DOCSLIB.ORG

Granny's Sept 2 Sale

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Granny's Sept 2 Sale Granny’s 43rd Annual Antique & Fineries New Year’s Day st Auction Extravaganza - Sunday, January 1 at 1:00 P.M. GRANNY’S AUCTION -- AB 1769: AUCTIONEER BLAKE KENNEDY – AU 2264 – THIS CATALOG IS MEANT MERELY AS A GUIDE. THE AUCTIONEERS OR OWNERS DO NOT WARRANT THE ACCURACY, AUTHENTICITY, DESCRIPTION, WEIGHT AND COUNT OR MEASURE OF ANY OF THE LOTS SPECIFIED HEREIN. YOUR KNOWLEDGEABLE BID INSURES ACCEPTANCE. THERE IS A 15% BUYER’S PREMIUM. NO DISCOUNT FOR CASH OR CHECK. AIR CONDITIONED. WE ACCEPT VISA/MASTERCARD! NOTICE TO ALL DEALERS: WE NEED TO GET COPIES OF YOUR 2017 TAX CERTIFICATES ON FILE IN ORDER FOR YOU TO BE TAX EXEMPT IN JANUARY. PLEASE BRING A COPY OF YOUR TAX CERTIFICATES WITH YOU. AFFIDAVITS ARE REQUIRED EACH AUCTION FOR OUT OF STATE NUMBERS. DON’T FORGET TO CHECK OUT OUR PHOTO PREVIEW PAGES THROUGH OUR NEW WEBSITE, WWW.GRANNYSAUCTON.NET AND LIKE US ON FACEBOOK! (YES, THAT’S .NET, NOT .COM) Catalog for Antique Auction – Sunday, January 1st at 1:00 pm 1. Case of Costume Jewelry /W Celluloid, MOP, Pearls, Cloisonné, Owl Necklace & More – Contents Only 2. 9” Cast Iron Bull Dog Doorstop W/ Original Paint 3. Five Vintage Clown Outfits of Zippers & Cotton (Mr. & Mrs. Rosenblatt), a Clown Duo Starring in Romper Room in The 1960s, Extensive Work W/ Cerebral Palsy, Toys for Tots & More, Complete W/ 3 Prs. Shoes, Accessories & Lots of Pictures & Articles (See Ring #51) 4. Three Maps from The 1588 Spanish Edition of Abraham Ortelius (1527-1598) “Theatrum Orbis Terrarum”, Considered the First True Modern Atlas. Each Map Has Typeset Description of The Maps and Country in Spanish On Verso, 16 ½”X22” Paper Size. Front Map Titles Are Latin, Surrounded by Cartouches & Embellishments: First Map: “La Florida - Auctore Hieron Chiaues”/ Guastacan Reg.”/ Peruviae Auriferae Regionis Typus - Didaco Mendezio Auctore” Tri Part Map Including the First Regional Map of Florida Published in The Additamentum III to Theatrum Orbus Terrarum 1584, Details of The North Central Coast of Mexico And Map of Peru And Part of Central America. – Second Map: “Africae Tabla Nova, Antwerpiae 1570” Map of Africa & Arabian Peninsula – Third Map: “Hispaniae Novae Sivae Magnae” Antwerp 1579” Showing North West Coast of Mexico _ Maps Are in Good Condition – Some Minor Edge and Corner Folds, Slight Water Staining to Top Edges 5. 2 Silver Plate Flutes – Bundy in Carrying Case Serial #330104 (Selmer USA) & Gemienhardt 2SH #G3237 in Carrying Case (Elkhart, Ind.) 6. Flat of Vintage & Nostalgia Wind Up & Tin Litho Toys from Around The World (Hungary Train & Track & Police Car, Russian Roundabout Train Station & Bird, China Rocket Racer Friction Siren & Push & Go Dog & Marx Collector Series Delivery Truck, All in Orig. Boxes 7. Tray Lot of Autographed Ephemera Incl. Sports Virginia Slims Legends Tour (Team Signed, Billie Jean King, Chris Evert, Virginia Wade, Wendy Turnbull & More) John Cena 8”X10” Wrestler W/ Ticket, Buccaneers (2 Signed Pennants, Multi-Signed 2000 Ticket Stub, Warrick Dunn Rookie Card & Jackie Harris Card Plus Movie Star Alice Faye Signed Magazine Cover 8. Case of Vintage Costume Jewelry W/ Krementz in Original Boz, Hattie Carnegie, Judy Lee, Lisner, Kate Hines, Flying Horse Coro, B. David, Wells Cultured Pearl