Caxetexfree · Version 0.12 a Xetex Stylesheet Using Free Opentype Fonts
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X E TEX Live
X TE EX Live Jonathan Kew SIL International Horsleys Green High Wycombe Bucks HP14 3XL, England jonathan_kew (at) sil dot org 1 X TE EX in TEX Live in the preamble are sufficient to set the typefaces through- out the document. ese fonts were installed by simply e release of TEX Live 2007 marked a milestone for the dropping the .otf or .ttf files in the computer’s Fonts X TE EX project, as the first major TEX distribution to in- folder; no .tfm, .fd, .sty, .map, or other TEX-related files clude X TE EX (version 0.996) as an integral part. Prior to had to be created or installed. this, X TE EX was a tool that could be added to a TEX setup, Release 0.996 of X T X also provides some enhance- but version and configuration differences meant that it was E E ments over earlier, pre-T X Live versions. In particular, difficult to ensure smooth integration in all cases, and it was E there are new primitives for low-level access to glyph infor- only available for users who specifically chose to seek it out mation (useful during font development and testing); some and install it. (One exception to this is the MacTEX pack- preliminary support for the use of OpenType math fonts age, which has included X TE EX for the past year or so, but (such as the Cambria Math font shipped with MS Office this was just one distribution on one platform.) Integration 2007); and a variety of bug fixes. -
Dynamic and Interactive R Graphics for the Web: the Gridsvg Package
JSS Journal of Statistical Software MMMMMM YYYY, Volume VV, Issue II. http://www.jstatsoft.org/ Dynamic and Interactive R Graphics for the Web: The gridSVG Package Paul Murrell Simon Potter The Unversity of Auckland The Unversity of Auckland Abstract This article describes the gridSVG package, which provides functions to convert grid- based R graphics to an SVG format. The package also provides a function to associate hyperlinks with components of a plot, a function to animate components of a plot, a function to associate any SVG attribute with a component of a plot, and a function to add JavaScript code to a plot. The last two of these provides a basis for adding interactivity to the SVG version of the plot. Together these tools provide a way to generate dynamic and interactive R graphics for use in web pages. Keywords: world-wide web, graphics, R, SVG. 1. Introduction Interactive and dynamic plots within web pages are becomingly increasingly popular, as part of a general trend towards making data sets more open and accessible on the web, for example, GapMinder (Rosling 2008) and ManyEyes (Viegas, Wattenberg, van Ham, Kriss, and McKeon 2007). The R language and environment for statistical computing and graphics (R Development Core Team 2011) has many facilities for producing plots, and it can produce graphics formats that are suitable for including in web pages, but the core graphics facilities in R are largely focused on static plots. This article describes an R extension package, gridSVG, that is designed to embellish and transform a standard, static R plot and turn it into a dynamic and interactive plot that can be embedded in a web page. -
Tlaunch: a Launcher for a TEX Live System
TLaunch: a launcher for a TEX Live system Siep Kroonenberg June 29, 2017 This manual is for tlaunch, the TEX Live Launcher, version 0.5.3. Copyright © 2017 Siep Kroonenberg. Copying and distribution of this file, with or without modification, are permitted in any medium without royalty provided the copyright notice and this notice are preserved. This file is offered as-is, without any warranty. Contents 1 The launcher5 1.1 Introduction............................5 1.1.1 Localization........................6 1.2 Modes...............................6 1.2.1 Normal mode.......................6 1.2.2 Initializing.........................6 1.2.3 Forgetting.........................6 1.3 Using scripts............................7 1.4 The ini file.............................7 1.4.1 Location..........................7 1.4.2 Encoding..........................7 1.4.3 Syntax...........................7 1.4.4 The Strings section....................9 1.4.5 Sections for filetype associations (FTAs)........9 1.4.6 Sections for utility scripts................ 10 1.4.7 The built-in functions.................. 10 1.4.8 Menus and buttons.................... 11 1.4.9 The General section.................... 12 1.5 Editor choice............................ 12 1.6 Launcher-based installations................... 13 1.6.1 The tlaunchmode script................. 14 1.6.2 TEX Live Manager..................... 14 2 The launcher at the RUG 15 2.1 Historical.............................. 15 2.2 RES desktops........................... 16 2.3 Components of the rug TEX installation............ 16 2.4 Directory organization...................... 17 2.5 Fixes for add-ons......................... 17 2.5.1 TeXnicCenter....................... 17 2.5.2 TeXstudio......................... 18 2.5.3 SumatraPDF........................ 18 2.5.4 LyX............................. 18 3 CONTENTS 4 2.6 Moving the XeTEX font cache................. -
