FRIDAY, JUNE 29 – THURSDAY, JULY 5 • REPERTORY SERIES • JUST WHEN YOU THOUGHT IT WAS SAFE TO GO ON VACATION Friday, June 29 Saturday, June 30 Sunday, July 1 Also Sat, June 30 & Sun, July 1 Monday, July 2 Tuesday, July 3 Wednesday, July 4 Thursday, July 5 The Late Show: Theatrical Premiere! IT M. HULOT'S HOLIDAY THE MAN TUCKER & DALE VS EVIL JEOPARDY JAWS WESTWORLD Double Feature! at 7:15, 10:00 at 2:30, 7:00 WHO KNEW REVENGE at 7:30pm at 5:30, 7:15 at 2:00, 7:00 at 7:30pm (2017) dir Andy Muschietti w/Jaeden Lieberher, (1953) dir Jacques Tati TOO MUCH at 9:30pm (2010) dir Eli Craig w/Tyler Labine, Alan Tud yk, (1953) dir John Sturges w/Barbara Stanwyck, (1975) dir Steven Spielberg w/Roy Scheider, Robert (1973) dir Michael Crichton w/Richard Benjamin, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, w/Tati, Nathalie Pascaud, (2017) dir Coralie Fargeat w/Matilda Lutz, Kevin Katrina Bowden, Jesse Moss, Philip Granger, Barry Sullivan, Ralph Meeker [69 min; 35mm] Shaw, Richard Dreyfuss, Lorraine Gary, Murray James Brolin, Yul Brynner [88 min; 35mm] at 1:30, 4:00, 6:30 Chosen Jacobs, Jack Dylan Grazer, Wyatt Oleff, Bill Micheline Rolla [83 min; Janssens, Vincent Colombe, Guillaume Bouchède Brandon Jay McLaren [89 min; 35mm] Hamilton [124 min; 35mm] (1956) dir Alfred Hitchcock Skarsgård [135 min; DCP] 35mm] [108 min; DCP] The Late Show: Double Feature! RACE WITH THE DEVIL For lucky schoolkids, summer vacation is sup - Double Feature! w/Jimmy Stewart, Doris Double Feature! A stunning debut that paints a crimson canvas TROLL 2 BURNT OFFERINGS JAWS 2 at 5:30, 9:30 posed to involve endless days of carefree Day, Brenda de Banzie, MR. HOBBS Bernard Miles, Christopher of hypnotic beauty and bloody retribution in this at 5:30, 9:30 at 4:30pm (1975) dir Jack Starrett w/Peter Fonda, Warren dawdling. But the children of Derry, Maine at 9:00pm TAKES A VACATION Olsen [120 min; 35mm] razor-sharp feminist subversion of the revenge- (1990) dir Claudio Fragasso w/Michael Paul (1976) dir Dan Curtis w/Karen Black, Oliver Reed, (1978) dir Jeannot Szwarc w/Roy Scheider, Lorraine Oates, Loretta Swit, Lara Parker [88 min; 35mm] aren’t lucky… These kids have to deal with a at 12:00, 4:30 thriller. Stephenson, George Hardy, Margo Prey, Connie Lee Montgomery, Bette Davis, Burgess Meredith, Gary, Murray Hamilton [116 min; DCP] shapeshifting demon who disguises itself as the Young, Robert Ormsby [95 min; 35mm] Eileen Heckart [116 min; 35mm] (1962) dir Henry Koster w/James Stewart, Maureen Official Selection; Boston Underground Film terrifying clown Pennywise. If you weren’t afraid O'Hara, Lauri Peters, Fabian [116 min; 35mm] of men in greasepaint before… Festival 2018

FRI, JULY 6 – THU, JULY 12 • PREMIERE ENGAGEMENT! ALSO FRI, JULY 6 – MON, JULY 9 • THE LATE SHOW WEDNESDAYS & THURSDAYS ZAMA New Restoration! HEROIC!: WOMEN WHO INSPIRE Fri - Mon at 4:30, 7:00 (+ Sat & Sun at 2:00pm); No Shows Wed; Tue & Thu at 4:30, 7:00, 9:30 THE CHANGELING (2017) dir Lucretia Martel w/Daniel Giménez Cacho [115 min; DCP] at 9:30pm For this rousing series of films celebrating incredible “Lucrecia Martel’s cinematic marvel ZAMA tells the dreamlike story of Don Diego (a wonderful Daniel Giménez Cacho), a proud if (1980) dir Peter Medak w/George C. Scott, Trish Van Devere, Melvyn Douglas, Jean Marsh [107 min; DCP] Wednesday, July 11 beleaguered agent of Western colonialism. When you first meet him, Diego is waiting for a transfer from a desolate outpost. He In partnership with Severin Films, AGFA presents the fully-restored 1980 gem that made Martin Scorsese's “11 Scariest Horror Movies Caitlin Moran will Introduce! women, we invited the women of the Brattle – those in the has been waiting a long time. Over this pleasurably eccentric movie, Diego – with his noble head held high, his tragically ill-fitting Of All Time” list. Oscar-winner Scott delivers major feels as a composer consumed by grief after his family is killed in a shocking acci - office, who sell tickets and concessions, and who serve wig and slow-growing despair – continues to wait, while simultaneously being assailed by slights, insults, rejections, humiliations, a dent. After moving to a secluded Victorian mansion, he's haunted by a paranormal entity that unleashes an even more disturbing JUNO on our board – to come up with the titles featuring ‘hero- comically inquisitive llama and catastrophic physical violence. Diego’s tribulations are almost worthy of a Christian martyr except secret. Based on actual events! – American Genre Film Archive at 8:30pm ines’ either on screen or behind the camera. With a list of that he is suffering for sins of his own making. (2007) dir Jason Reitman w/Ellen Page, Michael Cera, Jennifer "Utterly hair-raising… contains the best séance scene in horror movie history." – Newsweek Garner, Jason Bateman, Allison Janney, J.K. Simmons, Olivia Thirlby, over a hundred(!) films to work from, we whittled down “Ms. Martel is exploring the past, how we got here and why, but she is more interested in relations of