Pin in Box, Trifari, Schiaparelli, Boucher & Robert – Contents Only 9. Box of Beginning Post Card Era Postcards, Holiday, Birthday, Romance, Photo, Linens (500 Plus) & Collection of Stereoptic Card (Washington Dc, West Point, New York City & More 10. Case of Vintage Costume Jewelry from Victorian to 60’s – Florenza, Marvella, 20’s Deco Bracelets & Watch Band, Trifari, Carved Shell Cameo & Rhinestones – Contents Only 11. Flat of Signed Hockey Ephemera W/ 1990 Record Setters Signed Wayne Gretzky Card, Peter Forsberg & Joe Satie Postcards, Signed Hockey Puck & 1998 Program Cover & More 12. 1970 Mint in Box Teledyne Post 10” Versalog 11 Slide Rule (44CA-60 Deluxe Case) W/ Unused Instruction Booklet & 2 Antique Wooden Levels (26” Bedortha Bros. Windsor, Mass. Adjustable & 12” Stratton Level Co. Greenfield, Mass.) 13. Tray of Goodies – Vintage 1969 FL License Plate, Designer Playing Cards, Pocket Knives, Boxes, Animal Figures, Jewelry Casket Etc. – Contents Only 14. Tray Lot of Aeronautic & Military Ephemera W/ 1940’s US Army Photographs, Original Art & Documents in Album, 1976-1981 United Airlines Vintage Plane Color Lithos, 1965 Mexico Regimental Uniform Stamp Page, Niemann “German Military Orders & Decorations, 1871-1945” in Depth Identification & Price Guide Book, Etc. – Contents Only 15. Case Lot of Costume Jewelry W/ Russian Lacquer Pin, Rosary Beads, Coro, Lisner, Animal Pins, Emmons, Elizabeth Arden Compact & Miracle – Contents Only 16. US Mint Proof Sets & Uncirculated Set Coins – 27 San Francisco Mint Proof Sets (1971-1988 W/ 2 – 1971& 72, Missing 1976, 1977 & 1979) 8 Denver/Philly Uncirculated Sets (1969- 1972, 1977,1979, 1980, 1989 & 1998) Plus 1994-P & 2002-P Uncirculated Sleeves 17. Original German Deutscher Kleinempfanger 1938 Volks Propaganda Radio in Industrial Bakelite Case W/ Original Mesh Screen Speaker Cover, 2 Knob & Horizontal Dial W/ Flying Eagle Swastika Emblem (Cord Cut Off) in Hand Made Wood Slide Front Storage Case 18. Complete 1961 “Portfolio of Chinese Paintings in The Museum (Tuan to Ch’ing Periods)” from The Museum of Fine Arts, Boston in Original Folio Cover & Box: English & Chinese Books W/ Description of Each of the 178 Color & Collotype Plates by Korinsha Kyoto Japan, Plate Page Size 18 ¾” X 13 ½”, English Text Printed by T.O. Metcalf Co. Boston 19. Tray Lot of 1800’s Stamped Envelopes W/ Varied Cancelations, 1800’s Post Cards, Several 1870’s Checks W/ Tax Stamps Affixed, 1920’s Letters, 1940’s First Day Covers & More 20. Ibanez Spotted Maple Concert Electric/Acoustic Cutaway Ukulele #UEW2OSME (Great Condition) 21. Artley Silver Plate Flute in Original Case W/ Extra Case & Sleeve – Serial #342366, Artley, Negales Ariz. 10-8 W/ 1958 Edition Methode Complete De Flute by Taffalel & Gaubert Book 22. “Potato Bug” Bowl Back Mandolin #M-210, Made by The Suzuki Violin Co. Ltd. Nagoya, Japan, 1975 W/ Mahogany Front, Rosewood Finger Board & Maple Back 23. Case W/ Sterling Handle Utensils - Carving Set, 2 Cake Knives, Ladle, Serving Spoon, Bottle Opener & Salad Fork – Contents Only 24. Flat of 40 Vintage Toy Soldiers Including Britains, Johillco & Others, Cold Stream Guards, German WWII Highlander & S.A.E., 54mm Metal Hollow Cast Lead Soldiers (May Contain Lead, Not Suitable for Young Children) 25. Tray Lot of Toy Cannons & Accessories -OHC. Dennicraft & Others, Cast Iron & Brass, Souvenir Replicas for USS Alabama, American Revolution & More (Some Working) 26. Early 1800’s US Naval Officers (Lt.) Beaver Skin Cocked Hat, 2 Shoulder Epaulets (Made in France) W/ Buttons, Anchor & Stripe, Belt & Eagle Buckle W/ Sword Straps in Original Metal Storage Case W/ Initials JGF 27. 