73Rd Annual Dinner and Ball
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Seventy-Ninth Annual Pulaski Day Parade Sunday, October 2, 2016 Fifth Avenue, New York City
Preliminary LONG version As of 10/1/16 SEVENTY-NINTH ANNUAL PULASKI DAY PARADE SUNDAY, OCTOBER 2, 2016 FIFTH AVENUE, NEW YORK CITY MARCH 4, OCTOBER 11, 1745 1779 2016 PULASKI PARADE GRAND MARSHAL HON. DR. DONNA KOCH-KAPTURSKI Specializes in Family Medicine and Internal Medicine in Garfield, NJ. HONORARY MARSHALS ANNA MARIA ANDERS DAUGHTER OF GENERAL WLADYSLAW ANDERS POLISH SENATOR AND PROCURATOR OF THE SECRETARY OF STATE OF THE COUNCIL OF MINISTERS FOR INTERNATIONAL DIALOGUE STANISLAW KARCZEWSKI MARSHAL OF THE SENATE OF THE REPUBLIC OF POLAND BILL SHIBILSKI RADIO HOST, BROADCASTER AND PAST MC OF THE PULASKI DAY PARADE PRESIDENT RICHARD ZAWISNY GENERAL PULASKI MEMORIAL PARADE COMMITTEE, INC. Page 1 of 57 Preliminary LONG version As of 10/1/16 ASSEMBLY STREETS 39A 6TH 5TH AVE. AVE. M A 38 FLOATS 21-30 38C FLOATS 11-20 38B 38A FLOATS 1 - 10 D I S O N 37 37C 37B 37A A V E 36 36C 36B 36A 6TH 5TH AVE. AVE. Page 2 of 57 Preliminary LONG version As of 10/1/16 PRESIDENT’S MESSAGE THE 79TH ANNUAL PULASKI DAY PARADE COMMEMORATING THE SACRIFICE OF OUR HERO, GENERAL CASIMIR PULASKI, FATHER OF THE AMERICAN CAVALRY, IN THE WAR OF AMERICAN INDEPENDENCE BEGINS ON FIFTH AVENUE AT 12:30 PM ON SUNDAY, OCTOBER 2, 2016. THIS YEAR WE ARE CELEBRATING “POLISH- AMERICAN YOUTH, IN HONOR OF WORLD YOUTH DAY, KRAKOW, POLAND” IN 2016. THE ‘GREATEST MANIFESTATION OF POLISH PRIDE IN AMERICA’ THE PULASKI PARADE, WILL BE LED BY THE HONORABLE DR. DONNA KOCH- KAPTURSKI, A PROMINENT PHYSICIAN FROM THE STATE OF NEW JERSEY. -
The Nordic Countries and the European Security and Defence Policy
bailes_hb.qxd 21/3/06 2:14 pm Page 1 Alyson J. K. Bailes (United Kingdom) is A special feature of Europe’s Nordic region the Director of SIPRI. She has served in the is that only one of its states has joined both British Diplomatic Service, most recently as the European Union and NATO. Nordic British Ambassador to Finland. She spent countries also share a certain distrust of several periods on detachment outside the B Recent and forthcoming SIPRI books from Oxford University Press A approaches to security that rely too much service, including two academic sabbaticals, A N on force or that may disrupt the logic and I a two-year period with the British Ministry of D SIPRI Yearbook 2005: L liberties of civil society. Impacting on this Defence, and assignments to the European E Armaments, Disarmament and International Security S environment, the EU’s decision in 1999 to S Union and the Western European Union. U THE NORDIC develop its own military capacities for crisis , She has published extensively in international N Budgeting for the Military Sector in Africa: H management—taken together with other journals on politico-military affairs, European D The Processes and Mechanisms of Control E integration and Central European affairs as E ongoing shifts in Western security agendas Edited by Wuyi Omitoogun and Eboe Hutchful R L and in USA–Europe relations—has created well as on Chinese foreign policy. Her most O I COUNTRIES AND U complex challenges for Nordic policy recent SIPRI publication is The European Europe and Iran: Perspectives on Non-proliferation L S Security Strategy: An Evolutionary History, Edited by Shannon N. -
VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member. -
Forced Displacement – Global Trends in 2015
