12/9/25 Fine and Applied Arts University Bands Harry Begian
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Department Historyrevised Copy
The Music Department of Wayne State University A History: 1994-2019 By Mary A. Wischusen, PhD To Wayne State University on its Sesquicentennial Year, To the Music Department on its Centennial Year, and To all WSU music faculty and students, past, present, and future. ii Contents Preface and Acknowledgements ……………………………………………………………………...........v Abbreviations ……………………………………………………………………………............................ix Dennis Tini, Chair: 1993-2005 …………………………………………………………………………….1 Faculty .…………………………………………………………………………..............................2 Staff ………………………………………………………………………………………………...7 Fundraising and Scholarships …………………………………………………................................7 Societies and Organizations ……………………………………………..........................................8 New Music Department Programs and Initiatives …………………………………………………9 Outreach and Recruitment Programs …………………………………………….……………….15 Collaborative Programs …………………………………………………………………………...18 Awards and Honors ……………………………………………………………………………….21 Other Noteworthy Concerts and Events …………………………………………………………..24 John Vander Weg, Chair: 2005-2013 ………………………………………………................................37 Faculty………………………………………………………………..............................................37 Staff …………………………………………………………………………………………….....39 Fundraising and Scholarships …………………………………………………..............................40 New Music Department Programs and Initiatives ……………………………………………..…41 Outreach and Recruitment Programs ……………………………………………………………..45 Collaborative Programs …………………………………………………………………………...47 Awards -
The News Magazine of the University of Illinois School of Music from the Dean
WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B. -
Congressional Record—Senate S7606
S7606 CONGRESSIONAL RECORD — SENATE June 10, 2003 we have the strength and the inspira- anthropology course at Murray State PERIODIC REPORT ON THE NA- tion to never give up until we reach it. University and a gifted and talented TIONAL EMERGENCY WITH RE- I got to know Burke Marshall be- camp at Western Kentucky University. SPECT TO THE RISK OF NU- cause, in 1970, he moved to Connecticut It is my pleasure to honor such an ex- CLEAR PROLIFERATION CRE- and joined the faculty of Yale Law ceptional and altruistic young lady for ATED BY THE ACCUMULATION School, my alma mater, where he her extraordinary charitable contribu- OF WEAPONS-USABLE FISSILE served as deputy dean and professor. I tions to her community. I thank the MATERIAL IN THE TERRITORY unfortunately had already graduated, Senate for allowing me to laud her OF THE RUSSIAN FEDERATION— but I was lucky to befriend Professor praises. She is one of Kentucky’s fin- PM 37 Marshall around New Haven. He was a est.∑ The PRESIDING OFFICER laid be- warm, kind, decent man, who believed f fore the Senate the following message that the fight for justice was never- from the President of the United ending. TRIBUTE TO DR. HARRY BEGIAN States, together with an accompanying The dean of Yale’s Law School, Tony ∑ report; which was referred to the Com- Kronman, put it well. He said, ‘‘His Mr. LEVIN. Mr. President, today I have the honor of recognizing a great mittee on Banking, Housing, and goodness was so large that I half be- Urban Affairs: lieved and fully wished he would live musician and educator from my home forever. -
Annual Report 1968 U
sart~a~ sb~t~a~~r ANNUAL REPORT 1968 U. 80-t.Zil\ l.tU UlerSt-! Zl188. bleb'Lb81t ~btru~nst st-~rns~~t ST. JOHN'S ARMENIAN CHURCH OF GREATER DETROIT ANNUAL REPORT sartlill" Sb'l.b'-u.«t-Jtr 1968 U. Bn-t.Zill.t~U trltrS~! ZU88. bteb'Lb81- ~btrU~na~ s~~rna~~ ST. JOHN'S ARMENIAN CHURCH OF GREATER DETROIT 22001 Northwestern Highway Southfield, Michigan 4807 5 U.'ltru q,nrur .QtfVuU.rljtt~• U.(}U.Q ~WJbW Stp r ~wnWJU ~n, CL r qnp~u 4bnwg ~ng, CL wnw2'11np~bw np'}Lng 'llngw. t~pgp tnJU Sbwnu u.u ~ nL~nJ r ~bpwJ ubp: Qqnp~u ~bnwg ubpng nL~p~ wpw r ubq Stp. CL qqnp~u ~bnwg ubpng JW2nrJ.bw ubq: ciJw n ,P ~ 0 (I b L n(I~ L n J bL ~ n q l n J U I.J (I p n J • U.JcfU bL up2111 bL JWL pU1bw'l/u JWL pU1bup g, I.J.U'~'lJ: )luwuU'InL~pL'II ~op Bpun1.u, Sn1.p pu~ puwuU'In L ~pLu' Qpwppu funp(pl, be. fuoubt, b1. qnrabt, U.nw2r ~n JwubuwJu dwu. r ~wp funp(p~ng, r pwupg OL r qnp~ng' ¢p4bw qpu, CL n~npubw ~n wpwpw~n g, t~. pu~ pwquwut'l}u: ('Utru~ u c'Unr~u.t.,- l, U. 0 u. sn~ rvnusn~u.'U.,tr) 2 ANNUAL PARISH ASSEMBLY ST. JOHN'S ARMENIAN CHURCH OF GREATER DETROIT Southfield, Michigan Friday February 28, 1969 8:00P.M. ARMENIAN CULTURAL BUILDING 22001 Northwestern Highway, Southfield Michigan AGENDA 1. -
