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Climate Change and Human Health: Risks and Responses
Climate change and human health RISKS AND RESPONSES Editors A.J. McMichael The Australian National University, Canberra, Australia D.H. Campbell-Lendrum London School of Hygiene and Tropical Medicine, London, United Kingdom C.F. Corvalán World Health Organization, Geneva, Switzerland K.L. Ebi World Health Organization Regional Office for Europe, European Centre for Environment and Health, Rome, Italy A.K. Githeko Kenya Medical Research Institute, Kisumu, Kenya J.D. Scheraga US Environmental Protection Agency, Washington, DC, USA A. Woodward University of Otago, Wellington, New Zealand WORLD HEALTH ORGANIZATION GENEVA 2003 WHO Library Cataloguing-in-Publication Data Climate change and human health : risks and responses / editors : A. J. McMichael . [et al.] 1.Climate 2.Greenhouse effect 3.Natural disasters 4.Disease transmission 5.Ultraviolet rays—adverse effects 6.Risk assessment I.McMichael, Anthony J. ISBN 92 4 156248 X (NLM classification: WA 30) ©World Health Organization 2003 All rights reserved. Publications of the World Health Organization can be obtained from Marketing and Dis- semination, World Health Organization, 20 Avenue Appia, 1211 Geneva 27, Switzerland (tel: +41 22 791 2476; fax: +41 22 791 4857; email: [email protected]). Requests for permission to reproduce or translate WHO publications—whether for sale or for noncommercial distribution—should be addressed to Publications, at the above address (fax: +41 22 791 4806; email: [email protected]). The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the World Health Organization concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. -
Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
Monitor User Manual
Monitor User Manual S29E790C The color and the appearance may differ depending on the product, and the specifications are subject to change without prior notice to improve the performance. BN46-00442C-01 Table of contents Before Using the Product Connecting and Using a Source Screen Setup Device Copyright 5 SAMSUNG MAGIC Bright 28 Configuring SAMSUNG MAGIC Bright 28 Securing the Installation Space 6 Before Connecting 23 Precautions for storage 6 Pre-connection Checkpoints 23 Brightness 30 Configuring Brightness 30 Safety Precautions 6 Connecting and Using a PC 23 Symbols 6 Connection Using the HDMI Cable 23 Contrast 31 Cleaning 7 Connection Using the DP Cable 24 Configuring Contrast 31 Electricity and Safety 7 Connecting to Headphones or Speakers 24 Sharpness 32 Installation 8 Connecting the Power 25 Configuring Sharpness 32 Operation 10 Tidying Up the Connected Cables 26 Color 33 Correct posture to use the product 13 Driver Installation 27 Configuring Color 33 Setting Optimum Resolution 27 HDMI Black Level 34 Configuring the HDMI Black Level Settings 34 Preparations Eye Saver Mode 35 Checking the Components 14 Configuring Eye Saver Mode 35 Components 14 Game Mode 36 Parts 15 Configuring Game Mode 36 Control Panel 15 Response Time 37 Direct Key guide 16 Configuring the Response Time 37 Function Key Guide 17 Reverse Side 19 Picture Size 38 Changing the Picture Size 38 Installation 20 Adjusting the Product Tilt and Height 20 Screen Adjustment 40 Anti-theft Lock 22 Configuring H-Position & V-Position 40 2 Table of contents Configuring the -
|||GET||| Damage Control 1St Edition
