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Entrepreneuring in Africa's Emerging Fashion Industry
Fashioning the Future Entrepreneuring in Africa’s Emerging Fashion Industry Langevang, Thilde Document Version Accepted author manuscript Published in: The European Journal of Development Research DOI: 10.1057/s41287-016-0066-z Publication date: 2017 License Unspecified Citation for published version (APA): Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. https://doi.org/10.1057/s41287-016-0066-z Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry Thilde Langevang Journal article (Accepted version*) Please cite this article as: Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. DOI: 10.1057/s41287-016-0066-z This is a post-peer-review, pre-copyedit version of an article published in The European Journal of Development Research. The final authenticated version is available online at: DOI: https://doi.org/10.1057/s41287-016-0066-z * This version of the article has been accepted for publication and undergone full peer review but has not been through the copyediting, typesetting, pagination and proofreading process, which may lead to differences between this version and the publisher’s final version AKA Version of Record. -
Volume 23, Issue 8
Environmental Building NewsTM The Leading Source for Environmentally Responsible Design & Construction A Publication of BuildingGreen, Inc. www.BuildingGreen.com Volume 23, Number 8 · August 2014 or less energy than the project team Natural Ventilation: The Nine Biggest anticipated. Most importantly, a successful natural ventilation system Obstacles and How Project Teams must be attuned to the local micro- Are Beating Them climate and the occupants’ micro- culture in a way that most other Designers are reinventing the art and science of passive comfort control design strategies simply don’t require. even where climate and culture favor mechanical systems. All this makes some project teams balk By Paula Melton at the idea from day one, and most never even consider it—yet even in The Eastgate building in Harare, savings to a decrease in sick days due the U.S., where climates and cultural Zimbabwe, is world-famous for its to the amount of fresh air. “Air-con- expectations typically make mechan- biomimetic passive cooling system, ditioned offices recirculate the air at ical HVAC a given, there are project inspired by termite mounds. The least six times; otherwise you waste so teams pursuing natural ventilation for fan-assisted network of thermal much energy. In my system, there is no its energy and air-quality benefits. labyrinths and chimneys cools the recirculation at all; it’s all fresh air.” space economically and “uses about Why Natural Ventilation? 10% of the energy” consumed by a As the contrast between these two mechanically conditioned building buildings demonstrates, the reasons There are three primary reasons to next door, architect Mick Pearce told for natural ventilation differ by design a building for natural ventila- EBN. -
Materiales Complementarios 2021
MATERIALES COMPLEMENTARIOS 2021 Comprensión y Producción de Textos en Artes | Ciclo introductorio Escuela Universitaria de Artes | Universidad Nacional de Quilmes Lic. María de la Victoria Pardo ÍNDICE Capítulo I Concepto de autor María Moreno: La intrusa 3 Ficción, mímesis y verosimilitud El incendio del Museo del Prado 6 Discurso periodístico COVID-19 en los medios 9 Capítulo II Narración y descripción Jorge Luis Borges y Margarita Guerrero: La anfisbena 23 Laura Malosetti Costa: Comentario sobre Le lever de la bonne 24 Juan José Saer: El limonero real 26 Autobiografía Roberto Arlt 29 César Tiempo 30 Relato testimonial Marta Dillon: Aparecida 31 Capítulo IV Ensayo Juan Coulasso: Reinventar el teato 36 Mercedes Halfon: No es arte, es dinamita 39 Ana Longoni: (Con)Textos para el GAC 44 Boris Groys: Internet, la tumba de la utopía posmoderna 51 Martha Nanni: Ramona 61 Ticio Escobar: Tekopora. Ensayo curatorial 68 Chimamanda Adichie: El peligro de una sola historia 95 2 Capítulo I | Concepto de autor María Moreno: “La intrusa” Página 12 | 7 de marzo de 2017 (versión libre en honor al paro del 8 de marzo) Yo supe la historia por una muchacha que tiene su parada frente a la estación de ómnibus, en una esquina de Balvanera, no viene al caso decir cuál. Se la había contado, su tátara tátara tía abuela, la compañera de vida de Juliana Burgos, así dijo. Con la contada por Santiago Dabove a Borges y la que Borges a su vez oyó en Turdera tiene “pequeñas variaciones y divergencias”. La escribo previendo que cederé a la tentación literaria de acentuar o agregar algún pormenor como Borges declaró que haría en la primer página de La intrusa. -
