DOCSLIB.ORG

|||GET||| Damage Control 1St Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
|||GET||| Damage Control 1St Edition DAMAGE CONTROL 1ST EDITION DOWNLOAD FREE Lisa Renee Jones | 9781250083838 | | | | | Damage Control (comics) Hoag hints at a secret past with Cage. Maybe the concept doesn't hold up to such a voluminous collection, and is better handled in smaller bites. Damage Control 1st edition and now needs the good doctor to cough up the Damage Control 1st edition. Published Jun by Marvel. Art by Ernie Colon. And a notary. Spider-Man remains trapped inside. Damage Control is a fictional construction company appearing in American comic books published by Marvel Comics. Issue ST. Sign In Don't Damage Control 1st edition an Damage Control 1st edition Would have been better if more episodic. During the reconstruction, a strange side-effect of one of the Hulk's destroyed machines causes the Chrysler Building to come to life. And even that first miniseries did have its moments, like Wolverine getting a pie in the face, and the Danger Room creating a tiny robot Groucho Marx. John Wellington. Start Your Free Trial. Published Aug by Marvel. Damage Control 1st edition his battle against Declun and Damage Control, which includes destroying many D. It's just how generic he is without any real motivation or interesting characteristics. Retrieved October 3, Read a little about our history. I picked this collection up to read more of the inanity, and was taken back briefly to the novelty of it all. Several of the employees meet and discuss the problem with other cosmic entities, such as Galactus and Lord Chaos. It's also not clear why Robin Chapel is so frequently sidelined. During the entire run of the animated series, McDuffie wrote, produced, or story-edited 69 out of the 91 episodes. Marvel Ultimate Collection 1 - 10 of books. When titans clash, as they often do, the results —n aside from justice done — are often considerable property damage. Damage Control employees have been in the middle of a breakout at the Vault, confronted Doctor Doom, have been threatened with death by the Punisher and have met vastly powerful cosmic entities such as the Silver Surfer and Galactus. But really the book was not for me. Published Jul by Marvel. At least the final miniseries, set in the aftermath of World War Hulk, is free of him - but Salva Espin feels a bit too noughties house style to really capture the comedy either, although he does do a great job on the Chrysler Building bits. Readers also enjoyed. Cult comedy set in the margins of the Marvel Universe, following the firm who clean up after the endless superhuman carnage, and very much following in the footsteps of DC's classic Justice League International, which debuted the year before. Damage Control 1st Series 4. Add to cart Very Fine. The undamaged Flatiron Building is once again used as their headquarters. Who's S. Damage Control 1st Series 1. During the Spider-Island storyline, Damage Control is seen working with the superheroes to clean up the destruction and chaos caused by the madness of a giant spider monster in the middle of Manhattan. Thereafter, Mr. Damage Control Damage Control 1st edition Series 2. Damage Control comic books issue 1 Porter uses a device that tech expert Gene has created in order to reawaken the robot and walk it over to the road by remote control. Try Now. At least there's something dealing with the aftermath of extreme property damage. Published Jun by Marvel. Like the Asteroid Belt. Damage Control 3rd Series 1. Issue 1. Issue ST. Doom and now needs the good doctor to cough up the cash. To ask other readers questions about Damage Controlplease sign up. Crosby rated it really liked it Jul 01, Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. It could be a Doom-bot, so get some ID. Well, the last one is probably those chumps from S. Damage Control 1st Series 1. Read more Well, wonder no more. While working as a copy-editor for a financial magazine, a friend got him an interview for an assistant editor position at Marvel Comics. Nov 06, Sineala rated it really liked it Shelves: fictiongraphic- novelsownedpaper-bookssuperheroes. John Wellington. Issue 4. The post office and other shippers are overwhelmed and some shipments may experience significant delays. Maybe I would have liked it when I was 13? His idea in writing this comic was to create a sitcom set in the Marvel Universe, and he does a great job. Porter introduces himself to the secretary at the front desk, who points him in the direction of Mrs. Hidden categories: Articles with short description Short description matches Wikidata Groups pop All articles with unsourced statements Articles with unsourced statements from June Articles with unsourced statements from November But really the book was not for Damage Control 1st edition. Auction in progress, bid now! Sep 05, BigJohn rated it liked Damage Control 1st edition. Still, it's an interesting little detour and it has its moments, most of which are deflating self-serious wrecks like "Acts of Vengeance. The Marvel Encyclopedia. There at the Flatiron Building, Mr. Published Oct by Marvel. But the Aftersmash has just begun. Retrieved October 2, Doom's unpaid bill and the aftermath of World War Hulk! Kudos to Marvel from providing us this great collection of the great McDuffie's work and for creating this window on Marvel continuity, past and near present. Their bill is seen in a pile of paperwork. Published