power than in individual psy - Rainn Wilson [96 min; DCP] the list so that everyone who made a suggestion is repre- chological portraits. The monstrous must be humanized to be understood, which doesn’t mean it deserves our tears.” – Manohla Talk about inspiring… screenwriter Diablo Cody won an sented. Dargis, The New York Times Academy Award right out of the gate with this, her first screen - Additionally, we’ve joined forces with the Museum of Fine play. The film introduces us to Juno (Page), a teenager who is faced with an unexpected pregnancy after a one-time encounter Arts Film Program who will also be presenting films fea- with her best friend Paulie (Cera). The film is both a character turing heroic women this summer! The MFA program kicks FRIDAYS, SATURDAYS, SUNDAYS & SOMETIMES MORE MONDAYS & TUESDAYS portrait of the acerbic but still vulnerable Juno and a celebration off with an outdoor screening of Miyazaki’s Nausicaä of SPECIAL ENGAGEMENTS & PREMIERES RITA HAYWORTH CENTENNIAL CELEBRATION of a woman’s right to choice – whether that be keeping a baby, the Valley of the Wind on August 9 and continues with giving it up for adoption, or getting an abortion. We’re doubly even more films featuring amazing women throughout the excited that acclaimed columnist and author Caitlin Moran has month. Visit MFA.org/film for their full program! Friday, July 13 – Sunday, July 15 Monday, July 16 selected this film to introduce after a Harvard Book Store read - Krzysztof Kieslowski’s 25th Anniversary! THE LADY FROM SHANGHAI ing for her new novel, How to Be Famous . Bring your ticket stub from any screening in our HEROIC! BLUE Series to the MFA for a $3 discount, pending availability. THREE COLORS TRILOGY at 7:30, 9:30 Wednesday, July 18 2018 marks the 25th anniversary of the release of Krzysztof Fri at 5:30, 7:30; Sat at 5:00pm; Sun at 3:00pm (1947) dir Orson Welles w/Rita Hayworth, Orson Welles, Everett (1993) dir Krzysztof Kie lowski w/Juliette Binoche [98 min; 35mm] Sloane, Glenn Anders [87 min; 35mm] Kieslowski’s BLUE and, to celebrate, the Brattle is offering this WONDER WOMAN ś This summer we celebrate the 100th birthday of one of cinema’s Thursday, July 19 rare chance to view all three parts of his “Trois Couleurs” Trilogy at 7:00pm WHITE most iconic beauties, Rita Hayworth. THE LADY FROM SHANG - The Sixteenth Annual on the big screen in 35mm. This remarkable masterpiece (2017) dir Patty Jenkins w/Gal Gadot, Chris Pine, Danny Huston, Sat at 1:00, 7:00; Sun at 5:00pm HAI was made during the peak of her career with her then hus - Lucy Davis, Elena Anaya, Saïd Taghmaoui, Ewen Bremner, Eugene TRAILER TREATS addresses the three aspects of the French flag – Liberty, Equality, (1994) dir Krzysztof Kie lowski w/Zbigniew Zamachowski, Julie Brave Rock, Robin Wright, Connie Nielsen [141 min; 35mm] band, Orson Welles, just as their marriage was collapsing. Doors at 7:30pm and Fraternity – and casts each in its own color. In BLUE, a Delpy [91 min; 35mm] ś Rising above the glut of superhero spectacles, Patty Jenkins’ Nonetheless, it remains one of her most indelible features with Our annual summer celebration turns sweet sixteen this year woman (Binoche) grapples with her sudden and tragic liberty. In Triple Feature! WONDER WOMAN stands out from the pack. Jenkins and her Hayworth as a femme fatale who enchants Welles’ Michael and that means it’s time for trailers, trailers, and more trail - WHITE, a smitten man (Zamachowski) tries to find equality with RED star Gal Gadot have produced a rare comic book film that O’Hara and draws him into a mirrored maze of cross firing ers! This year’s program will be an ALL 35MM extravaganza his vivacious ex-wife (Delpy). And in RED, a model (Jacob) finds Sat at 3:00pm; Sun at 1:00, 7:00 treats its hero like a real human being – or at least a demi-god - plots and deceit. of some of the most fun trailers we can dig up. Please join us unexpected fraternity not only with her cynical neighbor (1994) dir Krzysztof Kie lowski w/Irène Jacob, Jean Louis Trintignant dess with real emotions and complications – while never getting for a night of fabulous (and fabulously horrible) trailers from (Trintignant) but also with the characters from the other films. [99 min; 35mm] ś ‑ bogged down in taking itself too seriously. Monday, July 23 the Brattle’s collection and beyond! Tuesday, July 24 MEET NERO WOLFE GIRLFIGHT Double Feature! Tickets for this special event are $13. Brattle passes will be Also Friday, July 13 – Sunday, July 15 at 4:15, 7:30 ONLY ANGELS HAVE WINGS accepted for this event. at 4:30, 9:45 The Late Show: New Restoration! (1936) dir Herbert Biberman w/Edward Arnold, Lionel Stander, at 8:30pm (2000) dir Karyn Kusama w/Michelle Rodriguez, Santiago Douglas, Nana Bryant, Joan Perry, Victor Jory, Rita Hayworth as Rita Cansino (1939) dir Howard Hawks w/Cary Grant, Jean Arthur, Rita SWEET SWEETBACK'S BADASSSSS SONG Jaime Tirelli, Paul Calderon, Ray Santiago [110 min; 35mm] [73 min; 35mm] Hayworth, Richard Barthelmess [121 min; DCP] An