Toast English Subject Leaders and Year 9 Reading Task Teachers of English Status: Recommended Date of Issue: 01-2006 Teacher Pack Ref: Dfes 1789-2005 CDO-EN

Total Page:16

File Type:pdf, Size:1020Kb

Toast English Subject Leaders and Year 9 Reading Task Teachers of English Status: Recommended Date of Issue: 01-2006 Teacher Pack Ref: Dfes 1789-2005 CDO-EN Guidance Secondary Curriculum and National Strategy Standards Toast English subject leaders and Year 9 reading task teachers of English Status: Recommended Date of issue: 01-2006 Teacher pack Ref: DfES 1789-2005 CDO-EN Assessing pupils’ progress in English at Key Stage 3 Toast Year 9 reading task Framework objectives Reading 7 Compare the presentation of ideas, values or emotions in related or contrasting texts. Reading 11 Analyse how an author’s standpoint can affect meaning in the literary texts. Assessment focuses AF2 Understand, describe, select or retrieve information, events or ideas from texts and use quotation and reference to text. AF3 Deduce, infer or interpret information, events or ideas from texts. AF4 Identify and comment on the structure and organisation of texts, including grammatical and presentational features at text level. AF5 Explain and comment on writers’ use of language, including grammatical and literary features at word and sentence level. AF6 Identify and comment on writers’ purposes and viewpoints, and the overall effect of the text on the reader. Time needed Two consecutive one-hour lessons. Timings will need to be adapted if lessons are longer or shorter than 60 minutes. These timings are estimates for guidance rather than obligatory timings. The most important consideration is that pupils should have sufficient time to complete the task, working independently. Unfinished tasks are unlikely to produce evidence on all the assessment focuses. Teachers may adjust the timings for the task to take account of their particular circumstances, but should bear in mind that spending overmuch time on any section may disadvantage pupils. Pack includes Teacher notes OHT 1 – food cards OHT 2 – extract from Pommes Dauphinoise for shared reading Pages 2–10 of reading booklet Pages of answer booklet Marking guidelines Exemplar responses Task outline This task requires pupils to read and respond to sections of four chapters from Nigel Slater’s autobiography Toast. Pommes Dauphinoise is used as a class text for shared reading and exploration of early ideas. Toast 1 and the first section of Christmas Cake are studied together to bridge ideas, while the rest of the text and Smoked Haddock are studied by pupils independently. 2 Secondary National Strategy | Assessing pupils’ progress in © Crown copyright 2006 English at Key Stage 3 DfES 1789-2005 CDO-EN Teacher notes Teaching sequence LESSON 1 I Share the learning objectives with the class, rephrasing as appropriate for the group. Introduction (15 minutes) I Tell pupils that they are about to read some chapters from Nigel Slater’s autobiography Toast. Draw out knowledge of him as a celebrity chef – his reputation for uncomplicated cooking. Compare him to other known celebrity chefs. I Ask pupils why they think people write autobiographies. I Explain that Nigel Slater was brought up in the 1960s in Wolverhampton. His mother died when he was young and Nigel was brought up by his father and then by his stepmother. Although he was often alone after his mother’s death and left to make his own meals, he writes about his experiences with humour and compassion. For Nigel Slater, food becomes a comforting and significant friend. You may wish to introduce some of this autobiographical information (which is relevant to the texts in this task) at the start, or draw it out as appropriate during the reading of the four chapters. I Display OHT 1 (page 2 of the reading booklet), which names and describes some of the dishes from the chapter Pommes Dauphinoise. (This does not need to be cut up into cards.) Tell pupils that all these dishes are mentioned in the text they are about to read. This activity should be very quick and is designed to make the text accessible by establishing some of the ways in which food is made to sound delicious. I Ask pupils to: 1. circle any foods they know 2. underline the foods they can work out in pairs by exploring language more closely – for example by examining parts of words they know 3. find two dishes they want to find out more about. Pernod – an alcoholic drink made with aniseed Veal paupiette – thin slice of veal, rolled and stuffed with olives I Take quick feedback, drawing attention to the way some dishes are made vivid through use of colourful adjectives/comparisons. © Crown copyright 2006 Secondary National Strategy | Assessing pupils’ progress in 3 DfES 1789-2005 CDO-EN English at Key Stage 3 Shared reading – Pommes Dauphinoise (20 minutes) I Hand