3 Vintage Trays of Coca-Cola Premiums, Advertising & Give Aways from Distributors Estate, Untouched Since 1986, Wood, Plastic & Coke Party Fun Trays, Towels, Socks, Caps, Hot Pads & Calendar, Blanket & Handkerchief, 1970’s Playing Cards, Ice Picks, 1984 Olympic Pin Series Display, Bottles, Olympiad Paperweights & More 28. Case Lot of WWII Korea & Related US Military Ephemera W/ Valiant Aircraft Color-Etch Prints, Service Papers, Cap. B&W Photos, Lots of Military Patches, Buttons & Medals & Much More 29. 7 Volume Set of the “Source Records of The Great War” Special Leatherette Bound Edition, Copyright 1923 by National Alumni – “These Were Issued Strictly as A Registered Edition & That Each Copy Issued Is to Be Registered in The Name of Its Owner”, Volume for Each Year 30. 2 Buddy L Trucks in Original Boxes – 1976 Brute Coca Cola Set W/ Semi, Delivery Truck & Forklift Ramps & Bottle Sets & 1989 Brute Haulers Peterbilt Crane Trailer 31. 9 Diecast Car Models of Chevy Classic 1950, 1960 & 1970 Cars – (1955, 1956 & 1957 Bel Air 1:24 Scale in Cases, 1:18 Scale ’55 Bel Air, 70 Chevelle & 69 Camaro, 1:18 – ’56 Convertible, ’55 & 1:10 Scale “56 Bel Air 32. National Cash Register Empire Case 4 Line 36 Key Cash Register W/ Multi Department Controls on 3 Drawer Oak Base W/ Marble Bill Ledge 33. National Cash Register Empire Case Department Store 6 Line 54 Key Front W/ Electric & Crank Register, Cox & Higgins Topper, Slide Control for Multiple Departments and Uses on 2 Drawer Oak Base W/ Marble Bill Ledge 34. 2 Vintage Lamp Shades – 17” Round 50’s Fiberglass & 17 ½” Oblong Leather Shade 35. Three Maps from the 1588 Spanish Edition of Abraham Ortelius “Theatrum Orbis Terrarum”, Considered the First True Modern Atlas, First Published In 1570. Each Map Is 16 ½”X22” In Size and Has Typeset Description of The Maps and Country in Spanish On Verso. Front Map Titles Are in Latin, Surrounded by Cartouches & Embellishments: “Carpetaniae Partis Descr.” Antwerp 1584 3 Part Map of The Regions of Spain Tri Part Map of Carpetania, Cadiz And Guipuscoa, Regni Hispaniae Postomnium Editiones Locuplessima Descriptio” of Spain and Portugal and “Valentiae Regni” of Valencia and Environs. Maps Are in Good Condition Wish Slight Water Staining to Top Edges, Some Minor Edge Rubs and Corner Folds 36. Monumental Oak Case Mantle Clock W/ Graceful Swirls, Junghaus #B21, Chimes on Quarter, Half & Hour – Key in Office 37. Antique 4” Display Doll W/ “#390 A 18 M” Armand Marseille Special Order Porcelain Head (Sleepy Eyes, Open Mouth W/ Teeth) Cloth Body, Shoes, Leather Gloves, Wig Hat & Umbrella Iron Mounted on Wood Stand, Added Collar Bolster for Display 38. Embossed WWII Japanese Officer’s Parade Sword & Scabbard W/ Silver Family Crest Mark (Mon) on Hilt 39. Tray of Victorian & Novelty Serving Utensils W/ Carved Wood Salad Fork & Spoon W/ Flying Duck Handles, 3 Shell Bowl Spoons/Ladles (2 W/ Horn & MOP Inlaid Handles & 1 Carved Natural Shell Handle) 40. US Army 1903 Saber & Scabbard W/ Personalized Etched Blade by Weyersberg Kirschbaum & Co.