DAMAGE CONTROL 1ST EDITION DOWNLOAD FREE Lisa Renee Jones | 9781250083838 | | | | | Damage Control (comics) Hoag hints at a secret past with Cage. Maybe the concept doesn't hold up to such a voluminous collection, and is better handled in smaller bites. Damage Control 1st edition and now needs the good doctor to cough up the Damage Control 1st edition. Published Jun by Marvel. Art by Ernie Colon. And a notary. Spider-Man remains trapped inside. Damage Control is a fictional construction company appearing in American comic books published by Marvel Comics. Issue ST. Sign In Don't Damage Control 1st edition an Damage Control 1st edition Would have been better if more episodic. During the reconstruction, a strange side-effect of one of the Hulk's destroyed machines causes the Chrysler Building to come to life. And even that first miniseries did have its moments, like Wolverine getting a pie in the face, and the Danger Room creating a tiny robot Groucho Marx. John Wellington. Start Your Free Trial. Published Aug by Marvel. Damage Control 1st edition his battle against Declun and Damage Control, which includes destroying many D. It's just how generic he is without any real motivation or interesting characteristics. Retrieved October 3, Read a little about our history. I picked this collection up to read more of the inanity, and was taken back briefly to the novelty of it all. Several of the employees meet and discuss the problem with other cosmic entities, such as Galactus and Lord Chaos. It's also not clear why Robin Chapel is so frequently sidelined. -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe. -
X-Men: the Story of the X-Men Free
FREE X-MEN: THE STORY OF THE X-MEN PDF Thomas Macri,Pat Olliffe,Hi-Fi Design | 32 pages | 11 Dec 2013 | Marvel Comics | 9781423172246 | English | New York, United States X-Men Series: X-Men All Movies and Timelines Explained | This is Barry This is a crash course on the entire X-Men Series and their plots. This is an article for anyone who wants to refresh their memories or wants to watch all X-Men movies but has no context. I present to you X-Men — all movies in order of their stories and timelines. You can find other films using the search option on top of this page. Well, when X-Men: The Story of the X-Men first decided to make an X-Men film, 20th Century Fox took licence for the Marvel characters that were core to the X-Men comic series. The films, therefore, are allowed to use only the core characters of the X-Men universe. X-Men: The Story of the X-Men, for instance, is licensed by Walt Disney Studios. Spiderman was originally licensed by Columbia Pictures. Because the two new Amazing X-Men: The Story of the X-Men movies did badly, the licence was moved to Walt Disney Studios. Mutants are a further step in the natural evolution of mankind. Some of these mutations are evident, some are dormant. Humans with evident natural mutations tend to get rejected by society for being deformed. X-Men fight for peace and equality between mankind and mutantkind. Their archrival is Magneto who believes that mutants should rule the world and not mankind. -
View This Page
16 發光的城市 A R O U N D T O W N FRIDAY, MAY 1, 2009 • TAIPEI TIMES OTHER RELEASES COMPILED BY MARTIN WILLIAms 17 Again Teen heart melter Zac Efron leads the cast in a pastiche of Click and all those body switch/time travel movies of the mid-to-late-1980s (Big, Back to the Future and the eerily similar title 18 Again!, for example). In this one, Zac’s loser adult manifestation (Matthew Perry) is sent back in time by a weird janitor to ... the late 1980s. There, in the irritatingly dissimilar body of spunky Zac, our hero gets his chance to straighten out his life, but not before some uncomfortable propositions. Younger male moviegoers are advised to skip this and see Splinter instead (see below). Older males might wish to see ... Two Lovers Joaquin Phoenix has taken a strange turn lately with a bizarre new appearance and manner and an attempt at a career in rap. Hopefully it’s a trick, because movies like Two Lovers, Walk the Line and 8MM show that Phoenix the actor should never be underestimated. This film by James Gray was made Not much to glean from before Phoenix grew the beard; in it he is a troubled New Yorker enticed by two women (Vinessa Shaw and Gwyneth Paltrow). The emphasis here is on dialogue, character and complexity. The Lark Farm A movie about the Armenian genocide directed by Italy’s famed Taviani brothers sounds WolverineWolverine unmissable — unless you’re a Turkish nationalist, of course. ‘X-Men Origins: Wolverine’ fills in the blanks on Logan’s backstory, but with a slapdash script The story follows the misfortune of a well-to-do family brought undone by massacres and and an overreliance on special effects that aren’t that special expulsion. -