auspicious debut for both writer/director and star, GIRL - at 9:30pm Born in Brooklyn to a Spanish immigrant father, Margarita Columbia studio chief Harry Cohn convinced Howard Hawks to Thursday, July 26 (1971) dir Melvin Van Peebles w/Melvin Van Peebles, Simon Chuckster, Hubert Scales [97 min; DCP] FIGHT is the first feature from favorite genre film director Karyn Cansino grew up on the stage as a dancer on Broadway, cast Hayworth for the important role of pilot Cary Grant’s ex- AMELIE Considered to be among the most significant features ever by an African-American filmmaker, SWEET SWEETBACK is a brutal and Kusama ( The Invitation ) and the debut of Michelle Rodriguez before her father moved the family to Hollywood, and she flame in this exciting tale of death-defying cargo pilots in the at 7:00pm shocking story of survival and is credited as one of the first blaxploitation films. Legendary director/writer/producer/editor/composer who has gone on to master badass roles. In GIRLFIGHT, began her film career. Andes mountains. (2001) dir Jean-Pierre Jeunet w/Audrey Tautou, Mathieu Kassovitz, Melvin Van Peebles stars as a black orphan raised in a brothel and groomed to be a sex show performer. Set up by his boss and two Rodriguez stars as Diana, a teenager who finds an outlet for her Dominique Pinon [122 min; DCP] corrupt cops for a murder he didn’t commit, Sweetback escapes custody and is thrust into an increasingly hallucinogenic world of vio - In this, the first film featuring the famous detective Nero Wolfe, talent for fighting in the boxing ring. A young woman, Amelie (Tautou), is set upon her life’s mission lence and bigotry where no one can be trusted, and the possibility of death lurks at every corner… Featuring a rousing score from a Rita (still credited as Cansino) appears as the client who puts the of making others happy by a chance discovery and she defines nascent Earth, Wind, & Fire, Van Peebles creates an unforgettable study of perseverance in the face of racism. whole mystery in motion. Double Feature! Wednesday, July 25 a unique place for herself in the world. Though uncompromising Film courtesy of Xenon Pictures, Vinegar Syndrome and the American Genre Film Archive HIDDEN FIGURES in her mission, she unknowingly neglects her own happiness… WHO KILLED GAIL PRESTON? until, that is, fate intervenes. The indomitably quirky spirit of at 4:30, 7:00 at 6:00pm (2016) dir Theodore Melfi w/Taraji P. Henson, Octavia Spencer, Amelie Poulin should be an inspiration to us all. (1938) dir Leon Barsha w/Don Terry, Rita Hayworth, Robert Paige, Janelle Monáe, Mahershala Ali, Kevin Costner [127 min; DCP] Friday, July 20 – Sunday, July 22 Wyn Cahoon [61 min; 35mm] Double Feature! This was the #1 chosen film by our female programming group RUN LOLA RUN Premiere Engagement! After she was noticed by Columbia Pictures president Harry and we couldn’t think of a better definition for inspiring women at 5:00, 9:30 Cohn in MEET NERO WOLFE, Rita was signed to a contract THE GREEN FOG than the team portrayed in this film. In the early days of the (1998) dir Tom Tykwer w/Franka Potente, Moritz Bleibtreu [80 min; and her last name was changed to Hayworth. While she found at 7:30pm (+ Sat & Sun at 3:30pm) Space Race, NASA found untapped talent in a group of 35mm] her footing at the studio, she appeared in many b-pictures like (2017) dir Guy Maddin, Evan Johnson, Galen Johnson [63 min; DCP] African-American female mathematicians that served as the In Tom Tykwer’s inventive, kinetic film, the titular Lola (Potente) this one: another whodunit in which Rita puts the plot in motion THE GREEN FOG, created by filmmaker/cultural iconoclast Guy Maddin (with co-directors Evan Johnson and Galen Johnson plus com - brains behind one of the greatest operations in U.S. history. seems to have the power of prophecy and time-bending as she poser Jacob Garchik and Kronos Quartet), pays homage to Hitchcock’s spellbinding VERTIGO in a most unusual way. Inventive and – only this time she’s the murder victim! races against the clock to try and keep her idiot boyfriend from invigorating, this “San Francisco Fantasia” is lauded by the New York Times as “a marvel of film scholarship.” It’s also a lot of fun. Also Wednesday, July 25 making a tragic mistake. Maddin, working with his Forbidden Room collaborators, set himself the challenge to remake VERTIGO without using any of Monday, July 30 Tuesday, July 31 The Late Show: Thursday, August 2 Hitchcock‘s footage, creating instead a “parallel-universe version.” Using Bay Area footage from a variety of sources – studio classics, Special Screening! Elements of Cinema: BLOOD AND SAND LADIES AND GENTLEMEN, ‘50s noir, experimental films, and ‘70s prime-time TV – and employing his mastery of assemblage, Maddin arrives at a surreal, hilar - Free Screening and Discussion GIRLHOOD at 4:30, 7:00, 9:30 THE FABULOUS STAINS ious, and mind-bending tribute to both the classic thriller and the city of San Francisco. THE CROWD (1941) dir Rouben Mamoulian