Medieval Manuscripts Lesson
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The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels. -
Investigating Illuminated Manuscripts
Art A Day CHALLENGE: You are a Bright Light! Investigating Illuminated Manuscripts Washington County Museum of Fine Arts Stuff you’ll need: Materials are up to you! Read through the challenge and make your decision based on your idea! If it is a nice day, draw it in chalk on your driveway! Words to know: Illuminated Manuscript are hand-written books with painted decoration and can include gold or silver. The pages were made from animal skin and were made between 1100 and 1600. Monasteries were the first to create these books and pages. Historiated initials is an initial, an enlarged letter at the beginning of a paragraph or other section of text and can contain a picture. LOOK at this hand-made page from Book of Hours (1440s). Before the invention of the printing press, books were created by hand! Books that held great importance to people were often created with great details. These details often included gold and had detailed initial decorations, miniature illustrations, and extravagantly detailed borders. Sometimes the gold made the page look like it was glowing. People started calling them Illuminated Manuscripts. Illuminated means lit up and manuscript means writing. Usually, these books were made by monks that were educated, could read and write. People who could afford the books paid a lot of money to have the pages made just for them, this included: psalms, prayers, calendars of feast days, and prayers for the dead. The first letter on the page usually was the most decorated. We call this the historiated initial. It is usually larger than the other Unknown (French, ca. -
Winchester Cathedral Record 2020 Number 89
Winchester Cathedral Record 2020 Number 89 Friends of Winchester Cathedral 2 The Close, Winchester, Hampshire SO23 9LS 01962 857 245 [email protected] www.winchester-cathedral.org.uk Registered Charity No. 220218 Friends of Winchester Cathedral 2020 Royal Patron Her Majesty the Queen Patron The Right Reverend Tim Dakin, Bishop of Winchester President The Very Reverend Catherine Ogle, Dean of Winchester Ex Officio Vice-Presidents Nigel Atkinson Esq, HM Lord Lieutenant of Hampshire Cllr Patrick Cunningham, The Right Worshipful, the Mayor of Winchester Ms Jean Ritchie QC, Cathedral Council Chairman Honorary Vice-President Mo Hearn BOARD OF TRUSTEES Bruce Parker, Chairman Tom Watson, Vice-Chairman David Fellowes, Treasurer Jenny Hilton, Natalie Shaw Nigel Spicer, Cindy Wood Ex Officio Chapter Trustees The Very Reverend Catherine Ogle, Dean of Winchester The Reverend Canon Andy Trenier, Precentor and Sacrist STAFF Lucy Hutchin, Director Lesley Mead Leisl Porter Friends’ Prayer Most glorious Lord of life, Who gave to your disciples the precious name of friends: accept our thanks for this Cathedral Church, built and adorned to your glory and alive with prayer and grant that its company of Friends may so serve and honour you in this life that they come to enjoy the fullness of your promises within the eternal fellowship of your grace; and this we ask for your name’s sake. Amen. Welcome What we have all missed most during this dreadfully long pandemic is human contact with others. Our own organisation is what it says in the official title it was given in 1931, an Association of Friends. -
Isolation and Extraction of Ruberythric Acid from Rubia Tinctorum L. and Crystal Structure Elucidation
This is a repository copy of Isolation and extraction of ruberythric acid from Rubia tinctorum L. and crystal structure elucidation. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/87252/ Version: Accepted Version Article: Ford, L, Rayner, CM and Blackburn, RS (2015) Isolation and extraction of ruberythric acid from Rubia tinctorum L. and crystal structure elucidation. Phytochemistry, 117. 168 - 173. ISSN 0031-9422 https://doi.org/10.1016/j.phytochem.2015.06.015 © 2015, Elsevier. Licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Isolation and extraction of ruberythric acid from Rubia tinctorum L. and crystal structure elucidation Lauren Forda,b, Christopher M. -
Contemporary Islamic Graffiti: the New Illuminated Manuscript
