Bibliography and Videography Applicable for Secondary Education
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Screendollars August 10, 2020 About Films, the Film Industry No
For Exhibitors Screendollars August 10, 2020 About Films, the Film Industry No. 129 Newsletter and Cinema Advertising Happy birthday to Stan Durwood, the Founder of AMC Theatres, born 100 years ago on August 5, 1920. Stan was a highly motivated and creative entrepreneur, who expanded the family theatre business he took over in 1960 to become one of the largest theatre chains in the world. He is credited with many innovations that transformed the movie business, most notably, the creation of the multiplex cinema and the invention of the arm-rest cup holder. Purpose-built, multiple- screen, cinema entertainment complexes became Parkway Twin Theatres, the first Multiplex, The dominant force in exhibition in the late 20th century, growing a $2B annual industry in opened in Kansas City on July 12, 1963 1975 to a $6B industry in 1997. He was a proud son of Kansas City, where AMC is based. Welcome Back - Looking Forward to a Brighter 2021 As theatres begin to re-open and the industry comes back to life, we take stock of the positive signs of what lies ahead. The movie business has been interrupted, but it is not broken. Despite the significant challenges this year, when new movies return to theatres, audiences will follow. When circumstances permit, people are going to say to themselves, “I have been stuck at home for months watching streaming, and I’m tired of that. Now I want go out with friends and family, see other people, and experience something fantastic." Screendollars has produced this three-minute video, which previews the Must-See Movies which will be coming to theatres in 2021. -
Déportés À Auschwitz. Certains Résis- Tion D’Une Centaine, Sont Traqués Et Tent Avec Des Armes
MORT1943 ET RÉSISTANCE BIEN QU’AYANT rarement connu les noms de leurs victimes juives, les nazis entendaient que ni Zivia Lubetkin, ni Richard Glazar, ni Thomas Blatt ne survivent à la « solution finale ». Ils survécurent cependant et, après la Shoah, chacun écrivit un livre sur la Résistance en 1943. Quelque 400 000 Juifs vivaient dans le ghetto de Varsovie surpeuplé, mais les épi- démies, la famine et les déportations à Treblinka – 300 000 personnes entre juillet et septembre 1942 – réduisirent considérablement ce nombre. Estimant que 40 000 Juifs s’y trouvaient encore (le chiffre réel approchait les 55 000), Heinrich Himmler, le chef des SS, ordonna la déportation de 8 000 autres lors de sa visite du ghetto, le 9 janvier 1943. Cependant, sous la direction de Mordekhaï Anielewicz, âgé de 23 ans, le Zydowska Organizacja Bojowa (ZOB, Organisation juive de combat) lança une résistance armée lorsque les Allemands exécutèrent l’ordre d’Himmler, le 18 janvier. Bien que plus de 5 000 Juifs aient été déportés le 22 janvier, la Résistance juive – elle impliquait aussi bien la recherche de caches et le refus de s’enregistrer que la lutte violente – empêcha de remplir le quota et conduisit les Allemands à mettre fin à l’Aktion. Le répit, cependant, fut de courte durée. En janvier, Zivia Lubetkin participa à la création de l’Organisation juive de com- bat et au soulèvement du ghetto de Varsovie. « Nous combattions avec des gre- nades, des fusils, des barres de fer et des ampoules remplies d’acide sulfurique », rapporte-t-elle dans son livre Aux jours de la destruction et de la révolte. -
The German Doctor' by Lucía Puenzo Nathan W
Student Publications Student Scholarship Spring 2016 History, Historical Fiction, and Historical Myth: 'The German Doctor' by Lucía Puenzo Nathan W. Cody Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the European History Commons, Film and Media Studies Commons, Latin American Languages and Societies Commons, Latin American Studies Commons, and the Military History Commons Share feedback about the accessibility of this item. Cody, Nathan W., "History, Historical Fiction, and Historical Myth: 'The German Doctor' by Lucía Puenzo" (2016). Student Publications. 438. https://cupola.gettysburg.edu/student_scholarship/438 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 438 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. History, Historical Fiction, and Historical Myth: 'The German Doctor' by Lucía Puenzo Abstract The se cape of thousands of war criminals to Argentina and throughout South America in the aftermath of World War II is a historical subject that has been clouded with mystery and conspiracy. Lucía Puenzo's film, The German Doctor, utilizes this historical enigma as a backdrop for historical fiction by imagining a family's encounter with Josef Mengele, the notorious SS doctor from Auschwitz who escaped to South America in 1949 under a false identity. -
