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The Marie Curie Hospice, Cardiff and the Vale
Welcome to the Marie Curie Hospice, Cardiff and the Vale We’ve put together this folder with information about our hospice that you might find useful – such as the services we offer, how we can help and what you can expect from us. We want you to have a really comfortable stay with us, and get the most out of what we can offer. So just let us know if there’s anything that you need or something we can do for you, your family and your friends. You can always speak to your nurse if you have any questions or concerns about your care, or have any thoughts or suggestions about our hospice. We’re here to provide you, and those close to you, with our very best care and support. Paula Elson, Hospice Manager Marie Curie Hospice, Cardiff and the Vale Bridgeman Road, Penarth, Vale of Glamorgan CF64 3YR Reception: 02920 426 000 Ground floor ward: 02920 426 017 First floor ward: 02920 426 027 Email: [email protected] mariecurie.org.uk/cardiff Contents Your room 2 Food and drink 5 Medication 6 Information for your visitors 7 Preventing infections and how you can help 9 How to reduce your risk of falling 11 Our services and how we can help 12 Sources of information and other support for you 15 General information 16 How we keep your information safe and confidential 17 Let us know what you think 18 A little about Marie Curie 19 How you can support our work 21 List of TV channels and radio stations 22 Hospice information for in-patient care Page 1 Your room Your bed As your bed is adjustable, our nursing staff will explain to you how the bed’s control buttons work. -
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse, -
Radio/Audio Slides for CMR11
3. Radio and audio 0 Figure 3.1 UK radio industry key metrics UK radio industry 2005 2006 2007 2008 2009 2010 Weekly reach of radio (% of population) 90.0% 89.8% 89.8% 89.5% 89.8% 90.6% Average weekly hours per head 21.6 21.2 20.6 20.1 19.8 20.1 BBC share of listening 54.5% 54.7% 55.0% 55.7% 55.3% 55.2% Total industry revenue £1,118m £1,126m £1,174m £1,137m £1,092m £1,123m Commercial revenue £530m £512m £522m £488m £432m £438m BBC expenditure £588m £614m £652m £649m £660m £685m Radio share of advertising spend 3.3% 3.0% 2.9% 2.8% 2.8% 2.7% DAB digital radio take-up (households) 11.1% 16.0% 22.3% 29.7% 33.4% 35.8% Source: RAJAR (all adults age 15+), Ofcom calculations based on figures in BBC Annual Report and Accounts 2010/11 note 2c (www.bbc.co.uk/annualreport), AA/Warc, broadcasters. Revenue figures are nominal. Figure 3.2 Radio industry revenue and spending 2005-2010 £ million 1174 1200 1118 1126 1137 1092 1123 1000 522 438 Total commercial 530 512 488 432 800 600 400 652 649 660 685 BBC expenditure 588 614 (estimated) 200 0 2005 2006 2007 2008 2009 2010 Source: Ofcom / operator data / BBC Annual Report 2005-2010 Note: BBC expenditure figures are estimated by Ofcom based on figures in Note 2c of the BBC Annual Report (www.bbc.co.uk/annualreport); figures in the chart are rounded and are nominal. -
UK CMR Charts
Figure 1.1 Communications industry revenue – telecoms, TV, radio, post £billions Annual 5 year 80 change CAGR 61.1 61.6 60.2 59.8 59.6 59.5 Total -0.2% -0.5% 60 6.8 6.8 6.7 6.5 6.7 7.2 1.2 1.1 1.1 1.1 1.2 1.2 Post 7.0% 0.9% 11.0 11.2 11.1 11.7 12.2 12.3 40 Radio 2.7% 0.3% TV 0.8% 2.2% 20 42.1 42.5 41.3 40.4 39.5 38.8 Telecoms -1.8% -1.6% 0 2007 2008 2009 2010 2011 2012 Source: Ofcom/ operators Note: Includes licence fee allocation for radio and TV, Figures are in nominal terms 0 Figure 1.2 Digital communications service availability UK UK Platform UK 2012 England Scotland Wales N Ireland 2011 change Fixed line 100% 100% 0pp 100% 100% 100% 100% 2G mobile1 99.6% 99.7% -0.1pp 99.8% 99.3% 98.8% 98.5% 3G mobile2 99.1% 99.1% 0pp 99.5% 96.6% 97.7% 97.4% Virgin Media cable broadband3 48% - - 51% 38% 22% 28% LLU ADSL broadband4 94% 92% +3pp 95% 87% 92% 85% BT Openreach / Kcom fibre b’band5 56% n/a n/a 59% 25% 41% 93% NGA broadband6 73% 65% +8pp 76% 52% 48% 95% Digital satellite TV 98% 98% 0pp - - - - Digital terrestrial TV7 99% - - 99% 99% 98% 97% DAB BBC Network88 94.3% 92% +2.3pp 95.5% 90.9% 85.9% 85.4% DAB commercial network (Digital 85% 85% 0pp 90% 75% 60% - One)9 Sources: Ofcom and operators: 1. -