Concert Band and University Band
Ensemble Concert: 2021-05-03 -- Concert Band and University Band Audio Playlist Video Playlist Access to audio and video playlists restricted to current faculty, staff, and students. If you have questions, please contact the Rita Benton Music Library at [email protected]. Scroll to see Program PDF ENSEMBLE CONCERT Concert Band & University Band Saturday, May 3, 2021 at 7:30pm Voxman Music Building Concert Hall University Band Tyler Strickland, conductor JT Womack, conductor Joshua Neuenschwander, guest conductor PROGRAM Fanfare and Flourishes James Curnow (for a Festive Occasion) (1991/1995/2013) (b. 1943) JT Womack, conductor Made for you and me: Michael Daugherty Inspired by Woodie Guthrie (2020) (b. 1954) Joshua Neuenschwander, guest conductor Two British Folk Songs (1993/2019) Elliot Del Borgo (1938–2013) adpt. Robert Longfield JT Womack, conductor Moscow, 1941 (2006/2020) Brian Balmages (b. 1975) Tyler Strickland, conductor Into the Clouds! (2007/2016) Richard L. Saucedo (b. 1957) Tyler Strickland, conductor Valdres (1904) Johannes Hanssen (1874–1967) arr. James Curnow Joshua Neuenschwander, guest conductor Concert Band Eric W. Bush, conductor Joshua Neuenschwander, guest conductor JT Womack, guest conductor Tyler Strickland, guest conductor PROGRAM Vanishing Point (2020) Randall Standridge (b. 1976) Folk Song Suite (1924/2000) Ralph Vaughan Williams I. March, Seventeen Come Sunday (1872–1958) II. Intermezzo, My Bonny Boy arr. Ed Huckeby III. March, Folk Songs from Somerset Tyler Strickland, guest conductor Life Painting (2020) Aaron Perrine (b. 1979) Strange Humors (1998/2020) John Mackey (b. 1973) JT Womack, guest conductor Nick Miller, Djembe A Time to Dance (2006/2020) Julie Giroux (b. 1961) Joshua Neuenschwander, guest conductor Programs supported by the Elizabeth M. -
Leonard Falcone Enrolled Part-Time at Michigan's University School of Music, While Continuing to Play in Theaters
Leonard Solid Brass by Rita Griffin Comstock Biography Falcone Biography Leonard Vincent Falcone was born April 5, 1899 in Roseto Valfortore, a Province of Foggia in Italy, one of Dominico and Maria Filippa (Finelli) Falcone's seven children. Leonard began his musical career in 1908 at the age of nine by playing the alto horn in the prestigious town band (known as the Roseto Valfortore Band or the "Banda Municipale") directed by the famous Donato Donatelli, Neapolitan Bandmaster. Leonard's brother, Nicholas, was also a member of the band. Nicholas emigrated to the United States in 1912 in order to pursue a career in music. In 1915, at the advent of World War I, Leonard joined him. Nicholas had found work in Ann Arbor as a tailor and clarinet player in a theater. Upon arriving in Michigan, Leonard became a tailor's assistant, and as a trombonist in a silent movie theater band in Ypsilanti that his brother was conducting. In 1917 Leonard Falcone enrolled part-time at Michigan's University School of Music, while continuing to play in theaters. Falcone was granted citizenship in 1924, and in 1926 graduated with a diploma in the violin. During this time, Nicholas had been appointed director of the Varsity Band at the University of Michigan. The Falcone brothers began to develop a sound reputation as musicians and conductors in the Ann Arbor community. The Secretary of Michigan State College contacted the Treasurer of the University of Michigan, and requested his recommendation for the position of Director of Bands at Michigan State. Both brothers were seriously considered for the position, but since Nicholas was settled with a wife and child in Ann Arbor, it was decided that Leonard, the bachelor, should take the position in East Lansing. -
Congressional Record—Senate S7606
S7606 CONGRESSIONAL RECORD — SENATE June 10, 2003 we have the strength and the inspira- anthropology course at Murray State PERIODIC REPORT ON THE NA- tion to never give up until we reach it. University and a gifted and talented TIONAL EMERGENCY WITH RE- I got to know Burke Marshall be- camp at Western Kentucky University. SPECT TO THE RISK OF NU- cause, in 1970, he moved to Connecticut It is my pleasure to honor such an ex- CLEAR PROLIFERATION CRE- and joined the faculty of Yale Law ceptional and altruistic young lady for ATED BY THE ACCUMULATION School, my alma mater, where he her extraordinary charitable contribu- OF WEAPONS-USABLE FISSILE served as deputy dean and professor. I tions to her community. I thank the MATERIAL IN THE TERRITORY unfortunately had already graduated, Senate for allowing me to laud her OF THE RUSSIAN FEDERATION— but I was lucky to befriend Professor praises. She is one of Kentucky’s fin- PM 37 Marshall around New Haven. He was a est.