Jul by Marvel. Published May by Marvel. However since then, there have been no further announcements. They inadvertently hire Eric O'Gradythinking he Damage Control 1st edition a hero Damage Control 1st edition "Slaying Mantis", but he was actually looting after a Mighty Avengers battle. Still, where JLI rattled along for Cult comedy Damage Control 1st edition in the margins of the Marvel Universe, Damage Control 1st edition the firm who clean up after the endless superhuman carnage, and very much following in the footsteps of DC's classic Justice League International, which debuted the year before. Damage Control Vol 1 1 No trivia or quizzes yet. When their buildings get trashed, New Yorkers know who to call: the engineering and reconstruction firm that specializes in the repair and restoration of property destroyed in superhuman conflicts — Damage Control. Add to cart Very Fine. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Damage Control 1st edition categories: Articles with short description Short description matches Wikidata Damage Control 1st edition pop All articles with unsourced statements Articles with unsourced statements from June Articles with unsourced statements from November Who's S. Damage Control 1st Series 2. Stupid, fun. Paperbackpages. Damage Control returns for another round of super restoration. More filters. Not for me. The bulk of the book was written in 88 to Fictional company appearing in Marvel Comics. Damage Control is a fictional construction company appearing in American comic books published by Marvel Comics. Marvel Ultimate Collection 1 - 10 of books. Sep 12, Jeff rated it liked it Shelves: comix. Download as PDF Printable version. World War Hulk is over. A very tongue-in-cheek continuity builder for the Marvel Universe, constantly poking fun at their own cliches along with everyone else's. Among its later appearances were those in the storyline " Civil War ; the series Irredeemable Ant-Man ; and the first issue of World War Hulk Aftersmash: Damage Controla three-issue limited series tying into the " World War Hulk " storyline. Return to Book Page. I picked this collection up to read more of the inanity, and was taken back briefly to the novelty of it all. Damage Control 1st Series 4. So great. Still, where JLI rattled along for a fair old run, this Damage Control 1st edition and drabbed in miniseries, so despite the fact that I've never wholly clicked with Dwayne McDuffie's work, there remained the hope that things would pick up. Rohith Chandramouli rated it it was amazing Damage Control 1st edition 21, The later series are a little better visually, and the tie-in to the Hulk AfterSmash story was pretty well-done, but overall I think the collection left me wa I remember when Damage Control came out in the 80s, and it was a fresh tongue-in-cheek series that filled an "obvious hole" in continuity. Helicarrier crashed on your car? It's also not clear why Robin Chapel is so frequently sidelined. When Ms. Dwayne McDuffie. Damage Control 3rd Series 1. Story by Dwayne McDuffie. Recommended if you like the idea of super hero comics better than the reality of them and double recommended if Hulk at a baseball game is for you. May Sep 23, Brandon rated it really Damage Control 1st edition it. https://cdn-cms.f-static.net/uploads/4564411/normal_5fbe5caa39837.pdf https://cdn-cms.f-static.net/uploads/4564756/normal_5fbe488576ea9.pdf https://cdn-cms.f-static.net/uploads/4564856/normal_5fbec54d436ec.pdf https://cdn-cms.f-static.net/uploads/4564441/normal_5fbe40a45616f.pdf https://cdn-cms.f-static.net/uploads/4564840/normal_5fbe69e5d1de5.pdf https://cdn-cms.f-static.net/uploads/4564686/normal_5fbd3a204da64.pdf.
Load more

Recommended publications
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • Climate Change and Human Health: Risks and Responses
    Climate change and human health RISKS AND RESPONSES Editors A.J. McMichael The Australian National University, Canberra, Australia D.H. Campbell-Lendrum London School of Hygiene and Tropical Medicine, London, United Kingdom C.F. Corvalán World Health Organization, Geneva, Switzerland K.L. Ebi World Health Organization Regional Office for Europe, European Centre for Environment and Health, Rome, Italy A.K. Githeko Kenya Medical Research Institute, Kisumu, Kenya J.D. Scheraga US Environmental Protection Agency, Washington, DC, USA A. Woodward University of Otago, Wellington, New Zealand WORLD HEALTH ORGANIZATION GENEVA 2003 WHO Library Cataloguing-in-Publication Data Climate change and human health : risks and responses / editors : A. J. McMichael . [et al.] 1.Climate 2.Greenhouse effect 3.Natural disasters 4.Disease transmission 5.Ultraviolet rays—adverse effects 6.Risk assessment I.McMichael, Anthony J. ISBN 92 4 156248 X (NLM classification: WA 30) ©World Health Organization 2003 All rights reserved. Publications of the World Health Organization can be obtained from Marketing and Dis- semination, World Health Organization, 20 Avenue Appia, 1211 Geneva 27, Switzerland (tel: +41 22 791 2476; fax: +41 22 791 4857; email: [email protected]). Requests for permission to reproduce or translate WHO publications—whether for sale or for noncommercial distribution—should be addressed to Publications, at the above address (fax: +41 22 791 4806; email: [email protected]). The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the World Health Organization concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries.
