Festival 2014
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Image: Brian Hartley
IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career. -
PLACES of ENTERTAINMENT in EDINBURGH Part 5
PLACES OF ENTERTAINMENT IN EDINBURGH Part 5 MORNINGSIDE, CRAIGLOCKHART, GORGIE AND DALRY, CORSTORPHINE AND MURRAYFIELD, PILTON, STOCKBRIDGE AND CANONMILLS, ABBEYHILL AND PIERSHILL, DUDDINGSTON, CRAIGMILLAR. ARE CIRCUSES ON THE WAY OUT? Compiled from Edinburgh Theatres, Cinemas and Circuses 1820 – 1963 by George Baird 2 TABLE OF CONTENTS MORNINGSIDE 7 Cinemas: Springvalley Cinema, 12 Springvalley Gardens, 1931; the seven cinemas on the 12 Springvalley Gardens site, 1912 – 1931; The Dominion, Newbattle Terrace, 1938. Theatre: The Church Hill Theatre; decision taken by Edinburgh Town Council in 1963 to convert the former Morningside High Church to a 440 seat theatre. CRAIGLOCKHART 11 Skating and Curling: Craiglockhart Safety Ponds, 1881 and 1935. GORGIE AND DALRY 12 Cinemas: Gorgie Entertainments, Tynecastle Parish Church, 1905; Haymarket Picture House, 90 Dalry Road, 1912 – became Scotia, 1949; Tivoli Picture House, 52 Gorgie Road, 1913 – became New Tivoli Cinema, 1934; Lyceum Cinema, Slateford Road, 1926; Poole’s Roxy, Gorgie Road, 1937. Circus: ‘Buffalo Bill’, Col. Wm. Frederick Cody, Gorgie Road, near Gorgie Station, 1904. Ice Rink: Edinburgh Ice Rink, 53 Haymarket Terrace, 1912. MURRAYFIELD AND CORSTORPHINE 27 Cinema: Astoria, Manse Road, 1930. Circuses: Bertram Mills’, Murrayfield, 1932 and 1938. Roller Skating Rink: American Roller Skating Rink, 1908. Ice Rink: Murrayfield Ice Rink; scheme sanctioned 1938; due to open in September 1939 but building was requisitioned by the Government from 1939 to 1951; opened in 1952. PILTON 39 Cinema: Embassy, Boswall Parkway, Pilton, 1937 3 STOCKBRIDGE AND CANONMILLS 40 St. Stephen Street Site: Anderson’s Ice Rink, opened about 1895;Tivoli Theatre opened on 11th November 1901;The Grand Theatre opened on 10th December 1904;Building used as a Riding Academy prior to the opening of the Grand Picture House on 31st December 1920;The Grand Cinema closed in 1960. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
Schools Programme
Schools Programme WELCOME A recent study found that children who regularly attended theatre with their school had higher aspirations and better hopes about their future lives. This news sent my heart soaring as this is what this job is all about! The productions presented this year are surprising and eclectic, taking the spectator along visually interesting pathways. The works include a wide variety of theatrical genres from spoken text to puppetry, from dance theatre and musical explorations to acrobatics. Many of the productions are non-text based making them accessible to a broader audience. Central to the Festival are four exciting shows by Scotland based companies as well as a regional focus on Flanders, the Dutch-speaking northern part of Belgium, one of the world’s leaders in producing innovative theatre and dance for young audiences. We have also extended the dates of the Festival to accommodate the increased demand from schools with three international productions opening in the week prior to the main Festival week. In line with our mission, this will allow more children access to high quality theatre. I hope that the 2020 Edinburgh International Children’s Festival is full of special moments for you and your students. Exquisitely theatrical experiences that encourage children and young people to wish, desire and aspire beyond their own lives and immediate neighbourhoods, into their potential future selves. Focus on Flanders supported by: Noel Jordan Festival Director Beyond the Festival: • Creative learning project Imaginate -
10 Things I Hate About Taming of the Shrew
