Acquiring Copyright Permission to Digitize and Provide Open Access to Books by Denise Troll Covey

Total Page:16

File Type:pdf, Size:1020Kb

Acquiring Copyright Permission to Digitize and Provide Open Access to Books by Denise Troll Covey Acquiring Copyright Permission to Digitize and Provide Open Access to Books by Denise Troll Covey Digital Library Federation Council on Library and In for ma tion Re sourc es Washington, D.C. October 2005 ii Published by: Digital Library Federation Council on Library and Information Resources 1755 Massachusetts Avenue, NW, Suite 500 Wash ing ton, DC 20036 Web sites at http://www.clir.org and http://www.diglib.org ISBN 1-932326-22-7 ISBN 978-1-932326-22-2 CLIR Publication No. 134 Copyright 2005 in compilation by the Digital Library Federation and the Council on Library and Information Resources. No part of this publication may be reproduced or transcribed in any form without permission of the publishers. Requests for reproduction or other uses or questions pertaining to permissions should be submitted in writing to the Director of Communications at the Council on Library and Information Resources. Additional copies are available for $25 per copy. Orders must be placed through DLF's or CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/abstract/pub134abst.html and at http://purl.oclc.org/dlf/trollcovey0509 The paper in this publication meets the minimum requirements of the American National Standard 8 for Information Sciences—Permanence of Paper for Printed Li brary Ma te ri als ANSI Z39.48-1984. Library of Congress Cataloging-in-Publication Data Troll Covey, Denise. Acquiring copyright permission to digitize and provide open access to books / Denise Troll Covey. p. cm. Includes bibliographical references. ISBN-13: 978-1-932326-22-2 (alk. paper) ISBN-10: 1-932326-22-7 (alk. paper) 1. Copyright and electronic data processing--United States. 2. Electronic books--United States. I. Title. KF3024.M32C68 2005 346.7304’82--dc22 2005024572 iii Contents About the Author .......................................................................................................... iv Acknowledgments ......................................................................................................... v Foreword ........................................................................................................................ vi Introduction .....................................................................................................................1 A Brief History of Law and Practice .............................................................................2 The Implications ..............................................................................................................7 The Response ...................................................................................................................9 The Random Sample Feasibility Study ......................................................................11 Overall Results ................................................................................................13 Analysis of Restrictions .................................................................................15 Analysis of Foreign and Domestic Publications ........................................16 Analysis by Publisher Type ...........................................................................17 Analysis by Publication Type ........................................................................17 Analysis by Print Status and Publication Date ..........................................18 Analysis of Transaction Costs .......................................................................20 Conclusions and Lessons Learned ...............................................................21 The Fine and Rare Book Study ....................................................................................21 Overall Results ................................................................................................26 Analysis of Restrictions .................................................................................28 Analysis of Foreign and Domestic Publications ........................................29 Analysis by Publisher Type ...........................................................................30 Analysis by Publication Type ........................................................................31 Analysis by Print Status and Publication Date ..........................................31 Analysis of Transaction Costs .......................................................................34 Conclusions and Lessons Learned ...............................................................35 The Million Book Project Study ..................................................................................38 Tracking the Data ............................................................................................42 Overall Results ................................................................................................43 Analysis by Publisher Type ...........................................................................45 Requests that We Provide Lists of Titles ......................................................48 Request that We Check Copyright-Renewal Records ...............................51 Experiments to Contain Costs ......................................................................52 Analysis of Transaction Costs .......................................................................54 Conclusions and Lessons Learned ...............................................................54 Looking Ahead ..............................................................................................................58 References .......................................................................................................................60 iv About the Author Denise Troll Covey, principal librarian for special projects at Carnegie Mellon University, is responsible for conducting research to inform library administration and strategic planning. She manages Carnegie Mellon University Libraries’ performance measures and keeps abreast of technological developments and their social implications and the laws, policies, practices, and standards relevant to digital libraries. Her current projects are engaging Carnegie Mellon faculty members in developing an institutional repository for their scholarly work and conducting an analysis of the public comments and public