University of New York, USA 1. Claudia Romanelli The University of Alabama, Tuscaloosa, USA 1. Giuseppina Sapio Université Panthéon-Assas Paris II, France “The ‘Fondo bilaterale di sostegno alla coproduzione italo-francese’ and the Decline of French and Italian “‘Believe me, I’m Italian’ Uno studio semiotico dell’opera Co-productions” dell’artista diasporico Adrian Paci”

2. Maria Elena D’Amelio and Karen Venturini 2. Massimiliano Coviello Università della Repubblica di San Marino Università degli Studi di Siena, Italia “Performance and Exchange Knowledge in film “Immagini e immaginari migranti. Strategie di co-productions: learning from the documentary Michel rappresentazione dei fenomeni migratori nel cinema italiano Petrucciani” del Terzo Millennio. Parte prima: dall’assoggettamento alla 3. Rui Trindade Oliveira compassione” Northumbria University, Newcastle, UK 3. Giacomo Tagliani “Italian-Spanish Horror Co-productions of the 1970s Università degli Studi di Siena, Italia and 1980s” “Immagini e immaginari migranti. Strategie di rappresentazione dei fenomeni migratori nel cinema italiano del Terzo Millennio. Parte seconda: dall’umanitarismo alla soggettivazione”

48 49 Panel 47: Italian Film Genres III – B 205 Panel 48: Streaming Media e Social Networks II – B 204 Chair: Ivelise Perniola Chair: Gevisa La Rocca Università degli Studi Roma Tre, Italia Università di Enna ‘Kore’, Italia 1. Gianluca Giraudo and Marta Tedesco 1. Valentina Re Sapienza Università di Roma, Italia Link Campus University, Roma, Italia “Cinema porno e donne: quale futuro per l’Italia?” “Il cinema italiano in streaming: circolazione, visibilità, cataloghi” 2. Clizia Centorrino Université Grenoble Alpes, France 2. Valeria Federici Brown University, Providence, USA “Le cose belle. Per un’estetica del cinema documentaristico in divenire” “Network culture in Italy in the 1990s and the making of a place for art and activism”

3. Francesca Moretti Sapienza Università di Roma, Italia “Crowdfunding Cinema: Come il web sta cambiando l’industria cinematografica italiana”

50 51 Panel 47: Italian Film Genres III – B 205 Panel 48: Streaming Media e Social Networks II – B 204 Chair: Ivelise Perniola Chair: Gevisa La Rocca Università degli Studi Roma Tre, Italia Università di Enna ‘Kore’, Italia 1. Gianluca Giraudo and Marta Tedesco 1. Valentina Re Sapienza Università di Roma, Italia Link Campus University, Roma, Italia “Cinema porno e donne: quale futuro per l’Italia?” “Il cinema italiano in streaming: circolazione, visibilità, cataloghi” 2. Clizia Centorrino Université Grenoble Alpes, France 2. Valeria Federici Brown University, Providence, USA “Le cose belle. Per un’estetica del cinema documentaristico in divenire” “Network culture in Italy in the 1990s and the making of a place for art and activism”

3. Francesca Moretti Sapienza Università di Roma, Italia “Crowdfunding Cinema: Come il web sta cambiando l’industria cinematografica italiana”

50 51 List of Conference Participants

Serena Alessi (The British School at Rome, Italia) [Panels 6, 40] 18.00 – 19.30 Auriana Auditorium Serena Anderlini-D’Onofrio (University of Puerto Rico, Mayaguez, USA) [Panel 19] Film Screening Riccardo Antonangeli (New York University, USA) [Panel 24] Blaxploitalian 100 anni di afrostorie nel cinema italiano (2016) Stefania Antonioni (Università degli Studi di Urbino Carlo Bo, Italia) [Panel 9] Followed by a discussion with director Fred Kuwornu Adriano Aprà (Independent Scholar, Roma, Italia) [Panels 17, 26]

Emilio Audissino (University of Southampton, UK) [Panel 38]