w/Tyrone Power, Linda Darnell, Rita at 7:00pm Hayworth, Alla Nazimova, Anthony Quinn [125 min; DCP] at 9:45pm (2014) dir Céline Sciamma w/Karidja Touré, Assa Sylla, Lindsay at 6:00pm Double Feature! (1982) dir Lou Adler w/Diane Lane, Laura Dern, Christine Lahti, Peter Karamoh, Mariétou Touré, Idrissa Diabaté [113 min; DCP] VERTIGO (1928) dir King Vidor w/Eleanor Boardman, James Murray, Bert Ironically for someone who would go on to become one of Donat [87 min; 35mm] at 5:00, 9:00 (+ Sat & Sun at 1:00pm) Roach, Estelle Clark [98 min; 35mm] Columbia’s biggest starts, Hayworth found some of her first suc - Fed up with her abusive family situation, lack of school The movie that launched a thousand riot grrl bands! This cult prospects and the “boys’ law” in the neighborhood, Parisian (1958) dir Alfred Hitchcock w/Jimmy Stewart, Kim Novak, Barbara Bel Geddes [128 min; 35mm] A stunning film from the silent days of cinema, THE CROWD cesses in films that she was loaned out for. In the Fox production satire of the music industry features teenage Diane Lane as an Widely considered to be among the best films of all time, Hitchcock’s VERTIGO features Jimmy Stewart as a down-on-his-luck detective follows John and Mary, a young couple who try to save their BLOOD AND SAND, Hayworth plays the sultry socialite who teen Marieme reinvents herself after meeting a group of three orphan who becomes a counterculture icon fronting the garage- free-spirited girls. This startlingly authentic film is told in a series who becomes obsessed with the woman he is hired to follow (Novak) – and the lookalike that he discovers after her apparent suicide. marriage and resist becoming anonymous amongst the teem - tempts bullfighting star Tyrone Power from the bosom of his fam - punk girl band of the title. (If you play your cards right, you can ing residents of the great metropolis, New York City. ily and into her decadent lifestyle – and, ultimately, to his down - of vignettes that track Marieme’s emergence from shy teen to make this an unofficial double feature with The Legend of Billie assertive woman. fall. Shot in Technicolor, this was the first opportunity for audi - Jean which screens at the Somerville Theatre at 7:30pm.) Double Feature! Friday, July 27 – Monday, July 30 ences to see Rita’s famously fiery red hair in motion on screen. GIRLS TOWN Premiere Engagement! Monday, August 6 YOU WERE NEVER LOVELIER Tuesday, August 7 Wednesday, August 1 at 5:00, 9:30 EN EL SEPTIMO DIA (ON THE SEVENTH DAY) COVER GIRL Special Screening! (1996) dir Jim McKay w/Lili Taylor, Bruklin Harris, Anna Grace [90 Fri at 5:30, 7:30; Sat & Sun at 1:30, 3:30, 5:30, 7:30; Mon at 8:30pm at 7:00pm The Boston Jewish Film Festival Presents min; 35mm] (2018) dir Jim McKay w/Fernando Cardona, Gilberto Jimenez, Abel Perez [92 min; DCP] (1942) dir William A. Seiter w/Fred Astaire, Rita Hayworth, Adolphe at 8:00pm Featuring one of a slew of fantastic Lili Taylor performances Menjou, Xavier Cugat and His Orchestra [97 min; DCP] Acclaimed director Jim McKay’s ( Our Song , GIRLS TOWN ) first feature in over a decade is this timely, compassionate, often humorous (1944) dir Charles Vidor w/Rita Hayworth, Gene Kelly, Phil Silvers, THE OSLO DIARIES from the ‘90s, Jim McKay’s GIRLS TOWN is a remarkable Though she had appeared as a dancer on screen before, these Otto Kruger, Eve Arden, Lee Bowman [107 min; DCP] look at life in New York as an undocumented Mexican immigrant. José works long hours doing bicycle deliveries for a restaurant in at 7:00pm screen debut from the director. Created in collaboration with the two films in which she starred opposite the great Fred Astaire One of the great movie musicals of the 1940s, COVER GIRL Carroll Gardens and then spends his day off on the soccer fields of Sunset Park. When his team makes it to the championship, he and (2018) dir Mor Loushy, Daniel Sivan [97 min; DCP] three leads, GIRLS TOWN introduces us to three high school were Hayworth’s first opportunity to really show off her dance stars Rita Hayworth as a chorus girl who is featured on a mag - his teammates are thrilled. But José’s boss throws a wrench into the celebration when he tells him he has to work on Sunday, the day Please visit BJFF.org for more information and to buy tickets. seniors who struggle with a friend’s suicide following a rape. skills… and boy does it pay off! Both Astaire and Hayworth con - azine cover and becomes a Broadway star. Hayworth proves of the finals. Knowing he’ll be fired if he doesn’t show up for work, José is forced to choose between his job and his loyalty to the sidered these two films to be some of the best work of their herself as one of the best female dance leads in film history as team. Shot on the streets of Brooklyn, EN EL SÉPTIMO DÍA vividly captures the struggles and camaraderie that binds this community careers. In YOU WERE NEVER LOVELIER, Astaire plays a gam - she handily meets the challenge of keeping up with Gene Kelly Thursday, August 9 together in a universally relevant