hearing transcripts regarding the U.S. Copyright Offi ce's investigation of orphan works. Ms. Covey serves on the National Information Standards Organization Standards Development Committee, where she is leading an initiative to develop rights expression and management for scholarly information. She is also secretary of the Measurement, Assessment, and Evaluation Section of the Library Administration and Management Association. Ms. Covey was a Distinguished Fellow at the Digital Library Federation in 2000–2001. v Acknowledgments Many people were involved in the copyright-permission work reported here. I thank Lily Waters and Leigh Caskey Schenk of the U.S. Army for doing the groundwork for the feasibility study, Tracey Connelly for continuing the work, and Carole George for seeing the study through to completion and conducting the preliminary data analysis. George also created the database for tracking the data in the Posner project and contributed to the design of the publisher database for the Million Book Project. I thank Ruth Ann Schmidt for her help with the Posner permissions and Cynthia Brown for her work on the Thousand Book Project, her assistance in designing the publisher database, and her help fi nding publisher addresses for the Million Book Project. The time and effort of the librarians and students who helped fi nd publisher addresses are also much appreciated, as are the reading and editing suggestions for this report provided by Cindy Carroll. Special thanks go to Erin Rhodes, who did the bulk of the permissions work on the Posner and Million Book projects. Without her efforts, diligence, and persistence, this report would not exist. Though her task was sometimes tedious, she persevered. Though she often felt confused and frustrated, she persevered. Despite the inadequacy of our mechanisms for tracking the data, she persevered. And she never complained. I could have had no better assistant. Special thanks are also extended to Kathlin Smith of the Council on Library and Information Resources for her careful reading and editing suggestions and to the copyright attorney that she recruited to ensure the accuracy of my overview of copyright law. Those who funded this work must also be thanked: Henry Posner, Jr., and his wife Helen for funding the Posner copyright-permission work and Bruce Miller at the University of California Libraries at Merced for funding the Million Book Project copyright-permission work. Finally, I thank Gloriana St. Clair, dean of University Libraries at Carnegie Mellon and one of the directors of the Universal Library Project. Her vision and substantial allocation of my time were essential to what we have accomplished. vi Foreword The contemporary academic library and its users have an appetite for digital copies of books that far outstrips the willingness and ability of publishers to provide such access. In the science disciplines, contemporary and histori- cal journal literature is becoming widely available in digital format, albeit at considerable cost. Access to the scholarly record in digital form is already transforming the manner in which science disciplines communicate, publish, research, and review excellence.
Recommended publications
  • Diversity in Digital Libraries
    Diversity in digital libraries Recognizing many related types, institutions, forms Tefko Saracevic, Ph.D. [email protected] This work is licensed under a Tefko Saracevic Creative Commons Attribution-NonCommercial-ShareAlike 3.0 United States License 1 ToC • Note on diversity Examples of: • National libraries • Academic libraries • Public libraries • Borne digital libraries • Museums • Subject resources • Societies, organizations • Books on the Web • Archiving the Web • Conclusions Tefko Saracevic 2 Diversity? • Digital libraries come not only from libraries (academic, public, national …), but from many other institutions & subjects not at all connected with a given library (academic, public, national …) • They take great many shapes, forms • They have a variety of contexts & contents – many are specific subject oriented Most importantly: Used by a variety of users & for a variety of uses Tefko Saracevic 3 But are they digital libraries? • Question could be asked: but are they ALL digital libraries? – Or are many of them just portals because they cover and organize digital resources? • when is a portal (links, ecatalog) also a digital library? • A broad view: if they are organized & used for accessing information resources why not consider them digital libraries? Users do not care what they are called or how they are classified, but what useful information they offer Tefko Saracevic 4 And you? But librarians have to care and have to be familiar with them in their area to serve and direct users Tefko Saracevic 5 National libraries - US
    [Show full text]
  • Challenges in Sustaining the Million Book Project, a Project Supported by the National Science Foundation
    Clair / J Zhejiang Univ-Sci C (Comput & Electron) 2010 11(11):919-922 919 Journal of Zhejiang University-SCIENCE C (Computers & Electronics) ISSN 1869-1951 (Print); ISSN 1869-196X (Online) www.zju.edu.cn/jzus; www.springerlink.com E-mail: [email protected] Personal View: Challenges in sustaining the Million Book Project, a project supported by the National Science Foundation Gloriana St. CLAIR wisely invested in bringing educational and cultural Director, Universal Library Project resources to a large segment of their constituents. The Dean, Carnegie Mellon University Libraries, Pittsburgh, disadvantage is that, as government budgets tighten, Pennsylvania, USA the funding necessary to sustain a project can be lost. E-mail: [email protected] One great advantage of government funding is that the government wants to serve the whole public. doi:10.1631/jzus.C1001011 Beginning this year, in the U.S., the National Science Foundation now requires principal investigators to explain how the data they have collected will be made One of the main roles I have played as a director available to the larger research community and how it of the Universal Digital Library has been to write will be sustained. In the U.S., the government also grant proposals to support our work. Both for this wants free-to-read access and at the same time allows project and for another project, Olive.org, an archive creators to charge for enhanced versions. of executable content, how to sustain the final product Foundations and other not-for-profit organi- is the most difficult challenge. This paper discusses zations.
