DOCSLIB.ORG

International-Festival-Brochure-2019-Digital-Lo-Rez.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
International-Festival-Brochure-2019-Digital-Lo-Rez.Pdf 1 1 2–26 August 2019 eif.co.uk #edintfest Thank you to our Thank you to our Supporters Funders and Sponsors Public Funders Opening Event Partner Principal Supporters Dunard Fund American Friends of the Edinburgh Léan Scully EIF Fund International Festival James and Morag Anderson Edinburgh International Festival Fireworks Concert Partner Sir Ewan and Lady Brown Endowment Fund Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Joscelyn Fox Roxane Clayton Project support The Badenoch Trust Gavin and Kate Gemmell Sheila Colvin The Calateria Trust Donald and Louise MacDonald Lori A. Martin and The Castansa Trust Anne McFarlane Christopher L. Eisgruber The John S Cohen Foundation Keith and Andrea Skeoch Flure Grossart Cullen Property Dr. George Sypert and Professor Ludmilla Jordanova The Peter Diamand Trust Dr. Joy Arpin Niall and Carol Lothian The Evelyn Drysdale Claire and Mark Urquhart Bridget and John Macaskill Principal Sponsors and Supporters Charitable Trust Vivienne and Robin Menzies The Educational Institute Binks Trust Keith and Lee Miller of Scotland Cruden Foundation Limited Brenda Rennie The Elgar Society The Negaunee Foundation George Ritchie Edwin Fox Foundation The Pirie Rankin Charitable Trust Michael Shipley and Philip Gordon Fraser Charitable Trust The Stevenston Charitable Trust Rudge Miss K M Harbinson’s Jim and Isobel Stretton Charitable Trust Andrew and Becky Swanston The Inches Carr Trust Major Sponsors Susie Thomson H I McMorran Charitable Mr Hedley G Wright Foundation Judith Zachs Jean and Roger Miller’s Charitable Trust Zachs-Adam Family The Penpont Charitable Trust Risk Charitable Fund International Partners The Sym Charitable Trust Viewforth Trust Canada Council for the Arts Culture Ireland High Commission of Canada to the United Kingdom Sponsors Australian High Commission in the UK Embassy of Switzerland in the United Kingdom General Representation of the Government of Flanders to the United Kingdom Institut français du Royaume-Uni Italian Institute of Culture and Italian Consulate General — Edinburgh Onishka Productions Edinburgh International Festival Society is registered as a company in Pro Helvetia Scotland (No SC024766) and as a Scottish Charity (No SC004694). Québec Government Office in London Registered Address: The Hub, Castlehill, Edinburgh EH1 2NE. Contents 7 Aberdeen Standard Investments Opening Event: LA Phil at Tynecastle 9 Opera, Theatre, Dance, Visual Arts 57 Usher Hall Series 69 The Queen’s Hall Series 79 St Cecilia’s Hall Series 83 Learning and Engagement On behalf of the Festival team and board, welcome 85 Leith Theatre Series and other music to your 2019 Edinburgh International Festival. 93 Accessible Performances We are enormously privileged to lead this The farsighted leadership of the City of 95 Booking Information remarkable festival that, this year, brings together Edinburgh Council in creating the International artists from across Edinburgh and Scotland and Festival and the steadfast support the city and 98 Festival City from cities including London, Lagos, Beirut, its citizens have shown it through difficult times, Bamako, Sydney, Berlin, Belfast, Jodhpur and continue to inspire other cities across the world 101 Diary Amsterdam. These voices have been assembled and mark one of the great cultural achievements by a family of curators and producers and will of local government. join the global conversation taking place at this important moment here in Edinburgh. We hope that this August, you will join us and our many supporters, public and private In 1947 at the close of the first International partners, to discover the Festival spirit Festival, Lionel Birch, writing in the Picture Post for yourself. wrote, ‘At least for the duration of the Festival, the tetchiness and ungenerosity which have disfigured post-war Britain were wiped away. In their Fergus Linehan Francesca Hegyi place was the fresh spirit — the Festival spirit.’ Festival Director Executive Director 5 6 ‘No classical institution in the world rivals Los Angeles the LA Phil in breadth of vision’ Philharmonic Alex Ross, The New Yorker Visionary, versatile and thrillingly vibrant, the LA Phil is one of the world’s most compelling musical ensembles. No other orchestra can match its gleaming sound, its swaggering verve — or its remarkable breadth of vision, from film scores to much-loved classics, from cutting-edge contemporary works to ground-breaking collaborations. Music & Artistic Director Gustavo Dudamel has soared to become one of today’s most charismatic, passionate conductors — and the driving force behind the LA Phil’s performances of breathtaking passion and galvanising energy. As the orchestra celebrates its 100th birthday, the LA Phil visits with a very special three-concert residency at the Edinburgh International Festival, showcasing three very different sides of its remarkable music-making. The orchestra is joined on tour by members of YOLA (Youth Orchestra of Los Angeles) who will collaborate with young people from Big Noise, Sistema Scotland, culminating in a free open rehearsal in the Usher Hall led by Gustavo Dudamel on Sunday 4 August at 3.30pm (see p83 for further details). At the Aberdeen Standard Investments Usher Hall Opening Event: LA Phil at Tynecastle Los Angeles Philharmonic The LA Phil brings a uniquely authentic gleam and glamour to the grandeur of Hollywood film scores in this year’s Opening Event, featuring classic movie music from the Golden Age of Mahler Symphony No 2 Hollywood by Korngold, Herrmann, Waxman and a selection from ‘Resurrection’ the best-loved film composer on the planet: John Williams. In this 3 Aug 7pm epic family friendly concert, Gustavo Dudamel and his orchestra take over Tynecastle Park stadium for music from Star Wars, Harry Potter and the Philosopher’s Stone, E.T. and many more. Barber Adagio John Adams Must the Devil Have Free tickets are required for this event. Sponsored by All the Good Tunes? Tickets available from 1 July. Visit (European Premiere) eif.co.uk for more details Tchaikovsky Symphony No 4 Los Angeles Philharmonic 4 Aug 7.30pm Supported by Gustavo Dudamel Conductor (for details see p59) 2 Aug 7pm The Los Angeles Philharmonic Tynecastle Park residency has been made possible by 1hr 30mins | No interval | FREE In collaboration with Tynecastle Park the support of Dunard Fund USA Eugene Onegin Pyotr Ilyich Tchaikovsky Komische Oper Berlin / Barrie Kosky / Ainārs Rubiķis Eugene Onegin marks the return of Komische Oper Berlin and 15—17 Aug 7.15pm its Artistic Director Barrie Kosky to the International Festival 3hrs approx. (one interval) after their spectacularThe Magic Flute in 2015. Festival Theatre £28 — £96 (fees apply, details p95) Tchaikovsky’s best-loved opera features some of his most captivating music, its heartfelt melodies and choruses inspired Libretto by Pyotr Ilyich by Russian folk music encircling its beating heart of raw emotion. Tchaikovsky, after Alexander Pushkin A romantic and a dreamer, Tatyana finds her quiet country Günter Papendell* Michael Nagy^ existence is entirely dismantled by the arrival of the wealthy, Eugene Onegin charismatic Eugene Onegin. She confesses her undying devotion Asmik Grigorian* Nadja Mchantaf^ to him, but his cynical dismissal devastates her. Years later, Tatyana it’s a very different Onegin — a lonely man traumatised by Karolina Gumos* Maria Fiselier^ grief — who begs for Tatyana’s love. In seeking redemption, Olga Oleksiy Palchykov* Aleš Briscein^ he is himself rejected: Tatyana is unwilling to abandon her Lensky husband for the man who so coldly spurned her. Liliana Nikiteanu Larina Dimitry Ivashchenko Gremin