20.00 Dinner at Lo Scarpone (Reservation Required) Biagio Aulino (University of Toronto-Mississauga, Canada) Via di S. Pancrazio 15, Roma [Panel 38]

Luca Bandirali (Università del Salento, Lecce, Italia) [Panel 9]

Emma Barron (University of Sydney, Australia) [Panel 1]

Rebecca Bauman (Fashion Institute of Technology, State University of New York, USA) [Panels 11, 30, 46]

Louis Bayman (University of Southampton, UK) [Panels 4, 17]

Jacopo Benci (British School at Rome, Italia) [Panel 20]

52 53

List of Conference Participants List of Conference Participants

Serena Alessi (The British School at Rome, Italia) Serena Alessi (The British School at Rome, Italia) [Panels 6, 40] [Panels 6, 40] 18.00 – 19.30 18.00 – 19.30 Serena Anderlini-D’Onofrio (University of Puerto Rico, Auriana Auditorium Serena Anderlini-D’Onofrio (University of Puerto Rico, Auriana Auditorium Mayaguez, USA) [Panel 19] Mayaguez, USA) [Panel 19] Film Screening Film Screening Riccardo Antonangeli (New York University, USA) [Panel 24] Riccardo Antonangeli (New York University, USA) [Panel 24] Blaxploitalian 100 anni di afrostorie nel cinema italiano Blaxploitalian 100 anni di afrostorie nel cinema italiano (2016) Stefania Antonioni (Università degli Studi di Urbino Carlo Bo, (2016) Stefania Antonioni (Università degli Studi di Urbino Carlo Bo, Italia) [Panel 9] Italia) [Panel 9] Followed by a discussion with director Fred Kuwornu Followed by a discussion with director Fred Kuwornu Adriano Aprà (Independent Scholar, Roma, Italia) Adriano Aprà (Independent Scholar, Roma, Italia) [Panels 17, 26] [Panels 17, 26]

Emilio Audissino (University of Southampton, UK) [Panel 38] Emilio Audissino (University of Southampton, UK) [Panel 38]

20.00 Dinner at Lo Scarpone (Reservation Required) Biagio Aulino (University of Toronto-Mississauga, Canada) 20.00 Dinner at Lo Scarpone (Reservation Required) Biagio Aulino (University of Toronto-Mississauga, Canada) Via di S. Pancrazio 15, Roma [Panel 38] Via di S. Pancrazio 15, Roma [Panel 38]

Luca Bandirali (Università del Salento, Lecce, Italia) [Panel 9] Luca Bandirali (Università del Salento, Lecce, Italia) [Panel 9]

Emma Barron (University of Sydney, Australia) [Panel 1] Emma Barron (University of Sydney, Australia) [Panel 1]

Rebecca Bauman (Fashion Institute of Technology, State Rebecca Bauman (Fashion Institute of Technology, State University of New York, USA) [Panels 11, 30, 46] University of New York, USA) [Panels 11, 30, 46]

Louis Bayman (University of Southampton, UK) [Panels 4, 17] Louis Bayman (University of Southampton, UK) [Panels 4, 17]

Jacopo Benci (British School at Rome, Italia) [Panel 20] Jacopo Benci (British School at Rome, Italia) [Panel 20]

52 53 Fabio Benincasa (Duquesne University Rome Campus, Italia) Flavia Brizio-Skov (University of Tennessee, Knoxville, USA) [Panel 29] [Panel 16, 25]

Stefania Benini (Temple University, Philadelphia, USA) Clodagh Brook (University of Birmingham, UK) [Panel 23] [Panel 36] Milly Buonanno (Sapienza Università di Roma, Italia) Marco Benoît Carbone (University College London, UK) [Keynote Speaker] [Panel 3] Frank Burke (Queen’s University, Kingston, Canada) Ambra Benvenuto (Università degli Studi di Napoli [Panels 11, 17] Federico II, Italia) [Panel 3] Ryan Calabretta-Sajder (University of Arkansas, Fayettville, Marco Bertozzi (Università di Venezia-IUAV, Italia) USA) [Panels 13, 22, 29] [Panel 26] Francesca Calamita (University of Virginia, Charlottesville, Enrico Biasin (University of Bristol, UK) [Panel 25] USA) [Panel 10]

