Ian Thomson Phd Thesis Vol 1
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Full Name Field Dates Project Title Abbondanza, Roberto History 1964
Full Name Field Dates Project Title Abbondanza, Umanesimo giuridico, giovinezza di history 1964/1965 Roberto Andrea Alciato George Eliot, the Florentine Abbott, Ruth literature 2016/2017 Renaissance, and the History of Scholarship Literary criticism of the Hungarian Acs, Pal literature 1993/1994 Renaissance Addona, Victoria art history 2015/2016 Dissemination of the Manner of the Adelson, Candace art history 1976/1977 1st School of Fontainebleau as evidenced in 16th-c Italian art The Bolognese villa in the age of Aksamija, Nadja art history 2012/2013 Cardinal Gabriele Paleotti I Disegni di Michelangelo per il Alberio, Elena art history 2017/2018 Cristo Risorto: Problemi di committenza e sviluppi iconografici Histoire de la dépose des peintures Albers, Geraldine art history 2001/2002 murales en Italie. Mémoire des lieux, voyage de oeuvres The humanist and his dog: the social and anthropological aspects of Almasi, Gabor literature 2006/2007 scholarly dogkeeping in the Italian Renaissance American Drawing, Renaissance Anania, Katie art history 2017/2018 Historiography, and The Remains of Humanism in the 1960s 1. A monograph on Giovanni Bellini 2. An exhibition on late Titian to Anderson, Jaynie art history 2000/2001 travel to Canberra and Melbourne, Australia A biography of Giovanni Morelli Anderson, Jaynie art history 2008/2009 (1816-1891) 'Florentinis ingeniis nihil ardui est': Andreoli, Ilaria art history 2011/2012 The Florentine Illustrated Book (1490-1550) Andreoni, Benedetto Varchi lettore di Dante e literature 2007/2008 Annalisa Petrarca all'Accademia Fiorentina The employment of 'religiosi' by Andrews, Frances history 2004/2005 governments of early Renaissance Italy Religion and Public Life in Late Andrews, Frances history 2010/2011 Medieval Italy Andrews, Noam history 2015/2016 Full Name Field Dates Project Title Genoese Galata. -
Milan (1888-2000)
PROVIDING AND FINANCING A MUNICIPAL INFRASTRUCTURE : A LONG RUN ANALYSIS OF WATER AND SANITATION INVESTMENTS IN MILAN (1888-2000) Olivier Crespi Reghizzi Providing and financing a municipal infrastructure : a long run analysis of water and sanitation investments in Milan (1888-2000) Olivier Crespi Reghizzi 1,2 Abstract Water and sanitation services (WSS) have been mostly provided in Italy (and in Europe) at the municipal level. WSS are highly capital intensive. How water and sanitation infrastructure has been financed by Italian municipalities? What were the financing tools implemented to cover the huge investments’ costs in the short run? Who were the final end-payers in the long run? In Italy intergovernmental financial relations between municipalities and the central state changed significantly from 1861 till now : fiscal autonomy or dependence from central state transfers, balanced budget obligation or not, degree of borrowing autonomy. Water supply and sanitation legislation was largely modified too through the 20 th century in Italy. The evolution of both intergovernmental financial relations and water supply and sanitation legislation is a useful background element to our work. The major part of our paper is focused on a detailed analysis of the rolling-up phase of Milan modern water and sanitation service (1888-1924). A variety of implemented financing schemes and institutional solutions (municipal budget - fiscal resources, municipal bond and land added value capture schemes) are identified and described. The financial equilibrium of the WSS is analysed. A basic overlapping generation model is used to explore how the infrastructure costs have been allocated between the various generations. The last part of our paper adds a long run perspective (1953-2000) to the detailed analysis undertaken in the first part of the paper. -
Schema Della Rete Metropolitana E Suburbana Dal 15 Luglio 2019 Metro and Suburban Lines As from 15 July 2019