Based on Alexander Pushkin’s classic verse novel, Tchaikovsky’s Margarita Nekrasova Filippyevna heart-breaking love story uses the author’s poetry to create Christoph Späth Triquet lyrical scenes that contrast the austerities of country life with the excesses and opulence of the Russian imperial court. *15 & 17 Aug ^16 Aug Playful, radical and perceptive, Kosky is one of the most Barrie Kosky Director renowned directors working in opera today. Rising star Ainārs Rubiķis Conductor Asmik Grigorian, whose performance as Strauss’s Salome at Rebecca Ringst Stage Designer the Salzburg Festival recently met with universal adoration, Klaus Bruns Costume Designer takes the central role of Tatyana. Eugene Onegin is conducted Franck Evin Lighting Designer David Cavelius Chorus Master by Latvian-born Ainārs Rubiķis, Komische Oper Berlin’s Simon Berger Dramaturgy recently appointed Music Director. Performed in Russian with English supertitles 17 Aug 7.15pm Supported by James and Morag Anderson Dunard Fund 9 THEATRE OPERA 10 Götterdämmerung Royal Scottish National Orchestra / Sir Andrew Davis The epic conclusion to Wagner’s Ring cycle Concert Performance Following their spectacular Die Walküre in 2017, Sir Andrew 25 Aug 4pm Davis and the Royal Scottish National Orchestra reunite with 6hrs 25mins approx. (two intervals including a sensational international cast of soloists for the overwhelming a 90-minute supper break) power of Wagner’s greatest achievement. Usher Hall Human greed rules the world and the deceitful Hagen hatches £20 — £60 (fees apply, details p95) a vengeful plot to exploit the monumental power of the all- mighty Ring. Valkyrie Brünnhilde battles to restore the world’s Royal Scottish National Orchestra Sir Andrew Davis Conductor order — but at a devastating price. Christine Goerke Brünnhilde A work of unimaginable scale and artistry, drawing
Load more

Recommended publications
  • Image: Brian Hartley
    IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career.
    [Show full text]
  • Frommer's Scotland 8Th Edition
    Scotland 8th Edition by Darwin Porter & Danforth Prince Here’s what the critics say about Frommer’s: “Amazingly easy to use. Very portable, very complete.” —Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” —Glamour Magazine “Hotel information is close to encyclopedic.” —Des Moines Sunday Register “Frommer’s Guides have a way of giving you a real feel for a place.” —Knight Ridder Newspapers About the Authors Darwin Porter has covered Scotland since the beginning of his travel-writing career as author of Frommer’s England & Scotland. Since 1982, he has been joined in his efforts by Danforth Prince, formerly of the Paris Bureau of the New York Times. Together, they’ve written numerous best-selling Frommer’s guides—notably to England, France, and Italy. Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5744 Copyright © 2004 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photo- copying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for per- mission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4447, E-Mail: [email protected].
    [Show full text]
  • PLACES of ENTERTAINMENT in EDINBURGH Part 5
    PLACES OF ENTERTAINMENT IN EDINBURGH Part 5 MORNINGSIDE, CRAIGLOCKHART, GORGIE AND DALRY, CORSTORPHINE AND MURRAYFIELD, PILTON, STOCKBRIDGE AND CANONMILLS, ABBEYHILL AND PIERSHILL, DUDDINGSTON, CRAIGMILLAR. ARE CIRCUSES ON THE WAY OUT? Compiled from Edinburgh Theatres, Cinemas and Circuses 1820 – 1963 by George Baird 2 TABLE OF CONTENTS MORNINGSIDE 7 Cinemas: Springvalley Cinema, 12 Springvalley Gardens, 1931; the seven cinemas on the 12 Springvalley Gardens site, 1912 – 1931; The Dominion, Newbattle Terrace, 1938. Theatre: The Church Hill Theatre; decision taken by Edinburgh Town Council in 1963 to convert the former Morningside High Church to a 440 seat theatre. CRAIGLOCKHART 11 Skating and Curling: Craiglockhart