BBC Radio 1 & 2 Audience Research
BBC Radio 1 & 2 Audience Research October 2014 Graham Williams Research Director Tel: 0044 20 7400 0376 [email protected] 1 Contents Page No. 1. Summary........................................................................................................................ 4 1.1 What do Radio 1 and Radio 2 listeners think? ........................................................ 4 2. Background .................................................................................................................... 5 3. Research Objectives ....................................................................................................... 6 4. Methodology ................................................................................................................... 7 4.1 Survey Method...................................................................................................... 7 5. What is BBC Radio v Commercial Radio ......................................................................... 8 5.1 Radio 1 listeners attitudes to BBC Radio ............................................................... 8 5.2 Radio attitude to commercial radio ....................................................................... 11 5.3 Radio 2 listeners attitudes to BBC Radio ............................................................. 12 5.4 Radio 2 listeners attitude to commercial radio ...................................................... 15 6. Content ....................................................................................................................... -
Channel Guide July 2019
CHANNEL GUIDE JULY 2019 KEY HOW TO FIND WHICH CHANNELS YOU CAN GET 1 PLAYER 1 MIXIT 1. Match your package 2. If there’s a tick in 3. If there’s a plus sign, it’s to the column your column, you available as part of a 2 MIX 2 MAXIT get that channel Personal Pick collection 3 FUN PREMIUM CHANNELS 4 FULL HOUSE + PERSONAL PICKS 1 2 3 4 5 6 101 BBC One/HD* + 110 Sky One ENTERTAINMENT SPORT 1 2 3 4 5 6 1 2 3 4 5 6 100 Virgin Media Previews HD 501 Sky Sports Main Event HD 101 BBC One/HD* 502 Sky Sports Premier League HD 102 BBC Two HD 503 Sky Sports Football HD 103 ITV/STV HD* 504 Sky Sports Cricket HD 104 Channel 4 505 Sky Sports Golf HD 105 Channel 5 506 Sky Sports F1® HD 106 E4 507 Sky Sports Action HD 107 BBC Four HD 508 Sky Sports Arena HD 108 BBC One HD/BBC Scotland HD* 509 Sky Sports News HD 109 Sky One HD 510 Sky Sports Mix HD + 110 Sky One 511 Sky Sports Main Event 111 Sky Witness HD 512 Sky Sports Premier League + 112 Sky Witness 513 Sky Sports Football 113 ITV HD* 514 Sky Sports Cricket 114 ITV +1 515 Sky Sports Golf 115 ITV2 516 Sky Sports F1® 116 ITV2 +1 517 Sky Sports Action 117 ITV3 518 Sky Sports Arena 118 ITV4 + 519 Sky Sports News 119 ITVBe + 520 Sky Sports Mix 120 ITVBe +1 + 521 Eurosport 1 HD + 121 Sky Two + 522 Eurosport 2 HD + 122 Sky Arts + 523 Eurosport 1 123 Pick + 524 Eurosport 2 + 124 GOLD HD 526 MUTV + 125 W 527 BT Sport 1 HD + 126 alibi 528 -
RESEARCH to EXPLORE PUBLIC VIEWS ABOUT the BBC: APPENDICES for the Department for Culture, Media and Sport
RESEARCH TO EXPLORE PUBLIC VIEWS ABOUT THE BBC: APPENDICES For the Department for Culture, Media and Sport Prepared by: GfK Social Research Appendices: contents Qualitative Discussion Guide and Stimulus ........................................................................... 3 Objective area 1 discussion guide and stimulus: group discussions ......................... 3 Objective area 1 discussion guide and stimulus: telephone depth interviews ....... 13 Objective area 2 discussion guide and stimulus: group discussions ....................... 18 Objective area 3 discussion guide and stimulus ............................................................. 