Presents PETER WINOGRAD, Violin STEPHEN LAZARUS, Piano Sonata in E Minor for Violin and Piano, K. 300C

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Presents PETER WINOGRAD, Violin STEPHEN LAZARUS, Piano Sonata in E Minor for Violin and Piano, K. 300C

presents PETER WINOGRAD, Violin STEPHEN LAZARUS, Piano Sonata in E Minor for Violin and Piano, Wolfgang Mozart K. 300c (304) ( 1756- 1791) Allegro Tempo di menuetto Sonata in A Major for Violin and Piano ce'sar Franck (1822-1890) Allegretto ben moderato Allegro Recitativo-fantasia: Ben moderato Allegretto poco mosso Intermission Excerpts from the F-A-E Sonata for Violin and Piano Intermezzo Robert Schumann (1810-1856) ~cherzo in C Minor Johannes Brahms (1833- 1897) Caprice viennois Fritz Kreisler (1875-1962) Carmen Fantasy Pablo Sarasate after Georges Bizet (1844-1908) (1838-1875) April 21, 1983 FINANCIAL ASSISTANCE FOR THIS EVENT HAS BEEN PROVIDED BY THE MISSOURI ARTS COUNCIL Peter Winograd Young American violinist Peter Winograd recently made his New York debut at Town Hall with the Cosmopolitan Symphony with a perfonnance of the Beethoven Violin Concerto. Last sunmer Winograd won the Violin Concerto Competition at the Aspen Music Festival. He has also given several performances of the Beethoven Violin Concerto with the New York City Sym phony under the direction of Julius Grossman. Winograd's recent concert appearances have included perform ances of concertos of Bach, Mendelssohn, Saint-Sa~ns, Paganini, Tchaikovsky, and Brahms with orchestras throughout the North east. He is currently a scholarship student of Dorothy Delay at the Ju111iard School as well as a fellowship recipient at the Aspen Music Festival and School in Aspen, Colorado. He is representative of the promising new generation of artists entering the llllSic world at this time. The F-A-E Sonata The F-A-E Sonata is somewhat unusual in that it was written by three composers . Robert Schumann and two of his young pro teges, Johannes Brahms and Albert Dietrich, prepared the work to welcome to DUsseldorf the great violinist Joseph Joachim, who was a close friend of all three. Schumann contributed Movements II and IV : Brahms supplied Movement III; and Dietrich composed Movement I. The piece was first performed by Joachim, with Schumann's wife Clara assisting at the keyboard, on Octo- . ber 27, 1853. Part of the fun at the premiere was making the performer declare which composer had created each movement. The "F-A-E" nickname is derived from a motto favored by Joachim, "Frei, aber einsam" [Free, but lonesome] and is manifested musically by the use of a musical theme contrived from pitches of the same name. .

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