An Introduction to Discourse Analysis: Theory and Method/James Paul Gee
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A Performer's Guide to the American Theater Songs of Kurt Weill
A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
PERFORMANCE STUDIES: an Introduction
PERFORMANCE STUDIES The publication of Performance Studies:An Introduction was a The book itself has also been revised, with 25 new defining moment for the field. Richard Schechner’s pioneer- extracts and biographies, up-to-date coverage of global and ing textbook provides a lively and accessible overview of the intercultural performances, and further exploration of the full range of performance for undergraduates at all levels and growing international presence of performance studies as a beginning graduate students in performance studies,theatre, discipline. performing arts, and cultural studies. Among the topics Performance Studies is the definitive overview for under- discussed are the performing arts and popular entertain- graduates, with primary extracts, student activities, key ments, rituals, play and games, and the performances of biographies and over 200 images of global performance. everyday life.Supporting examples and ideas are drawn from the social sciences,performing arts,poststructuralism,ritual Richard Schechner is a pioneer of performance studies. theory,ethology,philosophy,and aesthetics. A scholar, theatre director, editor, and playwright, he is This third edition is accompanied by an all-new companion University Professor and Professor of Performance Studies at website curated by Sara Brady. It features clips of Richard the Tisch School of the Arts,NewYork University.He is editor Schechner discussing his approach to performance studies and of TDR:The Journal of Performance Studies. Schechner is the explaining key ideas, -
Psychoanalytic Perspectives on Puberty and Adolescence
Psychoanalytic Perspectives on Puberty and Adolescence Puberty is a time of tumultuous transition from childhood to adulthood activated by rapid physical changes, hormonal development and explosive activity of neurons. This book explores puberty through the parent-teenager relationship, as a “normal state of crisis”, lasting several years and with the teenager oscillating between childlike tendencies and their desire to become an adult. The more parents succeed in recognizing and experiencing these new challenges as an integral, ineluctable emotional transformative process, the more they can allow their children to become independent. In addition, parents who can also see this crisis as a chance for their own further development will be ultimately enriched by this painful process. They can face up to their own aging as they take leave of youth with its myriad possibilities, accepting and working through a newfound rivalry with their sexually mature children, thus experiencing a process of maturity, which in turn can set an example for their children. This book is based on rich clinical observations from international settings, unique within the field, and there is an emphasis placed by the author on the role of the body in self-awareness, identity crises and gender construction. It will be of great interest to psychoanalysts, psychotherapists, parents and carers, as well as all those interacting with adolescents in self, family and society. Gertraud Diem-Wille is Professor Emeritus at the University of Klagenfurt in the field of Psychoanalytic Education. She is a training analyst for children, adolescents and adults (IPA) and has pioneered and supported the training in psychoanalytic observational approaches to training in psychoanalytic and educational fields in Austria. -
Invisible Man by Ralph Ellison
Invisible Man By Ralph Ellison Back Cover: Winner of the National Book Award for fiction. Acclaimed by a 1965 Book Week poll of 200 prominent authors, critics, and editors as "the most distinguished single work published in the last twenty years." Unlike any novel you've ever read, this is a richly comic, deeply tragic, and profoundly soul-searching story of one young Negro's baffling experiences on the road to self-discovery. From the bizarre encounter with the white trustee that results in his expulsion from a Southern college to its powerful culmination in New York's Harlem, his story moves with a relentless drive: -- the nightmarish job in a paint factory -- the bitter disillusionment with the "Brotherhood" and its policy of betrayal -- the violent climax when screaming tensions are released in a terrifying race riot. This brilliant, monumental novel is a triumph of storytelling. It reveals profound insight into every man's struggle to find his true self. "Tough, brutal, sensational. it blazes with authentic talent." -- New York Times "A work of extraordinary intensity -- powerfully imagined and written with a savage, wryly humorous gusto." -- The Atlantic Monthly "A stunning blockbuster of a book that will floor and flabbergast some people, bedevil and intrigue others, and keep everybody reading right through to its explosive end." -- Langston Hughes "Ellison writes at a white heat, but a heat which he manipulates like a veteran." -- Chicago Sun-Times TO IDA COPYRIGHT, 1947, 1948, 1952, BY RALPH ELLISON All rights reserved under International and Pan-American Copyright Conventions. For information address Random House, Inc., 457 Madison Avenue, New York, New York 10022. -
Chicago Hip Hop & Counter-Narrative