10 Things I Hate About Taming of the Shrew Comedy PBH's Free Fringe @ Voodoo 17:55 Rooms 1 hour Suitability: 16+ (Guideline) Group: Gillian English / PBH's Free Fringe M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 100% Cotton Comedy Paradise in The Vault Times vary. Click 'Dates, times and prices' to view the calendar 1 hour Suitability: 16+ (Restriction) Group: Liz Cotton M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 About Time / Bully Comedy Laughing Horse @ City Cafe 19:10 1 hour Suitability: 14+ (Guideline) Group: Sian Davies and Thanyia Moore / Free Festival M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Agatha Is Missing! Comedy Gilded Balloon Teviot 14:30 1 hour Suitability: 12+ (Guideline) Group: Fringe Management, LLC M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Age Fright: 35 and Counting Comedy PQA Venues @Riddle's Court 17:00 50 minutes Suitability: 18+ (Restriction) Group: Jaleelah Galbraith M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Algorithms Theatre Pleasance Courtyard 12:45 1 hour Suitability: 14+ (Guideline) Group: Sadie Clark & Laura Elmes Productions M T W T F S S M T W T F S S 29 30 31 -
Future of Entertainment Ticketing F Rum London • 19-20 March 2013 Discussion Paper 06
TICKETING TECHNOLOGY THE FUTURE OF ENTERTAINMENT TICKETING F RUM LONDON • 19-20 MARCH 2013 DISCUSSION PAPER 06 The Edinburgh Experience: A Bird’s-Eye View of Clicket.co.uk by Jo Michel, Director, Michel Consultancy The Edinburgh Portal Project was originated to unify the customer experience when searching for events and activities across the city. In this paper, I aim to give you a bird’s-eye view of the experience of those involved in the project which was finally launched in 2011 as www.Clicket.co.uk I came to Edinburgh in June 2008 to be the Ticketing Manager at Hub Tickets, the agency which is operated by the Edinburgh International Festival and sells tickets for “ ...a single point of entry for that festival and many others during the summer visitors, which would offer months each year. product from all the Edinburgh Edinburgh – why a portal? venues...” Edinburgh is a festival city. As everyone knows, it is the home of the largest of them all: the Edinburgh Festival Fringe; the prestigious Edinburgh International Festival; The Edinburgh Book Festival; Edinburgh Jazz & Blues Festival; Structure and strategy Festival of Politics; and Festival of Spirituality and Peace all of The Audience Business (TAB) was appointed as the project which run concurrently throughout August, each year. management and a Strategy Working Group put in place to Edinburgh is also home to the renowned Traverse Theatre guide the decision making process and to be representative Company, has great touring venues in the Festival Theatre of the core stakeholders in the project. The Edinburgh Portal and Edinburgh Playhouse, the beautiful Queens Hall and a Project had begun. -
PRESS RELEASE (858) 228-3094 | [email protected]
Contact: Becky Biegelsen PRESS RELEASE (858) 228-3094 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES HUNDRED DAYS, THE BENGSONS’ “LUMINOUS MUSICAL MEMOIR,” AS FINAL PRODUCTION OF 2018/2019 SEASON RUN DATES SET FOR FULL SEASON SLATE La Jolla, CA – La Jolla Playhouse announces Hundred Days, book by The Bengsons and Sarah Gancher, music and lyrics by The Bengsons, directed by Anne Kauffman, and movement direction by Sonya Tayeh, as the final production of its 2018/2019 season, to run September 22 – October 21 in the Mandell Weiss Forum. Dubbed “a luminous musical memoir” and a Critic’s Pick by The New York Times, Hundred Days is an exhilarating and heartrending autobiographical piece, written and performed by husband-and-wife team Abigail and Shaun Bengson, about embracing uncertainty, taking a leap, and loving as if you only had a hundred days to live. With their magnetic chemistry and unique musical style, the Bengsons explore the fundamental question of how to make the most of the time you have. “This deeply honest and life-affirming show is a terrific addition to the 2018/2109 season,” said Playhouse Artistic Director and 2017 Tony Award winner Christopher Ashley. “I’m always looking for vibrant and distinct new voices – as well as unique ways of storytelling – and the Bengsons speak to both these aims, culminating in a singular piece of theatre that defies genres. I can’t wait to share with our audiences.” Hundred Days joins the previously-announced 2018/2019 season productions of The Squirrels (June 5 – July 1), queens (July 3 – 29), Seize the King (August 21 – September 16), The Year to Come (December 4 – 30) and Diana (February 19 – March 31, 2019). -