Andrea Bini (The American University of Rome, Italia) Luca Caminati (Concordia University, Montreal, Canada) [Panel 38] [Panels 17, 26]

Marco Binotto (Sapienza Università di Roma, Italia) [Panel 8] James Campbell (Intellect Ltd) [Opening Remarks, Intellect Presentation] Anna Bisogno (Università degli Studi Roma Tre, Italia) [Panel 30] Giulia Carluccio (Università degli Studi di Torino, Italia) [Panel 7] Paola Bonifazio (Univesity of Texas at Austin, USA) [Panel 26] Achille Castaldo (Duke University, Durham, USA) [Panel 35]

Francesca Borrione (University of Rhode Island, Providence, Valentino Catricalà (Fondazione Mondo Digitale, Roma, Italia) USA) [Panel 40] [Panels 34, 44]

Anna Botta (Smith College, Northampton, USA) [Panel 42] Antonia Cava (Università degli Studi di Messina, Italia) [Panels 8, 28]

54 55 Fabio Benincasa (Duquesne University Rome Campus, Italia) Flavia Brizio-Skov (University of Tennessee, Knoxville, USA) [Panel 29] [Panel 16, 25]

Andrea Bini (The American University of Rome, Italia) Luca Caminati (Concordia University, Montreal, Canada) [Panel 38] [Panels 17, 26]

Francesca Borrione (University of Rhode Island, Providence, Valentino Catricalà (Fondazione Mondo Digitale, Roma, Italia) USA) [Panel 40] [Panels 34, 44]

Anna Botta (Smith College, Northampton, USA) [Panel 42] Antonia Cava (Università degli Studi di Messina, Italia) [Panels 8, 28]

54 55 Clizia Centorrino (Université Grenoble Alpes, France) Antonella Del Fattore-Olson (The University of Texas at [Panel 47] Austin, USA) [Panels 22, 27, 41]

Chiara Checcaglini (Università degli Studi di Urbino Carlo Bo, Massimiliano Delfino (Columbia University, New York, USA) Italia) [Panel 9] [Panel 22]

Valerio Coladonato (American University of Paris, France) Giovanna De Luca (College of Charleston, USA) [Panel 39] [Panel 4] Lisa Dolasinski (Indiana University, Bloomington, USA) Lisa Colletta (The American University of Rome, Italia) [Panel 35] [Opening Remarks] Ricardo Domizio (London South Bank University, UK) Allison Cooper (Bowdoin College, Brunswick, USA) [Panel 44] [Panel 37] Phillip Drummond (New York University in London, UK) Giusi Coppola (University of Liverpool, UK) [Panel 38] [Panel 13]

Vanesa Coscia (Universidad de Buenos Aires, Argentina) Simone Dubrovic (Kenyon College, Gambier, USA) [Panels 5, 27] [Panel 39]

Massimiliano Coviello (Università degli Studi di Siena, Italia) Lorenzo Fabbri (University of Minnesota, Twin Cities, USA) [Panel 46] [Panels 15, 21]

Marco Dalla Gassa (Università Ca’ Foscari di Venezia, Italia) Antonio Falduto (Università degli Studi Internazionali di Roma [Panel 43] UNINT, Italia) [Panel 20]

Maria Elena D’Amelio (Università della Repubblica di San Valeria Federici (Brown University, Providence, USA) Marino) [Panel 45] [Panel 48]

Vladislav Dekalov (Saint Petersburg State University, Russia) Chiara Ferrari (California State University, Chico, USA) [Panel 10] [Panels 30, 31]

56 57 Clizia Centorrino (Université Grenoble Alpes, France) Antonella Del Fattore-Olson (The University of Texas at [Panel 47] Austin, USA) [Panels 22, 27, 41]