out the pupil reading booklet and ask pupils to locate Pommes Dauphinoise. Although this is the final text in the pupil reading booklet, it will be studied first. Explain that in this chapter Nigel Slater narrates an episode when he was in his last year at catering college. He was probably about 20 and full of ideas for his future life as a chef. I Read Pommes Dauphinoise to pupils and ask them to be alert to the way Slater describes the foods they have just looked at. I Display OHT 2 (page 3 of the reading booklet) and lead a short focused session on the passage on Thornbury Castle. Ask pupils to look at the way the writer uses descriptions of food to reflect Nigel’s growing passion for food and his discovery of pommes dauphinoise. On the OHT, highlight words and phrases that alert the senses to smell, texture, sight and taste, for example: – Tiny beads of condensation frosting the outside – Fat olives the colour of a bruise – Dark, sticky sauce – Comforting, soothing and fragrant – Anchovy puffs arrived fresh from the oven – Subtlest hint of garlic…as if it had floated in on a breeze. I Draw out the significance of the chapter title. Ask pupils why they think the discovery might have been so important to Nigel: – It is a simple, comforting dish containing only two ingredients and may remind him of the simple foods of his childhood – The phrase “then something came along that was to change everything” implies that the discovery may have influenced him as a chef in the years to follow. Development (20 minutes) I Introduce the two chapters Toast 1 and Christmas Cake. Explain that these chapters come earlier on in Nigel Slater’s book and tell us a great deal about his mother. Read up to “having to be filled with marzipan”. I Ask pupils to think about the connections between these texts and the last text. Ask pupils to turn to page 4 in their reading booklet and draw their attention to the prompts in the left-hand column. I Ask pupils to read the remaining part of Christmas Cake from “Forget scented candles…” to “…lawn for the birds” and to complete the grid in pairs. Plenary (5 minutes) I Agree three key points from the completed grids and write up on the board or flipchart for the next lesson: 1. The way the writer appeals to our senses 2. The way the writer links food and cooking to memory and feelings – especially to his mother and father 3. The humour of his observations – of people and events. 4 Secondary National Strategy | Assessing pupils’ progress in © Crown copyright 2006 English at Key Stage 3 DfES 1789-2005 CDO-EN LESSON 2 I Remind pupils of the learning objectives for these two lessons. Introduction (5 minutes) I Use flipchart, display board or OHT from previous lesson to remind pupils of the key ideas from Lesson 1: 1. The way the writer appeals to our senses 2. The way the writer links food and cooking to memory and feelings – especially to his mother and father 3. The humour of his observations – of people and events. I Explain that they will be asked to respond to the rest of the text on their own and that these key ideas will be an important focus for their reading. Shared session (10 minutes) I Demonstrate how to respond to a question which requires a longer answer, reminding pupils that the PEE model will be useful. This is best done through modelling an answer. Pupils working towards level 6 may benefit from being shown a more flexible approach towards the PEE model, as the example below shows. Question: What impression does Nigel Slater give of his parents in the first section of Christmas Cake? Answer: Nigel Slater states that his mother was not a very good cook – she was a “chops-and-peas sort of cook” (Point and Evidence). His father tried to inspire her by making her a special gadget for her mixer but she was obviously overwhelmed by it and swore every time it appeared (Point and Evidence)! Nigel and his father seem keen for her to be more creative in the kitchen but she is clearly not particularly interested in cooking (Explanation). Independent response – Questions 1–3 (20 minutes) I Remind pupils that although they have already read Toast 1 and Christmas Cake they should now take the opportunity to read them again independently. They should think about the three key ideas displayed on the board or flipchart and, specifically, on the way the writer links food to memory and his feelings about his mother; his sense of humour; and his descriptions of food and people. I Pupils should be encouraged to highlight important sections of the text as they read, especially those which relate to the three key ideas. This is intended to support pupils and focus their reading. Do not read the text for pupils. This is intended to be an independent activity leading into the first set of questions in the pupil answer booklet. I Briefly show pupils how to use the answer booklet.