Safety Ponds, 1881 and 1935. GORGIE AND DALRY 12 Cinemas: Gorgie Entertainments, Tynecastle Parish Church, 1905; Haymarket Picture House, 90 Dalry Road, 1912 – became Scotia, 1949; Tivoli Picture House, 52 Gorgie Road, 1913 – became New Tivoli Cinema, 1934; Lyceum Cinema, Slateford Road, 1926; Poole’s Roxy, Gorgie Road, 1937. Circus: ‘Buffalo Bill’, Col. Wm. Frederick Cody, Gorgie Road, near Gorgie Station, 1904. Ice Rink: Edinburgh Ice Rink, 53 Haymarket Terrace, 1912. MURRAYFIELD AND CORSTORPHINE 27 Cinema: Astoria, Manse Road, 1930. Circuses: Bertram Mills’, Murrayfield, 1932 and 1938. Roller Skating Rink: American Roller Skating Rink, 1908. Ice Rink: Murrayfield Ice Rink; scheme sanctioned 1938; due to open in September 1939 but building was requisitioned by the Government from 1939 to 1951; opened in 1952. PILTON 39 Cinema: Embassy, Boswall Parkway, Pilton, 1937 3 STOCKBRIDGE AND CANONMILLS 40 St. Stephen Street Site: Anderson’s Ice Rink, opened about 1895;Tivoli Theatre opened on 11th November 1901;The Grand Theatre opened on 10th December 1904;Building used as a Riding Academy prior to the opening of the Grand Picture House on 31st December 1920;The Grand Cinema closed in 1960.
    [Show full text]
  • Edinburgh International Festival Society Papers
    Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62.
    [Show full text]
  • Survival Guide
    Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world.
    [Show full text]
  • Schools Programme
    Schools Programme WELCOME A recent study found that children who regularly attended theatre with their school had higher aspirations and better hopes about their future lives. This news sent my heart soaring as this is what this job is all about! The productions presented this year are surprising and eclectic, taking the spectator along visually interesting pathways. The works include a wide variety of theatrical genres from spoken text to puppetry, from dance theatre and musical explorations to acrobatics. Many of the productions are non-text based making them accessible to a broader audience. Central to the Festival are four exciting shows by Scotland based companies as well as a regional focus on Flanders, the Dutch-speaking northern part of Belgium, one of the world’s leaders in producing innovative theatre and dance for young audiences. We have also extended the dates of the Festival to accommodate the increased demand from schools with three international productions opening in the week prior to the main Festival week. In line with our mission, this will allow more children access to high quality theatre. I hope that the 2020 Edinburgh International Children’s Festival is full of special moments for you and your students. Exquisitely theatrical experiences that encourage children and young people to wish, desire and aspire beyond their own lives and immediate neighbourhoods, into their potential future selves. Focus on Flanders supported by: Noel Jordan Festival Director Beyond the Festival: • Creative learning project Imaginate
    [Show full text]
  • 10 Things I Hate About Taming of the Shrew
    10 Things I Hate About Taming of the Shrew Comedy PBH's Free Fringe @ Voodoo 17:55 Rooms 1 hour Suitability: 16+ (Guideline) Group: Gillian English / PBH's Free Fringe M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 100% Cotton Comedy Paradise in The Vault Times vary. Click 'Dates, times and prices' to view the calendar 1 hour Suitability: 16+ (Restriction) Group: Liz Cotton M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 About Time / Bully Comedy Laughing Horse @ City Cafe 19:10 1 hour Suitability: 14+ (Guideline) Group: Sian Davies and Thanyia Moore / Free Festival M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Agatha Is Missing! Comedy Gilded Balloon Teviot 14:30 1 hour Suitability: 12+ (Guideline) Group: Fringe Management, LLC M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Age Fright: 35 and Counting Comedy PQA Venues @Riddle's Court 17:00 50 minutes Suitability: 18+ (Restriction) Group: Jaleelah Galbraith M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Algorithms Theatre Pleasance Courtyard 12:45 1 hour Suitability: 14+ (Guideline) Group: Sadie Clark & Laura Elmes Productions M T W T F S S M T W T F S S 29 30 31
