Jennifer Sue Crawford-Moluf

Total Page:16

File Type:pdf, Size:1020Kb

Jennifer Sue Crawford-Moluf Jennifer sue crawford-moluf Continue American model and actress Cindy Crawford Crawford in 2015BornCynthia Ann Crawford (1966-02-20) February 20, 1966 (age 54)DeKalb, Illinois, U.S. Profession Model Actress TV presenter Years active1985-present for Kate McKuin in fair Game Host from MTV House Style Spouse (s) Richard Gere (m. 1991; div. 1995) Rande Gerber (m. 1998) Kids2, including Kaia Gerber Models informationHeight5 feet (Websitewww.cindy.com 175 cm) 1966) , actress and businesswoman. Her years of modeling success have made her an international celebrity, which has led to roles in television and film, as well as other business endeavors. In the 1980s and 1990s, Crawford was one of the most popular supermodels and is ubiquitous on magazine covers, runways and fashion campaigns. The early life of Cynthia Ann Crawford was born in DeCulba, Illinois, on February 20, 1966, to the daughters of Dan Crawford and Jennifer Sue Crawford-Mouluf (nee Walker). She has two sisters, Chris and Danielle, as well as a brother, Jeffrey, who died of leukemia at the age of 3. She stated that her family had been in the United States for generations and that her ancestry was mostly German, English and French. Appearing in the episode Who do you think? in 2013, she discovered that her ancestors included the English nobility and continental royal families of the Middle Ages and that she was a descendant of Charlemagne. In her sophomore year in high school, she received a call from a local clothing store regarding modeling work, only to discover that it was a practical joke created by two of her classmates. However, the following year another store hired a number of schoolgirls, including Crawford, to work for them (including a fashion shoot). In her junior year, local photographer Roger Legel, whose duties included photographing another college girl to be coed in this week's DeKalb Nite Weekly, asked to take a picture of her for publication; the result was Crawford's first cover. The photos and positive feedback she received were enough to convince her to do modeling. At the age of 17, she took part in the Appearance of the Year competition for the management of elite models and took second place. The elite management model in Chicago then began to represent it. Crawford graduated from DeKalb High School in 1984 as a valedictorian. She received an academic scholarship to study chemical engineering at Northwestern University, where she studied only a quarter. She dropped out to pursue a full-time modeling career. After working for photographer Victor Skrebneska in Chicago, Crawford moved to New York in 1986 and signed with the modeling agency Elite New York. A career in the 1980s and Crawford was one of the most popular supermodels and a ubiquitous presence on the covers of magazines, runways, and fashion campaigns. She has appeared repeatedly and frequently on the covers of many magazines including Vogue, W, People, Harper's Bazaar, Elle, Cosmopolitan and Allure. A partial number in 1998 amounted to more than 500 performances. Crawford walked the runways for Chanel, Versace, Dolce and Gabbana, Christian Dior, Calvin Klein, Ralph Lauren, Michael Kors, Todd Oldham, DKNY and Valentino. Crawford has also appeared in many fashion campaigns throughout his career, including for Versace, Calvin Klein, Escada, David Yurman, Oscar De La Renta, Balmain, Hermes, Ellen Tracy, Valentino, Bally, Liz Claiborne, Herve Leger, Halston, Ann Klein, Isaac Mizrahi, Blumarine, Guess, Ink, Gap, and Revlon. She has also worked in Omega, Maybelline, Clairol, Pepsi and Chilean retail stores Ripley (a partner of Macy's). In 1987, Crawford appeared during the opening credits of Michael J. Fox's film The Secret of My Success. Three years later, she appeared alongside top models Christy Turlington, Linda Evangelista, Tatiana Patitz and Naomi Campbell on the cover of British Vogue magazine in January 1990. Crawford and the other four models subsequently appeared in the music video for George Michael's hit Freedom 90 in the same year. Crawford subsequently played Jon Bon Jovi's lost love in the 1994 music video for his version of Please Come Home For Christmas, John Taylor in the 2011 music video for Duran Duran's song Girl Panic (featuring supermodels as a band including Naomi Campbell as Simon Le Bone) and a headmistress in the 2015 music video for Taylor Swift's Bad Blood as the band's band member, including Jessica Alba. , Selena Gomez (Arsin), and other models Lily Aldridge, Cara Delevingne, Gigi Hadid, Martha Hunt and Karlie Kloss (as Frostbait, Mother Chaker, Slay-I, Homeslice and Knockout respectively). The red Versace dress she wore at the 63rd Academy Awards in 1991 had a big impact on