Vassar College Digital Window @ Vassar Senior Capstone Projects 2019 "I hope y'all hear me" : Chicago hip hop & counter-narrative Tamar Ballard Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Ballard, Tamar, ""I hope y'all hear me" : Chicago hip hop & counter-narrative" (2019). Senior Capstone Projects. 886. https://digitalwindow.vassar.edu/senior_capstone/886 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Title page “ ’ ” & - page 2 “ ' , , , ' ' , ' , , ' ' .”1 ...................................................................................................... ........................................................ .................................................................... ............................... ................................................................................... : .............. : .................................... : ( ) ....................................... : ............ : ......... ...................................................................................... , , , . , . , . : . , , - . , , . , . : – . ’ . ’ . , . “I hope Y’all hear Me.”3 “this life, this new story & history you cannot steal or sell or cast overboard or hang or beat or drown or own or redline or shackle or silence or cheat -
TUNECODE WORK TITLE Value Range 261674CP All the Way up Гггг 321282LS Iloveitwhentheyrun Гггг 269348LS Timeless Гггг
TUNECODE WORK_TITLE Value Range 261674CP All The Way Up ££££ 321282LS Iloveitwhentheyrun ££££ 269348LS Timeless ££££ 254095DT Drama ££££ 185973HN Shutdown ££££ 178176FM Watch Me (Whip Nae Nae) ££££ 288987FP Yung Bratz ££££ 288987FM Rip Roach ££££ 251706GS Some People Say ££££ 338141BW Imsippinteainyohood ££££ 292083AW Transportin ££££ 394078BN Swagon ££££ 268080FP Distraction ££££ 188327BP 679 ££££ 290619CW Lil Pump ££££ 289311FP I Spoke To The Devil In Miami ££££ 216907KR Dude ££££ 273165DT You & I ££££ 222736GU Baseman - Everyday Ft J Hus ££££ 143172AW Your Number ££££ 190517BU Nothing On Me ££££ 236174GT Wavy ££££ 223575ET Children ££££ 217167DT Change Locations ££££ 222769KN We Are ££££ 288772ER Pull Up Wit Ah Stick ££££ 281093BS Rolex ££££ 185912CR Trap Queen ££££ 215643KP Keep Up ££££ 288771KR Peek A Boo ££££ 311205DQ Change ££££ 222206GM Me Myself & I ££££ 306923AN Behind Barz ££££ 268596EM Paris ££££ 239035EQ Way ££££ 264910GU 1 Night ££££ 187979DN My Way ££££ 249558GW Rock & Roll ££££ 256969LN Uber Everywhere ££££ 251882BW Sort It Out Sharon Ft. Wiley ££££ 285216KU Broke Boi ££££ 238022ET Lockjaw ££££ 326127CM Leg Over (Feat French Montana & Ty Dolla)££££ (Remix) 059798CV Pon De Replay ££££ 261050BU Location ££££ 151773HQ Til It's Gone ££££ 338141CN Skin ££££ 182512EN Classic Man ££££ 226119CM Overtime ££££ 231671KP 502 Come Up ££££ 286839HP 6ixvi & C Biz - Super ££££ 309350BW You Said ££££ 250740DN Detox ££££ 280926KQ Playa No More ££££ 156278GR I Need Your Love ££££ 289817KU Slipknot ££££ 318501EW Ski Mask ££££ 156551CN Alright -
Download E-Book
Winning 60 out of 60 battles AMERICAN DREAM AMERICAN DREAM Copyright©2019 Steve Yun Kim All rights reserved This book, or parts thereof, may not be reproduced in any form without permission from the publisher; exceptions are made for brief excerpts in published reviews. Requests for permission should be addressed to: STEVE Y. KIM FOUNDATION 3530 Wilshire Blvd #380 Los Angeles, CA 90010 Published by the STEVE Y. KIM FOUNDATION First Edition, Oct 1, 2019 ISBN 979-11-5776-779-3 (03800) A CIP catalogue record of the National Library of Korea for this book is available at the hompage of CIP(http:// seoji.nl.go.kr/) and Korean Library Information System Network(https://kolis-net.nl.go.kr/) (CIP2019037804) The proceeds from selling this book are used for the nonprofit organizations. Winning 60 out of 60 battles AMERICAN DREAM Written by Steve Kim Where happiness comes from? Prologue When I returned to Korea in 2007, I wrote a book titled, Steve Kim’s Dream, Hope, Future Story. With this opportunity, my life and experiences were known to many people and I was very busy lecturing in many places. During that time, I learned the sad reality of the youth and I set up ‘Dream Hope Future Leadership Center’ to help save them. I recently acquired a golf course in Santa Clarita and crossed back over to the United States. Upon my return, I met with many locals and most of them wondered who I was and why I took over a failing golf course. As they learned about my plans to develop the resort, their curiosity about me grew even bigger. -
TUNECODE WORK TITLE Value Range 280558AW
TUNECODE WORK_TITLE Value Range 280558AW Counting Stars ££££ 290448BN What In Xxxtarnation ££££ 223217DQ The Hills (Eminem Remix) ££££ 238077HP No Problem ££££ 177302DP Fester Skank ££££ 223627BR Been You ££££ 187547FT Liquor ££££ 218951CM All My Friends ££££ 292083AW Transportin ££££ 290741BR Live Up To My Name ££££ 220664BT The Girl Is Mine Ft Destiny's Child & Brandy££££ 188327BP 679 ££££ 290619CW Lil Pump ££££ 289311FP I Spoke To The Devil In Miami ££££ 258307KS My Shit ££££ 216907KR Dude ££££ 222736GU Baseman - Everyday Ft J Hus ££££ 236174GT Wavy ££££ 223575ET Children ££££ 095432GS All Of Me ££££ 281093BS Rolex ££££ 275790LM Ispy ££££ 222769KN We Are ££££ 182512EN Classic Man ££££ 288771KR Peek A Boo ££££ 297690CM Gospel ££££ 185912CR Trap Queen ££££ 311205DQ Change ££££ 222206GM Me Myself & I ££££ 179963AU Planes ££££ 048114BM I Want That Old Thing Back ££££ 268596EM Paris ££££ 262396GU My Love 4 U ££££ 287983DM Fall For You ££££ 264910GU 1 Night ££££ 249558GW Rock & Roll ££££ 238022ET Lockjaw ££££ 290057FN Look How Life's Changed ££££ 230363LR Crossfire Part Iii ££££ 002363LM Don't Stop Believin ££££ 215643KP Keep Up ££££ 256492DU 44 Bars ££££ 114279DP Poetic Justice ££££ 151773HQ Til It's Gone ££££ 093623GW Mistletoe ££££ 231671KP 502 Come Up ££££ 286839HP 6ixvi & C Biz - Super ££££ 309350BW You Said ££££ 180925LN Shot Caller ££££ 250740DN Detox ££££ 177392AN Wet Dreamz ££££ 180889GW I Know There's Gonna Be (Good Times)££££ 135635BT Stay High (Habits Remix) ££££ 264296HW Floyd Mayweather ££££ 290984EN Catch Me Outside ££££ 191076BP -