Load more

Recommended publications
  • European Art & Decorative Arts Wall Text and Extended Labels
    European Art & Decorative Arts Wall Text and Extended Labels FIRST FLOOR The Morgan Memorial The construction of the Morgan Memorial, completed in two sections in 1910 and 1915, more than doubled the size of the original Wadsworth Atheneum that opened in 1844. The building is dedicated to Junius Spencer Morgan, whose bust by William Wetmore Story stands at the top of the western stairs. Morgan was a Hartford man who founded a banking empire, and his son, J. Pierpont Morgan, chose to build the museum’s new wing as a tribute to his father. The total cost of the Memorial—over $1,400,000—represents the largest of J. Pierpont Morgan’s generous gifts. He spent over twelve years purchasing the several properties on which the Memorial stands, and was involved in its construction until his death in 1913. Benjamin Wistar Morris, a noted New York architect, was selected to design what was to be a new home for the Wadsworth Atheneum’s art collection. It was built in the grand English Renaissance style, and finished with magnificent interior details. Four years after J. Pierpont Morgan’s death, his son, J. Pierpont Morgan Jr., followed the wishes outlined in his father’s will and gave the Wadsworth Atheneum a trove of ancient art and European decorative arts from his father’s renowned collection. Living in the Ancient World Ordinary objects found at sites from the countries surrounding the Mediterranean Sea and the Middle East reveal a great deal about daily life in the ancient world. Utensils for eating and drinking, glassware, lamps, jewelry, pottery, and stone vessels disclose the details of everyday life.
    [Show full text]
  • European Art & Decorative Arts Wall Text and Extended Labels
    European Art & Decorative Arts Wall Text and Extended Labels FIRST FLOOR The Morgan Memorial The construction of the Morgan Memorial, completed in two sections in 1910 and 1915, more than doubled the size of the original Wadsworth Atheneum that opened in 1844. The building is dedicated to Junius Spencer Morgan, whose bust by William Wetmore Story stands at the top of the western stairs. Morgan was a Hartford man who founded a banking empire, and his son, J. Pierpont Morgan, chose to build the museum’s new wing as a tribute to his father. The total cost of the Memorial—over $1,400,000—represents the largest of J. Pierpont Morgan’s generous gifts. He spent over twelve years purchasing the several properties on which the Memorial stands, and was involved in its construction until his death in 1913. Benjamin Wistar Morris, a noted New York architect, was selected to design what was to be a new home for the Wadsworth Atheneum’s art collection. It was built in the grand English Renaissance style, and finished with magnificent interior details. Four years after J. Pierpont Morgan’s death, his son, J. Pierpont Morgan Jr., followed the wishes outlined in his father’s will and gave the Wadsworth Atheneum a trove of ancient art and European decorative arts from his father’s renowned collection. Living in the Ancient World Ordinary objects found at sites from the countries surrounding the Mediterranean Sea and the Middle East reveal a great deal about daily life in the ancient world. Utensils for eating and drinking, glassware, lamps, jewelry, pottery, and stone vessels disclose the details of everyday life.
    [Show full text]
  • Tirage a Part Strasbourq 1990 DAVID's SLING and MICHELANGELO's BOW
    Tirage a part StrasbourQ 1990 DAVID'S SLING AND MICHELANGELO'S BOW: A SIGN OF FREED OM* IRVING LAVIN It is no accident that the American cartoonist Mike Luckovich should have chosen Michelangelo's David as his vehicle to satirize the recent efforts by certain Federal officials to censor works of art created at government expense (Figs. 1, 2). Luckovich's lampoon is prima facie evidence of the unique status the David has attained in Western society, as a symbol of the defiant spirit of human freedom and independence in the face of extreme adversity. The cartoon also perfectly illustrates the fact that the emblematic preeminence of the David is due largely to Michelangelo's having incorporated in a single, revolutionary image two of the quintessential constituents of the idea of liberty, one creative, and therefore personal, the other political, and therefore communal. We can define this dual significance of the David with a good deal of confidence because of l.Mike Luckovich, cartoon (from Newsweek, August 7, 1989) 108 2. Michelangelo, David, Accademia, Florence a famous but still inadequately understood drawing, preserved in the Louvre, in which Michelangelo virtually says as much himself (Fig. 3). To my knowledge, the drawing is the first instance in which an artist actually articulates in words on a preliminary study the sense of the work he is preparing. My purpose in this paper to define and explore the two, complementary aspects of the David by offering some observations and suggestions concerning the Louvre sheet and its implications. Let me emphasize at once that there is nothing new in suggesting that the David had personal meaning for Michelangelo: Vasari records that Michelangelo returned from Rome to Florence expressly in order to compete for the commission.