Superman: Darkseid Rising
Superman: Darkseid Rising Based on "Superman" created by Jerry Siegel and Joe Schuster and characters appearing in DC Comics Screenplay by Derek Anderson Derek Anderson (949)933-6999 [email protected] SUPERMAN: DARKSEID RISING Story by Larry Gomez and Derek Anderson Screenplay by Derek Anderson EXT. KENT FARM - NIGHT We pan over the Kent Farm, closing in on a barn. A soft BLUE GLOW emanates from within. INT. KENT BARN - NIGHT Inside the barn, underneath the FLOORBOARDS, the glow FLASHES BRIGHTLY. A ROBOTIC VOICE is heard speaking in an unknown language. FLASHBACK INT. KRYPTON - JOR-EL'S LAB - NIGHT KAL-EL'S POV BABY KAL-EL sits in a makeshift ROCKET, somewhat crude, but sturdy. JOR-EL is talking to Kal-El, but we cannot understand him. He is speaking in Kryptonian. The building shakes, CRYSTALLINE STRUCTURES collapse around. Jor-El walks away from us, holding his wife's hand as they move to a CONTROL PANEL. Behind Jor-El, a ROBOT with blue eyes, standing as tall as a man, enters the launching bay of Jor-El's lab. A robotic voice speaks. Baby Kal-El reaches out for the robot as it walks close to Jor-El's rocket. It transforms into a SMALL SIZED ROCKET with a BLUE EGG-SHAPED NOSE CONE. EXT. OUTER SPACE The rocket ship fires away from Krypton as it EXPLODES into shards of DUST and CRYSTAL. INT. ROCKET SHIP Kal-El sleeps as the rocket increases to hyper speed. Within the craft, a soft BLUE LIGHT grows brighter, illuminating Kal-el. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
Pak Van Lente Borstel Roberson D'armata
011 PAK VAN LENTE BORSTEL ROBERSON D’ARMATA RATED T+ $3.99US MARVEL.COM 0 1 1 1 1 7 59606 08649 8 DECADES AGO, A CLANDESTINE MILITARY EXPERIMENT ATTEMPTED TO CREATE THE PERFECT SOLDIER. IN THE YEARS SINCE, THE BLEEDING-EDGE SCIENCE DRIVING THE PROJECT CULMINATED IN THE WEAPON X PROGRAM, RESPONSIBLE FOR THE CREATION OF MANY OF THE WORLD’S MOST VICIOUS KILLERS AND MERCENARIES. IT WAS THOUGHT TO HAVE BEEN DISBANDED. PREVIOUSLY IN WEAPON X... USING THE RESOURCES OF HER EMPLOYERS AT THE WEAPON X PROGRAM, CHIEF SCIENTIST DOCTOR ALBA RAN A SHADOW EXPERIMENT THAT AUGMENTED A HIGHLY TRAINED BLACK-OPS MERCENARY WITH THE ABILITIES OF THE HULK AND WOLVERINE, ALONG WITH CYBERNETIC ENHANCEMENTS SIMILAR TO THOSE OF LADY DEATHSTRIKE. THE SUBJECT WAS DUBBED WEAPON H BY HIS CREATORS, BUT HIS TRUE HISTORY IS A MYSTERY BEYOND FAINT MEMORIES OF HIS WIFE, KIDS AND THE NAME “CLAY.” INITIALLY BRED TO KILL EVERY MUTANT ON THE PLANET, WEAPON H TURNED ON HIS HANDLERS AND DESTROYED WEAPON X HEADQUARTERS BEFORE FLEEING THE SCENE. WHILE SEEMINGLY TRYING TO RECLAIM THEIR SUPER-SOLDIER, ALBA BETRAYED THE WEAPON X PROGRAM, ALLOWING DIRECTOR WILLIAM STRYKER TO BE DESTROYED BY WEAPON H (INADVERTENTLY REVEALING STRYKER TO BE A CYBORG). LOGAN’S TEAM WAS LATE TO THE SCENE, BUT RETRIEVED THE STILL- SENTIENT REMAINS OF STRYKER IN EXCHANGE FOR INFORMATION ON WEAPON H. USING POST-HYPNOTIC VERBAL COMMANDS, ALBA MEANS TO SET WEAPON H ON A KILLING SPREE, BUT LOGAN’S TEAM HAS INTERCEPTED THEM IN HOPES OF ENDING THE VIOLENCE ONCE AND FOR ALL… THE HUNT FOR WEAPON H CONCLUSION WRITERS GREG PAK & FRED VAN LENTE ARTISTS MARC BORSTEL & IBRAIM ROBERSON COLORIST FRANK D’ARMATA LETTERER VC’s JOE CARAMAGNA COVER ARTIST DAVID NAKAYAMA GRAPHIC DESIGNERS ASSISTANT EDITOR EDITOR X-MEN GROUP EDITOR JAY BOWEN & CHRIS DARREN MARK ANTHONY GAMBINO ROBINSON SHAN PANICCIA EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER AXEL ALONSO JOE QUESADA DAN BUCKLEY ALAN FINE WEAPON X No.