fashion, and many copies and fakes of the dress were released. In 1992, Crawford, through GoodTimes Home Video, and her company Crawdaddy Productions made a video with Radu Theodorescu named Cindy Crawford: Shape Your Body; despite criticism from some who? for being insecure, he was extremely successful and led to two equally lucrative follow-up activities, Cindy Crawford: The Next Challenge in 1993 (again with Radu) and Cindy Crawford: A New Dimension in 2000; The latter, made with fitness expert Katie Koehler and produced shortly after Crawford gave birth to her first child, was aimed at new mothers returning to form. In 2001, Crawford also made a short fitness video aimed at kids, Mini-Muscles with Cindy Crawford and Fit-Wits, animated involving the voice of Crawford (who also appears early in the Radu and Kobe Bryant. In the first issue of George magazine, a short-lived political magazine in the 1990s, the cover featured Crawford dressed as George Washington. In 2005, the American Society of Magazine Editors listed it as the 22nd best magazine cover in 40 years. Crawford is 5ft 9in (175cm) tall with brown hair and eyes. Her measurements are 34-25.5-36 . Crawford's trademark is a mole (or beauty sign) above the upper lip. She is so closely associated with this physical feature that she appeared in an Australian advertising campaign for flavored milk featuring a television commercial in which she licked her own mole. Her resemblance to model Gia Karanga led her to be known as Baby Gia. Crawford was also on television and in the movies in 1995. From 1989 to 1995, Crawford was the lead and executive producer of MTV Style House. In the early 1990s, Crawford appeared in commercials for Pepsi and Pepsi Stuff. In 1992, she appeared in a Pepsi Super Bowl commercial that aired during Super Bowl XXVI. In 2016, Pepsi released a remake of the video featuring Crawford. In 1995, Crawford broke into the cinema as a female role in the film Honest Game. Her performance was prepared by critics, - commented Leonard Maltin. - In her acting debut, supermodel Crawford makes a good runner. The film was also a financial failure, with costs of $50 million and $11 million at the box office. In 2001, she costarred as part of an ensemble thrown into the Simian Line. Again the film was not successful or critical, but Crawford's actions were not criticized. She had many smaller guest roles starring on television and as a supporting role, often playing herself. For example, in 2000 she was one of the celebrities (along with Victoria Silvstedt, Anna Falci and Megan Gale), playing herself in the Italian comedy Body Guards - Guardie del corpo. In the 1990s, Carol Shaw, her makeup artist, named the color of the lipstick after Crawford as part of the Lorac Cosmetics lip line. In July 1988, she posed nude for Playboy magazine on the set of photographer Herb Ritts. In October 1998, Crawford returned to the Playboy pages for the second nude image, again taken by Ritts. Crawford consistently ranks high on the list of the sexiest people in the world. She was ranked 5th in the list of the 100 sexiest stars of the 20th century by the Playboy rating. A 1997 Form magazine survey of 4000 chose her as the second (after Demi Moore) most beautiful woman in the world. In 2002, Crawford was named one of the 50 most beautiful people on People magazine. In her forties, she claimed No. 26 in the 2006 Hot 100 issue of Maxim magazine. She was named No 3 on VH1 in the 40 Hot Hotties of the 90s and was named one of the 100 hottest women of all time by male After modeling quit full-time modeling in 2000 and now appears only occasionally in fashion magazines. In 2005, Crawford created a line of cosmetic products with Jean-Louis Sebagh called Meaningful Beauty for Guthy-Renker. Crawford said she regularly receives certain cosmetic procedures, including Botox injections and vitamins. She first saw a plastic surgeon at the age of 28. In 2005, Crawford launched a new furniture line called Cindy Crawford Home Collection. The collection was made by HM Richards Inc. She helped create the line by consulting on features, colors or styles that met the needs of families or reflected her own tastes. It also has a furniture line with Raymour and Flanigan and launched a homewares line with J. C. Penney in late 2009. Crawford in October 2009, in 2009, Crawford was one of many celebrities who were photographed by Deborah Anderson for the coffee table book number 23, produced by philanthropist Diana Jenkins. In addition to appearing in the book, Crawford was a cover model and wrote the dedication. In September 2015, a book about Crawford's life and career was published, written by Crawford and Catherine O'Leary. Crawford and her daughter Kaia appeared together on the cover of the April issue of Vogue Paris in April 2016.