30 Quantitative questionnaires ...................................................................................................... 44 First survey ................................................................................................................................ 44 Second survey .......................................................................................................................... 50 Qualitative Discussion Guide and Stimulus There were three strands of qualitative research, reflecting three strands of objectives: Objective Area 1: gathering views of the BBC amongst underserved audiences. Objective Area 2: exploring the Charter Review consultation themes amongst the general public. Objective Area 3: investigating attitudes towards willingness to pay for BBC services, and reaction to funding models amongst the general public. Separate discussion guides -
Consultation on the Devolution of Broadcasting Culture, Welsh Language and Communications Committee January 2020
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Datganoli Darlledu / Devolution of Broadcasting CWLC DoB23 Ymateb gan BBC / Response from BBC Consultation on the Devolution of Broadcasting Culture, Welsh Language and Communications Committee January 2020 Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Datganoli Darlledu / Devolution of Broadcasting CWLC DoB23 Ymateb gan BBC / Response from BBC 1. Introduction The BBC has been a cornerstone of Welsh life since the first broadcast in Wales nearly a century ago and BBC Wales is the country’s principal public service broadcaster. The Royal Charter is the constitutional basis for the BBC. It sets out the BBC’s Aims, Mission and Public Purposes. The Charter also outlines the Corporation’s governance and regulatory arrangements, including the role and composition of the BBC Board. The current Charter began on 1 January 2017 and ends on 31 December 2027. The BBC will not offer any view on the advisability - or otherwise - of devolving broadcasting since to do so would risk undermining the BBC’s commitment to impartiality on what is, clearly, a matter of public significance and ongoing political debate. However, to allow an informed debate to be conducted by the Committee, we believe it is valuable to set out some facts and figures about the BBC in Wales and to provide consistent data and a shared resource of information for interested parties. The information within this document relates to 2018/19, the period of the most recent BBC Annual Report & Accounts. -
British, Bold, Creative
British, Bold, Creative Is the BBC distinctive and of high quality? References for pages 26–37: (page 26) It is the UK’s favourite channel across all age groups, socio-economic groups and in all parts of the country: BARB, all homes, all hours, based on average weekly reach 15+ mins consecutive, 2014/15 It reaches three-quarters of the population every week, who watch it for over seven and a half hours a week: BARB, 4+, all homes, all hours, based on average weekly reach 15+ mins consecutive, 2014/15 Three million people a week use BBC One and no other BBC service: Cross-Media Insight Survey by GfK for the BBC, c6,000 UK adults per quarter, based on average weekly reach 3+ mins and 15+ mins, 2014/15 Viewers in the UK were most satisfied with their television and BBC One rated highest on quality out of 66 major TV channels – with 79% of UK adults rating it as good quality, higher than any other channel in any country surveyed: Populus for the BBC, representative sample of 500 adults 18+ per country in 14 countries (online), September–October 2013. Survey questions: ‘What do you think of the quality of television programmes overall in [INSERT COUNTRY NAME]? / ‘To what extent do you think the quality of programmes on the following television channels in [INSERT COUNTRY NAME] is good or poor?’ BBC One and ITV’s balance of output is very different in peak time (chart): (Data for 2014) Ofcom, July 2015, ‘PSB Annual Report 2015’. Available at http://stakeholders.ofcom.org.uk/binaries/broadcast/reviews-investigations/psb- review/psb2015/PSB_2015_Output_and_Spend.pdf (page 26) BBC Two is Britain’s third largest channel by share: BARB, 4+, all homes, all hours, 2014/15 It reaches half the British population every week: (47.3%) BARB, 4+, all homes, all hours, average weekly reach 15+ mins consecutive, 2014/15 Ranks third in the world for quality: Populus for the BBC, representative sample of 500 adults 18+ per country in 14 countries (online), September–October 2013. -