20120906-Ob-Umbrella.Pdf
U m b r e l l a By the same author F ICTION The Quantity Theory of Insanity Cock and Bull My Idea of Fun Grey Area Great Apes The Sweet Smell of Psychosis Tough, Tough Toys for Tough, Tough Boys How the Dead Live Dorian Dr Mukti and Other Tales of Woe The Book of Dave The Butt Liver Walking to Hollywood N on- F ICTION Junk Mail Sore Sites Perfidious Man Feeding Frenzy Psychogeography (with Ralph Steadman) Psycho Too (with Ralph Steadman) U m b r e l l a W i l l S e l f First published in Great Britain 2012 Copyright © 2012 by Will Self The moral right of the author has been asserted No part of this book may be used or reproduced in any manner whatever without written permission from the Publishers except in the case of brief quotations embodied in critical articles or reviews ‘Apeman’ by Ray Davies © Copyright 1970 Davray Music Ltd. All rights administered by Sony/ATV Music Publishing. All rights reserved. Used by permission ‘Chirpy Chirpy Cheep Cheep’ (Cassia/Stott) © 1971 Warner Chappell Music Italiana Srl (SIAE). All rights administered by Warner Chappell Overseas Holdings Ltd. All rights reserved ‘Don’t Let It Die’ (Smith) – RAK Publishing Ltd. Licensed courtesy of RAK Publishing Ltd. ‘Sugar Me’ by Barry Green and Lynsey De Paul © Copyright Sony/ATV Music Publishing Ltd. All rights reserved. Used by permission ‘Take Me Back to Dear Old Blighty’ Words and Music by Fred Godfrey, A. J. Mills & Bennett Scott © 1916. Reproduced by permission of EMI Music Publishing Ltd, London W8 5SW Every reasonable effort has been made to trace copyright -
Political Visions and Historical Scores
Founded in 1944, the Institute for Western Affairs is an interdis- Political visions ciplinary research centre carrying out research in history, political and historical scores science, sociology, and economics. The Institute’s projects are typi- cally related to German studies and international relations, focusing Political transformations on Polish-German and European issues and transatlantic relations. in the European Union by 2025 The Institute’s history and achievements make it one of the most German response to reform important Polish research institution well-known internationally. in the euro area Since the 1990s, the watchwords of research have been Poland– Ger- many – Europe and the main themes are: Crisis or a search for a new formula • political, social, economic and cultural changes in Germany; for the Humboldtian university • international role of the Federal Republic of Germany; The end of the Great War and Stanisław • past, present, and future of Polish-German relations; Hubert’s concept of postliminum • EU international relations (including transatlantic cooperation); American press reports on anti-Jewish • security policy; incidents in reborn Poland • borderlands: social, political and economic issues. The Institute’s research is both interdisciplinary and multidimension- Anthony J. Drexel Biddle on Poland’s al. Its multidimensionality can be seen in published papers and books situation in 1937-1939 on history, analyses of contemporary events, comparative studies, Memoirs Nasza Podróż (Our Journey) and the use of theoretical models to verify research results. by Ewelina Zaleska On the dispute over the status The Institute houses and participates in international research of the camp in occupied Konstantynów projects, symposia and conferences exploring key European questions and cooperates with many universities and academic research centres. -
New Books Catalogue
Film & Media New Books Catalogue July-December 2020 Stuck in a research rut? A study slump? Learn the skills to get back on course. Sort the method from the madness with Bloomsbury Research Methods and Study Skills – textbooks and guides designed to give students the essential tools they need for their studies. www.bloomsbury.com/researchmethodsandstudyskills 9781350046948 | £21.99 9781474282949 | £23.99 9781441163752 | £22.99 9780826496317 | £22.99 Discover the What Is? Research Methods series of introductions – handy guides to all the main methodologies for researchers. Series Editor: Graham Crow, University of Edinburgh, UK 9781472530073 | £17.99 9781350018273 | £16.99 9781472515407 | £17.99 9781849665957 | £17.99 9781849669030 | £18.99 9781849669733 | £18.99 9781849665247 | £18.99 9781849666060 | £18.99 9781849668170 | £18.99 Discover the full series: www.bloomsbury.com/whatis RM+SS_BertramsBTU_ad.indd 1 24/06/2019 14:06 Contents EBooks BFI Film Classics . 