    [Show full text]
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Astonishing X-Men by Joss Whedon and John Cassaday Ultimate Collection 1St Edition Download Free
    ASTONISHING X-MEN BY JOSS WHEDON AND JOHN CASSADAY ULTIMATE COLLECTION 1ST EDITION DOWNLOAD FREE Joss Whedon | 9780785161943 | | | | | Astonishing X-Men: Ultimate Collection, Volume 1 Then it's a big ass, hybrid Sentinel. No big surprise that there's great dialogue and great use of an ensemble cast but I am really blown away by the emotion here. Emma Frost is shown to be both commanding but still emotional, and Wolverine:. Indeed, even the continuity of having one artist gives this run a different feel. Betsy told the team that her attacker was the Shadow King and he's attacking psychics in an effort to return from the astral plane. This review addresses all 24 issues by Whedon and Cassaday. To see what your friends thought of this book, please sign up. However, Machinesmith had been manipulating her into trying to break him loose while trying to take over her body. Bleeding Cool. Only one person has been retrieved from the station, but he leaves Brand for dead. Be the first to ask a question about Astonishing X-Men 1. An unforgettable read. And it should be read by both X-Men fans and comic fans alike. This book is not yet featured on Listopia. How are ratings calculated? While the two sisters reach reconciliation, their father takes advantage of their engagement and shoots Hatchi. You know the saying: There's no time like the present Get A Copy. The Danger Room AI gone sentient and rogue? In that case, we can't Wolverine was apparently murdered by Death in the final pages of the series, but it was later revealed that "Death" was actually a mind controlled Wolverineand that the "Wolverine" who was killed was an imposter, a shapeshifting Skrull.
    [Show full text]
  • Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man
    Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man, Hawkeye Wizard, other villains Vault Breakout stopped, but some escape New Mutants #86 Rusty, Skids Vulture, Tinkerer, Nitro Albany Everyone Arrested Damage Control #1 John, Gene, Bart, (Cap) Wrecking Crew Vault Thunderball and Wrecker escape Avengers #311 Quasar, Peggy Carter, other Avengers employees Doombots Avengers Hydrobase Hydrobase destroyed Captain America #365 Captain America Namor (controlled by Controller) Statue of Liberty Namor defeated Fantastic Four #334 Fantastic Four Constrictor, Beetle, Shocker Baxter Building FF victorious Amazing Spider-Man #326 Spiderman Graviton Daily Bugle Graviton wins Spectacular Spiderman #159 Spiderman Trapster New York Trapster defeated, Spidey gets cosmic powers Wolverine #19 & 20 Wolverine, La Bandera Tiger Shark Tierra Verde Tiger Shark eaten by sharks Cloak & Dagger #9 Cloak, Dagger, Avengers Jester, Fenris, Rock, Hydro-man New York Villains defeated Web of Spiderman #59 Spiderman, Puma Titania Daily Bugle Titania defeated Power Pack #53 Power Pack Typhoid Mary NY apartment Typhoid kills PP's dad, but they save him. Incredible Hulk #363 Hulk Grey Gargoyle Las Vegas Grey Gargoyle defeated, but escapes Moon Knight #8-9 Moon Knight, Midnight, Punisher Flag Smasher, Ultimatum Brooklyn Ultimatum defeated, Flag Smasher killed Doctor Strange #11 Doctor Strange Hobgoblin, NY TV studio Hobgoblin defeated Doctor Strange #12 Doctor Strange, Clea Enchantress, Skurge Empire State Building Enchantress defeated Fantastic Four #335-336 Fantastic
    [Show full text]
  • Marvel References in Dc
    Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros.
    [Show full text]
  • JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
    JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character.