Recommended publications
  • The Vital Link Guide
    Sporting Legends Real Fast Life Fiction Tense Thrillers The Vital Link Guide Humble Pie Gordon Ramsay Introduction The launch of a fourth set of Quick Reads titles on World Book Day in March 2008 provides another great opportunity to introduce less confident adult readers to the world of books. This is particularly important during the 2008 National Year of Reading which has adult literacy learners as a priority audience. The response to the books published since the launch of the Quick Reads initiative in March 2006 has been enormously positive. Thousands of people have discovered an enjoyment of reading for the first time. Tutors and other professionals have recorded an increase in learners’ confidence, motivation and acquisition of literacy skills. The Vital Link encourages practitioners to integrate reading for pleasure into their work with adult literacy learners through partnership with the public library service. Support from the Department for Innovation, Universities and Skills has enabled us to provide tools to link the Quick Reads into regular teaching practice and into more informal contact with adults who are improving their literacy skills. As part of this work, The Vital Link has created resources to support use of the Quick Reads. These provide a ‘way in’ to using the books in a range of settings through ideas for discussion and extension activities. We have included suggestions for other reading materials, printed and online, and curriculum references for the main learning points. The resources for the Quick Reads published in 2008 are available to download as individual PDF or Word files from www.vitallink.org.uk.
    [Show full text]
  • Celebrity Chefs As Brand and Their Cookbooks As Marketing
    Celebrity Chefs as brand and their cookbooks as marketing communications This paper discusses how consumers understand and interpret celebrity chefs as brands and utilise the cookbooks as marketing communications of the benefits and values of the brand. It explores the literature around the concept of celebrity, identifying it as something which is consciously created with commercial intent to such an extent that to suggest celebrities become brands is not hyperbole (Turner, 2004). It discusses the celebrity chef: how they are created and their identity as marketing objects (Byrne et al, 2003). It discusses common constructions of the meaning of cookbooks as historical and cultural artefacts and as merchandise sold on the strength of their associated celebrity’s brand values (Brownlee & Hewer, 2007). The paper then discusses its findings against two research objectives: first to explore the meaning of celebrity chefs for consumers and second to suggest a mechanism of how this meaning is created. Using narrative analysis of qualitative interviews this paper suggests, that consumers understand and consume the celebrity chef brand in a more active and engaged way than traditional consumer goods brands can achieve. It also suggests, as a development from tradition views of cookbooks, that those written by the celebrity chef brands are acting as marketing communications for their brand values. Defining Celebrity Celebrity is much written about by social theorists (Marshall, 1997; Monaco, 1978) and as such there are many taxonomies of celebrity which Turner (2004) and discusses at some length in his work Most interesting for this work is the concept of the Star (Monaco, 1978), fame is achieved when their public persona eclipses their professional profile in the ways of Elizabeth Hurley or Paris Hilton.
    [Show full text]
  • British Street Food • Working for the Street Food Revolution 2 Selection of Coverage
    2019 Review British Street Food • Working For The Street Food Revolution 2 Selection Of Coverage C4’s Sunday Brunch ITV News MediaMedia CoverageCoverage ReportReport 20192019 British Street Food • Working For The Street Food Revolution 3 About Us ■ Formed in 2009 ■ For young street food traders to showcase their talent ■ To make good food accessible to everyone ■ And to celebrate the grass roots street food movement British Street Food • Working For The Street Food Revolution 4 Founder – Richard Johnson ■ One of the 1,000 most influential people in London for four years running according to the Evening Standard ■ Award-winning food journalist and consultant ■ Writer / presenter of The Food Programme on BBC Radio 4 ■ Author of the best-selling book Street Food Revolution ■ Johnson has been the host of Full on Food for BBC2, Kill It, Cook It, Eat It for BBC3, as well as supertaster for ITV’s Taste The Nation and judge on Channel 4’s Iron Chef and Cookery School British Street Food • Working For The Street Food Revolution 5 About Us – Our Vision “ To share street food with the world. Michelin has just awarded its first stars to street food chefs. With the British Street Food Awards - and now the European Street Food Awards - we will find the Michelin stars of tomorrow.” British Street Food • Working For The Street Food Revolution 6 “ Traders compete in five regional heats, from May to August, with a big national final in September. 2019 attendance? Over 45,000 people.” British Street Food • Working For The Street Food Revolution 7 The Judges
    [Show full text]
  • I Love to Eat by James Still in Performance: April 15 - June 27, 2021
    Commonweal Theatre Company presents I Love To Eat by James Still In performance: April 15 - June 27, 2021 products and markets. Beard nurtured a genera- tion of American chefs and cookbook authors who have changed the way we eat. James Andrew Beard was born on May 5, 1903, in Portland, Oregon, to Elizabeth and John Beard. His mother, an independent English woman passionate about food, ran a boarding house. His father worked at Portland’s Customs House. The family spent summers at the beach at Gearhart, Oregon, fishing, gathering shellfish and wild berries, and cooking meals with whatever was caught. He studied briefly at Reed College in Portland in 1923, but was expelled. Reed claimed it was due to poor scholastic performance, but Beard maintained it was due to his homosexuality. Beard then went on the road with a theatrical troupe. He lived abroad for several years study- ing voice and theater but returned to the United States for good in 1927. Although he kept trying to break into the theater and movies, by 1935 he needed to supplement what was a very non-lucra- Biography tive career and began a catering business. With From the website of the James Beard Founda- the opening of a small food shop called Hors tion: jamesbeard.org/about d’Oeuvre, Inc., in 1937, Beard finally realized that his future lay in the world of food and cooking. nointed the “Dean of American cookery” by In 1940, Beard penned what was then the first Athe New York Times in 1954, James Beard major cookbook devoted exclusively to cock- laid the groundwork for the food revolution that tail food, Hors d’Oeuvre & Canapés.