    [Show full text]
  • Entertainment & Sports Lawyer 33.3
    Meet the New Boss: NOI Table Top Three Services Filing NOIs Number of NOIs Tech Giants Rely on April, 2016—January 201711 Per Service Amazon Digital Services LLC 19,421,902 Loopholes to Avoid Google, Inc. 4,625,521 Pandora Media, Inc. 1,193,346 Paying Statutory According to a recent story on the subject in Royalties with Mass Billboard12: Filings of NOIs at At this point [June 2016], 500,000 new the Copyright Office [songs] are coming online every month [much lower than the reported numerical By Chris Castle average to date], and maybe about 400,000 of them are by indie songwriters [which There is a fundamental rule of music licensing— may include covers], many of whom who if you don’t have a license from the copyright don’t understand publishing,’ Bill Colitre, owner, don’t use the music. In the new thing of VP/General Counsel for Music Reports, “permissionless innovation,”1 the “disruptors” a key facilitator in helping services to pay want to use the music anyway. Nowhere is publishers, tells Billboard. ‘For the long tail, this battle more apparent than the newest music publishing data from indie artists often new thing—mass filing of “address unknown” doesn’t exist’ when their music is distributed compulsory license notices for songs. to digital services. You’re probably familiar with U.S. compulsory Conversely, neither digital retailers, i.e., music mechanical licenses2 for songs mandated by users, nor aggregators appear to be able (or Section 1153 of the Copyright Act.4 We think perhaps willing) to collect publishing information
    [Show full text]
  • Future Reading" Digitization and Its Discontents
    Onward and Upward with the Arts Future Reading Digitization and its discontents. by Anthony Grafton November 5, 2007 In 1938, Alfred Kazin began work on his first book, “On Native Grounds.” The child of poor Jewish immigrants in Brooklyn, he had studied at City College. Somehow, with little money or backing, he managed to write an extraordinary book, setting the great American intellectual and literary movements from the late nineteenth century to his own time in a richly evoked historical context. One institution made his work possible: the New York Public Library on Fifth Avenue and Forty-second Street. Kazin later recalled, “Anything I had heard of and wanted to see, the blessed place owned: first editions of American novels out of those germinal decades after the Civil War that led to my theme of the ‘modern’; old catalogues from long- departed Chicago publishers who had been young men in the eighteen-nineties trying to support a little realism.” Without leaving Manhattan, Kazin read his way into “lonely small towns, prairie villages, isolated colleges, dusty law offices, national magazines, and provincial ‘academies’ where no one suspected that the obedient-looking young reporters, law clerks, librarians, teachers would turn out to be Willa Cather, Robert Frost, Sinclair Lewis, Wallace Stevens, Marianne Moore.” It’s an old and reassuring story: bookish boy or girl enters the cool, dark library and discovers loneliness and freedom. For the past ten years or so, however, the cities of the book have been anything but quiet. The computer and the Internet have transformed reading more dramatically than any technology since the printing press, and for the past five years Google has been at work on an ambitious project, Google Book Search.