Schema della rete Metropolitana e Suburbana dal 15 luglio 2019 Metro and Suburban lines as from 15 July 2019 S7 S8 Lecco Chiasso S11 Valmadrera S10 S40 Civate Sala al Barro Lecco Maggianico Como S. Giovanni Oggiono Molteno Calolziocorte Albate (Como Sud) Costa Masnaga S40 Cassago Airuno Cucciago Renate Mi8 S5 Varese Cantù Besana S2 Olgiate M. Mi7 Mariano Villa Raverio Gazzada Carimate Cabiate Carate-Calò Cernusco L. Orio al Serio Camnago Meda Castronno Triuggio Mi7 S4 Osnago Seveso Macherio Canonica Mi7 Mi6 Albizzate Cesano M. Groane Biassono (Parco) Carnate Cesano M. Baruccana Seregno S1 S3 S9 Ceriano L. Groane Buttafava Bovisio M. Arcore Cavaria Mi6 Mi5 Villasanta Saronno Desio MXP Ceriano L. Malpensa Varedo Saronno Sud Lissone Monza Sobborghi Gallarate S30 Caronno P. Palazzolo M. Mi5 Cesate Monza Paderno D. Busto Arsizio (FS) Garbagnate S30 Mi9 MXP M1 Garbagnate P. Groane Cormano-C. Sesto I° Maggio (FS) Bignami M5 Sesto Rondò Mi4 Mi8 Legnano Bollate Nord M3 Bruzzano Comasina Ponale Mi5 Bollate Centro Sesto Marelli Canegrate Mi4 Novate Affori (FN) Bicocca Mi7 Mi3 Villa S. Giovanni Parabiago Quarto Oggiaro Ca’ Granda Greco Mi3 M2 Affori Centro Precotto Cologno Nord Mi6 MXP S2 Istria Vanzago Bovisa Rho Fiera Certosa Villapizzone Rho S13 Cologno Centro Dergano Gorla ecchi ea Marche rona o ita ola onietta Cologno Sud one o te Urbano dr ur ior omp Pregnana M. Maciachini nusc gonz S11 M1 imo er illa F assina de' Pusser illa P or essa Turro (Mi1) V C.na B C V C B V G C.na Ant G Urbano Lancetti Pero MXP C.na Gobba Vittuone (Mi1) P. -
Metadata of the Book That Will Be Visualized in Springerlink
Metadata of the book that will be visualized in SpringerLink Publisher Name Springer International Publishing Publisher Location Cham Series ID 13084 SeriesTitle Research for Development Book ID 488036_1_En Book Title Regeneration of the Built Environment from a Circular Economy Perspective Book DOI 10.1007/978-3-030-33256-3 Copyright Holder Name The Editor(s) (if applicable) and The Author(s) Copyright Year 2020 Editor Family Name Della Torre Particle Given Name Stefano Suffix Division ABC Organization Politecnico di Milano Address MILANO, Milano, Italy Email [email protected] Editor Family Name Cattaneo Particle Given Name Sara Suffix Division Dipartimento ABC Organization Politecnico of Milano Address Milano, Italy Email [email protected] Editor Family Name Lenzi Particle Given Name Camilla Suffix Division ABC Department, BLD5 Organization Politecnico di Milano Address MILANO, Milano, Italy Email [email protected] Corresponding Editor Family Name Zanelli Particle Given Name Alessandra Suffix Division Department ABC Organization Politecnico di Milano Address Milano, Italy Email [email protected] Layout: T1 Standard Book ID: 488036_1_En Book ISBN: 978-3-030-33255-6 Chapter No.: FM 1 Date: 28-11-2019 Time: 2:30 pm Page: 1/16 1 Research for Development 2 3 Series Editors 4 Emilio Bartezzaghi, Milan, Italy 5 Giampio Bracchi, Milan, Italy 6 Adalberto Del Bo, Politecnico di Milano, Milan, Italy 7 Ferran Sagarra Trias, Department of Urbanism and Regional Planning, Universitat 8 Politècnica de Catalunya, Barcelona, -
All.3 Indicazioni Stradali
COME RAGGIUNGERE LA SEDE DI GIOCO: Presso Centro Sportivo Giovanni Falcone e Paolo Borsellino SpazioTenda -Via Europa– 20032 Cormano (MI) Il Comune di Cormano é situato al confine nord di Milano ed é compreso tra i territori di: Novate, Bollate, Paderno Dugnano, Cusano Milanino e Bresso. • Principali infrastrutture viarie: · A4 - Torino – Venezia · SP35 Milano – Como In macchina (ampio parcheggio gratuito, adatto anche a bus): • - da Cusano Milanino sottopasso stazione FSN (collega Via Manzoni di Cusano con Via Sauro di Cormano), Via Sauro, alla I rotonda a sinistra (parcheggio ingresso sulla sinistra dopo 150 metri) • - Da Milano-Meda: uscire a Cormano-Cusano, svoltare subito a destra (se provenienti direzione Milano) o a sinistra (da direzione Meda), alla rotonda a destra, andare dritto alla successiva rotonda (parcheggio e ingresso sulla sinistra dopo 150 metri) • Principali collegamenti tramite: · · Ferrovie NORD MILANO · · Metropolitana 3 (GIALLA) + ATM Autolinea 729; Per quanto riguarda le Ferrovie Nord (stazione a 900 metri dal luogo della competizione) la fermata Cormano-Cusano Linee Suburbane S2-S4: • Linea S2 Milano Rogoredo-Mariano Comense, con fermate in Milano: Rogoredo, Porta Vittoria, · Piazzale Dateo, Porta Venezia Piazza della Repubblica, Porta Garibaldi. Lancetti. Bovisa. Affori, Bruzzano, Cormano/Cusano • Linea S4 Milano Cadorna_Camnago con fermate in Milano Piazzale Cadorna, Domodossola, · Bovisa, Affori e Bruzzano, Cormano/Cusano • Dalla provincia fermate linee dirette da: · Paderno Dugnano, Palazzolo, Varedo, Bovisio Masciago, Cesano Maderno, Seveso. Da altre fermate (esempio Milano Quarto Oggiaro, Comuni di Novate, Bollate, Garbagnate, Cesate) con interscambio a Milano Nord Bovisa. Metropolitana e Ferrovie Statali Comodo collegamento con il capolinea Milano Comasina - Metropolitana GIALLA Linea 3. -