    [Show full text]
  • MATT PRESTON the HOME COOK @Mattscravat Taste Top Cook’S Reading List Here’S My Ultimate List of Cookbooks Everyone Should Own
    SUNDAY SEPTEMBER 7 2014 FOOD 35 INSPIRATION FOR FOLLOW ME. COLUMN MATT PRESTON THE HOME COOK @mattscravat Taste www.taste.com.au Top cook’s reading list Here’s my ultimate list of cookbooks everyone should own. Many, especially some chefs and authors, may disagree which is why we want you to contribute as well. Oh, and you don’t need to own them … borrow them from the library to see BY MATT PRESTON if you want to make the investment. 1. ENCYCLOPEDIA OF from old favourites like to explain to a stuck-up chef — FOOD AND COOKERY carbonara to bolognese, 11 and prove — that searing Margaret Fulton different frittata recipes and doesn’t seal in the juices of a OR THE COOK’S my current Hazan favourite, steak no matter what they say! COMPANION meatballs with savoy cabbage. Stephanie Alexander 5. WHITE HEAT My world is divided between 3. LAROUSSE Marco Pierre White these two. I love Fulton because GASTRONOMIQUE White Heat launched a it basically has the solution for The encyclopedic work on thousand culinary careers cooking just about anything cooking from a very French with dreams of roll ‘n’ roll you might find in the perspective may seem a little celebrity and the idea of supermarket but, more than outdated now. The wonderful kitchens that were cooler than that, over the years I’ve found thing about French cuisine is nightclubs a decade before the that whether its golden syrup that there is a definitively right celebrity TV chef was a fixture dumplings, lemon delicious or way to do everything — and on our screens.
    [Show full text]
  • The Really Quite Good British Cookbook
    Q COOKERY THE REALLY QUITE GOOD BRITISH COOKBOOK What do you cook for the people you love? Asked this question, 100 of Britain’s food heroes have shared their most beloved recipes to make this extraordinary cookbook. Nigella Lawson divulges how to bake her Chocolate Guinness Cake and Rick Stein fries up Shrimp & Dill Fritters with Ouzo. Yotam Ottolenghi would serve Pea & Mint Croquettes, and for Jamie Oliver, his unrivalled Happy Fish Pie. These are just a few of the incredible recipes provided by the best and brightest on the British food scene, including names such as Raymond Blanc, Gordon Ramsay, Delia Smith, James Martin, Nigel Slater, Thomasina Miers, Mark Hix, Marco Pierre White, Jason Atherton, Claudia Roden and more. Compiled by award-winning food editor and author William Sitwell, The Really Quite Good British Cookbook is keenly anticipated and a stunning object in its own right. Ultimately it is a celebration of the breadth, creativity and richness of Britain’s unique food culture. SALES POINTS: Pub date March 2017 Price R575 • Edited by William Sitwell, an award-winning editor, broadcaster, writer Isbn 978-1-928209-67-6 and food critic. Hardback with ribbon marker • With 150 recipes, this definitive survey of Great British food and 200mm x 260mm, 428 pages cooking is the book that every foodie will want in their collection. 100 contributors, 150 recipes • Stunning cover design by the legend that is Sir Peter Blake. 215 original images • The dishes in this book will inspire even the most jaded of hosts. • A portion of royalties from the sale of this book are going to support the vital reallyquitegoodbritishcookbook.com work of The Trussell Trust, which runs food banks across Britain.