Recommended publications
  • (QTR) Apparel Program Supercharges Licensing in Complementary Categories Across Isaac Mizrahi, H Halston, and Judith Ripka Brands
    November 9, 2016 Xcel Brands, Inc. Quick Time Response (QTR) Apparel Program Supercharges Licensing in Complementary Categories Across Isaac Mizrahi, H Halston, and Judith Ripka Brands NEW YORK, Nov. 09, 2016 (GLOBE NEWSWIRE) -- Xcel Brands, Inc. (NASDAQ:XELB) is pleased to announce multiple new licenses across its owned brands as licensees look to pursue growth in categories complementary to Xcel's successful quick time response (QTR) apparel programs at Lord & Taylor and Hudson's Bay stores. CEO and Chairman of Xcel Brands, Inc. Robert W. D'Loren remarked, "With the rise of a ‘see-now-buy-now' consumer shopping mentality and the need to respond to trends as they happen, Xcel created an innovative solution to bring exclusive brands to our department store partners in a quick time response format. The rapid growth of these apparel programs has generated excitement within the licensing community across numerous complementary categories. With these new partnerships we will continue to build meaningful lifestyle brands under the IMNYC Isaac Mizrahi and H Halston labels." New licensees under the Isaac Mizrahi brand include tech accessories and luggage, with product set to retail in Spring 2017. Xcel Brands, Inc. entered into a licensing agreement with Bytech NY Inc. for tech accessories for smartphones, PCs, tablets, and personal audio across the Isaac Mizrahi New York, IMNYC Isaac Mizrahi, and Isaac Mizrahi Live! labels. Xcel also entered into a licensing agreement with Longlat Inc. for a collection of hard and soft luggage under the Isaac Mizrahi New York and Isaac Mizrahi Live! labels. New licensees under the H Halston brand include sleepwear and intimates, legwear and slippers, and non-optical sunglasses and readers.
    [Show full text]
  • Facilitator Fact Sheet
    The Body Project: Facilitator Fact Sheet 1. Fashion Magazines (According to former fashion magazine editor; International Conference on Eating Disorders) Function of a fashion magazine: To convince women that something is wrong with them (e.g., hair, body, sex life, etc.) so that they can sell their product (i.e., the content of the magazine) to fix it. The more anxious they make you, the more likely you will buy the magazine and the larger their readership, which increases advertising sales. How they convince you something is wrong o Lead articles: Pulitzer Prize winning article on eating disorders or cancer not going to win author a big bonus. However, writing an article which produces the following title will: “You never knew what your butt looked like from the rear! Strategies for a better behind.” o Idealized images: Digital enhancement, make-up, clothes pinning etc. At this editor’s magazine, many of the key staff had eating disorders due to a culture of disordered eating and weight/shape attitudes. o Couldn’t bring food onto the floor, because it was too upsetting for some staff o One woman brought scale to work and moved scale around bathroom floor until she got an acceptable weight. 2. Advertising Strategies A. Physical Tactics Bras are stuffed with pads to fill out the front of a dress that is too loose. Padded underwear is also used to fill out the back of a dress. Duct-tape is often used to tape breasts together to create cleavage. Girdles are used to squeeze the flesh of models into a dress sample size that is too small.
    [Show full text]
  • Gigi Hadid Photographed by Helena Christensen Exclusively for the May 2019 Issue of Vogue Czechoslovakia
    Gigi Hadid photographed by Helena Christensen exclusively for the May 2019 issue of Vogue Czechoslovakia The May issue of VOGUE CS features a photo shoot with one of the most sought after models in the world - Gigi Hadid. It is the first time Gigi has invited a magazine to her family farm located near New York. Helena Christensen, the Danish supermodel and icon of the nineties - who is also a successful photographer, shot the American model there for the Czechoslovak edition of the world‘s most important fashion magazine. Gigi wore clothes from several Czech fashion designers throughout the cover story. “I am delighted that thanks to the friendship of Eva Herzigova, Helena Christensen and Gigi Hadid, we could photograph Gigi in her secret place, where she has not yet invited any other photographer or jour- nalist. We tried to show Gigi as she’s never been seen before, with her horses, in a place she loves,” says Andrea Běhounková, Editor-in-Chief of Vogue CS. “I wanted her to be as much of herself as possible on her farm among horses, surrounded by nature. Gigi finds not only inspiration, but above all peace and security, in this environment. I wanted to capture her essence, the little girl that still remains in her. The wind blows in her hair, her eyes are full of expectations that something special will happen,” says Helena Christensen. Gigi Hadid personally invited Helena Christensen and the Vogue CS team to her farm located near New York which she shares with her mother and siblings. To capture the intimate and dreamlike atmosphere of the place, Helena Christensen combined digital photography with expired Polaroids.
