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Lee Proud Represented by Michael Garrett
23 Haymarket London SW1Y 4DG United Kingdom Phone: 020 7839 4888 Email: [email protected] Website: www.globalartists.co.uk Lee Proud Represented by Michael Garrett Choreography: Mr Punch National Theatre Studio 2018 Patrick Marber The Rocky Horror Show Iceland 2018 Reykjavik City Theatre Ghost Berlin 2017 Stage Entertainment Elf The Musical Tivoli Copenhagen 2017 Tivoli Sunset Boulevard UK Tour 2017 David Ian Productions Legally Blonde Leicester Curve/Monaco 2017 Nikolai Foster Ghost Landestheater Linz 2017 Linz, Austria RENT UK Tour 2016 Bruce Guthrie Spring Awakening Leicester Curve 2016 Nikolai Foster The Savage Live Theatre 2016 Lee Proud Grand Hotel Japan 2016 Thom Southerland The Smallest Show on UK Tour 2015 Thom Southerland Earth Mamma Mia Reykjavik 2016 Unn OSP Stefansdottir Grand Hotel Southwark Playhouse 2015 Thom Southerland The Wind in the Willows Grosvenor Park Open Air 2015 Alex Clifton Theatre The Producers UK Tour 2015 Adam Spiegel Michael Garrett Associates Ltd. t/a Global Artists | Registration No. 4404385 | VAT No. 796 1383 89 Reg Office: 23 Haymarket, London, SW1Y4 DG | Tel: 020 7839 4888 | Fax: 020 7839 4555 [email protected] | globalartists.co.uk | twitter.com/GlobalArtistsUK Any offer contained within this letter does not constitute a contract | Member of the PMA Billy Elliot Reykjavik City Theatre 2014 Ghost The Musical English Theatre Frankfurt 2014 Adam Penford Post Office of Iceland TV Commercial 2014 Lottys War UK Tour 2014 Bruce Guthrie Revolution in the Elbow of Minetta Lane Theatre New 2014 -
Imy Wyatt Corner [email protected]
Imy Wyatt Corner [email protected] Directing SHOW THEATRE/ VENUE WRITER LENGTH OF RUN YEAR Humane Pleasance Theatre * Polly Creed 3 weeks (postponed) 2021 Gaslight Playground Theatre * Patrick Hamilton 3 weeks 2019 Baby, What Blessings Theatre503 * Siofra Dromgoole 1 week 2019 Baby, What Blessings Edinburgh Fringe Siofra Dromgoole 2 weeks 2019 Baby, What Blessings Bunker Theatre Siofra Dromgoole 1 night 2019 Baby, What Blessings Brewery Arts Centre, Siofra Dromgoole 1 night 2019 Kendal Q&A Southwark Playhouse Jess Moore 1 night 2019 From There to Here Old Red Lion Theatre Amanda Lane 2 nights 2019 We, The People Etcetera Theatre * Eleanor Ross 1 night 2019 Walk Swiftly & With Purpose North Wall Arts Centre Siofra Dromgoole 2 nights 2019 Walk Swiftly & With Purpose Theatre503 * Siofra Dromgoole 1 week 2018 Walk Swiftly & With Purpose Edinburgh Fringe Siofra Dromgoole 2 weeks 2018 NSA The Mono Box Charles Entsie 1 night 2018 Our Lemon Sherbet Sky Arcola Theatre Eleanor Ross 1 night 2018 Flux Leyton Technical/ Plymouth Fringe Naomi Soneye-Thomas 4 nights 2018 Happy Yet? International Theatre, Katie Berglof 4 nights 2018 Frankfurt * Happy Yet? Courtyard Theatre Katie Berglof 1 week 2017 Happy Yet? Edinburgh Fringe Katie Berglof 2 weeks 2016 Assistant Directing SHOW THEATRE/ VENUE DIRECTOR LENGTH OF RUN YEAR NoF*cksgiven Vault Festival Michael Oakley 1 week 2019 R&D Felt Little Angel/ The North Wall * Pip Williams 10 days 2020/21 Humane Pleasance Theatre Polly Creed 1 week 2019 Baby, What Blessings Brewery Arts, Kendal Siofra Dromgoole 1 week 2019 *= professional Other Work & Training Bristol Old Vic Theatre School, MA Drama Directing (2020 – ongoing) Everywoman & Other Confessions,*Producer. -
Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
March 2009.Pmd
Number 157 March 2009 The newsletter of London Drama Two Primary Reviews for your diary There are currently for further learning two prestigious reviews at the secondary LONDON DRAMA of the Primary stage’ rather than by Courses & Workshops Curriculum going on at their intrinsic value.” the moment: The Wed 4 Mar; 7-9pm Cambridge Primary The Cambridge Voices in the Park (Primary) Review initiated by the report identifies University of Cambridge areas of at Central School in 2006 and led by convergence with Professor Robin the interim Rose * * * Alexander; and the report (like the need Government’s to regroup the Wed 11 Mar; 6.30-8.30pm Independent Review of primary curriculum Drama with EAL Students the Primary Curriculum into areas of study at Central School led by Sir Jim Rose. rather than Each report is due to traditional subjects) * * * be published this year. but also important differences which reflect the reviews’ Sat 14 Mar; 10-1.15pm Is there a difference between the contrasting remits, scope, Half Day Workshop: two reports, and if so, what is it? evidence and degrees of Hoipolloi & WebPlay