The Year's Best Music Marketing Campaigns
DECEMBER 11 2019 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 242 thE year’s best music marketing campaigns SANDBOX 2019 SURVEY thE year’s best music marketing campaigns e received a phenomenal Contents 15 ... THE CINEMATIC ORCHESTRA 28 ... KIDD KEO 41 ... MARK RONSON number of entries this year and 03 ... AFRO B 16 ... DJ SHADOW 29 ... KREPT & KONAN 42 ... RICK ROSS had to increase the shortlist W 17 ... BILLIE EILISH 30 ... LAUV 43 ... SAID THE WHALE 04 ... AMIR to 50 in order to capture the quality 05 ... BASTILLE 18 ... BRIAN ENO 31 ... LD ZEPPELIN 44 ... SKEPTA and breadth of 2019’s best music campaigns. 06 ... BEE GEES 19 ... FEEDER 32 ... SG LEWIS 45 ... SLIPKNOT We had entries from labels of all 07 ... BERET 20 ... DANI FERNANDEZ 33 ... LITTLE SIMZ 46 ... SAM SMITH sizes around the world and across 08 ... BIG K.R.I.T. 21 ... FLOATING POINTS 34 ... MABEL 47 ... SPICE GIRLS a vast array of genres. As always, 09 ... BON IVER 22 ... GIGGS 35 ... NSG 48 ... SUPERM campaigns are listed in alphabetical 10 ... BRIT AWARDS 2019 23 ... HOT CHIP 36 ... OASIS 49 ... THE 1975 order, but there are spot prizes 11 ... BROKEN SOCIAL SCENE 24 ... HOZIER 37 ... ANGEL OLSEN 50 ... TWO DOOR CINEMA CLUB throughout for the ones that we felt 12 ... LEWIS CAPALDI 25 ... ELTON JOHN 38 ... PEARL JAM 51 ... UBBI DUBBI did something extra special. Here are 13 ... CHARLI XCX 26 ... KANO 39 ... REGARD 52 ... SHARON VAN ETTEN 2019’s best in show. 14 ... CHASE & STATUS 27 ... KESHA 40 ... THE ROLLING STONES 2 | sandbox | ISSUE 242 | 11.12.19 SANDBOX 2019 SURVEY AFRO B MARATHON MUSIC GROUP specifically focusing on Sweden, Netherlands, Ghana, Nigeria, the US and France. -
Media Systems and Stateless Nations: Catalan and Welsh Radio in Comparative Perspective
Trípodos, número 33 | Barcelona 2013 | 13-32 Rebut / Received: 25/05/2013 ISSN: 1138-3305 Acceptat / Accepted: 17/09/2013 13 Media Systems and Stateless Nations: Catalan and Welsh Radio in Comparative Perspective Sistemes mediàtics i nacions sense estat: una perspectiva comparada de la ràdio catalana i gal·lesa TRÍPODOS 2013 | 33 David Fernández-Quijada Universitat Autònoma de Barcelona Toni Sellas Universitat de Girona Montse Bonet Universitat Autònoma de Barcelona This paper offers a first exploratory L’article ofereix una primera aproxi- approach to the comparative study mació exploratòria a l’estudi comparat of radio systems in Catalonia and dels sistemes radiofònics de Catalunya Wales. Within the framework of com- i Gal·les en el marc de les teories sobre parative media systems studies, this els estudis comparats de sistemes me- paper uses the concept of subsidiarity diàtics i utilitzant com a fil conductor as its central axis for analysing two el concepte de subsidiarietat. La seva cases. It represents one of the first originalitat és doble: presenta una comparative analyses of the struc- de les primeres comparacions sobre ture of radio systems as well as a l’estructura dels sistemes radiofònics first approach to the reality of media alhora que també ofereix una primera systems in stateless nations, areas aproximació a la realitat dels sistemes usually ignored in literature about mediàtics de les nacions sense estat, this subject. In doing so, it compares àmbits fins ara oblidats en la literatu- five core dimensions of any radio sys- ra sobre la matèria. Per fer-ho compara tem using a variety of secondary and cinc dimensions estructurants del siste- comparable sources: ownership, pro- ma radiofònic a partir de diverses fonts gramming, language, funding and secundàries i comparables: la propietat regulation.