    [Show full text]
  • Museum Collection, the National Museum of Western Art, Tokyo
    Museum Collection, The National Museum of Western Art, Tokyo The National Museum of Western Art, Tokyo was established in 1959 to house the Matsukata Collection returned to the Japanese government by the French government. While at the time of the opening the majority of the collection was French modern art, such as Renoir paintings and Rodin sculptures, over the course of the half-century since its founding, the museum collection has been expanded in line with the goal of presenting the flow of western art from the Renaissance to the World War II era. Thus the collection today encompasses a much broader spectrum of artist nationality and period than at its founding. 19th Century Hall: Sculpture by Rodin Auguste Rodin The Age of Bronze 1877 Matsukata Collection Auguste Rodin The Thinker 1881-82 Matsukata Collection Auguste Rodin Fallen Caryatid Carrying Her Stone c.1881-82 Matsukata Collection Auguste Rodin Eternal Springtime 1881-84 Matsukata Collection Auguste Rodin Orpheus and the Maenads Before 1889 Matsukata Collection Auguste Rodin Balzac (Last Study) 1897 (model), 1961 (cast) Donated by the Asahi Shimbun Auguste Rodin Meditation After 1900 Matsukata Collection 14th-16th Century Paintings Sienese School of the 14th St. Michael and the Dragon 14th century Century Andreas Ritzos Icon: Ascension of Christ with the 15th century Ex-Matsukata Collection Hetoimasia Mariotto di Nardo Predella Panel Representing the Legend of 1408 St. Stephen Carlo Crivelli St. Augustine c.1487-88 (?) Ex-Matsukata Collection Lorenzo Leonbruno da The Nativity c.1515 Mantova Rogier van der Weyden Portrait of a Man 1430's (follower of) Master of the Legend of St.
    [Show full text]
  • Emile-Antoine Bourdelle (1861 - 1929)
    EMILE-ANTOINE BOURDELLE (1861 - 1929) Head of Apollo on a Square Base or Apollo in Battle Bronze proof with brown patina with rich green nuances and partially gilded Sand-cast by Alexis Rudier, probably between 1913 and 1925 Founder's signature (on the back of the base): ALEXIS RUDIER. FONDEUR. PARIS. Signed and dated (in a cartouche): EMILE ANTOINE BOURDELLE 1900 Note (in the lower part of the cartouche): REPRODUCTION INTERDITE (Reproduction prohibited) Monogrammed (under the right ear): B 67 x 23.7 x 28.2 cm Provenance Sotheby’s, Monaco, 25 November 1979, lot 55 Private European collection Selective bibliography Jianou, Ionel et Dufet, Michel, Bourdelle, 2nd English edition with a complete and numbered catalogue of the sculptures, Arted, 1978, n°266. Lenormand-Romain, Antoinette, « La Tête d’Apollon, la ‘cause du divorce’ entre Rodin et Bourdelle » ("The Head of Apollo, 'the cause of the divorce' between Rodin and Bourdelle"), in. La Revue du Louvre et des musées de France, n°3, June, 1990, p.212-220. De Degas à Matisse, la collection d’art moderne du musée Toulouse- Lautrec, Alès, Musée Bibliothèque Pierre-André Benoit, 2006, repr. p.19 (of the one in the Toulouse-Lautrec Museum). Antoine Bourdelle (1861-1929), passeur de la modernité (conveyer of modernity), Bucarest – Paris, une amitié franco-roumaine, exhibition catalogue, Bucarest, Romanian National Museum of Art, September 28, 2005 – January 24, 2006, Paris, Bourdelle Museum, repr. p.187 (of the one in the Bourdelle Museum, Inv. MB br300). Cantarutti, Stéphanie, Bourdelle, Paris, Art en scène, 2013, repr. p.101 (of the one in the Bourdelle Museum, Inv.
