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Bemerkungen.Fm Seite 25 Freitag, 19 HN 917_Bemerkungen.fm Seite 25 Freitag, 19. März 2010 10:59 10 25 Bemerkungen vorlage muss als verschollen gelten. T 65 f. In T 73 in A bei Klav o zu- Hauptquelle der vorliegenden Ausgabe sätzlich v es1 auf Zwei. ist E. Dabei sind Partitur und die der 87 Klav o: 1. Akkord nach A, in E mit Ausgabe beigegebenen Einzelstimmen f 2 statt d 2, in der von Clara Schu- Klar = Klarinette; Klav o = Klavier als gleichberechtigte Quellen anzusehen. mann zwischen 1879 und 1893 oberes System; Klav u = Klavier unteres Sie stimmen nicht immer miteinander herausgegebenen Gesamtausgabe System; Va = Viola; T = Takt(e) überein. Möglicherweise wurden die Robert Schumann’s Werke (Serie V, Stimmen nicht nach der Vorlage einer Nr. 26, 1881) korrigiert. handschriftlichen Partitur, sondern 88 Klav o: 2. Akkord in A es/es1 statt nach handschriftlichen Stimmen gesto- g/g 1; Versehen oder nachträgliche chen, die vorher bei Aufführungen be- Korrektur? Quellen nutzt worden waren. 91 Va: Bogen nach A und ES; in E erst A Autograph. Paris, Bibliothèque Zeichen, die in beiden Quellen fehlen, ab 2. Note. nationale de France, Signatur aus musikalischen Gründen aber not- 93 f. Va: Bogen in A jeweils bereits ab Ms. 337. 4 Blätter und ein Bei- wendig scheinen, sind in runden Klam- Eins; hier aber ES und E überein- lageblatt, kein Titelblatt. Über- mern ergänzt. stimmend erst ab 2. Note. schrift auf S. 1: Märchenerzäh- 148 Klav u: In E fehlt h vor h, vgl. Par- lungen. Rechts: Albert Dietrich allelstelle T 52. gewidmet. Am Ende von Nr. I Einzelbemerkungen I Lebhaft, nicht zu schnell Datierung: d. 11. Oct. 24-zei- III Ruhiges Tempo, mit zartem liges, großformatiges Papier wie 2 Klav o: In A beide a staccato; so auch Ausdruck Schumann es in seinen späten an mehreren anderen Stellen; in T 3 In diesem Stück fehlen in A viele dyna- Jahren oft verwendete. Die Coda jedoch anscheinend sogar gestrichen. mische Bezeichnungen. Bei der 16tel- fehlt jeweils bei Nr. II (T 157– In E an keiner Stelle vorhanden. Begleitung in Klav o mehrere Noten- 168) und IV (T 82–103), der 29 Klav u: In A Staccato auf 2. und 3. a abweichungen vom Text in E. Mittelteil von Nr. IV (T 37–50) 39 f. Va: Bogen am Taktübergang nach 6 Va: In A a analog T 2 Klar; jedoch ist auf dem Beilageblatt mit A, in E erst ab 1. Note T 40. z ist in E, ES auch in T 7 nicht der Benennung Trio zu Nro. 4 61 alle Stimmen: In A kein f z , aber notiert. notiert. bei Klar in erster Takthälfte a , bei 40 f. Klav u: In A Haltebogen bei c. E Erstausgabe der Partitur. Leip- Klav o außerdem u auf d 3. a wäre 65 Va: In A Bogen c1 –d 1, fehlt jedoch in zig, Breitkopf & Härtel, Platten- nach dem z in T 60 durchaus T67. nummer 8841, erschienen im sinnvoll und könnte in der verschol- März 1854. Titel: Mährchener- lenen Stichvorlage nur aus Versehen zählungen [sic]. | VIER STÜCKE weggefallen sein. IV Lebhaft, sehr markiert | für | Clarinette, (ad libitum 63 Klav u: In A h bereits vor 3. a ; letzte 16 Klav u: i auf 3. Akkord nur in A, wo Violine) Viola und Pianoforte | a h dort nicht notiert (Korrekturen). es leicht zu übersehen ist. Albert Dietrich | freundschaft- Es scheint nicht ausgeschlossen, dass 24 f. Klav o: In A Haltebogen bei g 1 am lich zugeeignet | von | ROBERT die Lesart von E auf einem Lesefeh- Taktübergang; fehlt in E möglicher- SCHUMANN. | Op. 132. | Eigen- ler in der verschollenen Stichvorlage weise nur versehentlich. thum der Verleger. | Leipzig, bei beruht. 28 Klav u: Bogen nur in A; dort leicht Breitkopf & Härtel. | Eingetragen zu übersehen; siehe auch Klar, Va. in das Vereinsarchiv. | Entd Sta. II Lebhaft und sehr markiert 41 Va: In A auf letzter Note ein Strich, Hall. | 8841. Notentext S. 3–27. 