3 ePub and ePdf availability is listed under each book entry. See the Asian and World Cinema ���������������������������������������������������� 5 website for details of vendors, or to puchase individual ebooks direct. Library ebook prices are available from your supplier. European Cinema. 6 Review Copies British Cinema �������������������������������������������������������������������� 8 Email [email protected] (Americas) Hollywood Cinema. 9 / [email protected] (UK / Rest of World). Film Theory. 9 Standing Orders Film History. 11 Many series are available -
Using Diaries to Understand the Final Solution in Poland
Miranda Walston Witnessing Extermination: Using Diaries to Understand the Final Solution in Poland Honours Thesis By: Miranda Walston Supervisor: Dr. Lauren Rossi 1 Miranda Walston Introduction The Holocaust spanned multiple years and states, occurring in both German-occupied countries and those of their collaborators. But in no one state were the actions of the Holocaust felt more intensely than in Poland. It was in Poland that the Nazis constructed and ran their four death camps– Treblinka, Sobibor, Chelmno, and Belzec – and created combination camps that both concentrated people for labour, and exterminated them – Auschwitz and Majdanek.1 Chelmno was the first of the death camps, established in 1941, while Treblinka, Sobibor, and Belzec were created during Operation Reinhard in 1942.2 In Poland, the Nazis concentrated many of the Jews from countries they had conquered during the war. As the major killing centers of the “Final Solution” were located within Poland, when did people in Poland become aware of the level of death and destruction perpetrated by the Nazi regime? While scholars have attributed dates to the “Final Solution,” predominantly starting in 1942, when did the people of Poland notice the shift in the treatment of Jews from relocation towards physical elimination using gas chambers? Or did they remain unaware of such events? To answer these questions, I have researched the writings of various people who were in Poland at the time of the “Final Solution.” I am specifically addressing the information found in diaries and memoirs. Given language barriers, this thesis will focus only on diaries and memoirs that were written in English or later translated and published in English.3 This thesis addresses twenty diaries and memoirs from people who were living in Poland at the time of the “Final Solution.” Most of these diaries (fifteen of twenty) were written by members of the intelligentsia. -
Administration of Donald J. Trump, 2017 Remarks at the United States
Administration of Donald J. Trump, 2017 Remarks at the United States Holocaust Memorial Museum's Days of Remembrance Ceremony April 25, 2017 Thank you very much. Thank you. Friends, Members of Congress, Ambassadors, veterans, and most especially, to the survivors here with us today: It's an honor to join you on this very, very solemn occasion. I am deeply moved to stand before those who survived history's darkest hour. Your cherished presence transforms this place into a sacred gathering. Thank you, Tom Bernstein, Allan Holt, Sara Bloomfield, and everyone at the Holocaust Memorial Council and Museum for your vital work and tireless contributions. We are privileged to be joined by Israel's Ambassador to the United States, friend of mine— he's done a great job and said some wonderful words—Ron Dermer. The State of Israel is an eternal monument to the undying strength of the Jewish people. The fervent dream that burned in the hearts of the oppressed is now filled with the breath of life, and the Star of David waves atop a great nation arisen from the desert. To those in the audience who have served America in uniform, our country eternally thanks you. We are proud and grateful to be joined today by veterans of the Second World War who liberated survivors from the camps. Your sacrifice helped save freedom for the world, for the entire world. Sadly, this year marks the first Day of Remembrance since the passing of Elie Wiesel, a great person, a great man. His absence leaves an empty space in our hearts, but his spirit fills this room. -
Student-Directed Play Goes 'Beyond Therapy'