018-245 ING Primavera CORR 24,5 X 29.Qxp
Under the High Patronage of the President of the Italian Republic !e Springtime of the Renaissance. Sculpture and the Arts in Florence – Florence, Palazzo Strozzi, March– August Paris, Musée du Louvre, September – January With the patronage of Concept by Website Ministero degli Affari Esteri Beatrice Paolozzi Strozzi Netribe Ministero per i Beni e le Attività Culturali Marc Bormand Ambassade de France en Italie Programming for families, youth and adults Curated by Fondazione Palazzo Strozzi Beatrice Paolozzi Strozzi Promoted and organized by Marc Bormand School groups and activities Sigma CSC With the collaboration of Ilaria Ciseri Exhibition reservation office Sigma CSC Realized by Fondazione Palazzo Strozzi Exhibition and ticket office staff TML Service Scholarly and editorial coordination and accompanying texts in the exhibition Multichannel ticket office Ludovica Sebregondi TicketOne Installation design Audioguide Luigi Cupellini START with the collaboration of Carlo Pellegrini Insurance Exhibition installation AON Artscope Galli Allestimenti Lloyd’s Atlas e Livelux Light Designers CS Insurance Service Stampa in Stampa Alessandro Terzo Transportation Franco Bianchi Arterìa Installation and condition report works on paper with Julie Guilmette Head of security Ulderigo Frusi Exhibition graphics and communication design RovaiWeber design Head of prevention and protection service Translation of accompanying texts in the exhibition Andrea Bonciani Stephen Tobin (Italian–English) Lara Fantoni (English–Italian) Electrical system assistance Xue Cheng (Italian–Chinese) and maintenance Mila Alieva (English–Russian) Bagnoli srl Gabrielle Giraudeau (Italian–French) Alarm system assistance Family itinerary and maintenance James M. Bradburne Professional Security srl Cristina Bucci Chiara Lachi Air-conditioning/heating system assistance and and maintenance Communication and promotion R.S. -
Latin, French, Italian
Gigliola Cinquetti & Don Backy (1969) Written by bluelover Tuesday, 05 June 2012 16:53 - Last Updated Tuesday, 15 September 2015 13:31 Gigliola Cinquetti & Don Backy (1969) 01 - Il Treno Dell'Amore. 02 - Volano Le Rondine. 03 - La Boheme. 04 - Zero In Amore. 05 - La Pioggia. 06 - Vuoi. 07 - Piccola Citta. play 08 - Io Che Giro Il Mondo. play 09 - Una Ragazza Facile. 10 - Voglio Dormire. 11 - La Carita. 12 - Come, Adriano. 13 - Hei Mister Tamburino. 14 - Dimmi Cosa C'E. 15 - Fuggiasco. Gigliola Cinquetti (1-7), Don Backy (8-15) Orchestra Franco Monaldi Franco Monaldi – conductor Orchestra Frankie Stool Frankie Stool – conductor Orchestra Mariano Detto Mariano Detto - conductor Gigliola Cinquetti (born 20 December 1947 in Verona, Italy) is an Italian Pop singer. At the age of 16 she won the San Remo Music Festival in 1964 singing “Non ho l’età” (I’m not old enough), with music composed by Nicola Salerno and lyrics by Mario Panzeri. Her victory enabled her to represent Italy in the Eurovision Song Contest 1964 with the same song, and she went on to claim her country’s first-ever victory in the event and achieve the first UK Top 20 hit with a non-English-language Eurovision song. In 1966, she recorded “Dio, come ti amo” (God, how I love you), which became a world-wide hit. In 1974, she returned to the contest, again representing Italy, and finished second behind Sweden’s ABBA with the song “Sì” (Yes), the music and lyrics of which were written by Mario Panzeri, Daniele Pace, Lorenzo Pilat, and Carrado Conti. -
Novate Milanese