236 Tugboat, Volume 9 (1988), No. 3 Some Typesetting Conventions
236 TUGboat, Volume 9 (1988), No. 3 Some Typesetting Conventions suitability to contents Graeme McKinstry, Not all these factors are equal in their effect on readability University of Otago, nor are all the factors within your control but it is possible New Zealand. to use some of the above factors to make your documents more readable. One of the major advantages of T@ is that it makes it possible for authors to typeset their own work. However, Typeface and size of type this new found power has not been automatically asso- There are two broad classes of fonts: serif ("serifs" are ciated with a knowledge of typesetting and typographic the finishing strokes at the end of letters) and sans-serif design and so some very unreadable documents have en- (without serifs, e.g., fonts such as Helvetica). Of the sued. This is further exacerbated by authors believing two, serif fonts (such as Computer Modem, and Times- they do know something about typesetting ("Doesn't ev- Roman) are easier to read for large quantities of text, eryone?") and ignoring all attempts to lead them in the "because it has been shown that we read our own lan- right direction, e.g., LV@. guage not letter by letter but by recognizing the shapes Although TEX users are less prone to fall into this of words . " [31. The serifs tend to help in this "shape trap as compared to your average WYSIWYG user there are recognition". For example try to decipher the following still some fundamental typographic lessons to be learned. two lines (they don't form words): These principles are so fundamental that even a com- puting consultant, such as myself, is able to learn, and possibly even more importantly, understand why we have them. -
The Fontspec Package Font Selection for XƎLATEX and Lualatex
The fontspec package Font selection for XƎLATEX and LuaLATEX Will Robertson and Khaled Hosny [email protected] 2013/05/12 v2.3b Contents 7.5 Different features for dif- ferent font sizes . 14 1 History 3 8 Font independent options 15 2 Introduction 3 8.1 Colour . 15 2.1 About this manual . 3 8.2 Scale . 16 2.2 Acknowledgements . 3 8.3 Interword space . 17 8.4 Post-punctuation space . 17 3 Package loading and options 4 8.5 The hyphenation character 18 3.1 Maths fonts adjustments . 4 8.6 Optical font sizes . 18 3.2 Configuration . 5 3.3 Warnings .......... 5 II OpenType 19 I General font selection 5 9 Introduction 19 9.1 How to select font features 19 4 Font selection 5 4.1 By font name . 5 10 Complete listing of OpenType 4.2 By file name . 6 font features 20 10.1 Ligatures . 20 5 Default font families 7 10.2 Letters . 20 6 New commands to select font 10.3 Numbers . 21 families 7 10.4 Contextuals . 22 6.1 More control over font 10.5 Vertical Position . 22 shape selection . 8 10.6 Fractions . 24 6.2 Math(s) fonts . 10 10.7 Stylistic Set variations . 25 6.3 Miscellaneous font select- 10.8 Character Variants . 25 ing details . 11 10.9 Alternates . 25 10.10 Style . 27 7 Selecting font features 11 10.11 Diacritics . 29 7.1 Default settings . 11 10.12 Kerning . 29 7.2 Changing the currently se- 10.13 Font transformations . 30 lected features . -
The TEX Live Guide TEX Live 2012
The TEX Live Guide TEX Live 2012 Karl Berry, editor http://tug.org/texlive/ June 2012 Contents 1 Introduction 2 1.1 TEX Live and the TEX Collection...............................2 1.2 Operating system support...................................3 1.3 Basic installation of TEX Live.................................3 1.4 Security considerations.....................................3 1.5 Getting help...........................................3 2 Overview of TEX Live4 2.1 The TEX Collection: TEX Live, proTEXt, MacTEX.....................4 2.2 Top level TEX Live directories.................................4 2.3 Overview of the predefined texmf trees............................5 2.4 Extensions to TEX.......................................6 2.5 Other notable programs in TEX Live.............................6 2.6 Fonts in TEX Live.......................................7 3 Installation 7 3.1 Starting the installer......................................7 3.1.1 Unix...........................................7 3.1.2 MacOSX........................................8 3.1.3 Windows........................................8 3.1.4 Cygwin.........................................9 3.1.5 The text installer....................................9 3.1.6 The expert graphical installer.............................9 3.1.7 The simple wizard installer.............................. 10 3.2 Running the installer...................................... 10 3.2.1 Binary systems menu (Unix only).......................... 10 3.2.2 Selecting what is to be installed........................... -
Typesetting Chinese in XƎTEX: Zhspacing User's Manual