Approaches and Challenges to Applying Biomimetic Design Principles in Architecture
Natural Genius: Approaches and Challenges to Applying Biomimetic Design Principles in Architecture A thesis submitted in partial fulfillment of the requirements for graduation with Departmental Honors in the Program in Environmental Design by Danielle Brodrick Program in Environmental Design University of Colorado Boulder April 8th, 2020 Examining Committee: Seth Wilberding Thesis Chair Program in Environmental Design Lisa Barlow Committee Member Environmental Studies Program Danielle Bilot Committee Member Program in Environmental Design Natural Genius: Approaches and Challenges to Applying Biomimetic Design Principles in Architecture i Abstract This study explores how architects apply biomimetic design processes in their practice. To investigate this phenomenon, eight prominent design professionals from the United States, Canada, and Germany were interviewed to ascertain the opportunities they encounter and the challenges they face when applying biomimetic approaches. Interview data were analyzed according to a hermeneutic coding process to identify emergent themes, such as constraints, common research practices, and gaps in knowledge, as well as the interrelationships between those themes. All synthesized themes were presented as a series of observations, insights, and guidelines to help inform the biomimetic design process for architecture. A set of results were compiled from the collected data in the form of five main themes: the biomimetic design process, systems thinking, resources, opportunities and existing gaps, and constraints. These observations, insights, and guidelines are intended to present biomimetic design to architectural designers as a list of recommendations to allow for biomimicry to become a more widespread design approach. Study IRB Approval Approval to conduct the research reported in this thesis was given by The University of Colorado Boulder’s Institutional Review Board (IRB) on 11th November 2019. -
A CURA DI CHANGIZ JALAYER Reza Abedini Nasce a Teheran in Iran Silver Prize: Second International Poster Nel 1967
A CURA DI CHANGIZ JALAYER Reza Abedini nasce a Teheran in Iran Silver Prize: Second international poster nel 1967. Nel 1985 si diploma in Grafica Biennale Korea 2004 all’Liceo artistico e nel 1992 si laurea in First prize: The First international Bien- Pittura all’Università di Teheran. nale of the Islamic world Poster Iran 2004 Nel 1989 comincia la sua carriera pro- Bronze Medal: The 2nd China Internatio- fessionale come Grafico e nel 1993 fonda nal Poster Biennial CIPB China 2005 “Reza Abedini Studio”. First prize: 9th Press Festival of Children Dal 1996 comincia la sua attività didatti- & Young Adults Iran 2005 ca insegnando varie materie come Grafi- ca, Visual Design, Tipografia... Attività A member of Iranian Graphic Inoltre, organizza diversi Workshop Designers Society, 1997, come: ECV France, Paris | Hallo Academy, A member of Alliance Graphique Inter- Holland | Intuit/Lab France, VCUQ, Qatar national (AGI) 2001 | LAU, Lebanon | Mimar Sinan, Turkey The Supervisor of the cultural commit- tee of I.G.D.S, 1999 Mostre Film Poster, Tehran 1993, 94, 96 Writer and Critic in the field of Visual | Biennale Tehran, 1991, 99, 03 | Cultural arts since, 1990, Posters, Qeshm Island, 1998 | 4th Gene- Editor of the visual Section of Sureh ration, Tehran1998 | Self-promotional monthly magazine, 1992-1993, Posters, Tehran, Iran, 2001 | In the Op- Managing director and editor-in -chief of posite Direction, Iran, Solo, 2001 | In The Manzar, Occasional Pictorial magazine Beginning, Iran Solo Exhibition, 2001 | Return, Iran, Solo, 2002 | Answer?, Solo, Pubblicazioni The Prophet by Khalil Ji- 2002 | Brno | Hong Kong | Korea | War- bran, Iran, 1997 saw | Paris | Qazvin | Japan | Echirolles Manzar Pictorial Book, Iran, 1999 | Toyama | Trnava | China | Ukraine | Co- The Art of Print, The textbook of Iran Art lorado | Essen | Choumont | Istanbul | Schools, Iran, 2000 Beirut | Doha .. -