    [Show full text]
  • Transforming Document Recordation at the United States Copyright Office a Report of the Abraham L
    u n i t e d s t a t e s c o p y r i g h t o f f i c e Transforming Document Recordation at the United States Copyright Office a report of the abraham l. kaminstein scholar in residence december 2014 u n i t e d s t a t e s c o p y r i g h t o f f i c e Transforming Document Recordation at the United States Copyright Office a report of the abraham l. kaminstein scholar in residence december 2014 Transforming Document Recordation at the United States Copyright Office: A Report to the Register of Copyrights Robert Brauneis Abraham L. Kaminstein Scholar in Residence, U.S. Copyright Office Professor of Law, The George Washington University Law School December 31, 2014 About the Abraham L. Kaminstein Scholar in Residence Program Through its Abraham L. Kaminstein Scholar in Residence Program, the Copyright Office brings leading academics with a demonstrated commitment to the study of copyright law and policy to the Copyright Office, at the invitation of the Register, to conduct research and/or work on mutually beneficial projects for a sustained period of time. Abe Kaminstein served as the sixth Register of Copyrights, from 1960 to 1971. He was a leading force in adapting the copyright registration system to the public interest, and in laying the groundwork for the general revision of copyright law. Table of Contents I. Introduction. ................................................................................................................................. 7 A. Process. ................................................................................................................................... 8 B. Roadmap. ................................................................................................................................ 8 C. Reference Abbreviations and Locations. ................................................................................ 9 D. Acknowledgments. ............................................................................................................... 10 II.
    [Show full text]
  • The Need for More Certainty of Copyright Status for Classical Music Works Published Between 1925 and 1978*1
    IF IT IS BAROQUE, FIX IT: THE NEED FOR MORE CERTAINTY OF COPYRIGHT STATUS FOR CLASSICAL MUSIC WORKS PUBLISHED BETWEEN 1925 AND 1978*1 I. INTRODUCTION Classical music is all around us. Although dismal concert attendance numbers suggest otherwise, classical music still has an important place in modern culture—from elevating emotions in film soundtracks to wooing consumers through television commercials.2 Edvard Grieg’s Peer Gynt appeared in a Coca-Cola commercial aired during the Pyeongchang 2018 Olympics.3 Advertising agencies have used Pyotr Ilyich Tchaikovsky’s famous 1812 Overture to sell products ranging from breakfast cereal to a drug that treats overactive bladder.4 Independence Day celebrations around the nation also frequently feature the piece.5 Nonclassical artists surreptitiously submerge classical works into popular music. The verse of Eric Carmen’s song “All by Myself,” also covered by Celine Dion,6 originates in Sergei Rachmaninoff’s Piano Concerto no. 2 in C Minor.7 Rapper Nas used Ludwig van Beethoven’s “Für Elise” throughout his song “I Can.”8 Nas also used Frédéric Chopin’s Étude in C Minor, op. 10, no. 12 in his song “A Queens Story.”9 Lady Gaga’s hit song “Alejandro” begins with Vittorio Monti’s Czardas,10 which itself comes from a traditional Hungarian folk dance.11 Ludacris’s song “Coming 2 America” cleverly and appropriately contains Antonín Dvořák’s Symphony no. 9 in E Minor, op. * Yunica Jiang, J.D. Candidate, Temple University Beasley School of Law, 2020. I would like to thank Professor Erika Douglas for her feedback, guidance, support, and encouragement throughout this process.
    [Show full text]
  • Frequently Asked Questions About the Million Book Project
    Carnegie Mellon Libraries: Libraries: Million Book Project FAQ Frequently Asked Questions About the Million Book Project ● What is the current status of the Million Book Project? ● What purpose does the Million Book Project serve? What problems does the project address? ● What are the research issues in the Million Book Project? ● What content will be included in the Million Book Project? What scanning is currently underway? What about copyright permissions? ● Who are the key U.S. participants in the Million Book Project? ● Who are the other partners in the Million Book Project? ● What university/scholarly presses are participating in the program? ● How is the Million Book Project supported? ● Can users of the Million Book Collection print or download the books? ● Will the Million Book Project preserve the fixed format of the initial publications? ● What metadata is being captured about the digitized works? ● Publishers might not give the MBP blanket permission to digitize and make available all of their out-of-print, in-copyright titles, but might entertain requests for permission to digitize specific titles. Is that possible? ● What value-added services will the MBP develop and what formula will be used to calculate publisher royalties? When might participating publishers begin to see income from the project? ● What kind of accuracy will the MBP achieve in scanning? ● Will the TIFFs meet the Print-On-Demand (POD) standards of Replica and Lightning Source? http://www.library.cmu.edu/Libraries/MBP_FAQ.html (1 of 13)6/20/2005 3:42:01 PM Carnegie Mellon Libraries: Libraries: Million Book Project FAQ ● Once you've scanned a title, how soon will you return TIFFs to the publisher? ● Who will determine the pricing of value-added components of the MBP? What is the current status of the Million Book Project? Use Internet Explorer to access the Million Book Project/Universal Library sites: 1.