Typesetting Chinese in XƎTEX: zhspacing user’s manual∗ Yin Diany 2016/05/14 Contents I zhspacing.sty 3 1 Introduction 3 2 Getting Started 3 3 Advanced Usage 5 3.1 Fonts ............................ 5 3.2 More on Fonts ....................... 7 3.3 Skips ............................ 7 3.4 Vertical Chinese ...................... 9 3.5 Compatibility ....................... 10 3.6 Working with other Chinese package .......... 10 ∗Revision: 2016/05/14. yLab. of Network Comm. System & Control, Univ. of Sci. & Tech. of China. 1 4 Getting zhspacing 11 II zhfont.sty 12 1 Introduction 12 2 Package Options 12 3 Provided Macros 12 4 Examples 13 III zhmath.sty 13 1 Introduction 13 2 Package Options 13 3 Provided Macros 14 4 Examples 15 2 File I zhspacing.sty 1 Introduction XƎTEX is a new TEX engine by Jonathan Kew and SIL International, which combines "-TEX with pervasive Unicode support and advanced font support1. Using XƎTEX, it is possible to typeset scripts of any languages whose glyphs are contained in the font in use, without the help of any extra packages, such as CJK2. However, XƎTEX itself does not solve all the problems. Some de- tails in Chinese typesetting have not been dealt with by XƎTEX, such as the automatic font switch between Chinese and Western characters, the skip adjustment of fullwidth punctuations, the automatic skip in- sertion between Chinese and Western characters or math formulas, etc. To meet the need of easy and high quality typesetting of Chinese documents using XƎTEX, the package zhspacing is coded, utilizing the new primitive of \XeTeXinterchartoks provided in XƎTEX ver- sion 0.997. -
Development of Computer Typesetting
Early steps in computer typesetting in the 1960s Jonathan Seybold, September 2018 1961–1964 Michael Barnett’s “Experiments in Typesetting” In 1961, Michael Barnett, an associate professor at MIT wrote a computer program that could produce punched paper tape output to drive a phototypesetting machine. He used this to produce the “Tail” from Alice in Wonderland, and a phototypeset press release. These were the first documents that were phototypeset from output generated by a computer. In 1962 Barnett received a research grant to continue this experiments. This lead to development of the PC6 system, which was used to produce a variety of reports, pamphlets and other publications in late 1963 and early 1964.1 Hardware: IBM 709/90 computer and a Photon 560 phototypesetter. Software: Written in Fortran, with a few routines written in FAP (Fortran Assembler). Written for a specific Photon 560 set-up. Typefonts were identified by disk position and row number. The TYPRINT program for text output composed text to fit a predefined page width and depth. Lines were broken after the last complete word that would fit on that line. There was no attempt at hyphenation. Pages were arbitrarily broken after the last line that would fit on the page. Special commands could be embedded in the text to tie text elements together. When it encountered these, the program would simply make the page as long as necessary to accommodate all of the text in the “no break” area. Given the scientific academic setting, the most notable feature of TYPRINT was a program written by J.M. -
Typographic Terms Alphabet the Characters of a Given Language, Arranged in a Traditional Order; 26 Characters in English
Typographic Terms alphabet The characters of a given language, arranged in a traditional order; 26 characters in English. ascender The part of a lowercase letter that rises above the main body of the letter (as in b, d, h). The part that extends above the x-height of a font. bad break Refers to widows or orphans in text copy, or a break that does not make sense of the phrasing of a line of copy, causing awkward reading. baseline The imaginary line upon which text rests. Descenders extend below the baseline. Also known as the "reading line." The line along which the bases of all capital letters (and most lowercase letters) are positioned. bleed An area of text or graphics that extends beyond the edge of the page. Commercial printers usually trim the paper after printing to create bleeds. body type The specific typeface that is used in the main text break The place where type is divided; may be the end of a line or paragraph, or as it reads best in display type. bullet A typeset character (a large dot or symbol) used to itemize lists or direct attention to the beginning of a line. (See dingbat.) cap height The height of the uppercase letters within a font. (See also cap line.) caps and small caps The typesetting option in which the lowercase letters are set as small capital letters; usually 75% the height of the size of the innercase. Typographic Terms character A symbol in writing. A letter, punctuation mark or figure. character count An estimation of the number of characters in a selection of type. -
Table of Contents