    [Show full text]
  • Future of Entertainment Ticketing F Rum London • 19-20 March 2013 Discussion Paper 06
    TICKETING TECHNOLOGY THE FUTURE OF ENTERTAINMENT TICKETING F RUM LONDON • 19-20 MARCH 2013 DISCUSSION PAPER 06 The Edinburgh Experience: A Bird’s-Eye View of Clicket.co.uk by Jo Michel, Director, Michel Consultancy The Edinburgh Portal Project was originated to unify the customer experience when searching for events and activities across the city. In this paper, I aim to give you a bird’s-eye view of the experience of those involved in the project which was finally launched in 2011 as www.Clicket.co.uk I came to Edinburgh in June 2008 to be the Ticketing Manager at Hub Tickets, the agency which is operated by the Edinburgh International Festival and sells tickets for “ ...a single point of entry for that festival and many others during the summer visitors, which would offer months each year. product from all the Edinburgh Edinburgh – why a portal? venues...” Edinburgh is a festival city. As everyone knows, it is the home of the largest of them all: the Edinburgh Festival Fringe; the prestigious Edinburgh International Festival; The Edinburgh Book Festival; Edinburgh Jazz & Blues Festival; Structure and strategy Festival of Politics; and Festival of Spirituality and Peace all of The Audience Business (TAB) was appointed as the project which run concurrently throughout August, each year. management and a Strategy Working Group put in place to Edinburgh is also home to the renowned Traverse Theatre guide the decision making process and to be representative Company, has great touring venues in the Festival Theatre of the core stakeholders in the project. The Edinburgh Portal and Edinburgh Playhouse, the beautiful Queens Hall and a Project had begun.
    [Show full text]
  • PRESS RELEASE (858) 228-3094 | [email protected]
    Contact: Becky Biegelsen PRESS RELEASE (858) 228-3094 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES HUNDRED DAYS, THE BENGSONS’ “LUMINOUS MUSICAL MEMOIR,” AS FINAL PRODUCTION OF 2018/2019 SEASON RUN DATES SET FOR FULL SEASON SLATE La Jolla, CA – La Jolla Playhouse announces Hundred Days, book by The Bengsons and Sarah Gancher, music and lyrics by The Bengsons, directed by Anne Kauffman, and movement direction by Sonya Tayeh, as the final production of its 2018/2019 season, to run September 22 – October 21 in the Mandell Weiss Forum. Dubbed “a luminous musical memoir” and a Critic’s Pick by The New York Times, Hundred Days is an exhilarating and heartrending autobiographical piece, written and performed by husband-and-wife team Abigail and Shaun Bengson, about embracing uncertainty, taking a leap, and loving as if you only had a hundred days to live. With their magnetic chemistry and unique musical style, the Bengsons explore the fundamental question of how to make the most of the time you have. “This deeply honest and life-affirming show is a terrific addition to the 2018/2109 season,” said Playhouse Artistic Director and 2017 Tony Award winner Christopher Ashley. “I’m always looking for vibrant and distinct new voices – as well as unique ways of storytelling – and the Bengsons speak to both these aims, culminating in a singular piece of theatre that defies genres. I can’t wait to share with our audiences.” Hundred Days joins the previously-announced 2018/2019 season productions of The Squirrels (June 5 – July 1), queens (July 3 – 29), Seize the King (August 21 – September 16), The Year to Come (December 4 – 30) and Diana (February 19 – March 31, 2019).