    [Show full text]
  • Egidio Dall'oglio
    Egidio Dall’Oglio Italian / Italiano, 1704–1784 Madonna and Child with St. Anne Appearing to Sts. Anthony, Charles Borromeo, and Philip Neri Oil on canvas, 1748 Egidio dall’Oglio spent six years in the Venice workshop of Giambattista Piazzetta (to whom this large canvas was once attributed) but ultimately settled on the mainland and made a career producing works for churches near Treviso and Belluno. Depicting a heavenly vision of the Madonna and Child with Saint Anne appearing to Saints Anthony, Charles Borromeo, and Philip Neri, this painting is the upper section of an ensemble created for the parish church in Giavera del Montello. In 1918, when Austria invaded northern Italy, a battle was fought in Giavera and the church was damaged, leading to the removal and ultimate sale of this surviving fragment. Madona y niño con Santa Ana en Aparición a los santos Antonio, Carlos Borromeo y Felipe Neri Óleo sobre lienzo, 1748 Egidio dall’Oglio pasó seis años en Venecia en el taller de Giambattista Piazzetta (a quien alguna vez se le atribuyó este gran lienzo), pero finalmente se estableció en tierra firme donde hizo carrera produciendo obras para las iglesias cerca de Treviso y Belluno. Esta pintura, que representa una visión celestial de la Madona y el niño con Santa Ana apareciéndose a los santos Antonio, Carlos Borromeo y Felipe Neri, es la parte superior de un conjunto creado para la iglesia parroquial de Giavera del Montello. En 1918, cuando Austria invadiera el norte de Italia, se libró una batalla en Giavera durante la cual se dañó la iglesia, provocando que este fragmento sobreviviente tuviera que ser retirado y finalmente se vendiera.
    [Show full text]
  • Perspectives on the Académie
    PERSPECTIVES ON THE ACADÉMIE LA LETTRE DE L’ACADÉMIE NUMBER 91 1 | | 2 Editorial | As we were editing this special issue of the Lettre de l’Académie des Beaux-Arts presenting our Compagnie’s activities and heritage, the Wednesday 15 January 2020 election of Catherine Meurisse to the Painting section further broadened the spectrum of disciplines it embraces. This young artist, elected at the age of 39, became the youngest member not only of our Académie but of the entire Institut de France. With her, we welcome comics – often referred to as the Ninth Art – as well the art of press cartooning. Sixty years thus separate Catherine Meurisse from our beloved oldest member, Pierre-Yves Trémois. This election is yet another demonstration the extraordinary diversity of aesthetics and means of expression found within each section of the Académie de Beaux-Arts. Catherine Meurisse, an artist whose path has been rich and open to life, but also tragic, knows that she will join women and men committed to supporting creation and defending our artistic heritage. As you will see in the following pages, our Compagnie makes full use of the means available to encourage the emergence of new talent while affording an ever wider public access to the magnificent works and sites in its care. And to salute the election of our young colleague, a future issue of the Lettre de l’Académie will be devoted to the teeming world of comics. Need one still say that it is an art in its own right, with its techniques and codes, its major trends and collectors and a considerable public: an art that has been shown in major exhibitions at the Centre Pompidou and elsewhere? It would be as ridiculous as wanting to engage in a defence and illustration of cinema.
    [Show full text]
  • Satires (IA Satires00hall).Pdf
    0IassER22&3 Bonk M*7 #> f*x 4 >i JOSEPH HALL,D.DJ Late LordBisboft ofJVbnuJicb. .iiiiniiiiiiiiiniiiiiiiiiiiiTi'iiiiTfnriTiriTfiiiiiiiViHiiiiiiiiiri'imffliY^^ ^S/^/Z/C. ^rr»~m'- /£*-tZ-^ Or-£*~*s^f~ ^Pj&^z^t^-^ **»0 ^yr- s^s tz^&« m^-^Ls &-**/ <£? <LAA^^y S&^v >^w^lo ^ Kz^^^st ^^^ <£- £<?>-* ^^t^ •tfi^V^^r ^ w C HALL'S SATIRES. JOSEPH HALL, 1/ .: § EIPTo 8 , 16 5 «S J5& TATI S § ILdE „ §J : SATIRES. BY JOSEPH HALL, AFTERWARDS BISHOP OF EXETER AND NORWICH. WITH THE ILLUSTRATIONS OF THE LATE REV. THOMAS WARTON. AND ADDITIONAL NOTES BY SAMUEL WELLER SINGER. " CHISWICK ^rtnuti fm ©. aityittingljam, FOR R. TR1PHOOK, OLD BOND STREET, LONDON. Bf DCCC XXIV. THE EDITOR'S PREFACE. When these Satires were shown to Pope at a late period of his poetical career, he was so sensible of their merit as to wish he had seen 1 them sooner . I doubt not that every reader who takes them up for the first time will be surprised that so much sterling good sense, such nervous language, and such masterly ver- sification should not have commanded more popularity. Yet nothing can be less true than Warton's remark, that Hall is better known as a poet than as a prelate or polemic. The Ser- mons and Meditations of the divine retained 1 Warburton told Warton, that in a copy of Hall's Satires in Pope's library, the whole first satire of the sixth book was corrected in the margin, or interlined in Pope's own hand ; and that Pope had written at the head of that satire optima satira.