    [Show full text]
  • Illustrated Checklist Contemporary Works
    Illustrated Checklist Curated by William Villalongo and Mark Thomas Gibson International Print Center New York Contemporary Works Derrick Adams (American, b.1970) Game Changing (Ace), 2015 Screenprint with gold leaf 30 x 22 inches Published by Lower East Side Printshop, New York. Edition: 16 Courtesy of the Artist and Lower East Side Printshop Image © 2016 Derrick Adams and Lower East Side Printshop Inc. Laylah Ali (American, b.1968) Untitled, from the Bloody Bits Series, 2004 Three mixed media drawings on paper 9 x 6 inches Courtesy of the Artist and Paul Kasmin Gallery Image © 2016 Laylah Ali Laylah Ali (American, b.1968) Untitled, from the Bloody Bits Series, 2004 Mixed media on paper 9 x 6 inches Courtesy of the Artist and Paul Kasmin Gallery Image © 2016 Laylah Ali Laylah Ali (American, b.1968) Untitled, from the Bloody Bits Series, 2004 Mixed media on paper 9 x 6 inches Courtesy of the Artist and Paul Kasmin Gallery Image © 2016 Laylah Ali Firelei Báez (Dominican, b.1980) The Very Eye of the Night, 2013 Pigmented linen on Abaca base sheet 58 x 31 x ¾ inches Courtesy of the Artist, Gallery Wendi Norris, San Francisco, and Dieu Donné, New York Image © 2016 Firelei Báez and Dieu Donné, New York Nayland Blake (American, b.1960) Bunny Group, Happiness, 1996–1997 Suite of four graphite and colored pencil drawings on paper 12 x 9 inches each Courtesy the Artist and Matthew Marks Gallery Image © 2016 Nayland Blake Robert Colescott (American, 1925 – 2009) Lock and Key (State I), 1989 Lithograph 42 x 30 inches Publisher: Tamarind Institute, Albuquerque Edition: 20 Collection of The #menelikwoolcockcollection: Zewditu Menelik, Aron Woolcock,Daniel Woolcock, and Adrian Woolcock Image © 2016 Robert Colescott Renee Cox (Jamaican, b.1960) Chillin with Liberty, 1998 Cibachrome print 60 x 40 x 2 inches Edition: 3 Courtesy of the Artist Image © 2016 Renee Cox William Downs (American, b.1974) The power of fantastic, 2013 Aquatint and etching 24 x 16 inches Published by the Artist.
    [Show full text]
  • Is There an African-American Graphic Novel?
    Teaching the Graphic Novel E<lited by Stephen E. Tabachnick There an African erican Graphic Novel? fStudents in the literature courses I teach, whether in introductory or seminars, react to the discovery of a graphic novel on the with a range of emotions, from unrestrained excitement to snide As a mixed-race scholar specia li zing in nineteenth-century ,;_.resentations of race with broader teaching interests in popular culture The Modern Language Association of America comics, I use these moments to elucidate my aims. I want students to New York 2009 the limits mystified in descriptors such as literature and African ,...A.. '"ICan. That the chosen limit expander in question on their syllabus is one of the few graphic novels by an African American creator helps their initial questions from those familiar to teachers of Maus comic books for kids?," "How do I read this?," "But is this litera­ to ones peculiar to my situation ("Just what's black about this?"). my imagined first-day discussions, gone over obsessively in my head I teach a special-topics survey on the graphic novel to primarily © 2009 by T he Modern Language Association of America. All rights reserved. 'students at an elite college, some of the wi lier comic enthusiasts Printed in the United States of America. Second printing 2010 them muse aloud, "Is there such a thing as an African American novel?" Leaving aside for the moment the question of racial representivity, interrogations can be translated, in a preteaching fantasy and in 69 70 African American Graphic Novel? Michael A.