CentralNET Business User Guide Table of Contents Federal Reserve Holiday Schedules.............................................................................. 3 About CentralNET Business ......................................................................................... 4 First Time Sign-on to CentralNET Business ................................................................. 4 Navigation ..................................................................................................................... 5 Home ............................................................................................................................. 5 Balances ........................................................................................................................ 5 Balance Inquiry Terms and Features ........................................................................ 5 Account & Transaction Inquiries .................................................................................. 6 Performing an Inquiry from the Home Screen ......................................................... 6 Initiating Transfers & Loan Payments .......................................................................... 7 Transfer Verification ................................................................................................. 8 Reporting....................................................................................................................... 8 Setup (User Setup) ....................................................................................................... -
The Mathspec Package Font Selection for Mathematics with Xǝlatex Version 0.2B
The mathspec package Font selection for mathematics with XƎLaTEX version 0.2b Andrew Gilbert Moschou* [email protected] thursday, 22 december 2016 table of contents 1 preamble 1 4.5 Shorthands ......... 6 4.6 A further example ..... 7 2 introduction 2 5 greek symbols 7 3 implementation 2 6 glyph bounds 9 4 setting fonts 3 7 compatability 11 4.1 Letters and Digits ..... 3 4.2 Symbols ........... 4 8 the package 12 4.3 Examples .......... 4 4.4 Declaring alphabets .... 5 9 license 33 1 preamble This document describes the mathspec package, a package that provides an interface to select ordinary text fonts for typesetting mathematics with XƎLaTEX. It relies on fontspec to work and familiarity with fontspec is advised. I thank Will Robertson for his useful advice and suggestions! The package is developmental and later versions might to be incompatible with this version. This version is incompatible with earlier versions. The package requires at least version 0.9995 of XƎTEX. *v0.2b update by Will Robertson ([email protected]). 1 Should you be using this package? If you are using another LaTEX package for some mathematics font, then you should not (unless you know what you are doing). If you want to use Asana Math or Cambria Math (or the final release version of the stix fonts) then you should be using unicode-math. Some paragraphs in this document are marked advanced. Such paragraphs may be safely ignored by basic users. 2 introduction Since Jonathan Kew released XƎTEX, an extension to TEX that permits the inclusion of system wide Unicode fonts and modern font technologies in TEX documents, users have been able to easily typeset documents using readily available fonts such as Hoefler Text and Times New Roman (This document is typeset using Sabon lt Std). -
Book Design for Tex Users, Part 1
TUGboat, Volume 19 (1998), No. 1 65 Tutorial Book Design for TEXUsers Part 1: Theory∗ Philip Taylor Motto: There can never be too little space below headings, only too much! Abstract Book design cannot be taught; it can only be learned, preferably by critical study of as many books as possible. Of all the elements which make up a book, white space is frequently the least considered and the most important. Avant garde designs are compared and contrasted with more conservative and traditional approaches. Three key elements: uniformity, information and structure are identified, and ‘good design practice’ discussed in terms of each of these. −−∗−− 1 Introduction The widespread use of TEX and other typesetting or DTP packages by tens of thousands of scientists, researchers and other academics has resulted in two rather disturbing phenomena: (1) more and more people are spending ever longer trying to get their publications to look right, rather than worry ing about whether such publications are factually correct or are well written, and (2) fewer and fewer people, on opening a book for the first time, think first about the content, but instead commence by judging the book on its form, or to be more precise, on the appearance of the design and typesetting. We are, in fact, becoming a generation of self-taught designers and typographers, but in so doing we are tacitly avoiding the many years of training, appren ticeship and indenture which previous generations have deemed necessary. This is, in itself, no bad thing — there are far too many self-appointed ‘experts’ ever ready to initiate neophytes into the arcane mysteries of their craft, in exchange for not inconsiderable sums of money — but in order for learning by osmosis to be effective, the beginner has to be exposed both to good and to bad examples of the art, and to think critically about what it is that differentiates ∗ This is the first part of a talk delivered to a sofsem meeting in Hrdonov (Czech Rep.).