Contemporary Islamic Graffiti: The New Illuminated Manuscript Click the following video link on contemporary Graffiti artist Mohammed Ali. Mohammed was invited to be a part of the Eid Festival at the Riksatern Theatre in Gothenburg Sweden, by the British Council in Seden. He painted a unique cube over a 2 day period outside of the museum, where he engages with the people around him while he paints. http://www.aerosolarabic.com/portfolio/mohammed-ali-in- sweden/ Overview The following lesson is part of a Visual Arts instructional unit exploring Graffiti as a visual art form expressing contemporary ideas of Islamic culture. Historically, Illuminated manuscripts (especially Illuminated Qur’ans) were instrumental in spreading ideas of Islam. The function, form and style development of Illuminated manuscripts correlated with the need to not only record and spread the revelations bestowed upon the prophet Muhammad, but also to signify the importance and reverence of the word of Allah. Contemporary Islamic Graffiti developed in response to a need to illuminate contemporary ideas of Islam in a visual platform that is not only visually captivating, but in the public sphere. Graffiti tends to challenge perceptions and hold a visual mirror up for society to reflect upon cultural practices and structures. Contemporary Islamic Graffiti artists Muhammed Ali and eL Seed are creating a platform for spreading contemporary ideas of Islam and challenging stereotypes and perceptions of Muslims and Islam as a monolithic religion. In this unit, students will first explore the visual art form of historic Illuminated Manuscripts and engage in critical analysis of at least one historic work. -
Rubiaceae) in Africa and Madagascar
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Springer - Publisher Connector Plant Syst Evol (2010) 285:51–64 DOI 10.1007/s00606-009-0255-8 ORIGINAL ARTICLE Adaptive radiation in Coffea subgenus Coffea L. (Rubiaceae) in Africa and Madagascar Franc¸ois Anthony • Leandro E. C. Diniz • Marie-Christine Combes • Philippe Lashermes Received: 31 July 2009 / Accepted: 28 December 2009 / Published online: 5 March 2010 Ó The Author(s) 2010. This article is published with open access at Springerlink.com Abstract Phylogeographic analysis of the Coffea subge- biogeographic differentiation of coffee species, but they nus Coffea was performed using data on plastid DNA were not congruent with morphological and biochemical sequences and interpreted in relation to biogeographic data classifications, or with the capacity to grow in specific on African rain forest flora. Parsimony and Bayesian analyses environments. Examples of convergent evolution in the of trnL-F, trnT-L and atpB-rbcL intergenic spacers from 24 main clades are given using characters of leaf size, caffeine African species revealed two main clades in the Coffea content and reproductive mode. subgenus Coffea whose distribution overlaps in west equa- torial Africa. Comparison of trnL-F sequences obtained Keywords Africa Á Biogeography Á Coffea Á Evolution Á from GenBank for 45 Coffea species from Cameroon, Phylogeny Á Plastid sequences Á Rubiaceae Madagascar, Grande Comore and the Mascarenes revealed low divergence between African and Madagascan species, suggesting a rapid and radial mode of speciation. A chro- Introduction nological history of the dispersal of the Coffea subgenus Coffea from its centre of origin in Lower Guinea is pro- Coffeeae tribe belongs to the Ixoroideae monophyletic posed. -
The Story of Abraham (Page from Heiligenleben)
TITLE: The Story of Abraham (page from Heiligenleben) ARTIST: Unknown DATE: 1496 SIZE: 10 x 6 ½ inches MEDIUM: Woodcut and Moveable Type ACQUISITION #: 2001.1.102 ADDITIONAL WORK IN COLLECTION BY ARTIST: No. VOCABULARY Illuminated Manuscript: a manuscript in which the text is supplemented with decoration such as initials, borders, and miniature illustrations. Woodblock print: technique for printing text, images, or patterns used. It is a block of wood engraved in relief which is used to print. Hagiography: The writing of the lives of saints. The word comes from the Greek “hagios” which means “holy” and “graphia” which means “writing.” The word literally means “holy writing.” CONTEXTUAL INFORMATION Just like books of gospels and biblical illuminated manuscripts, this page contains the detail and precision of other religious works. The literal meaning for “Heiligenleben” is “holy life.” This page, which tells the story of Abraham is an example of hagiography. This page is possibly a part of a hagiographic illuminated manuscript, such as Der SOURCES Heiligen Leben or The Lives of Saints, produced by a Dominican monastery in Nuremberg, Germany during the 1400s.This manuscript https://en.wikipedia.org/wiki/Movable_type was as large as a bible and provided readings over the course of a year http://education.asianart.org/explore-resources/background- information/ukiyo-e-woodblock-printing-process and included saints’ feast days as well. Many such illuminated https://www.inksaver.co.za/en/blog/History‐of‐printing‐part‐1‐ manuscripts were created simply to teach people about saints and/or woodblock‐printing.php https://www.degruyter.com/view/product/24901 martyrs. -
Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected]
University of South Carolina Scholar Commons Archaeology and Anthropology, South Carolina Faculty & Staff ubP lications Institute of 2007 Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/sciaa_staffpub Part of the Anthropology Commons Publication Info Published in The Oxford Encyclopedia of Maritime History, ed. John B. Hattendorf, Volume 2, 2007, pages 177-179. http://www.oup-usa.org © 2007 by Oxford University Press This Article is brought to you by the Archaeology and Anthropology, South Carolina Institute of at Scholar Commons. It has been accepted for inclusion in Faculty & Staff ubP lications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Illuminated Manuscripts 177 Illuminated Manuscripts The word "manuscript" can be literally translated as "written by hand." Books that were written or transcribed by hand were produced between the fifth and fifteenth centuries (dates determined by the limits of bibliographic tech nology). The earliest manuscripts developed with the THE OXFORD ENCYCLOPEDIA OF MARITIME HISTORY 178 Illuminated Manuscripts transition from the scroll to the rectangular book form around the fifth century C.E. The decline of handwritten books occurred with the development of movable type and. the subsequent growth of pri.nting, around. the 1450s, which coincided historically with the end of the medieval period. The phrase "illuminated manuscript" originally referred to a manuscript decorated with initial letters, borders, or miniature illustration in gold or silver. In modern usage, the term has come to mean any illustrated manuscript. Maritime subjects and images existed throughout the span of manuscript production, though the specific topics were dependent upon the nature of the illuminated work in which the images were found. -
Illuminated Manuscripts in an Illuminated Manuscript Text Is
Illuminated Manuscripts In an illuminated manuscript text is supplemented by the addition of decorated initials, borders (marginalia), and miniature illustrations. Page from the Book of Hours, ca. 1400 The book of hours, a devotional book popular in the later Middle Ages, is the most common type of surviving medieval illuminated manuscript. The major varieties and historic periods of illuminated manuscripts include Late Antique, Insular, Carolingian manuscripts, Ottonian manuscripts, Romanesque manuscripts, Gothic manuscripts, and Renaissance manuscripts. The earliest surviving illuminated manuscripts were produced in Italy and the Eastern Roman Empire ca. 400 - 600. Illuminated manuscripts increased during the Gothic Period, including many secular works of literature and educational texts. Early illuminated manuscripts were produced by masterful monks working in solitude; as demand increased, secular scribes were increasingly employed for this task. Illuminated Manuscripts became obsolete with the advent of printing. Illuminated Manuscript An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders (marginalia), and miniature illustrations. In the most strict definition of the term, an illuminated manuscript only refers to manuscripts decorated with gold or silver, but in both common usage and Source URL: https://www.boundless.com/art-history/gothic-art/english-gothic-art/illuminated-manuscripts/ Saylor URL: http://www.saylor.org/courses/arth401#3.1.2 Attributed to: Boundless www.saylor.org Page 1 of 2 modern scholarship, the term is now used to refer to any decorated or illustrated manuscript from the Western traditions. Vellum A type of parchment paper made from the skin of a lamb, baby goat, or calf. -
Comparative Studies of Rubia Cordifolia L. and Its Commercial Samples