Chiara Checcaglini (Università degli Studi di Urbino Carlo Bo, Massimiliano Delfino (Columbia University, New York, USA) Italia) [Panel 9] [Panel 22]

Vanesa Coscia (Universidad de Buenos Aires, Argentina) Simone Dubrovic (Kenyon College, Gambier, USA) [Panels 5, 27] [Panel 39]

Massimiliano Coviello (Università degli Studi di Siena, Italia) Lorenzo Fabbri (University of Minnesota, Twin Cities, USA) [Panel 46] [Panels 15, 21]

Marco Dalla Gassa (Università Ca’ Foscari di Venezia, Italia) Antonio Falduto (Università degli Studi Internazionali di Roma [Panel 43] UNINT, Italia) [Panel 20]

Maria Elena D’Amelio (Università della Repubblica di San Valeria Federici (Brown University, Providence, USA) Marino) [Panel 45] [Panel 48]

Vladislav Dekalov (Saint Petersburg State University, Russia) Chiara Ferrari (California State University, Chico, USA) [Panel 10] [Panels 30, 31]

56 57 Ludovico Ferro (Università degli Studi di Padova, Italia) Tuğba Görgülü (Istanbul Bilgi University, Turkey) [Panel 27] [Panel 15] Kristina Grigoryeva (Saint Petersburg State University, Russia) Giuseppe Fidotta (Concordia University, Montreal, Canada) [Panel 10] [Panel 12] Marita Gubareva (Independent Scholar and Journalist, Roma, Mattia Filigoi (Università degli Studi di Udine, Italia) [Panel 3] Italia) [Panel 11]

Giuseppe Gargiulo (MoDyCo/CNRS Université de Paris Julia Heim (City University of New York, Graduate Center, Nanterre, France) [Panel 44] USA) [Panel 21]

Sciltian Gastaldi (MIUR, Roma, Italia) [Panels 21, 39, 41] Dom Holdaway (Università degli Studi di Bologna, Italia) [Panels 4, 17] Mihaela Gavrila (Sapienza Università di Roma, Italia) [Panel 1] Veronica Innocenti (Università degli Studi di Bologna, Italia) [Panel 31] Andrea Gelardi (University of St. Andrew, UK) [Panel 5] Russell Kilbourn (Wilfrid Laurier University, Waterloo, Matteo Genovesi (Università degli Studi di Udine, Italia) Canada) [Panel 41] [Panel 3] Fred K. Kuwornu (Do The Right Films) [Guest filmmaker] Alessandro Giammei (Princeton University, USA) [Panel 36] Loredana La Fortuna (Università degli Studi di Bari, Italia) Matteo Gilebbi (Duke University, Durham, USA) [Panel 40] [Panel 10]

Elisa Giomi (Università degli Studi Roma Tre, Italia) Gevisa La Rocca (Università di Enna ‘Kore’, Italia) [Panels 28, 31] [Panels 9, 21, 48]

Gianluca Giraudo (Sapienza Università di Roma, Italia) Patrizia La Trecchia (University of South Florida, Tampa, [Panel 47] USA) [Panel 2]

Stefano Gnasso (Università Cattolica del Sacro Cuore, Gloria Lauri-Lucente (University of Malta, Msida, Malta) Milano, Italia) [Panel 31] [Panel 36]

58 59 Ludovico Ferro (Università degli Studi di Padova, Italia) Tuğba Görgülü (Istanbul Bilgi University, Turkey) [Panel 27] [Panel 15] Kristina Grigoryeva (Saint Petersburg State University, Russia) Giuseppe Fidotta (Concordia University, Montreal, Canada) [Panel 10] [Panel 12] Marita Gubareva (Independent Scholar and Journalist, Roma, Mattia Filigoi (Università degli Studi di Udine, Italia) [Panel 3] Italia) [Panel 11]

Giuseppe Gargiulo (MoDyCo/CNRS Université de Paris Julia Heim (City University of New York, Graduate Center, Nanterre, France) [Panel 44] USA) [Panel 21]