    [Show full text]
  • Handbook of E-Resources from Yenepoya Central Library
    Yenepoya Central Library The Handbook of E-Resources Prepared by: Verified by: Dr. K. S. Ali Dr. Mamatha P.K Deputy Librarian Chief Librarian E-mail: [email protected] E-mail: [email protected] Phone no. +91-9686618671 Phone no. +91-9845783853 Extn. no.2067 Extn. no. 5085 Updated on 12-05-2020 Dr. K. S. Ali E-Resources Handbook List of E-Resources Subscribed by Yenepoya (Deemed to be University) Access Details Name Descriptions Discipline User ID credential, Remote Remote Access If any Access URL Links Web of Science is a platform consisting of several Web of Science literature search databases designed to support No Click Here scientific and scholarly research. Multidiscipline Yes The evidence-based clinical decision support UpToDate resource from Wolters Kluwer, is trusted at the Healthcare No Click Here point of care by clinicians worldwide. Professionals Yes Clinical Key supports healthcare professionals and students with the latest evidence across specialities Healthcare Click Here in a variety of formats, including full-text reference Yes Professionals Clinical Key books and journals, point-of-care monographs, drug No information, videos, practice guidelines, customised patient education handouts and more. The BMJ share that global endeavour with millions The BMJ (online) of readers working in clinical practice, research, education, government, and with patients and the Healthcare No Click Here public too. Professionals Yes BMJ Case Reports is an important educational resource offering a high volume of cases in all disciplines so that healthcare professionals, Healthcare Click Here researchers and others can easily find clinically Professionals BMJ Case Report important information on common and rare No conditions.
    [Show full text]
  • Mar 30 2012 * ------)( Brooklyn Office Ashanta Marshall
    Case 1:08-cv-01420-LB Document 134 Filed 03/30/12 Page 1 of 53 PageIDFILED #: <pageID> IN CLERK'S OFFICI U.S. DISTRICT COURT E.c.N.V. UNITED STATES DISTRICT COURT EASTERN DISTRICT OF NEW YORK * MAR 30 2012 * ------------------------------------------------------)( BROOKLYN OFFICE ASHANTA MARSHALL, Plaintiff, OPINION & ORDER 08 CV 1420 (LB) -against- AFRICA MARSHALL, Defendant. -----------------------------------------------------)( BLOOM, United States Magistrate Judge: Plaintiff and defendant are brothers. In 2001, the brothers Marshall began producing a series of instructional videos featuring plaintiff Ashanta Marshall's hairstyling techniques. Plaintiff had years of experience in the hair industry, and defendant Africa Marshall, the younger brother, was interested in video production and was studying communications and marketing. After working together for nearly four years, the brothers fought about the business and their relationship dissolved. However, both brothers continued to promote and sell the videos through various media outlets, and they both registered copyrights with the United States Copyright Office. They now dispute their respective rights to the videos and to the use of plaintiffs image. Plaintiff, proceeding pro se, brought an action in the Civil Court of Kings County in 2008. Defendant found pro bono counsel who removed the case to this Court and filed three counterclaims. For three years, the brothers have fought about discovery, engaged in vigorous motion practice, and attacked each other and defendant's counsel. After completing discovery, defendant moved for summary judgment, which was granted in part and denied in part. The parties consented to trial before a magistrate judge pursuant to 28 U.S.C. § 636(c), and I held a bench trial on August 1 and 2, 2011.