NOVATE MILANESE - AFFORI FN/M3 89 Fermata Novate Milanese Orario in vigore dal 26/03/2011 Da Lunedì a Venerdì Sabato Ore frequenza/passaggi Ore frequenza/passaggi Ore frequenza/passaggi 3 3 3 4 4 4 5 5 5 6 20 34 48 6 20* 39* 57* 6 7 02 15 28 41 54 7 14* 31* 48* 7 8 08 22 36 50 8 05* 23* 41^ 59* 8 9 04 18 32 54 9 21* 44* 9 10 16 38 10 06* 29* 51* 10 11 00 22 44 11 14* 36* 59* 11 12 06 28 50 12 21* 44* 12 13 12 34 56 13 06* 29* 51* 13 14 18 40 14 14* 36* 59* 14 15 02 24 46 15 21* 44* 15 16 08 30 52 16 06* 29* 51* 16 17 14 31 48 17 14* 36* 59 17 18 05 22 39 56 18 22 45 18 19 15 37 58 19 08 31 54 19 20 19 40 20 17 40 20 21 21 21 22 22 22 23 23 23 0 0 0 1 1 1 2 2 2 Note: * Devia per Via L. Modignani Via Sacro Cuore ^ Limita a Via Ciccotti (Affori FN/M3) 15487 NOVATE MILANESE - AFFORI FN/M3 89 Fermata Via Bollate Via Volta (Novate) Orario in vigore dal 26/03/2011 Da Lunedì a Venerdì Sabato Ore frequenza/passaggi Ore frequenza/passaggi Ore frequenza/passaggi 3 3 3 4 4 4 5 5 5 6 21 35 50 6 21* 40* 58* 6 7 04 17 30 43 56 7 15* 32* 49* 7 8 10 24 38 52 8 06* 24* 42^ 8 9 06 20 33 55 9 00* 22* 45* 9 10 17 39 10 07* 30* 52* 10 11 01 23 45 11 15* 37* 11 12 07 29 51 12 00* 22* 45* 12 13 13 35 57 13 07* 30* 52* 13 14 19 41 14 15* 37* 14 15 03 25 47 15 00* 22* 45* 15 16 09 31 54 16 07* 30* 52* 16 17 16 33 50 17 15* 37* 17 18 07 24 41 58 18 00 23 46 18 19 16 38 59 19 09 32 55 19 20 20 41 20 18 41 20 21 21 21 22 22 22 23 23 23 0 0 0 1 1 1 2 2 2 Note: * Devia per Via L. -
Xx X STAMPA Pop E Storia 1-2015
OK X STAMPA Pop e Storia 1-2015_IMP POPOLAZIONE E S 15/07/15 15:19 Pagina 135 The Long-Term Evolution of the Suburbs of Milan LUCA MOCARELLI University of Milano-Bicocca 1. The growing vitality of the Corpi santi from 18th century onwards. This paper deals with the long-term socio-economic evolution of the suburbs of Milan, one of the most dynamic European cities, and highlights the cause and effect of the most significant changes that have taken place since medieval times. The advance of the form and structure of the city may be considered as an almost organic process, with the pattern of urban expansion being determined by long term factors. Milan, in fact, has developed radially and throughout the early modern era was composed of three distinct zones: a ‘hypercentre’ within the ‘cer- chia dei navigli’; a second ‘belt’ between the ‘navigli’ and the 16th century Spanish walls; and an area outside the walls, the so-called Corpi santi. Most of the city, in terms of people and property, was to be found in the 264 hectares inside the ‘cerchia dei navigli’. At the beginning of the 19th century, this area was home to three quarters of the buildings and two thirds of the inhabitants of Milan. There were 560 or so hectares between the ‘cerchia’ and the ‘bastioni’, the Spanish walls built between 1548 and 1560. These walls created a clear separation between the city and the suburbs for the first time. This expanse featured numer- ous green areas adjacent to built-up areas which were situated mainly around the radial highways leading to the six main gateways of the city1. -
August 5 – 18, 2019 Imagine
August 5 – 18, 2019 imagine... essage from he Governor General of Canada Welcome to the Tuckmore Chamber Music Festival in beautiful, historic St. John's, Newfoundland and Labrador. Since its foundation in 2001, thanks to its diversified and high-quality programming, the Festival has delighted new enthusiasts, as well as long-time chamber music lovers. And this year's edition is no exception! The Festival is not only a premier arts and culture event attracting world-class artists, but it is also a hub of educational activites and mentorship that enriches the lives of young musicians and composers. Congratulations to all the accomplished performers, volunteers and organizers who have shaped the Festival into what it has become today: a true celebration of music! Her Excellency the Right Honourable Julie Payette, Governor General of Canada essage from The Honourable inister of anadian eritage and Multiculturalism Welcome to the 2019 Tuckamore Chamber Music Festival! Across the country, the arts bring us together in a shared celebration of our history, traditions and cultural diversity. Our government is proud to support events that give people the opportunity to experience the arts within their communities. This is why Budget 2019 includes increased funding to help Canadians discover our culture and let Canadian artists shine. Once again this year, the Tuckamore Festival is allowing audiences in St. John’s to appreciate the exceptional talent of musicians and giving them the chance to enjoy high-quality artistic experiences. With a diverse array of concerts, masterclasses and other outreach activities for music lovers, the Festival is a great time to make discoveries, celebrate our rich heritage and share the passion of the performers. -