    [Show full text]
  • Digging In: How Our Food Shapes Our Lives. SHAHIDHA BARI: Hello and Welcome to the Big Book Weekend and This Event. Thanks
    Digging In: How our food shapes our lives. SHAHIDHA BARI: Hello and welcome to the Big Book Weekend and this event. Thanks for joining in the fun. I'm Shahidha Bari and I’m a BBC presenter and I'm your host for this event which will last forty-five minutes. And we're going to be digging in as we think about how food shapes our lives. What can we learn about ourselves from how we feel about food. What role does food play in our upbringings, our memories and our relationships and how can food help us to relate to each other better. We've got three brilliant food writers to talk to us about just that and their experiences of writing about food, so much food talk honestly, I really hope you've eaten your lunch already. Before I tell you about our panellists let me tell you that if you want to ask our panellists a question about food then you can do so. You can post your questions on social media using the hashtag Big Book Weekend. And if you are watching on Facebook live you can enter your question in the comments below and we will do our best to get to those questions. Now our guests are The Guardian food critic Grace Dent. She's the author of Hungry a memoir about growing up in Carlisle and becoming a food critic. All told through foil wrapped Mint Viscount biscuits and Findus crispy pancakes. The activist and writer Jack Monroe, they’re the author of Good Food For Bad Days.
    [Show full text]
  • Arugula Pesto
    Harmony Valley Farm An update for our Community Supported Agriculture Members - Since 1993 www.harmonyvalleyfarm.com October 28-29, 2016 Wow, What a Year! By Farmer Richard Final Peak Produce Share We’ve had a roller coaster of challenging weather, but have had mostly successful Please note: this is the fi nal delivery of Peak Season Shares. crops despite the bumps along the road. We hope you have enjoyed the summer bounty Good management and good crew have been the key to this year, but there’s only so much and will be back with us next season. you can do when you get the unavoidable While Peak Season CSA shares conclude this week, you can certainly take 100 year fl ood! The third of its kind in 8 advantage of any of the Sampler Packs or Late Season Produce Plus off ers soon years!...hmmm. It did help us make the fi nal to be released for December. Watch your email for more informa on! decision to not farm one of those fl ood prone farms next year! This Week’s Box The last couple weeks have been beau ful fall weather! We fi nished most of our harvest ITALIAN GARLIC: If you’ve never had roasted garlic mashed potatoes, try a test run and had plenty of me to plant our 2017 before Thanksgiving. Roast cloves un l golden and so . You’ll be able to mash the garlic garlic crop. We put a nice layer of mulch with a wooden spoon and incorporate into the potatoes. The russet potatoes in this on it and are praying for a good crop for week’s share are a great choice for mashed potatoes.
    [Show full text]
  • Starting to Get Really Serious
    Street food in Europe is young, cool, and – served out of customised vans, trucks and trailers – exciting European Street Food • Working For The Street Food Revolution 2 2018 Review European Street Food • Working For The Street Food Revolution 3 About Us ■ Created in 2017 ■ The first final was in Berlin. 9 countries competed ■ 13 countries competed in 2018 ■ For 2019, Austria, Iceland, Latvia and Denmark have already asked to join the party European Street Food • Working For The Street Food Revolution 4 Founder – Richard Johnson ■ One of the 1,000 most influential people in London for the last four years according to the Evening Standard ■ Award-winning food journalist and food columnist for the Guardian ■ Writer / presenter of The Food Programme on BBC Radio 4 ■ Author of the best-selling book Street Food Revolution ■ Johnson has been the host of Full on Food for BBC2, Kill It, Cook It, Eat It for BBC3, as well as supertaster for ITV’s Taste The Nation and judge on Channel 4’s Iron Chef and Cookery School European Street Food • Working For The Street Food Revolution 5 About Us – Our Vision “To share street food with the world. Michelin has just awarded its first stars to street food chefs. With the British Street Food Awards - and now the European Street Food Awards - we will find the Michelin stars of tomorrow.” European Street Food • Working For The Street Food Revolution 6 European Street Food • Working For The Street Food Revolution 7 European Street Food Awards National awards held in Europe’s Members of the public voted top street
    [Show full text]
  • Travelling Recipes and Their Alteration in the Long Eighteenth Century