According to the authors of the independence. The Cambridge at Unicorn Theatre Cambridge Review, the answer is review is rather less sanguine one of remit and focus: about the problems of the existing * * * primary curriculum, and does not “..there is a sense in which the exempt current policies from Thurs 19 Mar; 6.30-8.30pm very focused remit of Rose, and comment. It asks whether the Drama & SEN students (KS1/2) the number of matters which are Rose review is more about at Bloomsbury Theatre apparently to be taken as given, curriculum rearrangement than may encourage the view that the reform, with educational aims * * * two enquiries are incompatible – added after the event rather than though we hope not. -
THE JUNGLE by Joe Murphy & Joe Robertson Directed by Stephen Daldry & Justin Martin
PRESS RELEASE – Monday 11 June 2018 IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Instagram @TheJungleLDN TheJunglePlay.co.uk A NATIONAL THEATRE AND YOUNG VIC CO-PRODUCTION WITH GOOD CHANCE THEATRE THE JUNGLE by Joe Murphy & Joe Robertson directed by Stephen Daldry & Justin Martin FULL CAST ANNOUNCED FOR CRITICALLY ACCLAIMED THE JUNGLE AND REHEARSAL PICTURES RELEASED TODAY THEATRE TRANSFORMATION UNDERWAY IN ORDER TO ACCOMMODATE MIRIAM BUETHER’S UNIQUE SET DESIGN FROM THE YOUNG VIC NEW FOR PLAYHOUSE AUDIENCES, THE DRESS CIRCLE WILL BE TRANSFORMED INTO ‘CLIFFS OF DOVER’, WITH UNIQUE AND INTIMATE VIEWS OVER THE SPACE BELOW ENHANCED BY SCREENS RELAYING CLOSE-UP ‘LIVE NEWS BROADCAST’ STYLE FOOTAGE OF THE ACTION AS IT HAPPENS THE JUNGLE WILL PREVIEW FROM 16 JUNE AT THE PLAYHOUSE THEATRE IN LONDON’S WEST END Following critical acclaim, and a sold-out run at the Young Vic, producers Sonia Friedman Productions, Tom Kirdahy and Hunter Arnold are delighted to announce the full cast for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin. The production is set in Europe’s largest unofficial refugee camp, the Calais Jungle, which in 2015, became a temporary home for more than 10,000 people. Previewing from 16 June, with World Refugee Day on 20 June, The Jungle will have an Opening Night on 5 July at the Playhouse Theatre, with rehearsal photography released today. Cast transferring from the Young Vic include Mohammad Amiri, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Ammar Haj Ahmad, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner and Nahel Tzegai. -
Sundowning by Nessah Muthy
Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings. -
THE VALUE of SMALL GRANTS a Review by Peter Minet Trust and United St Saviour’S Charity March 2018 INTRODUCTION
THE VALUE OF SMALL GRANTS A review by Peter Minet Trust and United St Saviour’s Charity March 2018 INTRODUCTION United St Saviour’s Charity (UStSC) and Peter Minet Trust (Peter Minet) have been awarding small grants in South London for many years. In 2017 they joined forces to commission Rocket Science to review their grants programmes to better understand the impact that they make and to help the two organisations think about how to develop them for the future. Peter Minet supports organisations in Lambeth and Southwark with grants of up to £5,000. UStSC only works in Southwark and has two grants programmes; a ‘Community Investment’ programme’ of over £5,000 for larger strategic projects and a ‘Community Engagement’ programme of small grants. Only the latter was the subject of this review which looked back at the past three years of grant-making. Measuring the impact of small grants is inherently challenging and it was never the intention to produce a full-blown evaluation. However, both organisations set out to understand whether relatively small grants were of value to the groups and charities they fund. This document summarises the main findings of the review. In many ways it is a celebration of the two programmes and the difference that they make. 2 INVESTMENT OVER THREE YEARS COMBINED United St Saviour’s Charity 321 206 GRANTS AWARDED GRANTS £440,366 INVESTED 149 DIFFERENT ORGANISATIONS FUNDED £853,873 TOTAL INVESTMENT Peter Minet Trust 115 GRANTS AWARDED 243 £413,507 INVESTED DIFFERENT ORGANISATIONS 94 DIFFERENT ORGANISATIONS FUNDED -
La Biennale Di Venezia Presents a Film by Luke Seomore and Joseph Bull Blood Cells Synopsis