    [Show full text]
  • The Million Book Project at Bibliotheca Alexandrina
    Eldakar et al. / J Zhejiang Univ SCI 2005 6A(11):1327-1340 1327 Journal of Zhejiang University SCIENCE ISSN 1009-3095 http://www.zju.edu.cn/jzus E-mail: [email protected] The Million Book Project at Bibliotheca Alexandrina ELDAKAR Youssef1, EL-GAZZAR Khalid1, ADLY Noha†1,2, NAGI Magdy1,2 (1Bibliotheca Alexandrina, El Shatby 21526, Alexandria, Egypt) (2Computer and Systems Engineering Department, Alexandria University, Alexandria, Egypt) †E-mail: [email protected] Received Aug. 5, 2005; revision accepted Sept. 10, 2005 Abstract: The Bibliotheca Alexandrina (BA) has been developing and putting to use a workflow for turning printed books into digital books as its contribution to the building of a Universal Digital Library. This workflow is a process consisting of multiple phases, namely, scanning, image processing, OCR, digital archiving, document encoding, and publishing. Over the past couple of years, the BA has defined procedures and special techniques for the scanning, processing, OCR and publishing, especially of Arabic books. This workflow has been automated, allowing the governance of the different phases and making possible the production of 18000 books so far. The BA has also designed and implemented a framework for the encoding of digital books that allows publishing as well as a software system for managing the creation, maintenance, and publishing of the overall digital repository. Key words: Million Book Project (MBP), Digital books workflow, Digitization, Universal Digital Library, Scanning, Multi- ---lingual OCR, Digital publishing, Image-on-text, DjVu, PDF doi:10.1631/jzus.2005.A1327 Document code: A CLC number: TP391 INTRODUCTION SCANNING The Bibliotheca Alexandrina (BA) has develop- The Minolta PS7000 scanner is used.
    [Show full text]
  • The Implications of Pop-Star Practices on the Future of Intellectual Property
    Volume 121 Issue 2 Dickinson Law Review - Volume 121, 2016-2017 10-1-2016 The Implications of Pop-Star Practices on the Future of Intellectual Property Meera Puri Follow this and additional works at: https://ideas.dickinsonlaw.psu.edu/dlra Recommended Citation Meera Puri, The Implications of Pop-Star Practices on the Future of Intellectual Property, 121 DICK. L. REV. 505 (2016). Available at: https://ideas.dickinsonlaw.psu.edu/dlra/vol121/iss2/6 This Comment is brought to you for free and open access by the Law Reviews at Dickinson Law IDEAS. It has been accepted for inclusion in Dickinson Law Review by an authorized editor of Dickinson Law IDEAS. For more information, please contact [email protected]. Comments The Implications of Pop-Star Practices on the Future of Intellectual Property Meera Puri* ABSTRACT Major recording artists like Taylor Swift are taking advantage of the generous protections afforded to them by U.S. copyright and trademark laws. Swift has filed for, and received, numerous trademarks for lyrical phrases such as "This Sick Beat" and "Party Like It's 1989" and has threatened merchants selling handmade Swift-themed goods through the online marketplace, Etsy. Swift is primarily targeting fan-made artwork whose creators profit minimally, if at all, and that likely has little to no effect on Swift's own merchandise sales. Swift has also expressed strong opposition to music streaming services, such as Spotify, that other recording artists have praised for allowing consumers to easily and affordably access a wide array of music. Artists who share Swift's views have withheld their music from streaming services, demonstrating their disapproval of royalty policies that they believe undercompensate artists, producers, writers, and labels.
    [Show full text]
  • Copyright Registrations: Who, What, When, Where, and Why
    OLIAR (P ATTISON )(P OWELL )-1.F INAL .DOCX (D O NOT DELETE ) 6/28/14 5:22 PM Copyright Registrations: Who, What, When, Where, and Why Dotan Oliar, * Nathaniel Pattison ** & K. Ross Powell *** The registration records at the U.S. Copyright Office provide a valuable lens on the use and performance of the copyright system, but have not yet been studied systematically. Using an original data set containing all 2.3 million registrations from 2008 to 2012, we provide a snapshot of current patterns of registration. We describe who is registering what, where, when, and why. Our main findings include the types of work being registered, how the registrations of individuals and firms differ, when works are being registered relative to their date of creation and date of publication, the age distribution of authors in different creative fields, and the geographic distribution and concentration of registration claimants. The registration data collected and reported are superior to those relied upon in prior literature and should therefore prove useful to lawmakers and scholars wishing to measure the effect of copyright law on creativity or otherwise reform our copyright law. I. ! INTRODUCTION ..................................................................................2212 ! II. ! WHY REGISTER ? L EGAL AND MARKET REASONS FOR REGISTRATION ...................................................................................2215 ! A. ! Legal Reasons........................................................................2215 ! B. ! Market-Based Reasons:
    [Show full text]