Florentine Convent As Practiced Place: Cosimo De'medici, Fra Angelico
Bowling Green State University ScholarWorks@BGSU Art History Faculty Publications Art 2012 Florentine Convent as Practiced Place: Cosimo de’Medici, Fra Angelico, and the Public Library of San Marco Allie Terry-Fritsch Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/art_hist_pub Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Repository Citation Terry-Fritsch, Allie, "Florentine Convent as Practiced Place: Cosimo de’Medici, Fra Angelico, and the Public Library of San Marco" (2012). Art History Faculty Publications. 1. https://scholarworks.bgsu.edu/art_hist_pub/1 This Article is brought to you for free and open access by the Art at ScholarWorks@BGSU. It has been accepted for inclusion in Art History Faculty Publications by an authorized administrator of ScholarWorks@BGSU. Medieval Jewish, Christian and Muslim Culture Encounters in Confluence and Dialogue Medieval Encounters 18 (2012) 230-271 brill.com/me Florentine Convent as Practiced Place: Cosimo de’Medici, Fra Angelico, and the Public Library of San Marco Allie Terry-Fritsch* Department of Art History, 1000 Fine Art Center, Bowling Green State University, Bowling Green, OH 43403, USA *E-mail: [email protected] Abstract By approaching the Observant Dominican convent of San Marco in Florence as a “prac- ticed place,” this article considers the secular users of the convent’s library as mobile specta- tors that necessarily navigated the cloister and dormitory and, in so doing, recovers, for the first time, their embodied experience of the architectural pathway and the frescoed decora- tion along the way. To begin this process, the article rediscovers the original “public” for the library at San Marco and reconstructs the pathway through the convent that this secu- lar audience once used. -
58B. Early Italian Renaissance Donatello
HUMANISM and the CLASSICAL TRADITION: EARLY ITALIAN RENAISSANCE (Donatello and Early Renaissance Sculpture) In the early fifteenth century, the two most important sculptural commissions in Florence were the new bronze doors for the Florence Cathedral Baptistery and the exterior decoration of the Church of Orsanmichele. Orsanmichele, once an open- arcaded market, was both the municipal granary and a shrine for the local guilds. After its ground floor was walled up near the end of the fourteenth century, each of the twelve niches on the outside of the building was assigned to a guild, which was to commission a large figure of its patron saint or saints for the niche. Nanni di Banco. Quattro Santi Coronati, (Or San Michele, Florence), c. 1408-1414, marble Nanni di Banco (c. 1385-1421), son of a sculptor in the Florence Cathedral workshop, produced statues for three of Oransmichele’s niches in his short but brilliant career. The Four Crowned Martyrs was commissioned about 1410- 1413 by the stone carvers and woodworkers’ guild, to which Nanni himself belonged. These martyrs, according to legend, were third-century Christian sculptors executed for refusing to make an image of a Roman god. Although the architectural setting resembles a small-scale Gothic chapel, Nanni’s figures- with their solid bodies, heavy, form-revealing togas, and stylized hair and beards- nevertheless have the appearance of ancient Roman sculpture. Their varying physiognomies and ages identify them as distinct individuals, and their unity of purpose is reinforced by their formal unity; their semicircular arrangement repeats the curve of the niche. Their gestures, serious expressions, and heavy draperies reflect the gravity of the decision they are about to make.