    The Roast Charade: Travelling Recipes and their Alteration in the Long Eighteenth Century Helga Müllneritsch In this paper, I wish to focus on selected ‘travelling’ 336 recipes and explore possible reasons for their successful adoption or rejection. The dishes we eat are more than just energy supplies for our bodies; they give us a feeling of continuity and identity, and carry powerful symbolic significance. Via food, both individuals and groups are able to generate a sense of ‘home’ and membership of a particular social or ethnic group. Certain meals or food preparation methods are also seen as ‘typical’ of a region and are often used to express particular political views. 337 In the long eighteenth century, for example, food items which were imported from the colonies – like coffee, tea, sugar, tobacco or spices – had much more influence on the attitudes of the British towards their Empire than pamphlets, newspapers or travel narra- tives. 338 But this phenomenon was not limited to the British Empire; in the 1780s, goulash – formerly a dish restricted to Hungarian herdsmen and peas- ant communities – was used by the Hungarian nobility as a symbol of oppo- sition to the attempts by the Austrian emperor, Joseph II, to modernise the economy and society, as well as to his aim of building a united empire, en- compassing Austria, Bohemia and Hungary. 339 The naming of adopted dishes can often be traced to a variety of political and social considerations. One of them is the prestige that can come with a foreign-sounding name because of the symbolic significance of foreign dish- es (which are perceived as exotic, expensive etc.), with the result that travel- ling dishes either keep their foreign name or are even given a foreign- sounding name without actually being new or foreign.
    [Show full text]
  • Noble Rot 16
    George Reynolds uncovers some mythical gastronomic texts Images by Tom le French ROTTERS’ LOST COOKBOOKS* * NB No actual chefs were involved in the making of this article 16 Noble Rot Noble Rot 17 ere at Noble Rot we are – From Bollock to Arsehole Hof course – connoisseurs of the by Fergus Henderson most delicious restaurant dishes A true labour of love from the high priest of modern British food, this book should rightfully take its place alongside Nose to Tail Eating as one of the and finest wines, but love to turn our movement’s most important texts. And indeed, the interest generated around its launch was sizeable – only to subside mere weeks later as home hands to cookery, too. In this issue we cooks ran aground on some of the most challenging recipes the medium had seen. The signature mordant Henderson wit is on full display, but somehow had originally intended to run a list of could not entice people to attempt sow’s teat braised in Sauternes, soused bull’s pizzle, or a very different take on the St. John classic, a glass of favourite cookbooks compiled by the usual Madeira and a slice of seed cake. The occasional bold supper club pops up roster of celebrity chefs, but after a period from time to time proposing to take some of the tome’s most intimidating assemblies, but it truly takes a genius on Fergus’ level to make his of soul-searching we realised that we’re infamous spotted dick (“not that kind”) anything more than actively disgusting. not fucking Buzzfeed, and that you, our beloved Rotters, deserve so much more.
    [Show full text]
  • The Farmers' Market Cookbook
    The Farmers' Market Cookbook By Nina Planck Bestselling author of Real Food: What to Eat and Why and Real Food for Mother and Baby Copyright Diversion Books A Division of Diversion Publishing Corp. 443 Park Avenue South, Suite 1004 New York, New York 10016 www.DiversionBooks.com Copyright © 2012 by Nina Planck All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For more information, email [email protected]. First Diversion Books edition May 2013. ISBN: 978-1-938120-70-1 (ebook) Foreword by Nigel Slater I like to know what I’m putting in my mouth. But modern food shopping is a minefield. We have learned the hard way to mistrust factory farming and agribusiness. Food additives confuse us. We are suspicious of the motives of supermarkets. The natural seasons of fruit and vegetables are blurred. Our food is anonymous, its provenance distant, its background mysterious. Who knew, until the mad cow disease disaster unfolded, that farmers were feeding sheep brains to cattle, turning a natural herbivore into a carnivore? Did anyone tell us that most lettuce has been sprayed a dozen times? Or that the flood of cheap imported plums has nearly wiped out our own orchards, along with countless traditional varieties? If you are curious about such things, greengrocers and supermarket managers are little help. Most haven’t a clue what variety of peas or carrots they are selling. Potatoes are Jerseys, Cyprus, or Baking. Plums are Spanish, Victoria, or South African. They can’t say whether the strawberries were grown outdoors or in poly-tunnels, or what they were sprayed with.
    [Show full text]