∑ The PRESIDING OFFICER laid be- warm, kind, decent man, who believed f fore the Senate the following message that the fight for justice was never- from the President of the United ending. TRIBUTE TO DR. HARRY BEGIAN States, together with an accompanying The dean of Yale’s Law School, Tony ∑ report; which was referred to the Com- Kronman, put it well. He said, ‘‘His Mr. LEVIN. Mr. President, today I have the honor of recognizing a great mittee on Banking, Housing, and goodness was so large that I half be- Urban Affairs: lieved and fully wished he would live musician and educator from my home forever. -
60 Years and Eagerly Looking to the Future
February, 2006 Volume 17 Motifs Number 1 A Publication of the Midwest Clinic A DEFINING ACCOMPLISHMENT— 60 Years and Eagerly Looking to the Future ith fondness and joy I recall the 25th wedding anniversary that my wife, Molly, and I celebrated with family and friends. We laughed a lot and marveled at how quickly those 25 W years had passed. Last December, just after the Midwest Clinic, we celebrated our 42nd year together and looked forward to that very special “Golden” milestone that is still ahead of us. After all, a 50th anniversary celebration becomes a time for special moments, events, and memories relishing past accomplishments, just as it was for the Midwest Clinic’s 50th year with special concerts, clinics, guests and the much-anticipated publishing of “The First 50 Years” by Victor and Marilea Zajec. Recently I was looking through this fantastic book and was once again struck by the wealth of our history and the incredible changes, growth and impact this organization has had on our profession. Every one of the last 59 conferences has included individuals who attended the first Midwest Clinic, a band reading session, in 1946. Richard Brittain is one of these individuals. A Midwest Clinic board member since 1974, he has informed us he will retire from the board following this year’s conference, after having served in so many capacities, so faithfully for six decades. The Midwest Clinic has valued and appreciated his years of service and practical leadership. Midwest This special edition of the Motifs focuses on the types of truly outstanding experiences you can have at the Midwest Clinic. -
Nicholas Falcone, the Band Director You've Probably Never Heard of By
Nicholas Falcone, The Band Director You’ve Probably Never Heard Of By Joseph Dobos and William Berz This article was written for the Journal of the World Association for Symphonic Bands and Wind Ensembles and is used with permission. It might be tempting to assume that most of the early leaders of college bands of the teens and 1920s were, themselves, students in collegiate band programs. Looking at the role of the University of Illinois Band program under the leadership of Albert Austin Harding during this era, such assumption would appear to be true. “Harding’s contributions to the development of the collegiate band program affected nearly every aspect of college bands.”1 Many of Harding’s students became leaders in the early collegiate band world. Some of the most notable include, Mark Hindsley, his successor at Illinois, Raymond Dvorak at Wisconsin, Glenn Cliffe Bainum at Northwestern, Keith Wilson at Yale, Guy Duker at Illinois, Clarence Sawhill at UCLA. Others such as William D. Revelli and Frederick Fennell were deeply influenced by Harding.2 In this era of training future college directors, Harding’s mark certainly left a lasting impression that is the norm in present times. Harding’s pioneering work with public school directors through the National Band Clinic and other activities helped to establish important links between bands and music education that still exist.3 However, the training of the early collegiate band conductors was not as homogenous as it might appear. The two Falcone brothers, Nicholas and Leonard, each led important and emerging college bands beginning in the 1920s. -
The History and Development of the Ohio State University Concert Wind Band Program from 1929 – 1995