GLObaL LEADER ON StatISTICS ON REfugEES Trends at a Glance 2015 IN REVIEW Global forced displacement has increased in 2015, with record-high numbers. By the end of the year, 65.3 million individuals were forcibly displaced worldwide as a result of persecution, conflict, generalized violence, or human rights violations. This is 5.8 million more than the previous year (59.5 million). MILLION FORCIBLY DISPLACED If these 65.3 million persons 65.3 WORLDWIDE were a nation, they would make up the 21st largest in the world. 21.3 million persons were refugees 16.1 million under UNHCR’s mandate 5.2 million Palestinian refugees registered by UNRWA 40.8 million internally displaced persons1 3.2 million asylum-seekers 12.4 24 86 MILLION PER CENT An estimated 12.4 million people were newly displaced Developing regions hosted 86 per due to conflict or persecution in cent of the world’s refugees under 2015. This included 8.6 million UNHCR’s mandate. At 13.9 million individuals displaced2 within people, this was the highest the borders of their own country figure in more than two decades. and 1.8 million newly displaced The Least Developed Countries refugees.3 The others were new provided asylum to 4.2 million applicants for asylum. refugees or about 26 per cent of the global total. 3.7 PERSONS MILLION EVERY MINUTE 183/1000 UNHCR estimates that REFUGEES / at least 10 million people On average 24 people INHABITANTS globally were stateless at the worldwide were displaced from end of 2015. However, data their homes every minute of Lebanon hosted the largest recorded by governments and every day during 2015 – some number of refugees in relation communicated to UNHCR were 34,000 people per day. -
Holiday That Traditional Tljie Holiday. Has Un¬ Sabbath at 10:45 A.M
SCHEDULE OF YOM KIPPUR SERVICES Sunday, September 28th, Yom Kippur Eve Mincha 1:30 KOL NIDRE 5:30 Rabbi Lookstein will speak Monday, September 29th, Yom Kippur Morning .' 8:00 Memorial Service (Yizkor) 11:15 PLEASE NOTE that the hours indicated above are Eastern Standard Time which will go into effect this Sunday morning. PLANS MADE FOR FESTIVE SUKKOTH HOLIDAY The forthcoming Sukkoth festival As announced in last week's Bul¬ w ill long be remembered by those letin, arrangements have been com¬ w ho will participate in its celebration pleted for catered meals to be served at Kehilath Jeshurun. Plans are being in the Sukkah on the first two days mjade for the Sukkoth holiday that of the festival: Friday and Saturday wjill make for a beautiful as well as evenings and Saturday and Sunday eiiijoyable observance of the Feast of afternoons. The price per plate is Tfabernacles, without for one moment $6.00 — a nominal sum that will leasing sight of the ancient traditional cover everything that is required, in¬ practices that constitute the heart of cluding gratuities. In order to allow tljie holiday. enough time for the necessary ar¬ rangements, the dead-line for reserva¬ j Once again, the Sisterhood has un¬ tions has been set for Tuesday, Sep¬ dertaken to decorate the Sukkah. A tember 30th. We should like to re¬ gjvoup of the organization's members, mind you that all reservations must uirider the chairmanship of Mrs. be accompanied by check. David Joseph, are now planning to The true celebration of the holiday prepare the spacious Sukkah, which takes place proper. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
ARSC Journal
HISTORICAL VOCAL RECORDINGS ROSSINI: Le Comte Ory. Michel Roux, basso (Robert); Jeannette Sinclair, soprano (Alice); Juan Oncina, tenor (Count Ory); Monica Sinclair, con tralto (Ragonde); Ian Wallace, baritone (The Governor); Cora Canne Meijer, mezzo-soprano (Isolier); Sari Barabas, soprano (Countess Adele); Dermot Troy, tenor (A Young Nobleman); The Glyndebourne Festival Or chestra and Chorus; Vittorio Gui, conductor. EMI RLS 744. "The delicious Comte Ory," wrote Chorley in 1854, "has, with all the beauty of its music, never been a favorite anywhere. Even in the theater for which it was written, the Grand Oplra of Paris, where it still keeps its place - when Cinti-Damoreau was the heroine - giving to the music all the playfulness, finish, and sweetness which could possibly be given - the work was heard with but a tranquil pleasure ••• " He goes on to blame the libretto (by Scribe and Delaistre-Poirson) which in its day was indeed rather shocking, with Count Ory's "gang" gaining admission, disguised as nuns, to the castle of the Countess he is pursuing - male voices and all! The opera was rediscovered in the 1950's and enjoyed a real success at Glyndebourne in 1954. The recording was made two years later. The New York City Opera finally got around to Le Comte Ory a year or so ago. There are several obvious reasons for the neglect of this gem of an opera. Though the score is full of delights there is no Largo al facto tum or Una voce poco fa. The arias are brilliant but not sure fire. It is not a vehicle; the soprano and tenor roles call for virtuosity of a high order, but this is an ensemble opera and no one can take over the spotlight. -