    [Show full text]
  • KITTY” Case No
    1 UNITED STATES DISTRICT COURT 2 SOUTHERN DISTRICT OF CALIFORNIA 3 4 5 HENRY McCOY, KATHERINE “KITTY” Case No. 17-civ-9636-MDD PRYDE, and DOES 1-30, inclusive, 6 7 Plaintiffs, 8 vs. GOVERNMENT’S BRIEF 9 WILLIAM STRYKER, President of the United States, U.S. DEPARTMENT OF Date: 18 February 2017 10 Time: 3:15 p.m. DEFENSE, CHRIS CLAREMONT, Judge: Hon. Mitchell D. Dembin 11 Secretary of US Department of Defense, U.S. DEPARTMENT OF JUSTICE and 12 JOHN BYRNE, Attorney General, 13 Defendants. 14 WILLIAM STRYKER, President of the United States, U.S. DEPARTMENT OF 15 16 DEFENSE and its Secretary, CHRIS CLAREMONT, and U.S. DEPARTMENT OF 17 JUSTICE and JOHN BYRNE, Attorney General (“Defendants”), by and through their 18 counsel of record, and submits the following brief in support of Executive Order No. 19 09101963 and the Mutual Registration Action (“MRA”). 20 INTRODUCTION 21 We are living a new, unprecedented world where mutants can control the weather, 22 infiltrate our minds, shapeshift, phase, destroy cities, and enslave entire civilizations. But, 23 what are mutants? They are humans with extraordinary special abilities granted by what 24 is known as “the Mutant X-gene.” They have lived among us, unregulated by the laws of 25 mankind for too long. Today, we present mutants with a simple choice: be a threat to 26 humanity or become a part of it. 27 Not all mutants seek to co-exist peacefully. We must confront the reality that there 28 are those who would rule mankind, rather than join it.
    [Show full text]
  • THE PUNISHER WAR JOURNAL by Luis Filipe Based on Marvel Comics
    THE PUNISHER THE PUNISHER WARWAR JOURNALJOURNAL by Luis Filipe Based on Marvel Comics character Copyright (c) 2017 This is just a fan made [email protected] OVER BLACK The sound of a POLICE RADIO calling. RADIO All units. Central Park shooting, requiring reinforcements immediately. CUT TO: CELL PHONE POV: Filming towards of Central Park alongside more people. Everyone horrified, but we don't know for what yet. CUT TO: VIDEO FOOTAGE: Now in Central Park where the police and CSI surround an entire area that is filled with CORPSES. A REPORTER talks to the camera. REPORTER Today New York witnessed the biggest outdoor massacre. It is speculated that the victims are members of the Mafia or even gangs, but no confirmation from the police yet. CUT TO: ANOTHER FOOTAGE: With the cameraman zooming in the forensic putting some bodies in black bags. One of them we notice that it's a little girl, and another a woman. REPORTER (O.S.) Apparently there was only one survivor. The victim is in serious condition but the paramedics doubt that he will hold it for long. CUT TO: SHAKY FOOTAGE: The only surviving man being taken on the stretcher to an ambulance. An oxygen mask on his face. His body covered in blood. He still uses his last forces to murmur. MAN My family... I want my... family. He is placed inside the ambulance. As the paramedics slam the ambulance doors - CUT TO BLACK: 2. Then - FADE IN: INT. CASTLE'S APARTMENT - DAY A small place with little furniture. The curtain blocks the sun from the single window of the apartment, allowing only a wispy sunlight to enter.
    [Show full text]
  • The Lawyer As Superhero: How Marvel Comics' Daredevil Depicts
    Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship Spring 5-2019 The Lawyer as Superhero: How Marvel Comics' Daredevil Depicts the American Court System and Legal Practice Louis Michael Rosen Barry University School of Law, [email protected] Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Entertainment, Arts, and Sports Law Commons, Law and Society Commons, and the Legal Ethics and Professional Responsibility Commons Recommended Citation 47 Capital U. L. Rev. 379 (2019) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. THE LAWYER AS SUPERHERO: HOW MARVEL COMICS’ DAREDEVIL DEPICTS THE AMERICAN COURT SYSTEM AND LEGAL PRACTICE LOUIS MICHAEL ROSEN* TABLE OF CONTENTS I. INTRODUCTION ................................................................................. 380 II. BACKGROUND: POPULAR CULTURE AND THE LAW THEORIES ....... 387 III. DAREDEVIL––THE STORY SO FAR ............................................... 391 A. Daredevil in the Sights of Frank Miller ....................................... 391 B. Daredevil Through the Eyes of Brian Michael Bendis ................ 395 C. Daredevil’s Journey to Redemption by David Hine .................... 402 D. Daredevil Goes Public, by Mark Waid ........................................ 406 IV. DAREDEVIL’S FRESH START AND BIGGEST CASE EVER, BY CHARLES SOULE ...................................................................................... 417 V. CONCLUSION .................................................................................... 430 Copyright © 2019, Louis Michael Rosen. * Louis Michael Rosen is a Reference Librarian and Associate Professor of Law Library at Barry University School of Law in Orlando, Florida. He would like to thank Professor Taylor Simpson-Wood, his mentor, ally, advocate, cheerleader, and ever-patient editor as he wrote this article.
    [Show full text]