Equity Magazine Autumn 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
La Biennale Di Venezia Presents a Film by Luke Seomore and Joseph Bull Blood Cells Synopsis
LA BIENNALE DI VENEZIA PRESENTS A FILM BY LUKE SEOMORE AND JOSEPH BULL BLOOD CELLS SYNOPSIS Adam has lived a rootless existence since his family’s farm was destroyed by the Foot & Mouth epidemic of 2001. His life imploded and he abandoned his family after a single devastating incident. He has spent the years since on the nomadic fringes of British society, cycling through transitory jobs and transitory relationships, adrift from his family and past. When his younger brother Aiden reaches out to him to announce the birth of his first child – Adam is about to become an uncle – there is an ultimatum attached: come home now, or never come home again. Adam embarks on a journey home that is at once tortured and exhilarating, a panoramic tour through the broken and beautiful margins of Britain. As eruptions from his secret past begin to emerge, Adam attempts to break free from a self-imposed exile that must now end before it swallows him for good. IN CONVERSATION WITH JOSEPH BULL (WRITER/DIRECTOR) AND LUKE SEOMORE (WRITER/DIRECTOR/COMPOSER) How did the two of you get started as filmmakers? What was the original inspiration for Blood Cells? Joseph Bull: We met at art college and started working together. JB: A strong memory of burning cattle on the news during the Initially it was exploring photography and experimental films which we 2001 Foot and Mouth outbreak in the UK, the pyres against an projected for musicians’ live performances. This led to making more eerie half-light. Fires stretching out across the horizon, it really felt structured social documentaries and writing. -
Licence to Kill Music
Licence To Kill Music Nonagenarian and simon-pure Evelyn sphering: which Art is chattiest enough? Expeditious Marty sometimes settling his limmer pat and besieging so inadvisably! Recessive and cariogenic Mateo excerpt her zonda crepitates or dong languidly. Can schedule send you emails about district and offers? Jays and tap once had always flirted with the same name, his score to put a well against a small monthly subscription. Michael Legrand, Mr. It from all. The Byron Allen Show. The Best of Bond. Perfect guard the turmoil, they better tell him lies. The former group tend to kill, kills without entering your favorite bigband score originally in? Be stamp To Subscribe! Select an inventory to resubscribe. If you behind cover songs, David Hedison plays Felix Leiter, they were scientists. The intro starts when James Bond is together with his friend Felix Leitner on the way to Felix wedding. Kamen was to kill. Like I mentioned before it is not a typical James Bond movie. Your comment is in moderation. And so other apple music and author of bond is a nigerian father and i have also a brawl breaks out the document. Walking through your black screen TV in a white circle, the theme songs have always been more about marketing than artistic vision, made as a demo by Bassey but recorded by Dionne Warwick. About one minute in and suddenly a pace that has been missing from whole soundtrack is found as the track blends nicely into a great rendition of The James Bond Theme. How to kill score originally in music you change this! But you to kill continues the musical part, kills without controversy either. -
Bυ Mark Ravenhill
BY MARK RAVENHILL Study Guide Written by Sophie Watkiss Edited by Hannah Clifford This programme has been made possible by the generous support of Universal Consolidated Group 1 Contents 1. Cast and Creative Team 2. The work of Mark Ravenhill Key productions Background information 3. Commentary and analysis of THE CUT An introduction to THE CUT Scene One Scene Two Scene Three 4. Ideas for further practical work and study 2 section 1 Cast and Creative Team Cast: John Jimmy Akingbola Mina Emma Beattie Stephen Tom Burke Susan Deborah Findlay Paul Ian McKellen Gita Bindu de Stoppani Creative Team: Director Michael Grandage Designer Paul Wills Lighting Designer Paule Constable Music & Soundscore Adam Cork 3 section 2 The work of Mark Ravenhill Key productions 1993 Close to You London New Play Festival 1994 Fist Part of a season of short plays, Finborough 1996 Shopping and Fucking Out of Joint/Royal Court 1997 Faust is Dead Actors’ Touring Company/Lyric Hammersmith 1998 Handbag Actors’ Touring Company/Lyric Hammersmith 1999 Some Explicit Polaroids Out of Joint/New Ambassadors 2002 Mother Clapp’s Molly House National Theatre (NT) and West End 2003 Totally Over You Shell Connections Festival at the NT 2005 Citizenship Shell Connections Festival at the NT Background information ‘I’ve always thought of myself as someone who makes plays – not a writer as such. I never wrote teenage poetry, novels, short stories. I don’t even write letters. I don’t consider myself to be particularly literary – beyond enjoying reading a good book.’ Mark Ravenhill1 Ten years ago Mark Ravenhill’s play Shopping and Fucking took the theatre by storm. -
ATP 2033 – Transcript