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenSIUC Ethnobotanical Leaflets 11: 179-188. 2006. Comparative Studies of Rubia cordifolia L. and its Commercial Samples S. Pathania, R. Daman, S. Bhandari, B. Singh and Brij Lal* Institute of Himalayan Bioresource Technology (CSIR), Palampur-176 061(H.P.), India *Corresponding author: [email protected] Issued 3 August 2006 Abstract Rubia cordifolia L. (Family - Rubiaceae), is a common medicinal plant used in the preparation of different formulations in Ayurveda. The root of the plant is commonly known as Manjistha and its dried samples are sold in the market under the name Manjith. The present study was carried out to compare the authentic sample from its commercial samples keeping in mind the pharmacopoeial standards of Ayurveda. The quantitative phytochemical studies of the drug samples were carried out by studying the percentage of ash, extractive values and qualitative screening was carried out by Thin Layer Chromatography and different biochemical tests. Thus, the present work aims in forming certain parameters for identification of drug with the help of various phytochemical observations. Keywords: Rubia cordifolia, commercial samples, roots. Introduction “Manjistha” Rubia cordifolia, L. (family-Rubiaceae), is an important herbal drug used in Indian system of medicine. The root of the plant is commonly known as Manjistha and sold in the market under the commercial name Manjith. Plant drug has number of vernacular names like Aruna, Bhandi, Bhandiralatik in Sanskrit, Mandar, Majathi in Assamme, Manjith, Manjistha in Bengali, Indian Madder in English, Manjithi in Malayalum, Manjestha in Marathi and Majit, Manjit in Hindi (Sharma, 1969). -
Mountain Gardens Full Plant List 2016
MOUNTAIN GARDENS BARE ROOT PLANT SALES WWW.MOUNTAINGARDENSHERBS.COM Here is our expanded list of bare root plants. Prices are $4-$5 as indicated. Note that some are only available in spring or summer, as indicated; otherwise they are available all seasons. No price listed = not available this year. We begin responding to requests in April and plants are generally shipped in May and June, though inquiries are welcome throughout the growing season. We ship early in the week by Priority Mail. For most orders, except very large or very small, we use flat rate boxes @$25 per shipment. Some species will sell out – please list substitutes, or we will refund via Paypal or a check. TO ORDER, email name/number of plants wanted & your address to [email protected] Payment: Through Paypal, using [email protected]. If you prefer, you can mail your order with a check (made out to ‘Joe Hollis’) to 546 Shuford Cr. Rd., Burnsville, NC 28714. Or you can pick up your plants at the nursery (please send your order and payment with requested pick-up date in advance). * Shipping & handling: 25$ flat rate on all but very small or very large orders – will verify via email. MOUNTAIN GARDENS PLANT LIST *No price listed = not available this year. LATIN NAME COMMON NAME BARE USE/CATEGORY ROOT Edible, Medicinal, etc. Achillea millefolium Yarrow $4.00 Medicinal Aconitum napellus Monkshood, Chinese, fu zi ChinMed, Ornamental Acorus calamus Calamus, sweet flag Med Acorus gramineus shi chang pu 4 ChinMed Actaea racemosa Black Cohosh 4 Native Med Aegopodium podograria -
Medieval and Renaissance Manuscripts
THE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MEDIEVAL AND RENAISSANCE MANUSCRIPTS Although Pierpont Morgan acquired medieval and Renaissance manuscripts only during the last dozen years of his life, his collection of some six hundred manuscripts was world renowned. His son, J. P. Morgan, Jr., added two hundred more that matched those of his father in terms of quality and importance. The collection currently numbers nearly fourteen hundred books and leaves. Written by hand and often sumptuously painted or illuminated with gold leaf, these manuscripts reflect the religious, intellectual, and artistic life of their time. Often commissioned by leaders of church and state, they were frequently made of rare and precious materials, requiring the combined skills of parchment makers, scribes, editors, illuminators, and binders. Protected by their bindings, the vivid colors of their miniatures have changed little, making them the best preserved of all medieval and Renaissance paintings. The icons of illumination shown here were selected because each, in some way, is the best of its kind and part of the core of masterworks upon which the Morgan’s international reputation is based. Nativity, in an initial P, leaf from a Gradual (I), in Latin. Italy, Florence, 1392–99, illuminated at Santa Maria degli Angeli by Don Silvestro dei Gherarducci for Paolo Venier, abbot of San Michele à Murano. This large historiated initial and four others in the Morgan come from the same two-volume Gradual, a choir book containing the sung portions of the Mass. The initial P begins the Introit for the Christmas Mass, taken from Isaiah (9:6): Puer natus est nobis (A child is born to us).