The History and Development of The Ohio State University Concert Wind Band Program from 1929 – 1995 Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Jennifer Marie Blair, B.M. Graduate Program in Music The Ohio State University 2010 Master's Examination Committee: Dr. Daryl Kinney, Advisor Dr. Patricia Flowers Dr. Russel Mikkelson Copyright by Jennifer Marie Blair 2010 Abstract From humble beginnings, the concert wind bands at The Ohio State University developed from a utilitarian campus group to a nationally recognized program, serving the artistic, educational, and aesthetic needs of the students for whom it exists. From an educational standpoint, the Ohio State band program is not alone in this development. Across the country, similar wind groups began as makeshift military bands, fashioned loosely in the style of traveling professional groups from the early twentieth century. As these bands became established campus ensembles, eventually serving the academic needs of music departments and schools, directors began to selectively model their programs on the philosophical and educational trends of the day. Reflective of the national progression of the wind band movement, the Ohio State band directors demonstrated a desire to perform original and often contemporary literature, to replicate the instrumentation of other leading university band programs, and to seek performance opportunities that would bring recognition to the ensemble and attract talented prospective students. As opportunities and resources grew for band directors at Ohio State, value-based decisions were made, which resulted from the directors' own philosophical views on performance and education, limited only by the support and funding provided by campus administrators. -
Gail Anita Robertson 6772 Goldeneye Drive Orlando, Florida 32810-6090 (C) 407-970-2211 (H) 407-296-5560 [email protected] ______
Curriculum Vitae Gail Anita Robertson 6772 Goldeneye Drive Orlando, Florida 32810-6090 (C) 407-970-2211 (H) 407-296-5560 [email protected] www.GailRobertson.com __________________________________________________ Education Doctor of Musical Arts, Euphonium Performance University of Maryland, College Park, MD Degree interrupted, won full-time performing position, Walt Disney World, 1989 Masters of Music, Euphonium Performance Indiana University, Bloomington, IN Degree conferred May 6, 1989 Bachelor of Arts, Euphonium Performance University of Central Florida, Orlando, FL Degree conferred July 31, 1987 Principal Teachers Brian L. Bowman, University of Maryland Harvey G. Phillips, Indiana University Roy Pickering, University of Central Florida Teaching Experience University of Central Florida, Orlando, FL (2000 - present) Adjunct Instructor of Tuba and Euphonium Duties included: All levels of applied low brass instruction through the graduate level; Director, UCF Tuba and Euphonium Ensemble; Master Class; and Brass Techniques. Valencia College, Orlando, FL (2008 - 2010) Adjunct Instructor: Trombone, Tuba, and Euphonium. Duties included: All levels of applied low brass instruction. Bethune-Cookman University, Daytona Beach, FL (2000 - 2004) Instructor of Trombone, Tuba, and Euphonium Duties included: All levels of applied low brass instruction; Director, BCU Tuba and Euphonium Ensemble; Master Class; and Co-Director, BCU Jazz Ensemble. University of Florida, Gainesville, FL (1998 - 2002) Adjunct Instructor of Tuba and Euphonium Duties included: -
Leonard Falcone Papers UA.17.133
Leonard Falcone Papers UA.17.133 This finding aid was produced using ArchivesSpace on April 02, 2019. Describing Archives: A Content Standard Michigan State University Archives and Historical Collections Conrad Hall 943 Conrad Road, Room 101 East Lansing , MI 48824 [email protected] URL: http://archives.msu.edu/ Leonard Falcone Papers UA.17.133 Table of Contents Summary Information .................................................................................................................................... 4 Biographical Note .......................................................................................................................................... 4 Scope and Contents ........................................................................................................................................ 7 Series Description .......................................................................................................................................... 8 Administrative Information .......................................................................................................................... 11 Controlled Access Headings ........................................................................................................................ 11 Collection Inventory ..................................................................................................................................... 12 (1) BIOGRAPHICAL FILES ...................................................................................................................