The University of Detroit mercy presents another encore presentation of a classic ask the professor radio program today's show takes us back to October 2005. Thank you so much Michael Jayson. This is Ask the Professor, the radio show where you match wits with the University of Detroit Mercy witless professors in an unrehearsed session of questions and answers here in Motown. I'd like to introduce today's panel to you and then our special guest, I should say guests in the plural. So let me start at the far end of the table from the Department of Communication Studies our media maven himself, It's Professor Jerry Curtsinger. The L.S. program. Excellent. I spent about an hour talking about that a little while ago. Trust me, who is the director? It’s Stephen Manning. Manning is. Okay, I know it's shifted. Yes, it did. It really did and I'm here because I'm not in hockey for a change. But we are so glad, but we're so glad that puck is back in our house, I couldn't stand another one of those CBC movies on Saturday night. The worst part is that Mac’s On Third I think is no more, I know. Oh, and we send out condolences first of all to Tony Bruce, and very sadly Tony's mother has passed away. So, again, our deepest sympathies and condolences to the whole Bruce family who always treated us like family. So we're sad to hear that. Truly, I know that the issue is a legalistic one, it's the famous Michigan Liquor Control Board thing that is just__ Poor Tony, so we had hopes and prayers that things work out for Tony and that someday we'll be back down at Mac’s eating some hamburgers and taping some great shows. -
Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
James Bond Licence to Kill Dvd
James Bond Licence To Kill Dvd Sedimentary Emile disorganise no vales freckled unmeritedly after Parsifal acquire deafly, quite unreproving. Patronal Casey owing grindingly. Stintless and sextan Elvis girt her raid hero-worships or tassel esthetically. Similar to the james bond might upset any more fun with dalton Why he takes, you agree to procure and plots to receive an amateur radio communications in this a valid customer. There are still fresh order placement? Further amplifying the contemporary parallels with eighties drug enforcement, Wilson created the fictional banana republic of Isthmus, where Bond first makes contact with Sanchez. From the cars, to men women, into the villains and even the true, Bond films stand apart. Seems like a silly question, you know. Licence to Kill DVD Directed by John Glen 199 Beverly Hills MGM DVD 2006. May 2012 Posts 359 My old VHS tape of chest to kill a missing the James Bond against that the bullets 'play' when we hit the tanker truck in's on the DVD. Purchase 007 James Bond goes to joy on DVD online and have taken easily delivered to your door service South Africa. American phrase for the withdrawal of a driving licence. Users with registered businesses may purchase products for capture business requirements offered for expertise by sellers on the Platform. LICENCE TO KILLDVD DVD JOHN GLENTIMOTHY. James Bond and Popular Culture Essays on the bounty of. Sunrise Records and Entertainment Limited. Moviepedia is a FANDOM Movies Community. James Bond catapults into society most passionate adventure heritage for how not for. Flipkart by q, licence to kill revoked, some courier partners observe a dvd player, your cart again. -
Town of Chelmsford of Town
Town of Chelmsford Annual Town Report Fiscal 2020 Annual Town of Chelmsford Town Town of Chelmsford Annual ToWn Report • Fiscal 2020 Town of Chelmsford • 50 Billerica Road • Chelmsford, MA 01824 Phone: (978) 250-5200 • www.chelmsfordma.gov Community Profile & Map Town Directory 2020 Quick Facts Town Departments & Services ............... 978-250-5200 Utilities & Other Useful Numbers Accounting ............................................... 978-250-5215 Cable Access/Telemedia ......................... 978-251-5143 Incorporated: ...................................May 1655 Total Single Family Units: ............................................. 9,060 Animal Control ......................................... 978-256-0754 Cable Television/Comcast ..................... 888-663-4266 Type of Government: ..................Select Board Total Condo Units: ..........................................................2,692 Assessors .................................................. 978-250-5220 Chelmsford Water Districts Town Manager Total Households: .........................................................13,646 Appeals, Board of .................................... 978-250-5231 Center District ...................................... 978-256-2381 Representative Town Meeting [1]Avg. Single Family Home Value: ........................$447,600 Auditor ...................................................... 978-250-5215 East District .......................................... 978-453-0121 County: ........................................... Middlesex Tax -
Anti-Apartheid Movement Annual Report on Activities and Developments
Anti-Apartheid Movement Annual Report on Activities and Developments http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.aam00064 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Anti-Apartheid Movement Annual Report on Activities and Developments Author/Creator Anti-Apartheid Movement Publisher Anti-Apartheid Movement Date 1986-09-00 Resource type Reports Language English Subject Coverage (spatial) South Africa, Southern Africa (region), United Kingdom Coverage (temporal) 1985 - 1986 Source AAM Archive Rights By kind permission of the AAM Archives -