22 Klav: In A cresc.; fehlt aber in E ähnlich einem Staccatozeichen; auch Verwendetes Exemplar: Zwickau, auch an Parallelstelle T 118. in E Staccato, nicht jedoch in ES. 1 Robert-Schumann-Haus, Signa- 32 Klav o: In E auf Zwei Akkord g/c , 46 Va: In E, ES Staccato zu 4. Note. tur 4501/Bd. 14-D1/A4. dagegen in Parallelstelle nur Note g; 53–93: In A sind diese Takte nicht ent- ES Einzelstimmen der Erstausgabe, in A Wiederholung T 97 ff. nicht no- halten; T 1–29 mit A und B gekenn- jeweils 4 Seiten. tiert, in T 32 erscheint jedoch nur zeichnet, das heißt, T 53–81 sind Note g, sodass wohl beide Male nur g Wiederholung von T 1–29. Die Be- Zur Edition intendiert ist; Edition demnach ge- merkungen zu T 1–29 gelten daher A ist ein Arbeitsmanuskript, das fast mäß A. entsprechend auch für T 53–81. Entwurfcharakter aufweist und von E 43, 45 Klav o: In A u jeweils auf 3. Ak- an zahlreichen Stellen abweicht. In die- kord. sem Zustand konnte es natürlich nicht 73 f. Klav o: Bogen jeweils nach A; in E Berlin, Frühjahr 2010 als Stichvorlage für E dienen. Die Stich- nur zu den Triolen; siehe jedoch Klar Ernst Herttrich HN 917_Bemerkungen.fm Seite 26 Freitag, 19. März 2010 10:59 10 26 Comments present edition is F. The score and the 88 pf u: 2nd chord in A eb/eb1 instead of individual parts enclosed with the edi- g/g 1; misreading or subsequent cor- tion are to be seen as sources of equal rection? value. They do not, however, always 91 va: Slur from A and FP; in F not un- cl = clarinet; pf u = piano upper staff; match perfectly; the parts were perhaps til 2nd note. pf l = piano lower staff; va = viola; engraved not after a manuscript score, 93 f. va: Slur in A each time already M = Measure(s) but from manuscript parts that had pre- from 1st beat; here, however, only viously been used for performances. from 2nd note, concurrently in both Signs missing in the sources but FP and F. deemed necessary for musical reasons 148 pf l: In F h missing before b, see Sources have been placed in parentheses. parallel passage in M 52. A Autograph. Paris, Bibliothèque nationale de France, shelfmark III Ruhiges Tempo, mit zartem Ms. 337. Four leaves and one in- Individual comments Ausdruck sert, no title page. Title on p. 1: I Lebhaft, nicht zu schnell In this piece many dynamic markings Märchenerzählungen. Right: 2 pf u: In A both a staccato; likewise at are missing in A, and there are several Albert Dietrich gewidmet. Dat- several other places; in M 3, however, departures from F at the 16th-note ing at the end of no. I: d. 11. Oct. apparently even crossed out. Found accompaniment in pf u. Large-format paper with 24 nowhere in F. 6 va: In A a analogous to M 2 cl; nd rd z staves, such as Schumann often 29 pf l: In A staccato on 2 and 3 a however in F, FP is also not used in his later years. The coda 39 f. va: Slur at change of measure from notated in M 7. is missing at nos. II (M 157–168) A, in F not until 1st note of M 40. 40 f. pf l: In A tie at c. and IV (M 82–103), and the 61 all parts: In A no f z , but a at 65 va: In A slur c1 –d 1, but missing in middle section of no. IV (M 37– cl in 1st half of measure, at pf u more- M67. 50) is notated on the inserted over u on d 3. a would be perfectly sheet with the heading Trio zu plausible after the z in M 60 and IV Lebhaft, sehr markiert Nro. 4. might have been omitted only as an 16 pf l: i on 3rd chord only in A, where F First edition of the score. Leip- oversight in the lost engraver’s copy. it can be easily overseen. zig, Breitkopf & Härtel, plate 63 pf l: In A h already before 3rd a ; last 24 f. pf u: In A tie at g 1 at change of number 8841, published in a b not notated there (corrections). It measure; missing in F perhaps only March 1854. Title: Mährchen- does not seem excluded that the read- by mistake. erzählungen [sic]. | VIER STÜ- ing of F is based on an error in the 28 pf l: Slur only in A; easily overseen CKE | für | Clarinette, (ad libitum lost engraver’s copy. there; see also cl, va. Violine) Viola und Pianoforte | 41 va: In A dash on last note resembles Albert Dietrich | freundschaft- II Lebhaft und sehr markiert a staccato sign; in F also staccato, but lich zugeeignet | von | ROBERT 22 pf: In A cresc.; however, missing in F, not in FP. th SCHUMANN. | Op. 132. | Eigen- also at parallel passage in M 118. 46 va: In F, FP staccato at 4 note. thum der Verleger. | Leipzig, bei 32 pf u: Chord g/c1 in F on 2nd beat, but 53–93: These measures are not found Breitkopf & Härtel. | Eingetra- only note g at parallel passage; in A in A; M 1–29 marked A and B, i. e. gen in das Vereinsarchiv. | Entd repetition at M 97 ff. not notated, but M 53–81 are a repetition of M 1–29. Sta.Hall. | 8841. Musical text since only g is found in M 32, proba- The comments on M 1–29 are thus on pp. 3–27.
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