    [Show full text]
  • THE EMPEROR HAS HO CLOTHES All Hail New
    fi % ST This year's biggesi losers, both Gorgeous and Grotesque! THE EMPEROR HAS HO CLOTHES All hail New York University President L. Jay Oliva, our distinguished unanimous choice for... BEST UNDRESSED MAN, 1994. Huzzah!!! HuzzahN! Huzzah!!! JSJ/O B u M b l E F u c k A i r Liines W e 'U TAkE you WHERE INO ONE ELSE WANTS TO GO. GRAND HAVEN Like sunny Grand Haven, M ichigan, hom e of the world's largest musical fountain! Lucky for you, as a tourist with Bum blefuck Airlines, you can not only witness the quaint rituals of rural existence, you can leave. C om e along on one of our pre-packaged tours, or go your own way. Prices start from $699 round trip, and only $15 one-way. The depressed prices in the local m om & pop stores will put you in hog heaven. The exchange rate is phenom enal: one New York City dollar is worth $1.84 in Grand Haven! In layman's terms this means that where in NY you can pur­ chase a small french fries, in CH you can purchase a small franchise. It's just like visiting a Third World nation, except here they've got a trolley. Tour the thriving dow ntow n metropolis and m eet som e of the local folk wandering around. Plenty of free parking! Centralia ranks am ong our most popular destinations! Our weekend getaway prices start at $499 round trip. This includes airfare, rental car courtesy of Corwin Insurance, and two nights accomodations at Casa del Zim m erm an on stately Seminary Hill, a m ost aptly nam ed locale.
    [Show full text]
  • Cinematic Fashionability and Images Politics
    Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear.
    [Show full text]
  • Popular Magazines, Or the Aestheticization of Postsoviet Russia
    Studies in 20th Century Literature Volume 24 Issue 1 Russian Culture of the 1990s Article 3 1-1-2000 Style and S(t)imulation: Popular Magazines, or the Aestheticization of Postsoviet Russia Helena Goscilo University of Pittsburgh Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Goscilo, Helena (2000) "Style and S(t)imulation: Popular Magazines, or the Aestheticization of Postsoviet Russia ," Studies in 20th Century Literature: Vol. 24: Iss. 1, Article 3. https://doi.org/10.4148/ 2334-4415.1474 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Style and S(t)imulation: Popular Magazines, or the Aestheticization of Postsoviet Russia Abstract The new Postsoviet genre of the glossy magazine that inundated bookstalls and kiosks in Russia's urban centers served as both an advertisement for a life of luxury and an advice column on chic style. Conventionalized signs of affluence, models of beauty, "educational" articles on topics ranging from the history and significance of ties ot correct behavior at a first-class estaurr ant filled the pages of magazines intended to provide an accelerated course in etiquette, appearance, and appurtenances for Russia's newly wealthy. The lessons in spending, demeanor, and taste emphasized moneyed visibility.
    [Show full text]
  • Stee Lun6 Students and Locals Fight at Milne House
    S Students and locals stee lun6 fight at Milne House by PETE SANEOW request at last year’s luncheon, by DANIELBARBARIS1 House often host events for the Daily Editorial Board Golden said, “We do understand, Daily Editorial Board community to keep the house The Trustees of Tufts reported and we do listen to you.” An incident at Milne House open. “[The local teenagers] obvi- that the University received a $10 Tufts is also planning to begin this Saturdaymorningled to fight- ously had no interest in learning million challenge gift forthe Bio- a$17 million project to update the ing between Tufts students and how to dance,” Nemes said. medicalResearch Center,threenew electrical system of the buildings local residents, eventually result- The locals caused no problems endowedchairs, andagifttocom- on the Boston campus, reported ing in the arrest of three area resi- for approximately half an hour, but plete the fundraising for the new University President John dents. began to get rowdy at around 1 :45 field house during their annual DiBiaggio. He said the changes Students living in the Milne a.m. Accordingto Aldea-Venegas, February luncheon with student were acriticalneed forthe complex House, also known as the His- the locals were then asked to leave, representatives from the three because “the energy in the build- panic House, were hosting a pri- and began striking Tufts students. Tufts’ campuses. ing is utilized wastefully.” vate, unadvertised party attended “Theyjust got really rowdy, and it Describing the nature ofa chal- Several student representa- by no more than 20 Tufts students just turned into a brawl ..