City of Edinburgh Council
City of Edinburgh Council 10am, Thursday, 4 February 2021 The Designation of New Polling Places as a result of a Statutory Review of Polling Places and Polling Districts Executive/routine Wards All Council Commitments • Delivering an economy for all • Building for a future Edinburgh • Delivering a sustainable future • Delivering for our children and families • Delivering a healthier city for all ages • Delivering a Council that works for all 1. Recommendations 1.1 It is recommended that the Council: 1.1.1 Agree to the amendments to current polling arrangements as outlined in Appendix 1; 1.1.2 Note that there are no significant changes to current polling district boundaries; 1.1.3 Note that the Chief Executive has delegated authority to make one-off minor amendments to outlined polling arrangements for the 2021 Scottish Parliament Election should the availability of venues be impacted at short notice by Coronavirus; and 1.1.4 Note that the Electoral Registration Officer (ERO) will make any necessary amendments to the Register of Electors. Andrew Kerr Chief Executive and Returning Officer Contact: Chris Highcock, Elections and Member Services Manager E-mail: [email protected] | Tel: 0131 469 3126 Report The Designation of New Polling Places as a result of a Statutory Review of Polling Places and Polling Districts 2. Executive Summary 2.1 This report seeks the Council’s approval for the proposed changes to UK Parliamentary polling places within the City of Edinburgh local government area following the completion of a statutory review as per Section 18(c) of the Representation of the People Act 1983. -
No. 15 Public Transport Links to 15 Rutland Square Are Excellent
Getting to No. 15 Public transport links to 15 Rutland Square are excellent. On street parking is limited but there is a large public car park at Haymarket, within comfortable walking distance. Train or bus is the preferred option for most visitors. Rail Connections 15 Rutland Square is around ten minutes stroll from Edinburgh Haymarket Station which connects to Glasgow, Fife and the North. Waverley Station, a ten minute bus ride away, connects with all these destinations and also southwards on the East Coast line. Hotels 15 Rutland Square is conveniently located for all the No. 15 Edinburgh city centre hotels and guesthouses. The nearest large hotels are the Caledonian at the corner of Rutland rutland Street and Lothian Road and the Sheraton at Festival square Square. Smaller local facilities are available at the Rutland Hotel, Hudson’s Hotel and the Roxburghe. The West End is rich in high quality speciality retail outlets and a broad range of bars, restaurants and cultural attractions. Endpiece A SUPERB VENUE FOR MEETINGS AND EVENTS The Usher Hall, Royal Lyceum Theatre, Traverse Theatre The Council Room and the basement Garden Room 15 Rutland Square, in the heart of Edinburgh’s West End, and Filmhouse Cinema are all less than five minutes walk (seating up to 16) are available for highly competitive rates. is a unique and elegant setting for meetings or events. from 15 Rutland Square. High quality catering for all types of meeting is negotiable. Home to the Royal Incorporation of Architects in Scotland for nearly a century, this building has served Scotland’s If you are interested in 15 Rutland Square, please contact: architects and played host to royalty, ambassadors, Louise McLeod on 0131 229 7545 politicians and leading figures from the arts and public or at [email protected] life. -
The Findings at a Glance