The European Union V. the North Atlantic Treaty Organization: Estonia's Conflicting Interests As a Party to the International Criminal Court, 27 Hastings Int'l & Comp
Hastings International and Comparative Law Review Volume 27 Article 5 Number 1 Fall 2003 1-1-2003 The urE opean Union v. the North Atlantic Treaty Organization: Estonia's Conflicting Interests as a Party to the International Criminal Court Barbi Appelquist Follow this and additional works at: https://repository.uchastings.edu/ hastings_international_comparative_law_review Part of the Comparative and Foreign Law Commons, and the International Law Commons Recommended Citation Barbi Appelquist, The European Union v. the North Atlantic Treaty Organization: Estonia's Conflicting Interests as a Party to the International Criminal Court, 27 Hastings Int'l & Comp. L. Rev. 77 (2003). Available at: https://repository.uchastings.edu/hastings_international_comparative_law_review/vol27/iss1/5 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings International and Comparative Law Review by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. The European Union v. the North Atlantic Treaty Organization: Estonia's Conflicting Interests as a Party to the International Criminal Court By BARBI APPELQUIST* Introduction Estonia, the United States and all current members of the European Union have signed the United Nations Declaration of Human Rights.' This body of public international law protects the following human rights of alleged criminals: "the protection against arbitrary arrest, detention, or invasions of privacy; a presumption of innocence; and a promise of 'full equality' at a fair, public trial, before a neutral arbiter, with 'all the guarantees necessary' for the defense."2 The International Criminal Court (ICC) was created to provide a fair trial for those accused of certain particularly serious crimes in an objective international setting.3 Estonia became a party to the ICC when its President signed the * J.D. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
Mario Lanza Double Feature Mp3, Flac, Wma
Mario Lanza Double Feature mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Stage & Screen Album: Double Feature Country: US Released: 1959 Style: Opera, Soundtrack MP3 version RAR size: 1326 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1974 mb Rating: 4.3 Votes: 299 Other Formats: AA XM DXD AUD ADX VQF RA Tracklist Hide Credits That Midnight Kiss La Bohème: Act I: Che gelida manina A1 4:59 Composed By – Puccini* Mamma mia che vo' sape? A2 2:34 Composed By – Nutile*Lyrics By – Russo* I Know, I Know, I Know A3 3:59 Composed By – Kaper*Lyrics By – Russell* They Didn't Believe Me A4 5:08 Composed By – Kern*Lyrics By – Rourke* Core 'ngrato A5 3:20 Composed By – Cardillo*Lyrics By – Cordiferro* Aïda: Act I: Celeste Aïda A6 Composed By – Verdi*Conductor – Constantine Callinicos, Ray 4:19 SinatraOrchestra – Unknown Artist Toast Of New Orleans La Traviata: Act I: Brindisi: Libiamo, libiamo, ne' lieti calici B1 3:02 Composed By – Verdi*Soprano Vocals – Elaine Malbin Madama Butterfly: Act I: Love Duet: Stolta paura, l'amor B2 8:03 Composed By – Puccini*Soprano Vocals – Elaine Malbin L'Africana: Act IV: O Paradiso! B3 3:09 Composed By – Meyerbeer* Carmen: Act II: La fleur que tu m'avais jetée (Flower Song) B4 3:35 Composed By – Bizet* Martha: Act III: M'appari B5 3:31 Composed By – Flotow* Credits Conductor – Constantine Callinicos Orchestra – RCA Victor Orchestra And Chorus* Tenor Vocals – Mario Lanza Notes Musical highlights from Maria Lanza's first two films. Made in U.S.A.