    [Show full text]
  • NYC Fashion Giants Featured in Exhibit Curated by Two Israelis | the Times of Israel
    9/18/2019 NYC fashion giants featured in exhibit curated by two Israelis | The Times of Israel RUNWAY STORY NYC fashion giants featured in exhibit curated by two Israelis ‘New York Fashion Rediscovered’ spotlights treasure trove of photographs of designers and supermodels discovered on a New York City sidewalk By JESSICA STEINBERG Today, 3:55 pm Fashion models and their muses at 'New York Fashion Rediscovered,' a new exhibit created by two Israelis in New York City's Time Square, just in time for 2019 Fashion Week (Courtesy ZAZ10TS) It took two Israelis in New York City — one gallery owner and one curator — to put together an exhibit of historic fashion photographs that had been discovered on a city sidewalk. The exhibit, “New York Fashion Rediscovered 1982-1997,” opened September 5, at 10 Times Square, coinciding with New York Fashion Week. The exhibit brings to life a vivid period in the New York City fashion industry, when designers began creating high- end day and evening wear, as well as power dressing for women in the workforce. Fashion designers and supermodels achieved celebrity status, and the celebrated moments of the runway shows were their finales, when designers would walk down the runway, arm-in-arm with the leading supermodels of the day. Those joyous moments are what was preserved in the fashion-loving photographs of the collection. The fashion stars featured in the photographs included designers Anna Sui, Donna Karan, Liz Claiborne, Ralph Lauren, Marc Jacobs, Perry Ellis, Isaac Mizrahi, Alber Elbaz, Anne Klein, Geoffrey Beene, Rebecca Moses, BCBG Max Azria, Linda Allard for Ellen Tracy, Adrienne Vittadini, and Gemma Kahng, and models Kate Moss, Cindy Crawford, https://www.timesofisrael.com/nyc-fashion-giants-featured-in-historic-exhibit-curated-by-two-israelis/ 1/3 9/18/2019 NYC fashion giants featured in exhibit curated by two Israelis | The Times of Israel Naomi Campbell, Linda Evangelista, Christy Turlington, Helena Christensen, and Kristen McMenamy.
    [Show full text]
  • Read Excerpt
    THE DEFINITION OF INSANITY or me, the defi nition of insanity was not “ doing the same thing Fover and over and expecting dif fer ent results.” Instead, it was getting within a few months of graduation and then enrolling as a sophomore at a dif fer ent school, especially when I barely made it out of Blackbriar alive. I hadn’t been to public school since fi fth grade, and nerves clawed at my stomach lining until I tasted extra bile. I can’t believe I’m doing this. Bitter wind blew, cutting through my jacket. As I studied the building, the parking lot was louder and more chaotic than I ex- pected, guys horsing around despite the January chill. Sock hats, rubber bracelets, plastic chokers, people with words on their butts, bright T- shirts, heavy eyeliner, skater boys, people with un- smart phones— I’d forgotten that the world once looked this way. But when I was twelve, I didn’t exactly pay attention to the details. The school swam in cement and pavement. There seemed to —-1 be two or three parking lots, one dedicated entirely to students. —0 —+1 1105-64744_ch01_2P.indd05-64744_ch01_2P.indd 1 44/9/16/9/16 22:52:52 PPMM A couple of fast- food places had sprung up across the street, prob- ably catering to people who left for lunch. As for the building, it was made of faded stone, casting the red trim along win dows and roof into sharper relief. Somehow it seemed like the whole place was dripping with blood.