F R O S T B U R G S T A T E U N I V E R S I T Y StateLineswww.frostburg.edu/admin/foundation/news.htm For and about FSU people A publication of the FSU Office of Advancement Volume 31, Number 9, October 23, 2000 Copy deadline: noon Wednesday, 228 Hitchins or [email protected] Community Kids Student-Directed Play to Trick-or-Treat Goes ‘Beyond Therapy’ at Downhill Halls The first of the Halloween is coming ... and so are Season Too! student- the celebrations! Sunday, Oct. 29, is the directed productions date for FSU’s annual Trick or Treat for community children. will be “Beyond Since 1992, this event has attracted hundreds of children Therapy” by Christo- and their parents, who have enjoyed traditional trick-or- pher Durang. The treating in a safe environment, as well as events such as comedy will be haunted rooms and floors, storytelling, Halloween cartoons performed Friday and and the very popular parent refreshment station! Saturday, Oct. 27 and 28, at 8 p.m. in the F. Perry Smith Please feel free to bring your children to the downhill area Studio Theatre. residence halls (Annapolis, Cambridge, Cumberland, Frederick Senior theatre major Lisa Gordon is directing. The cast and Westminster halls) between the hours of 2 and 5 p.m. includes Andrea Smith, Joe Higdon, Mike Abendshien, There will be guides to welcome you and to direct you to the Christina Allen, Chris Krysztofiak and Rob Simkin. various activities when you visit the downhill residence halls. The play is about an unlikely couple and their oddball Admission is free. -
One Survivor Remembers Teacher’S Guide 0 Grades 8 Through 12 Contents a Summary of Gerda’S Story 3 How to Use This Kit 4 a Note About the Primary Documents 5
ONE SURVIVOR REMEMBERS Teacher’s Guide 0 Grades 8 ThrouGh 12 Contents A Summary of Gerda’s Story 3 How to Use This Kit 4 A Note About the Primary Documents 5 LESSON PLANS Providing Context for the Film Tapping Students’ Prior Knowledge 7 Holocaust Timeline Activity 10 Viewing the Film Discussing the Film 11 Connecting with Gerda 34 Empathizing with Loss 37 Humanizing the Dehumanized 39 Building on the Film’s Themes Antisemitism 42 Bullies & Bystanders 49 Holding Onto Hope 54 Applying the Film’s Themes A Call to Action: Service Learning 58 Intolerance Today 61 EXTRAS Recommended Resources 69 Content Standards 70 Acknowledgements 71 A Note from Gerda 73 one survivor remembers PREFACE A Summary of Gerda’s Story by Michael Berenbaum This is a story about the strength of the human spirit, the story of a woman who survived the Holocaust and emerged with her humanity intact. Stripped of family, friends, pos- sessions and freedom, she lived to tell her story, a story she tells eloquently and power- fully in One Survivor Remembers. A Polish Jew, Gerda Weissmann lived six years under German rule. It was a time when Jews were stigmatized, discriminated against, harassed and beaten. Their houses of worship were burned; their places of business, looted. They were driven from their homes, imprisoned in ghettos and forced to work in slave-labor camps. And they were murdered — some where they lived, town by town, person by person; others in death camps, where millions were gassed in an assembly-line process that mimicked the great factories of industrialized Europe. -
Florida State University Libraries
)ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2019 Surviving POW Camp Oflag XVII-A: Actions of a Few Shelby Young Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS & SCIENCES SURVIVING POW CAMP OFLAG XVII-A: ACTIONS OF A FEW By SHELBY YOUNG A Thesis submitted to the Department of History in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring, 2019 3 Preface I began this journey of research in 2016. My research interests began with World War II and the occupation of France. I had the chance to complete an oral history report with World War II survivors and their families in the region of Alsace, France. This research then evolved into my interest in completing a thesis. In my original oral report, I came across the film Sous Le Manteau. Historians began to discuss Oflag XVII-A because of this film’s clandestine raw footage of a POW camp. The more I researched on the film the more I read about an escape attempt. However, in some sources I read there were mentions of an escape attempt sponsored by the French Resistance. The more I researched, I came to realize that this escape attempt, that is often discussed out of context, occurred at the same prisoner of war camp Sous Le Manteau was filmed at. I originally planned to analyze Sous Le Manteau as a form of resistance but then turned to discuss the French language as a barrier or an aid in this escape attempt among the French prisoners.