Acapulco2 Def Arno Pronk
Nature’s Experiences for Building Technology Ir A.D.C. Pronk Monique Blacha & Anne Bots Building Technology Department Eindhoven University of Technology Postbus 513 5600 MB Eindhoven, Netherlands E-mail: [email protected]; [email protected]; [email protected] Abstract The modern building culture is in constant search for new technologies to realize the wish to design without limitations. Designers and technologists are challenged to outnumber each other with new ideas. This research can take place in different ways. Biomimicry is such a way. It is a new point of view that analyzes and imitates nature’s best ideas to solve human problems; "innovation inspired by nature.” However, some of these studies in the field between nature and technique have been undertaken earlier by other scientists such as Frei Otto. The technology of Biomimicry can be applied in different areas such as in building technology. The importance of mathematics in certain fields such as physics and architecture has been known for a long time but recently its power has also been discovered in biology and nature. This paper gives a short analysis of mathematical patterns and structures in nature in order to find the opportunities of using these patterns and structures in building technology. To achieve this goal this paper shows examples of these patterns and structures already used in building technology in order to find possibilities and challenges for it in the future. For example, a nature’s structure, like a human bone is used to develop a concrete bone-like façade element. -
Ajoka Theatre As an Icon of Liberal Humanist Values
Review of Education, Administration and Law (REAL) Vol. 4, (1) 2021, 279-286 Ajoka Theatre as an Icon of Liberal Humanist Values a b c d Ambreen Bibi, Saimaan Ashfaq, Qazi Muhammad Saeed Ullah, Naseem Abbas a PhD Scholar / Associate Lecturer, Department of English, The Islamia University of Bahawalpur, Pakistan Email: [email protected] b Associate Lecturer, Department of English, The Islamia University of Bahawalpur, Pakistan Email: [email protected] c Associate Lecturer, Department of English, The Islamia University of Bahawalpur, Pakistan. Email: [email protected] d Visiting Lecturer, Department of English, BZU, Multan, Pakistan Email: [email protected] ARTICLE DETAILS ABSTRACT History: There are multiple ways of transferring human values, cultures and Accepted 23 March 2021 history from one generation to another. Literature, Art, Paintings and Available Online March 2021 Theatrical performances are the real reflection of any civilization. In the history of subcontinent, theatres played a vital role in promoting the Keywords: Pakistani and Indian history; Mughal culture and traditions. Pakistani Ajoka Theatre, Liberal theatre, “Ajoka” played significant role to propagate positive, Humanism, Performance, humanitarian and liberal humanist values. This research aims to Culture, Dictatorship investigate the transformation in the history of Pakistani theatre specifically the “Ajoka” theatre that was established under the JEL Classification: government of military dictatorship in Pakistan in the late nineteenth L82 century. It was not a compromising time for the celebration of liberal humanist values in Pakistan as the country was under the rules of military dictatorship. The present study is intended to explore the DOI: 10.47067/real.v4i1.135 dissemination of liberal humanist values in the plays and performances of “Ajoka” theatre. -
Ticio Escobar