    [Show full text]
  • A Mugler Mystery
    Aqua blue Thierry Mugler skirt suit, ca. 1990s. Ryerson FRC2019.03.002ABC. Gift of Anonymous donor. Photograph by Tori Hopgood, 2019. A MUGLER MYSTERY By Tori Hopgood PART ONE BA Fashion Student Thierry Mugler (b. 1948) was once a well-known name in the world of fashion in the 1970s, 1980s and 1990s with celebrities like Cindy Crawford and Kate August 6, 2019 Moss wearing his clothing. Although he retired from fashion for a period of almost two decades, the designer recently returned to the spotlight. He loaned three vintage looks to rapper Cardi B for the 2019 Grammy Awards, designed Kim Kardashian’s dress for the 2019 Met Gala and is the featured subject of an exhibition at the Montreal Museum of Fine Arts (March 2 – September 8, 2019) (notes 1-3). Inspired by his background in theatre and dance, Mugler is known for his futuristic and whimsical designs born out of his wildest fantasies. The daring designer distinguishes himself with clothing of sharp shoulders and distinct waistlines which redefined the female silhouette of the latter half of the 1980s (note 4). However, Mugler’s designs are not just items of clothing, but tools of communication. He said: “I invent my characters and I put them on stage. For me, clothes are a language” (note 5). 1 Aqua blue Thierry Mugler skirt suit, ca. 1990s. Ryerson FRC2019.03.002ABC. Gift of Anonymous donor. Photograph by Tori Hopgood, 2019. It is with this idea of clothing as communication that inspired me to take a closer look at a 1990s Thierry Mugler skirt suit (FRC2019.03.002ABC) donated anonymously to the Ryerson Fashion Research Collection.
    [Show full text]
  • To Enjoy the Exhibition Catalog
    BEYOND BEAUTY ELLEN VON UNWERTH BEYOND BEAUTY Beauty thrives on diversity and is in the eye of the beholder. A universal ideal of beauty has long since ceased to exist and yet we still have the ‘women of one’s dreams’, who, with their personality and beauty, have become icons of our time. Preiss Fine Arts will be presenting numerous works of famous photographers of our time within the topic of feminine beauty – in a manner that is both varied and charged with tension. Instead of being limited to superficial stereotypes, the character of the women portrayed is placed at the centre of attention. Different artistic styles are open to inter- pretation. The result is a combination of charismatic portraits and intimate studies of the female body, which are, by no means, devoted to only clichés. Multi-faceted studies of women, which transfix the viewer with self-confidence, personality and strength will be shown. ELLEN VON UNWERTH ELLEN VON UNWERTH The Tramp, Eva Herzigova Meow, Jessica Chastain ELLEN VON UNWERTH ELLEN VON UNWERTH ELLEN VON UNWERTH Claudia Schiffer Bedazzled, Lindsay Wixson, Paris, 2015 From the Story of Olga ARTHUR ROXANNE ELGORT LOWIT ARTHUR ELGORT ROXANNE LOWIT ROXANNE LOWIT Christy Turlington Iman Kristen McMenamy, Paris ARTHUR ELGORT ROXANNE LOWIT Kate Moss in Nepal Linda Evangelista, Naomi Campbell, Christy Turlington,Speaking, hearing and seeing no evil DAVID SYLVIE DREBIN BLUM DAVID DREBIN Mermaid in Paradise SYLVIE BLUM The Group, 2008 MICHEL COMTE MICHEL COMTE MICHEL COMTE Beauty and Beast with Snake Supermodels MICHEL COMTE MICHEL COMTE MICHEL COMTE Carla Bruni Helena Christensen 3 Gisele Bündchen ALBERT GUIDO WATSON ARGENTINI ELLEN VON UNWERTH Kate Moss and David Bowie, New York, 2003 ALBERT WATSON GUIDO ARGENTINI Monica Gripman Candice thinking about tomorrow ALBERT WATSON ALBERT WATSON GUIDO ARGENTINI Naomi Campbell Monkey Series – Monkey King Sydney‘s Yellow Eyes RANKIN RANKIN RANKIN RANKIN Hundreds & Thousands Death Spikes Epitaph II RANKIN RANKIN Kate‘s Look, Kate Moss Sparkling Death Masks SANTE ANDREAS H.
    [Show full text]
  • La Dolce Vita" Today: Fashion and Media
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2017 "La Dolce Vita" Today: Fashion and Media Nicola Certo The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1862 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “LA DOLCE VITA” TODAY: FASHION AND MEDIA by NICOLA CERTO A master’s thesis to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2017 i © 2017 NICOLA CERTO All Rights Reserved ii “La Dolce Vita” today: Fashion and Media by Nicola Certo This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts Date Eugenia Paulicelli Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “La Dolce Vita” today: Fashion and Media by Nicola Certo Advisor: Eugenia Paulicelli Federico Fellini’s La Dolce Vita is a cinematic masterpiece that has inspired nationally and internationally generations of creative people and artists because of the extent of its themes and because of the mastery in the choice of its costumes. The actuality of the director’s criticism towards the decadent society of his years, the originality of his stylistic choices, and his sophisticated taste for beauty and fashion, brought him to influence media and contemporary fashion then and now.
    [Show full text]