story of fortitude and dignity. – BAM Rose Cinemas Wednesday, August 8 bler whose losses find him stranded in Buenos Aires where he in one of his first really inventive screen appearances. THE MATRIX NORMA RAE “A feel-good crowdpleaser – a rousing sports movie about characters trapped by their surroundings and galvanized by their communal crosses paths with the beautiful daughter of a nightclub owner at 7:00pm spirit.” – Eric Kohn, IndieWire (Hayworth). at 7:00pm (1979) dir Martin Ritt w/Sally Field, Beau Bridges, Ron Leibman, Pat Double Feature! (1999) dir The Wachowski Sisters w/Keanu Reeves, Laurence Hingle [114 min; DCP] “Confident and captivating... the movie has a bone-deep humanity that transcends technique and reaches right back to Cassavetes.” Fishburne, Carrie-Anne Moss, Hugo Weaving [136 min; 35mm] Based on the real-life story of union organizer Crystal Lee Sutton YOU'LL NEVER GET RICH Let’s face it, Neo, Morpheus, and even Agent Smith are cool – Owen Gleiberman, Variety (who really did stand on a table with a “UNION” sign), at 5:00, 9:00 characters but the most kickass person in THE MATRIX is Carrie- NORMA RAE is a remarkable film of rare power with an award- (1941) dir Sidney Lanfield w/Fred Astaire, Rita Hayworth, Robert Anne Moss’s Trinity. In this apex of 90s cyberpunk neo-noir, a winning performance by Sally Field as the titular heroine. Also Friday, July 27 – Sunday, July 29 Benchley [88 min; DCP] hacker (Reeves) gets woken up to the fact that he’s been living RETURN OF THE GRINDHOUSE Largely set at a wartime Army base, YOU’LL NEVER GET RICH in a virtual reality prison his whole life. contains the typical romantic machinations that conspire to get Double Feature! 9 TO 5 at 9:30pm Double Feature! the leads dancing to some great Cole Porter tunes. at 4:45, 9:30 Visit Brattlefilm.org soon for more info about this program of all 35mm prints of grindhouse/drive-in classics! EDGE OF TOMORROW (1980) dir Colin Higgins w/Jane Fonda, Lily Tomlin, Dolly Parton, at 4:30, 9:45 Dabney Coleman, Sterling Hayden [109 min; DCP] Tuesday, August 14 (2014) dir Doug Liman w/Tom Cruise, Emily Blunt, Bill Paxton, In this decidedly less-realistic take on office politics, three put Brendan Gleeson [113 min; 35mm] upon female workers (Fonda, Tomlin, and Parton) who have Friday, August 3 – Sunday, August 5 Speaking of badass sci-fi heroines, Emily Blunt repeatedly and AFFAIR IN TRINIDAD been submitted to daily degradation by their egotistical, sexual- Premiere Reissue! repeatedly kicks alien butt in this underappreciated action film at 7:00p harassing, misogynist boss (Coleman) fantasize about murder - – basically the brutal, alien invasion version of Groundhog Day . COLD WATER (1952) dir Vincent Sherman w/Rita Hayworth, Glenn Ford, ing the bastard – but end up only kidnapping him instead. at 5:30, 7:30, 9:30 (+ Sat & Sun at 1:30, 3:30) Alexander Scourby, Valerie Bettis [98 min; 35mm] (1994) dir Olivier Assayas w/ Virginie Ledoyen, Cyprien Fouquet, László Szabó [92 min; DCP] In 1948, at the height of her fame, Hayworth left Hollywood, Wednesday, August 15 An acclaimed early work by Olivier Assayas ( Clouds of Sils Maria , Irma Vep ) that has long remained unavailable, the deeply felt com - broke her contract with Columbia, and became a real-life SHORT FILMS OF MAYA DEREN Thursday, August 16 ing-of-age drama COLD WATER at long last makes its way to U.S. theaters. Drawing from his own youthful experiences, Assayas revis - princess when she married Prince Aly Khan… unfortunately, her Special “All About Evil” Double Feature! its the outskirts of Paris in the early 1970s, telling the story of teenage lovers Gilles (Fouquet) and Christine (Ledoyen), whose open marriage did not last but neither did her retirement. AFFAIR IN at 7:00pm Author Adam Nayman in Person! rebellion against family and society threatens to tear them apart. With a rock soundtrack that vividly evokes the period and provides TRINIDAD was her comeback feature and it proved to be a big Rigorously thoughtful yet beautiful and moving as well, the films the backdrop for one of the most memorable party sequences ever committed to film, COLD WATER is a heartbreaking immersion into success. In it, Hayworth starts as a nightclub singer whose hus - of Maya Deren are a remarkable moment in American film his - ALL ABOUT EVE the emotional tumult of adolescence. band apparently commits suicide but, when his brother (Ford) tory. A student of dance, poetry, mysticism, and psychology, at 6:00pm comes to town, the two uncover clues that point to murder. Deren infused her work with personal symbology and subjective (1950) dir Joseph L. Mankiewick w/Bette Davis, Anne Baxter, “A fiery tale… bracing… it’s so fresh it could have been made now.” – J. Hoberman, The New York Times meaning. They have gone on to become some of the most influ - George Sanders, Celeste Holm, Gary Merrill, Marilyn Monroe [138 ential films of contemporary cinema. Includes MESHES OF THE min; 35mm] AFTERNOON, AT LAND, and more. SHOWGIRLS