Act 2 Findings At A Glance 62K 232 Audience responses Organisations Booking Only 17% Half NOW for of those booking are for events of respondents are from NOVEMBER events booking for events Returning 67% 70% would consider attending would not consider booking for to events events if venues re-opened events for at least 3 months with social distancing Covid-safe ‘kite mark’ Masks for audiences Households seated together Safety & Unallocated seating Limited numbers Restricted facilities ü Seat spacing û Comfort Digital 83% >½ Culture interested in culture online would pay for it Outdoor 94% >¾ Culture Are interested in culture outdoors would pay for it Audiences expect to Economic 81% Concern for survival of spend 4% more on Viability cultural organisations culture Act 2 Wave 1 Report June 2020 © Indigo-Ltd 3 Appendix 2: Participating Organisations England Ipswich Regent Theatre Strode Theatre YMCA Theatre Scarborough a space arts Jacksons Lane Sunderland Culture Arts Centre York Concerts ADC Theatre Jersey Arts Centre Washington Alnwick Playhouse Jumped Up Theatre Take Art Scotland AMATA, Falmouth University Junction Goole Tetbury Music Festival Aberdeen Performing Arts Arts In Rural Gloucestershire Kenton Theatre Tete a Tete Productions Ayr Gaiety Partnership Artsadmin Kings Theatre Portsmouth The Albany Byre Theatre artsdepot Kirkgate Arts The Albany Theatre Cranleigh Arts Artsreach Kneehigh The Apex Edinburgh Festival Fringe Assembly Hall Lakeside Arts, Uni of Nott. The Atkinson Edinburgh International Attenborough Centre for the Leeds -
International-Festival-Brochure-2019-Digital-Lo-Rez.Pdf
1 1 2–26 August 2019 eif.co.uk #edintfest Thank you to our Thank you to our Supporters Funders and Sponsors Public Funders Opening Event Partner Principal Supporters Dunard Fund American Friends of the Edinburgh Léan Scully EIF Fund International Festival James and Morag Anderson Edinburgh International Festival Fireworks Concert Partner Sir Ewan and Lady Brown Endowment Fund Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Joscelyn Fox Roxane Clayton Project support The Badenoch Trust Gavin and Kate Gemmell Sheila Colvin The Calateria Trust Donald and Louise MacDonald Lori A. Martin and The Castansa Trust Anne McFarlane Christopher L. Eisgruber The John S Cohen Foundation Keith and Andrea Skeoch Flure Grossart Cullen Property Dr. George Sypert and Professor Ludmilla Jordanova The Peter Diamand Trust Dr. Joy Arpin Niall and Carol Lothian The Evelyn Drysdale Claire and Mark Urquhart Bridget and John Macaskill Principal Sponsors and Supporters Charitable Trust Vivienne and Robin Menzies The Educational Institute Binks Trust Keith and Lee Miller of Scotland Cruden Foundation Limited Brenda Rennie The Elgar Society The Negaunee Foundation George Ritchie Edwin Fox Foundation The Pirie Rankin Charitable Trust Michael Shipley and Philip Gordon Fraser Charitable Trust The Stevenston Charitable Trust Rudge Miss K M Harbinson’s Jim and Isobel Stretton Charitable Trust Andrew and Becky Swanston The Inches Carr Trust Major Sponsors Susie Thomson H I McMorran Charitable Mr Hedley G Wright -
Buildings for the Performing Arts This Page Intentionally Left Blank Buildings for the Performing Arts a Design and Development Guide
Buildings for the Performing Arts This page intentionally left blank Buildings for the Performing Arts A design and development guide Second Edition Ian Appleton AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Architectural Architectural Press is an imprint of Elsevier Press Architectural Press is an imprint of Elsevier Ltd Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Road, Burlington, MA 01803 First published 1996 Reprinted 1997 Second edition 2008 Copyright © 2008 Ian Appleton. Published by Elsevier Limited. All rights reserved The right of Ian Appleton to be identified as the author of this work ha been asseted in accordance with the copyright, Designs and Patents Act 1988 No part of this publication may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic, mechincal, photocopying, recording or otherwise without the prior written permission of the publisher Permission may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (ϩ44) (0) 1865 843830; fax (ϩ44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/ permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons to property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. Becuse or rapid advances in the medical sciences, in particular, independent verification of diagnoses and drug dosages should be made.