Art in Translation, Volume 3, Issue 1, 2011, pp. 87–114 [rhead – r]Parallel Modernities [rhead – v]Ticio Escobar [artitle]Parallel Modernities. Notes on Artistic Modernity in the Southern Cone of Latin America: The Case of Paraguay [au]Ticio Escobar [trans]Translated by Hilary Macartney [source]First published in Spanish as “Modernidades Paralelas. Notas sobre la modernidad artística en el cono sur: el caso paraguayo,” El arte fuera de sí, 2004 [abs]Abstract The author of this article is one of the most important intellectuals in the Latin American artistic scene. Focusing on the particular case of Paraguay, which was governed by the dictatorship of Alfred Stroessner from 1954 until 1989, Escobar traces the modernist impulse in Paraguay and traces its complicated and disturbed relationship with European and North American models and antecedents: Neo- Impressionism, Cubism, Expressionism, Abstraction, and similar. While they reflect the particular political conditions under which the artists worked, the diverse and many-voiced Paraguayan responses also offer an exemplary set of responses that shed light on the development twentieth-century modernist art and visual culture across the broader South American continent. [key]Keywords: Paraguay, Latin Americas, modern art, colonialism, post-colonialism, dictatorship, Mestizo, Creole, Hispano-Guarini, Martinfierrista Revolution, Arte Nuevo, Los Novísimos, postmodernism, utopia, re-figuration [inta]Introduction by Gabriela Siracusano [intx]In this article, Ticio Escobar, one of the most outstanding Latin American art critics, aims to put into discussion the several and disrupted ways modernity takes place in the Latin American artistic Art in Translation, Volume 3, Issue 1, 2011, pp. 87–114 scene, focusing on Paraguay. -
Towards an Arts and Culture Market in Africa
Towards an Arts and Culture market in Africa By Mwalimu George Ngwane (In memory of Nzante Spee (Cameroonian Artist) and Yvonne Vera (Zimbabwean writer) Preliminary The recent South African Arts and Culture exhibition in Cameroon was both a forum for intercultural dialogue and a launching pad for creating an Arts and Culture market at continental level. Drawn from its rich art diversity, the South African exhibition succeeded in showcasing its performing and visual arts as well as its local cuisine. For those who have visited South Africa, the exhibition was a tip of the iceberg. The “land of Madiba” is home to a splendid immovable cultural patrimony (the 220.000year old Tswaing meteorite crater, the Voortrekker monument heritage site, the 11km long Moreleta spruit trail etc). Its film industry epitomized by the Film Resource Unit in Johannesburg has not only played an irrefutable role in the process of democratization and the transformation of the cultural climate of South Africa but is in the vanguard of seeking cooperative ventures with partners in the sub-regions of Southern Africa, West Africa and Central Africa. On December 7, 2005, the South African cartoonist, Jonathan Shapiro alias Zapiro will , in recognition of his role in stimulating social and cultural development in Africa, be awarded the prestigious Prince Claus Fund prize (with a whopping cash prize of 100.000 Euro) in Netherlands. From its Arts Alive International Festival which is an annual September event focusing on the performance arts and performance poetry through its annual March “Time for the writer forum” which brings together emerging and established writers from Africa, to the maiden South African International Book Fair to hold in 2006, South Africa is poised to assume its renaissance role as a pivotal state for a market of arts and culture without boundaries. -
Shahid NADEEM, Pakistan
Message for World Theatre Day 2020 by Shahid NADEEM 27 March 2020 English (original) Shahid NADEEM, Pakistan Theatre as a Shrine It is a great honour for me to write the World Theatre Day 2020 Message. It is a most humbling feeling but it is also an exciting thought that Pakistani theatre and Pakistan itself, has been recognized by the ITI, the most influential and representative world theatre body of our times. This honour is also a tribute to Madeeha Gauhar1, theatre icon and Ajoka Theatre2 founder, also my life partner, who passed away two years ago. The Ajoka team has come a long, hard way, literally from Street to Theatre. But that is the story of many a theatre group, I am sure. It is never easy or smooth sailing. It is always a struggle. I come from a predominantly Muslim country, which has seen several military dictatorships, the horrible onslaught of religious extremists and three wars with neighbouring India, with whom we share thousands of years of history and heritage. Today we still live in fear of a full-blown war with our twin-brother neighbour, even a nuclear war, as both countries now have nuclear weapons. We sometimes say in jest; “bad times are a good time for theatre”. There is no dearth of challenges to be faced, contradictions to be exposed and status quo to be subverted. My theatre group, Ajoka and I have been walking this tightrope for over 36 years now. It has indeed been a tight rope: to maintain the balance between entertainment and education, between searching and learning from the past and preparing for the future, between creative free expression and adventurous showdowns with authority, between socially critical and financially viable theatre, between reaching out to the masses and being avant-garde. -