    [Show full text]
  • SAMSON and HERCULES a Comparison Between the Feats of Samson and the Labours of Hercules by GARY G
    SAMSON AND HERCULES A comparison between the feats of Samson and the labours of Hercules by GARY G. CoHEN THIS fresh examination of the solar-myth theory of the Samson story, which was propounded at least as early as 1856, comes from the Professor of New Testament in Faith Theological Seminary, Elkins Park, Pennsylvania. Dr. Cohen is the author of "Pilgrim's Progress in the Twentieth Century" (1968), "Understanding Revela­ tion" (1968), and "Biblical Separation Defended" (1966), and served as Coordinating Editor of Volume IJ of the "Encyclopedia of Christianity" ( 1968). I. THE PROBLEM IN this article we are concerned with the hypothesis which connects the Biblical hero Samson in one way or another with the Greek strongman Hercules. The hypothesis, Which is advocated or alluded to in many com­ mentaries is that either (1) one of the two accounts, i.e., Samson or Hercules, borrowed from the other, or (2) because of parallel­ isms, both show that strongman stories follow the same pattern in their mythological development. It has been suggested by some that since Samson's name is derived from Hebrew shemesh, which means "sun", the Samson account is a solar mytlh wherein the hero, the sun, fights the various animals in the heavenly Zodiac as the sun makes its yearly run. As a result of reading such suggestions from time to time, the author has been stimulated actually to look into t1he matter himself to see whether or not these claims are stated as accurately as is averred. Did Samson, like Hercules, perform exactly twelve labours? Is Samson a solar myth or a Hebrew version of the Hercules story? Here it might be valuable at the outset to state some sample observations Which have been made by various commentators in the past.
    [Show full text]
  • ARCTOS Acta Philologica Fennica
    ARCTOS Acta Philologica Fennica VOL. LI HELSINKI 2017 INDEX Heikki Solin Rolf Westman in Memoriam 9 Ria Berg Toiletries and Taverns. Cosmetic Sets in Small 13 Houses, Hospitia and Lupanaria at Pompeii Maurizio Colombo Il prezzo dell'oro dal 300 al 325/330 41 e ILS 9420 = SupplIt V, 253–255 nr. 3 Lee Fratantuono Pallasne Exurere Classem: Minerva in the Aeneid 63 Janne Ikäheimo Buried Under? Re-examining the Topography 89 Jari-Matti Kuusela & and Geology of the Allia Battlefield Eero Jarva Boris Kayachev Ciris 204: an Emendation 111 Olli Salomies An Inscription from Pheradi Maius in Africa 115 (AE 1927, 28 = ILTun. 25) Umberto Soldovieri Una nuova dedica a Iuppiter da Pompei e l'origine 135 di L. Ninnius Quadratus, tribunus plebis 58 a.C. Divna Soleil Héraclès le premier mélancolique : 147 Origines d'une figure exemplaire Heikki Solin Analecta epigraphica 319–321 167 Holger Thesleff Pivotal Play and Irony in Platonic Dialogues 179 De novis libris iudicia 220 Index librorum in hoc volumine recensorum 277 Libri nobis missi 283 Index scriptorum 286 Arctos 51 (2017) 147–166 HÉRACLÈS LE PREMIER MÉLANCOLIQUE : ORIGINES D'UNE FIGURE EXEMPLAIRE* Divna Soleil 1. Introduction Né au Ve siècle avant notre ère au sein du discours médical hippocratique, le concept de la mélancolie connut une fortune extraordinaire dans les traditions médico-philosophique et littéraire occidentales durant les millénaires suivants, fortune qui ne s'est toujours pas démentie et dont témoignent force publications récentes.1 Si le concept a en effet évolué à travers le temps, recouvrant les ré- alités pathologiques différentes durant les périodes différentes, son pouvoir de fascination est resté le même, interrogeant le rapport que l'homme entretient avec la mort d'une part, et la créativité de l'autre.