Double Feature! Friday, August 10 – Wednesday, August 15 Double Feature! Premiere Engagement! Monday, August 20 THE WITCH at 9:00pm (1995) dir Paul Verhoeven w/Elizabeth Berkley, Kyle MacLachlan, at 9:30pm PAL JOEY Gina Gershon [128 min; 35mm] THE THIRD MURDER (2015) dir Robert Eggers w/Anya Taylor-Joy, Ralph Ineson, Kate Fri - Sun at 4:30, 7:00, 9:30 (+Sun mat at 2:00pm); Mon at 8:00pm only; Tue & Wed at 4:30pm only at 4:30, 7:00 Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson [92 min; DCP] (1957) dir George Sidney w/Rita Hayworth, Frank Sinatra, Kim (2017) dir Hirokazu Kore-eda w/Masaharu Fukuyama, Kôji Yakusho, Shinnosuke Mitsushima, Mikako Ichikawa [124 min; DCP] Drawing its influence directly from transcripts of witch trials, Please visit Brattlefilm.org for more information and tickets. Novak, Barbara Nichols [111 min; 35mm] Leading attorney Shigemori (Fukuyama) takes on the defense of murder-robbery suspect Misumi (the great character actor Kôji Robert Eggers’ THE WITCH presents us with one of contempo - Hayworth’s last film for Columbia, and her final musical, PAL Yakusho) who served jail time for another murder 30 years ago. Shigemori's chances of winning the case seem low – his client freely rary horror cinema’s great feminist anti-heroines in Thomasin JOEY is really a vehicle for that swinger to end all swingers, Thursday, August 23 admits his guilt, despite facing the death penalty if he is convicted. As he digs deeper into the case, as he hears the testimonies of the (Taylor-Joy), a young woman who finds herself accused of witch - Frank Sinatra. Sinatra stars as a heel who falls in love with a victim's family and Misumi himself, the once confident Shigemori begins to doubt whether his client is the murderer after all. craft by her own family. A TOUCH OF ZEN beautiful chorus girl (Novak) despite becoming involved with an Though his bread-and-butter is deeply-felt family drama ( Still Walking , After the Storm ), Japan’s acclaimed director Hirokazu Kore-eda at 7:30pm old flame (Hayworth) who happens to have the means to fund (1971) dir King hu w/Feng Hsu, Chun Shih, Ying Bai [200 min; DCP] here dips his toe into genre cinema with a courtroom procedural that verges on mystery – but remains rooted in the emotionally com - his dream nightclub, Chez Joey. Double Feature! Wednesday, August 22 pelling stories that he is known for. Official Selection: Independent Film Festival Boston 2018 A TOUCH OF ZEN depicts the journey of Yang (the amazing GILDA AUNTIE MAME Feng Hsu), a fugitive noblewoman in disguise who seeks refuge “An intriguing and cerebral quasi-genre picture… a captivating puzzle.” – Peter Bradshaw, The Guardian Monday, August 27 at 9:15p at 6:30pm in a remote village. The sanctuary she and her three compan - (1946) dir Charles Vidor w/Rita Hayworth, Glenn Ford, George (1958) dir Morton DaCosta w/Rosalind Russell, Roger Smith, Jan ions find with a shy scholar is shattered when a nefarious SEPARATE TABLES Macready, Joseph Calleia [110 min; 35mm] Handzlik, Forrest Tucker [143 min; 35mm] swordsman uncovers her identity, pitting the five against legions at 4:30, 7:00 The first of several team-ups between Glenn Ford and Rita Effervescent, irrepressible, lovely, extravagant, unconventional (1958) dir Delbert Mann w/Rita Hayworth, Deborah Kerr, David of blade-wielding opponents. – The Criterion Collection Friday, August 17 Saturday, August 18 Sunday, August 19 Hayworth, GILDA is one of the highlights of Hayworth’s career. – Mame! Rosalind Russell absolutely owns this film as the title Niven, Burt Lancaster, Wendy Hiller [100 min; 35mm] Bernstein 100th! Bernstein 100th! Bernstein 100th! When an old flame (Hayworth) appears on the arm of his cur - character, a flamboyant 1920’s Manhattan socialite who SEPARATE TABLES is one of the standouts from Hayworth’s post- rent boss, a washed-up gambler (Ford) finds himself in an explo - becomes the caretaker for her stuffy brother’s orphaned son, Also Thursday, August 23 ON THE WATERFRONT WEST SIDE STORY ON THE TOWN Columbia career. Two interweaving stories take place at a sive love triangle. Patrick. As Patrick grows up, Mame tries to instill in him the joy Special Early Show at 4:45, 7:00 at 12:00, 3:15, 6:30 at 12:00, 2:30, 4:45, 7:00 British seaside hotel where a disgraced major (Niven), a fragile of life that she has maintained through times rich and poor, (1954) dir Elia Kazan w/Marlon Brando, Karl (1961) dir Robert Wise, Jerome Robbins (1949) dir Stanley Donen, Gene Kelly w/Gene woman (Hayworth), and her ex-husband (Lancaster) have all THE TRIPLETS OF BELLEVILLE happy and sad. One of the most exuberant odes to individuality Malden, Eva Marie Saint, Lee J. Cobb, Rod w/Natalie Wood, Richard Beymer, George Kelly, Frank Sinatra, Betty Garrett, Ann Miller, come to stay. Tuesday, August 28 at 5:30pm Steiger [108 min; DCP] Chakiris, Russ Tamblyn, Rita Moreno [153 Jules Munshin, Vera-Ellen [98 min; 35mm] ROAD TO SALINA ever committed to celluloid. (2003) dir Sylvain Chomet [78 min; 35mm] Join