LA BIENNALE DI VENEZIA PRESENTS A FILM BY LUKE SEOMORE AND JOSEPH BULL BLOOD CELLS SYNOPSIS Adam has lived a rootless existence since his family’s farm was destroyed by the Foot & Mouth epidemic of 2001. His life imploded and he abandoned his family after a single devastating incident. He has spent the years since on the nomadic fringes of British society, cycling through transitory jobs and transitory relationships, adrift from his family and past. When his younger brother Aiden reaches out to him to announce the birth of his first child – Adam is about to become an uncle – there is an ultimatum attached: come home now, or never come home again. Adam embarks on a journey home that is at once tortured and exhilarating, a panoramic tour through the broken and beautiful margins of Britain. As eruptions from his secret past begin to emerge, Adam attempts to break free from a self-imposed exile that must now end before it swallows him for good. IN CONVERSATION WITH JOSEPH BULL (WRITER/DIRECTOR) AND LUKE SEOMORE (WRITER/DIRECTOR/COMPOSER) How did the two of you get started as filmmakers? What was the original inspiration for Blood Cells? Joseph Bull: We met at art college and started working together. JB: A strong memory of burning cattle on the news during the Initially it was exploring photography and experimental films which we 2001 Foot and Mouth outbreak in the UK, the pyres against an projected for musicians’ live performances. This led to making more eerie half-light. Fires stretching out across the horizon, it really felt structured social documentaries and writing. -
Celebrating 20 Years of the Camberwell Arts Festival
Celebrating 20 years of the Camberwell Arts Festival CATALOGUING CAMBERWELL 1 This year, the Camberwell Arts Festival celebrated its 20th birthday. From its infancy, the festival has brought life to little known locations, enabling new, emerging and established artists to take to the streets and create a narrative about the area we live and work in. And in 2014 it was all about the number 20! From pubs to parks, cafes to crypts, the whole of Camberwell becomes the gallery and performance space, inviting residents and visitors alike to explore the area in new and unexpected ways. As Camberwell evolves, so too does the organisation: Camberwell Arts prides itself on placing partnership at its heart. This year’s festival and the catalogue showcase this: from our work with Southwark Pensioners to the inclusion of Literary Kitchen, we’re open to all – and are committed to maintaining this going forward. As we look to the next 20 years, we’ve expanded our board and are casting the net even wider during these challenging times for the arts. Planning is already underway for the 2015 Festival, which will take place from 20–28 June; what happens during that week is as much up to you as it is to us! To find out more, submit an idea or get involved visit us at: www.camberwellarts.org.uk Michael Armstrong, Chair of Camberwell Arts 2 NEIGHBOURPUD WATCH TICKETS PLEASE! Eating our way around Camberwell seemed Margaret Thatcher was wrong to knock too good to be true – and Miss Cakehead’s people who travel on buses. -
Bυ Mark Ravenhill
BY MARK RAVENHILL Study Guide Written by Sophie Watkiss Edited by Hannah Clifford This programme has been made possible by the generous support of Universal Consolidated Group 1 Contents 1. Cast and Creative Team 2. The work of Mark Ravenhill Key productions Background information 3. Commentary and analysis of THE CUT An introduction to THE CUT Scene One Scene Two Scene Three 4. Ideas for further practical work and study 2 section 1 Cast and Creative Team Cast: John Jimmy Akingbola Mina Emma Beattie Stephen Tom Burke Susan Deborah Findlay Paul Ian McKellen Gita Bindu de Stoppani Creative Team: Director Michael Grandage Designer Paul Wills Lighting Designer Paule Constable Music & Soundscore Adam Cork 3 section 2 The work of Mark Ravenhill Key productions 1993 Close to You London New Play Festival 1994 Fist Part of a season of short plays, Finborough 1996 Shopping and Fucking Out of Joint/Royal Court 1997 Faust is Dead Actors’ Touring Company/Lyric Hammersmith 1998 Handbag Actors’ Touring Company/Lyric Hammersmith 1999 Some Explicit Polaroids Out of Joint/New Ambassadors 2002 Mother Clapp’s Molly House National Theatre (NT) and West End 2003 Totally Over You Shell Connections Festival at the NT 2005 Citizenship Shell Connections Festival at the NT Background information ‘I’ve always thought of myself as someone who makes plays – not a writer as such. I never wrote teenage poetry, novels, short stories. I don’t even write letters. I don’t consider myself to be particularly literary – beyond enjoying reading a good book.’ Mark Ravenhill1 Ten years ago Mark Ravenhill’s play Shopping and Fucking took the theatre by storm. -
MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).