    [Show full text]
  • L E on Podsiadły
    we współpracy z Magdą Podsiadły / Leon Podsiadły in cooperation with Magda Podsiadły Góra w pobliżu domu Leona Podsiadłego, A mountain near Leon Podsiadły’s okolice Konakry (fot. Leon Podsiadły) house in Conakry (photo by Leon Podsiadły) we współpracy z Magdą Podsiadły / in cooperation with Magda Podsiadły Magda with cooperation / in Podsiadły z Magdą współpracy we Leon Podsiadły Leon Air Bel we współpracy z Magdą Podsiadły / Leon Podsiadły in cooperation with Magda Podsiadły W drodze do miasta Kindia – Leon Podsiadły On the way to the city of Kindia – Leon 7 z synem Dominikiem, żoną Krystyną Podsiadły with his son Dominik, wife Krystyna Michałowską-Podsiadły i córką Magdą Michałowska-Podsiadły and daughter Magda (archiwum Magdy Podsiadły) (Magda Podsiadły’s archive) we współpracy z Magdą Podsiadły / in cooperation with Magda Podsiadły Magda with cooperation / in Podsiadły z Magdą współpracy we Leon Podsiadły Leon Air Bel 8 Leon Podsiadły 9 we współpracy z Magdą Podsiadły / in cooperation with Magda Podsiadły Magda with cooperation / in Podsiadły z Magdą współpracy we Leon Podsiadły Leon Air Bel Na gwinejskiej piście On the Guinean pista 10 (fot. Leon Podsiadły) (photo by Leon Podsiadły) 11 we współpracy z Magdą Podsiadły / in cooperation with Magda Podsiadły Magda with cooperation / in Podsiadły z Magdą współpracy we Leon Podsiadły Leon Air Bel Na plaży De Minière, w pobliżu On the De Minière beach, near Leon 12 domu Leona Podsiadłego w Konakry Podsiadły’s house in Conakry 13 (fot. Leon Podsiadły) (photo by Leon Podsiadły) we współpracy z Magdą Podsiadły / in cooperation with Magda Podsiadły Magda with cooperation / in Podsiadły z Magdą współpracy we Leon Podsiadły Leon Air Bel Na plaży De Minière, w pobliżu On the De Minière beach, near Leon 14 domu Leona Podsiadłego w Konakry Podsiadły’s house in Conakry 15 (fot.
    [Show full text]
  • Bruxelles, 2013 Art and Literature Scientific and Analytical Journal
    Art and Literature Scientific and Analytical Journal Texts 4.2013 Bruxelles, 2013 EDITORIAL BOARD Chief editor Burganova M. A. Pletneva A. A. (Russia) — Candidate of Sciences, research associate of Russian Bowlt John Ellis (USA) — Doctor of Language Institute of the Russian Academy Science, Professor of Slavic Languages of Sciences; and Literatures in University of Southern Pociechina Helena (Poland) — Doctor California; of Science; Profesor of the University of Burganov A. N. (Russia) — Doctor of Warmia and Mazury in Olsztyn; Science, Professor of Stroganoff Moscow Pruzhinin B. I. (Russia) — Doctor of State Art Industrial University, Full-member Sciences, Professor, editor-in-chief of of Russia Academy of Arts, National Artist of Problems of Philosophy; Russia, member of the Dissertation Council Ryzhinsky A. S. (Russia) — Candidate of of Stroganoff Moscow State Art Industrial Sciences, Senior lecturer of Gnesins Russian University; Academy of Music; Burganova M. A. (Russia) — Doctor of Sahno I. M. (Russia) — Doctor of Sciences, Science, Professor of Stroganoff Moscow Professor of Peoples’ Friendship University State Art Industrial University, Full-member of Russia; of Russia Academy of Arts, Honored Artist of Sano Koji (Japan) Professor of Russia, member of the Dissertation Council Toho Gakuyen University of Music of Stroganoff Moscow State Art Industrial (Japan) — Professor of Toho Gakuyen University, editor-in-chief; University of Music; Glanc Tomáš (Germany) — Doctor of Shvidkovsky Dmitry O. (Russia) — Vice- Science of The Research
    [Show full text]