us in celebrating the 100th birthday min; DCP] In this classic MGM musical, three sailors Double Feature! This delightful animated film features the adventures of Madame at 9:30pm of Lawrence, MA native Leonard One of the most iconic movie musicals of race across New York City trying to find Also Monday, August 27 Souza and her faithful dog Bruno. The pair must face off against (1970) dir Georges Lautner w/Mimsy Farmer, Robert Walker Jr., Ed HIS GIRL FRIDAY all time, WEST SIDE STORY brings The Late Show Bernstein! In this searing drama, the only love before their 24-hour leave runs out. Begley, Rita Hayworth [96 min; 35mm] at 4:30, 9:15 the French mafia to gain the freedom of Souza’s grandson, Leonard Bernstein and Stephen film for which Bernstein expressly com - Though only some of Bernstein’s tunes THE MONEY TRAP One of Hayworth’s last big screen appearances, ROAD TO (1940) dir Howard Hawks w/Cary Grant, Rosalind Russell, Ralph Champion, the odds-on favorite to win the Tour de France. posed a score, Brando puts in one of his Sondheim’s version of Romeo and Juliet to were used, the undeniable highlight of the Bellamy [92 min; 35mm] at 9:15pm SALINA is an extremely odd Eurosleaze film. Hayworth plays According to one Brattle staffer, “the image of the grandmother most iconic performances as a dock work - the big screen. With Natalie Wood and film is his “New York, New York” sung by (1965) dir Burt Kennedy w/Glenn Ford, Elke Sommer, Rita Hayworth, Rosalind Russell strikes again in another great role as an uncon - the owner of a roadside service station who claims that Jonas crossing an ocean in a paddleboat for her grandson is one of er who puts his life on the line to stand up Richard Beymer playing the star-crossed stars Gene Kelly, Frank Sinatra, and Jules Ricardo Montalban, Joseph Cotton [91 min; 16mm] ventional woman. She stars as Hildy Johnson, fast-talking ace (Walker), a drifter, is her long-lost son, Rocky. Although he is the first I think of when I hear the word ‘heroine.’” lovers and a movie-stealing performance Hayworth continued to act until the early 1970s but she never to a corrupt union boss. Munshin against the backdrop of real-life definitely not, Jonas decides to go along with the strangeness reporter and ex-wife of newspaper editor Walter Burns (Grant). by the great Rita Moreno. again achieved the level of success that she had enjoyed in her New York City locations. because he’s tired and hungry… and then everyone else starts heyday. Most of her appearances are in b-movies like this pulp- Thursday, August 30 accepting him as well. When he meets his beautiful ‘sister’ Billie Wednesday, August 29 noir which teams her (for the last time) with old friend Glenn (Farmer) things get even more complicated, as the two start an ARRIVAL Also Friday, August 17 – Monday, August 20 Ford. Once again, Rita plays Glenn’s old flame who reemerges PERSEPOLIS ambiguously incestuous relationship and Jonas finally sets out to at 7:00pm at a key moment. In this case, she is the widow of a thief that at 7:15pm LATE SHOW TBA uncover the truth about Rocky. (2016) dir Denis Villeneuve w/Amy Adams, Jeremy Renner, Forest crooked cop Ford wants information from. (2007) dir Marjane Satrapi, Vincent Paronnaud, w/Chiara Whitaker, Michael Stuhlbarg [116 min; DCP] Fri at 9:30pm; Sat at 10:00pm; Sun & Mon at 9:30pm Mastroianni, Catherine Deneuve, Simon Abkarian, Danielle Darrieux When mysterious alien craft start descending upon the world, [96 min; 35mm] who do you call to try and communicate with them? A linguist The animated coming-of-age story of a precocious Iranian girl of course! Amy Adams plays a university professor teamed with set during the tumultuous years surrounding the revolution Friday, August 24 – Sunday, August 26 a physicist (Renner) tasked with deciphering what the aliens are against the Shah in the 1970s and ‘80s. Adapted from her own here for before some trigger-happy military official launches an BLADE RUNNER: FINAL CUT BLADE RUNNER 2049 autobiographical graphic novel by co-director Marjane Satrapi. Fri at 7:00pm; Sat & Sun at 1:00, 7:00 Double Feature! Fri at 9:30pm; Sat & Sun at 3:30, 9:30 attack. Double Feature! (1982) dir Ridley Scott w/Harrison Ford, Rutger Hauer, Sean Young, (2017) dir Denis Villeneuve w/Ryan Gosling, Harrison Ford, Jared A GIRL WALKS HOME Double Feature! Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Leto, Dave Bautista, Robin Wright, Hiam Abbass, Mackenzie Davis ALIEN Sanderson [117 min; DCP] [164 min; DCP] ALONE AT NIGHT* at 4:30, 9:30 One of the defining moments of 1980s cool, this neon-soaked, 35 years after the original, acclaimed director Denis Villeneuve at 5:00, 9:15 (1979) dir Ridley Scott w/Sigourney Weaver [117 min; tbd] shadow-laden neo-noir features Harrison Ford as a ‘Blade returns us to the world of BLADE RUNNER with a new story but (2014) dir Ana Lily Amirpour w/Sheila Vand [101 min; DCP] There are few sci-fi heroines as memorable or influential as Runner,’ a hunter of rogue artificial humans called replicants, equally stunning visuals. Ryan Gosling plays K, a Blade Runner A lonely vampire (Vand) stalks the streets of a fictional Iranian Sigourney Weaver’s Ripley. In this classic alien survival film, she who is brought out of retirement for one last job. Things become who is also a replicant himself. K is put on the trail of a mystery ghost town preying on only the most unsavory inhabitants. A is the only one of a seven member crew of hardened space jock - complicated when he falls in love with a mysterious woman that could unravel the delicate truce between humans and their joyful mash-up of genre, archetype and iconography, Ana Lily eys that has the guts, ingenuity, and stamina to survive an attack (Young) and his quarry (Hauer) ends up being more of a match manufactured relatives – and that eventually leads him to cross Friday, June 29 – Amirpour's debut feature basks in the sheer pleasure of pulp. by one of the most infamous space monsters of all time. then he expected. paths with Harrison Ford’s Deckard, now an isolated fugitive. Summer 2018: Thursday, August 30, 2018 *Tentative. Please call to confirm

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BRATTLE FILM FOUNDATION 40 B RATTLE S TREET CAMBRIDGE , MA 02138

THE BRATTLE FILM FOUNDATION, inc. LOCATION FILM AND EVENT SCHEDULE &PARKING THE BRATTLE IS LOCATED at 40 Brattle Street in the heart of Harvard Square, Cambridge. We are SUMMER 2018 • JUNE 29 – AUGUST 30, 2018 one block from the Harvard Red Line Subway stop 40 B RATTLE S TREET The Brattle Film Foundation and several bus lines including the #1 and the #66. C AMBRIDGE , MA 02138 is supported in part by a grant from the Mass. Cultural Council, a state agency. BOXOFFICE&TICKETS TICKET PRICES: General Admission: $11.50 Student Discount: $9.50 Seniors & Children under 12: $8.50 Matinee: $9.50 (all shows before 5pm) DOUBLE FEATURES! $14 general public / $12 students, seniors and children for two films screening back-to-back and listed as a “double feature.” SPECIAL EVENT ticket prices vary, see event description for details. Brattle passes are not valid unless noted. BOX OFFICE HOURS The box office generally opens 30 minutes before the first show of the day. Tickets for each showtime go on sale after the previous show begins. GROUP RATES are available for large parties. Please contact [email protected] or (617) 876-6838 for more info. ADVANCE TICKETS are available for most screenings and events at brattlefilm.org. Ticket vendor fee applies. DISCOUNT PARKING We offer validation for PROGRAM SUBJECT TO CHANGE For daily program discounted parking at both University Place Garage information please call (617) 876-6837 or visit and Charles Square Garage. Make sure you get your brattlefilm.org. parking ticket validated at our box office.

COVER GIRL YOUR ONGOING SUPPORT IS IMPORTANT! Donor Information Name REPERTORY SERIES ! RITA HAYWORTH CENTENNIAL CELEBRATION Please consider making a donation Address to our Annual Fund today! NEW REISSUE ! O LIVIER ASSAYAS ’ COLD WATER PREMIERE ENGAGEMENT ! L UCRETIA MARTEL ’S ZAMA Phone The Annual Fund is an important funding source to Email PREMIERE ENGAGEMENT ! H IROKAZU KORE -EDA ’S THE THIRD MURDER NEW RESTORATION ! THE CHANGELING ensure the Brattle's continued growth and our plans for 2018. Giving to the Brattle also strengthens one of q Enclosed is my check payable to The Brattle Film Fdn REPERTORY SERIES ! HEROIC!: WOMEN WHO INSPIRE PREMIERE ENGAGEMENT ! EN EL SEPTIMO DIA the most valuable cultural assets in Harvard Square! q Please charge my q Visa q MasterCard ______PREMIERE ENGAGEMENT ! G UY MADDIN ’S THE GREEN FOG BLADE RUNNER + BLADE RUNNER 2049 Together we are building Account Number Expiration Date a sustainable future for the Brattle! ______REPERTORY SERIES ! RETURN OF THE GRINDHOUSE TRAILER TREATS! and Much More! Name On Card Security Code

q I would like to make this donation in honor of: q YES! I want to help keep classic film programming ______alive in Boston and have included my check for ___ $250 ___ $150 ___ $100 ___ $75 ___ $50 ___ other $_____ q My company will match my gift! ______q I prefer to make my donation in installments. Please print company name and include matching gift form. Please charge my credit card $______every ______months for a total annual donation of $______Please send this form with your check or money order to: Brattle Film Foundation; Attn: Ivy Moylan BLUE ON THE WATERFONT WONDER WOMAN YES! I want to join The Brattle’s Balcony Club! 40 Brattle Street, Cambridge, MA 02138 q 40 Brattle Street • Harvard Square, Cambridge, MA Enclosed is my donation of $______(at least $1,000) You may also donate by credit card online at * Balcony Club members contribute a total of $1,000 or more each year to the brattlefilm.org or over the phone at 617-876-8021 Brattle Film Fdn and receive invitations to select special events throughout the year. 617-876-6837 • www.brattlefilm.org We thank you for your support! Facebook.com/brattletheatre • Twitter.com/brattletheatre