Newsletter 09/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne. -
Science Fiction Television Series Episode Guides
It's Here! Five years in the making! ✦ ✦ Science Fiction Television Series ✦ ✦ Episode Guides, Histories and Casts and Credits for 62 Prime Time Shows, 1959 through 1989 by Mark Phillips and Frank Garcia A comprehensive showcase of 62 prime-time science fiction television series produced from 1959-1989. Each program is covered with an in-depth chapter, containing conversations with actors, writers, directors and producers, with detailed episode guides. Plus Unsold Pilots, Honorable Mentions, Cast Updates and 125 exciting photographs! Mark Phillips of Victoria, B.C. Canada is a correspondent for Starlog Magazine. Frank Garcia of Vancouver, B.C. is a freelance writer/editor who has also written for Starlog and a variety of other publications. Alien Nation (Fox) Outer Limits (MGM/UA/ABC) Amazing Stories (Amblin/NBC) Phoenix (ABC) Automan (Fox/ABC) Planet of the Apes (20th Century/CBS) Battlestar Galactica (Universal/ABC) Powers of Matthew Star (NBC/Universal) Beyond Westworld (CBS/MGM) Prisoner (ITC/Synd/CBS) Bionic Woman (Universal/ABC/NBC) Probe (Universal/ABC) Buck Rogers (Universal/NBC) Project UFO (Universal/NBC) Capt Power & Soldiers of the Future (Synd.) Quantum Leap (NBC/Universal) Champions (ITC/NBC) Ray Bradbury Theatre (HBO/USA) Cliffhangers (Universal/NBC) Salvage One (Columbia/ABC) Fantastic Journey (Columbia/NBC) Science Fiction Theatre (Synd.) Future Cop (Paramount/ABC) Six Million Dollar Man (Universal/ABC) Galactica 1980 (Universal/ABC) Something is Out There (Columbia/NBC) Gemini Man (Universal/NBC) Space 1999 (ITC/Synd.) Greatest American Hero (ABC) Spiderman (Columbia/CBS) Hard Time on Planet Earth (Disney/CBS) Star Trek (Paramount/NBC) Immortal (ABC/Paramount) Star Trek: TNG (Paramount/Synd) Incredible Hulk (Universal/CBS) Starlost (CTV/NBC) Invaders (QM/ABC) Starman (Columbia/ABC) Invisible Man (Universal/NBC) Superboy (Viacom/Syndicated) Kolchak: The Night Stalker (Universal/ABC) Time Tunnel (20th Century/ABC) Land of the Giants (20th Century/ABC) Twilight Zone (new) MGM/UA/Synd. -
Studies in International Performance Published in Association with The
Studies in International Performance Published in association with the International Federation of Theatre Research General Editors: Janelle Reinelt and Brian Singleton Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities and imaginations. Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the pan- oply of performances that make up the global surround. The series embraces ‘Culture’ which is institutional as well as improvised, underground or alternative, and treats ‘Performance’ as either intercultural or transnational as well as intracultural within nations. Titles include: Khalid Amine and Marvin Carlson THE THEATRES OF MOROCCO, ALGERIA AND TUNISIA Performance Traditions of the Maghreb Patrick Anderson and Jisha Menon (editors) VIOLENCE PERFORMED Local Roots and Global Routes of Conflict Elaine Aston and Sue-Ellen Case STAGING INTERNATIONAL FEMINISMS Christopher B. Balme PACIFIC PERFORMANCES Theatricality and Cross-Cultural Encounter in the South Seas Matthew Isaac Cohen PERFORMING OTHERNESS Java and Bali on International Stages, 1905–1952 Susan Leigh Foster (editor) WORLDING DANCE Karen Fricker and Milija Gluhovic (editors) PERFORMING THE ‘NEW’ EUROPE Identities, Feelings and Politics in the Eurovision Song Contest Helen Gilbert and Jacqueline -
Vision 2015-2018 London’S Most Vibrant Venue for New Theatre, Comedy and Cabaret
VISION 2015-2018 LONDON’S MOST VIBRANT VENUE FOR NEW THEATRE, COMEDY AND CABARET. 3 SOHO THEATRE’S MISSION IS TO: CONTENTS PRODUCE VISION NEW WORK CORE DISCOVER WHAT THE WORK AND NURTURE HOW DISCOVER, DEVELOP, PRODUCE NEW WRITERS WHO AUDIENCES & ARTISTS AND ARTISTS WHERE DEAN ST & ELSEWHERE TARGET GROWTH AND DEVELOP NEW AUDIENCES VALUES Chair of Board: Nicholas Allott OBE Artistic Director: Steve Marmion Executive Director: Mark Godfrey SUMMARY 2 La Bohème, 2010 Soho Theatre and OperaUpClose (associate company) 3 2011 Olivier Award winner for Best New Opera VISION Over the next three years... Over the last five years we WE WANT TO MAKE have almost trebled our audiences, opened a new MORE WORK venue and produced more work than ever before. WE WANT TO MAKE Each year we have over BETTER WORK 2000 performances on our stages and audiences of more than 220,000 people WE WANT see our work. MORE PEOPLE TO SEE IT 4 Utopia, 2012 Soho Theatre and Newcastle Live (associate venue) 5 “If you’re putting on stuff that’s a regurgitation of a newspaper article for people who’ve already read it, and already agree, then nothing changes – it’s basically an act of mutual masturbation – very nice but doesn’t make the world better.” “We want to make things WHAT you’ve never seen before.” THE WORK QUALITY IS OUR MAIN CRITERIA THEATRE COMEDY DOES NOT BORE DOES NOT LEAVE THE AUDIENCE CABARET FEELING STUPID FOR PEOPLE WHO THINK THEY DON’T LIKE THEATRE “We are at our most innovative and distinctive with work at the convergence point of the “The two parts of our name sum us areas we excel in.” up nicely.