Elisa Giomi (Università degli Studi Roma Tre, Italia) Gevisa La Rocca (Università di Enna ‘Kore’, Italia) [Panels 28, 31] [Panels 9, 21, 48]

Gianluca Giraudo (Sapienza Università di Roma, Italia) Patrizia La Trecchia (University of South Florida, Tampa, [Panel 47] USA) [Panel 2]

Stefano Gnasso (Università Cattolica del Sacro Cuore, Gloria Lauri-Lucente (University of Malta, Msida, Malta) Milano, Italia) [Panel 31] [Panel 36]

58 59 Enzo Lavagnini (Archivio Pasolini di Ciampino, Italia) Annachiara Mariani (The University of Tennessee, [Panel 5] Knoxville, USA) [Panels 32, 41]

Flavia Laviosa (Wellesley College, USA) [Opening Remarks] Alessandro Marini (Univerzita Palackého, Olomouc, Czech Republic) [Panel 22] Alberto Lena (Universidad de Valladolid, Spain) [Panel 27] Nicoletta Marini-Maio (Dickinson College, Carlisle, USA) Laura Leonardo (Newcastle University, UK) [Panel 19] [Panel 16]

Laura Leuzzi (DJCAD, University of Dundee, UK) Gaetana Marrone-Puglia (Princeton University, USA) [Panels 23, 34] [Panel 36]

Mirko Lino (Università degli Studi dell’Aquila, Italia) Antonella Mascio (Università degli Studi di Bologna, Italia) [Panel 23] Luca Massidda (Università degli Studi di Camerino, Italia) Giancarlo Lombardi (College of Staten Island, New York, [Panel 8] USA) [Panels 18, 24] Antonio Mastrogiacomo (Università degli Studi di Napoli Cristina Lombardi-Diop (Loyola University Chicago, USA) Federico II, Italia) [Panel 13] [Panel 6] Roy Menarini (Università degli Studi di Bologna, Italia) Bernadette Luciano (University of Auckland, New Zealand) [Panel 32] [Panel 16] Amanda Minervini (Colorado College, Colorado Springs, Tijana Mamula (John Cabot University in Rome, Italia) USA) [Panel 33] [Panels 1, 20, 33, 43] Dalila Missero (Università degli Studi di Bologna, Italia) Gianmarco Mancosu (University of Warwick, UK) [Panel 6] [Panel 4]

Anna Manzato (Università IULM, Milano, Italia) [Panel 32] Alessandro Monti (Università degli Studi di Torino, Italia) [Panel 35] Donatella Maraschini (London South Bank University, UK) [Panel 5]

60 61 Enzo Lavagnini (Archivio Pasolini di Ciampino, Italia) Annachiara Mariani (The University of Tennessee, [Panel 5] Knoxville, USA) [Panels 32, 41]

Laura Leuzzi (DJCAD, University of Dundee, UK) Gaetana Marrone-Puglia (Princeton University, USA) [Panels 23, 34] [Panel 36]

Anna Manzato (Università IULM, Milano, Italia) [Panel 32] Alessandro Monti (Università degli Studi di Torino, Italia) [Panel 35] Donatella Maraschini (London South Bank University, UK) [Panel 5]

60 61 Mario Morcellini (Sapienza Università di Roma, Cinzia Padovani (Southern Illinois University, Carbondale, Italia) [Opening Remarks, Panel 1] USA) [Panel 42]

Francesca Moretti (Sapienza Università di Roma, Italia) Chiara Palermo (Université de Strasbourg, France) [Panel 20] [Panel 48] Paola Panarese (Sapienza Università di Roma, Italia) [Panel 8]