New African Fashion
NEW AFRICAN FASHION NAF_180411.indb 1 10.08.11 14:05 2 HELEN JENNINGS NEW AFRICAN FASHION NAF_180411.indb 2 10.08.11 14:05 Introduction PRESTEL Munich • London • New York 3 NAF_180411.indb 3 10.08.11 14:05 CONTENTS NAF_180411.indb 4 10.08.11 14:05 FOREWORD by Iké Udé 6 FACES 172 Kinée Diouf Super Model 174 INTRODUCTION 8 Alek Wek Model Citizen 178 Under cover Agents Candice Swanepoel, Behati Prinsloo and Heidi Verster 182 Armando Cabral Sole Man 184 FASHION 18 Flaviana Matata Class Act 188 Duro Olowu Prints Charming 20 Nana Keita Bamako Beauty 190 Xuly Bët Recycling Pioneer 26 The Harlem Boys Ger Duany, Salieu Jalloh Mimi Plange Afro-disiac 30 and Sy Allasane 192 Casely-Hayford Two of a Kind 32 Faces of Africa Oluchi Onweagba, FAFA Destination Nairobi 38 Kate Tachie-Menson and Lukundo Nalungwe 196 Gloria Wavamunno Loud Speaker 42 David Agbodji Man About Town 200 Amine Bendriouich Medina Maverick 44 Georgie Baddiel Ouagadougou Girl 202 Maki Oh The Thinker 46 Ty Ogunkoya Bright Eyes 206 Eric Raisina Spiritual Explorer 52 Ataui Deng & Ajak Deng Fabulous Two 208 Omer Asim & Maya Antoun Great Minds 56 Ozwald Boateng Bespoke Couturier 58 Mataano Sisters in Style 64 ART 212 Lanre Da Silva Ajayi Silver Siren 68 Karl-Edwin Guerre Fine Dandy 214 Black Coffee Bastion of Bauhaus 70 Hassan Hajjaj Arabian Knight 220 Momo Renaissance Woman 76 Chris Saunders Happy Snapper 226 Bunmi Koko Power Couple 80 Nkwo Bird of Paradise 82 Stiaan Louw (Un)traditionalist 84 Loin Cloth & Ashes Daydreamer 90 GLOSSARY Tsemaye Binitie Glamazon 94 Tiffany Amber Cruise Controller 96 & FURTHER READING 234 Buki Akib Quintessential Nigerian 102 Bridget Awosika City Slicker 106 INDEX 236 Accessories Alex Folzi, Kwame Brako, Anita Quansah, Albertus Swanepoel, Free Peoples Rebellion 108 CONTACTS 238 David Tlale Hot Ticket 114 Ré Bahia Mummy’s Girl 118 PICTURES CREDITS 239 Jewel by Lisa Star Bright 120 Emeka Alams Slave to the Rhythm 126 Suzaan Heyns Fashion’s Frankenstein 130 Deola Sagoe Queen Bee 132 A. -
Women Who Remember
About Us Online advertisement tariff Friday, August 16, 2019 $ Search... % Home Editorials News Features Hot Features Audio # Good Times Home ∠ Features Women who remember by Ammara Ahmad — August 24, 2018 in Features, Latest Issue, August 24-30, 2018 Vol. XXX, No. 2 " 3 In the past few years after the death of my grandfather, I started seeking information regarding the Indian Partition and its survivors. I wanted to ensure the story is recorded. I am the third generation after Partition. And I was in for a pleasant surprise. Today, a lot of work being done to recover, record and preserve everything related to the “great divide” is being done by women. Perhaps because they found these empty spaces in the narratives to fill with their work, to give voice to the silence and create a mark where there is none. Maybe because family members shared more stories and details with their daughters and granddaughters. And probably because women could resonate with the stories of their predecessors more. Historian Ayesha Jalal Most of these women, like myself, are the daughters and granddaughters of the survivors. Almost all of them are based outside the Indian Subcontinent or educated abroad. Their work often transcends borders and takes a holistic approach. Most of them have traveled between India, Pakistan and Bangladesh for work, research or just leisure. Women are an integral part of the story of Partition. Particularly because of the violence, trauma, and silencing that they suffered during and after 1947. Maybe because family members shared more stories and details with their daughters and granddaughters.