Warren Jones Oral History
Warren Jones Oral History San Francisco Conservatory of Music Library & Archives San Francisco Conservatory of Music Library & Archives 50 Oak Street San Francisco, CA 94102 Interview conducted June 8 and 9, 2014 Tessa Updike, Interviewer San Francisco Conservatory of Music Library & Archives Oral History Project The Conservatory’s Oral History Project has the goal of seeking out and collecting memories of historical significance to the Conservatory through recorded interviews with members of the Conservatory's community, which will then be preserved, transcribed, and made available to the public. Among the narrators will be former administrators, faculty members, trustees, alumni, and family of former Conservatory luminaries. Through this diverse group, we will explore the growth and expansion of the Conservatory, including its departments, organization, finances and curriculum. We will capture personal memories before they are lost, fill in gaps in our understanding of the Conservatory's history, and will uncover how the Conservatory helped to shape San Francisco's musical culture through the past century. Warren Jones Interview This interview was conducted in two sessions at the San Francisco Conservatory of Music on Sunday, June 8 and Monday, June 9, 2014 by Tessa Updike. Tessa Updike Tessa Updike is the archivist for the San Francisco Conservatory of Music. Tessa holds a B.A. in visual arts and has her Masters in Library and Information Science with a concentration in Archives Management from Simmons College in Boston. Previously she has worked for the Harvard University Botany Libraries and Archives and the Bancroft Library at the University of California, Berkeley. Use and Permissions This manuscript is made available for research purposes. -
Sampling Nina Simone in Hip Hop Amanda Renae Modell University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2012 "You Understand Me Now": Sampling Nina Simone in Hip Hop Amanda Renae Modell University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the African American Studies Commons, American Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Music Commons Scholar Commons Citation Modell, Amanda Renae, ""You Understand Me Now": Sampling Nina Simone in Hip Hop" (2012). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4168 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “You Understand Me Now”: Sampling Nina Simone in Hip Hop by Amanda R. Modell A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in American Studies Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Maria Cizmic, Ph.D. Gary Lemons, Ph.D. Date of Approval: March 9, 2012 Keywords: Black Feminism, Rap, Intersectionality, Black Music, Hip Hop, Civil Rights, Black Power Copyright © 2012 Amanda R. Modell Acknowledgments First I would like to thank the University of South Florida and the people of the state of Florida for facilitating the graduate fellowship that has made this work possible. I must recognize Dr. Charlie McGovern, for encouraging me to write outside the lines at the College of William and Mary in 2005, and bearing with me through many growing pains. -
The Anthropology of Parliaments
THE ANTHROPOLOGY OF PARLIAMENTS The Anthropology of Parliaments offers a fresh, comparative approach to analysing parliaments and democratic politics, drawing together rare ethnographic work by anthropologists and politics scholars from around the world. Crewe’s insights deepen our understanding of the complexity of political institu- tions. She reveals how elected politicians navigate relationships by forging alliances and thwarting opponents; how parliamentary buildings are constructed as sites of work, debate and the nation in miniature; and how politicians and officials engage with hierarchies, continuity and change. This book also proposes how to study parliaments through an anthropological lens while in conversation with other disciplines. The dive into ethnographies from across Africa, the Americas, Asia, Europe, the Middle East and the Pacific Region demolishes hackneyed geo-political categories and culminates in a new comparative theory about the contradictions in everyday political work. This important book will be of interest to anyone studying parliaments but especially those in the disciplines of anthropology and sociology; politics, legal and development studies; and international relations. Emma Crewe is Professor of Social Anthropology at SOAS, University of London, UK. ‘With characteristic wit and imagination, Emma Crewe casts her anthropological eye across the spectrum of parliamentary politics. This book is the product of those enquiries – it is sparklingly fresh, insightful, and as ever with this author, more inter- ested -
Jon B Tour Schedule
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