Giulia Muggeo (Università degli Studi di Torino, Italia) Stefania Parisi (Sapienza Università di Roma, Italia) [Panel 8] [Panel 1] Emanuela Patti (University of Birmingham, UK) [Panel 23] Paola Nasini (Hoben Ltd, London, UK) [Panel 5] Paolo Pellecchia (City University of New York, USA) Anna Lucia Natale (Sapienza Università di Roma, Italia) [Panel 24] [Panel 12] Nicoletta Peluffo (Kent State University Florence Center, Giuseppe Natale (University of Nevada, Las Vegas, USA) Italia) [Panel 34] [Panel 13] Ivelise Perniola (Università degli Studi Roma Tre, Italia) Ellen Nerenberg (Wesleyan University, Middletown, USA) [Panels 26, 33, 47] [Panels 28, 30] Marta Perrotta (Università degli Studi Roma Tre, Italia) Susanna Norbiato (fanheart3, Padova, Italia) [Panel 25] [Panels 2, 31]

Giulio Olesen (Bournemouth University, UK) [Panel 39] Silvia Pezzoli (Università degli Studi di Firenze, Italia) [Panel 28] Áine O’Healy (Loyola Marymount University, Los Angeles, USA) [Panel 37] Bernardo Piciché (Virginia Commonwealth University, Alan O’Leary (University of Leeds, UK) [Panels 18, 26, 37] Richmond, USA) [Panel 43]

Catherine O’Rawe (University of Bristol, UK) [Panel 18] Maria Paola Pierini (Università degli Studi di Torino, Italia) [Panel 7] Marco Pacioni (University of Alberta, Edmonton, Canada) [Panel 29] Agnese Pietrobon (fanheart3, Padova, Italia) [Panel 25]

62 63 Mario Morcellini (Sapienza Università di Roma, Cinzia Padovani (Southern Illinois University, Carbondale, Italia) [Opening Remarks, Panel 1] USA) [Panel 42]

Francesca Moretti (Sapienza Università di Roma, Italia) Chiara Palermo (Université de Strasbourg, France) [Panel 20] [Panel 48] Paola Panarese (Sapienza Università di Roma, Italia) [Panel 8]

62 63 Massimiliano Pistonesi (DeA Planeta Libri, Milano, Italia) Myriam Swennen Ruthenberg (Florida Atlantic University, [Panels 2, 9, 12] Boca Raton, USA) [Panel 2]

Andrea Polegato (University of North Texas, Denton, USA) Giuseppina Sapio (Université Panthéon-Assas Paris II, France) [Panel 29] [Panel 46]

Veronica Pravadelli (Università degli Studi Roma Tre, Italia) Eleonora Sartoni (Rutgers University, New Brunswick, USA) [Panel 17] [Panel 40]

Catherine Ramsey-Portolano (The American University of Giacomo Tagliani (Università degli Studi di Siena, Italia) Rome, Italia) [Opening Remarks; Panels 7, 10] [Panels 32, 42, 46]

Giacomo Ravesi (Università degli Studi Roma Tre, Italia) Cara Takakjian (University of Massachusetts, Amherst, USA) [Panel 12] [Panel 44]

Valentina Re (Link Campus University, Roma, Italia) Marta Tedesco (Sapienza Università di Roma, Italia) [Panel 48] [Panel 47]

Dana Renga (The Ohio State University, Columbus, USA) Maria Luisa Terrizzi (Independent Scholar, Messina, Italia) [Panel 18] [Panel 14]

Sergio Rigoletto (University of Oregon, Eugene, USA) Rui Trindade Oliveira (Northumbria University, [Panel 7] Newcastle, UK) [Panel 45]

Claudia Romanelli (The University of Alabama, Tuscaloosa, Daniela Turco (Editorial Board of Filmcritica, Roma, Italia) USA) [Panel 45] [Panel 33]

Caterina Romeo (Sapienza Università di Roma, Italia) Irene Valle Corpas (Universidad de Grenada, Spain) [Panel 43] [Panels 6, 12] Karen Venturini (Università della Repubblica di San Marino) Carole Rozzonelli (Université Lumière Lyon 2, France) [Panel 45] [Panel 35] Roberta K. Waldbaum (University of Denver, USA) [Panel 15]

64 65 Massimiliano Pistonesi (DeA Planeta Libri, Milano, Italia) Myriam Swennen Ruthenberg (Florida Atlantic University, [Panels 2, 9, 12] Boca Raton, USA) [Panel 2]