    [Show full text]
  • City of Edinburgh Council
    City of Edinburgh Council 10am, Thursday, 4 February 2021 The Designation of New Polling Places as a result of a Statutory Review of Polling Places and Polling Districts Executive/routine Wards All Council Commitments • Delivering an economy for all • Building for a future Edinburgh • Delivering a sustainable future • Delivering for our children and families • Delivering a healthier city for all ages • Delivering a Council that works for all 1. Recommendations 1.1 It is recommended that the Council: 1.1.1 Agree to the amendments to current polling arrangements as outlined in Appendix 1; 1.1.2 Note that there are no significant changes to current polling district boundaries; 1.1.3 Note that the Chief Executive has delegated authority to make one-off minor amendments to outlined polling arrangements for the 2021 Scottish Parliament Election should the availability of venues be impacted at short notice by Coronavirus; and 1.1.4 Note that the Electoral Registration Officer (ERO) will make any necessary amendments to the Register of Electors. Andrew Kerr Chief Executive and Returning Officer Contact: Chris Highcock, Elections and Member Services Manager E-mail: [email protected] | Tel: 0131 469 3126 Report The Designation of New Polling Places as a result of a Statutory Review of Polling Places and Polling Districts 2. Executive Summary 2.1 This report seeks the Council’s approval for the proposed changes to UK Parliamentary polling places within the City of Edinburgh local government area following the completion of a statutory review as per Section 18(c) of the Representation of the People Act 1983.
    [Show full text]
  • Hidden Edinburgh Challenge
    Hidden Edinburgh Challenge Created for the Senior Section Spectacular 2016 Introduction The Hidden Edinburgh Challenge is designed for Rainbows, Brownies, Guides, the Senior Section, Leaders and Trefoil members. It has been designed by Girlguiding Edinburgh’s ‘Team Spectacular’, to showcase some of Edinburgh’s hidden treasures, and to give you an opportunity to explore this beautiful city through a range of activities that can be completed in the unit meeting place, and out and about around the city. The badge accompanying this challenge is circular, with a 3-inch diameter and gold accenting. It features a unicorn, Girlguiding Edinburgh’s Senior Section Spectacular mascot. Badges cost £1 each plus P&P. This challenge has been produced to raise funds for Girlguiding Edinburgh’s Senior Section Spectacular activities, and to contribute towards further Senior Section activities following 2016. To earn the badge, Rainbows gain 60 points, Brownies 70 points, Guides 80 points, Senior Section/Leaders/Trefoil Members 100 points. You should complete at least 10 points from each of Places and Spaces, Unicorns, and Guiding. The rest of your points can come from sections of your choice. We have tried to include a range of activities to suit all ages and abilities, but please feel free to adapt any of the activities to suit participants as needed. Badges can be ordered using the order form on the last page. We hope you have fun completing this challenge and exploring our beautiful city. Please share your photos and stories with us by emailing Team Spectacular at [email protected]! Places and Spaces Edinburgh is full of weird and wonderful places.
    [Show full text]
  • Chronicle February 2011
    picturethis THECHRONICLE £50 voucher to be won See page 15 for FEBRUARY 2011 Issue No. 125 Free competition details INSIDE THIS ISSUE COMMUNITY IN FOCUS Carr-Gomm Scotland page 3 VOTE FOR TAMARA! BINGHAM RESIDENTS SAY Dance sensation RESPITE PLANS LEAVE in final of Sky1’s ‘Got to Dance’ THEM OUT IN THE COLD page 16 By Phil Harris January, with the suggested change. Local resident Gail Ross said: ple and community. So why move He told the Chronicle: “Going by “Let’s be honest. The children and something else in. It’s no advan- WIN TICKETS TO COUNCIL PLANS TO relocate the press statement, they [the families using Seaview aren’t tage to the people that live here. the Seaview Children’s Respite council] had been preparing this going to put any money into this It’s not right and it’s not fair.” SEE THE MAGIC Centre from Portobello to the behind closed doors but this is just community. We had promises Bingham resident and youth OF MOTOWN site of the former Lismore the start of the pre-planning con- when they came for the school but worker at the local community Primary School in Bingham, sultation. They [the council] need they never happened. centre, Margaret Paterson, added: have met with oppostition from to get the views and objections of “At the moment in Bingham we “I feel that Bingham has had a raw local residents. the locals before going to the have six care facilities. One of deal. Once upon a time we had a Concerns were raised at the expense of drawing up proper these is a homeless unit and we butcher, baker, fishmonger, post Bingham Neighbourhood plans and submitting them.
    [Show full text]