ERIC EDWARDS Director of Photography Ericedwardsdp.Com

Total Page：16

File Type：pdf, Size：1020Kb

ERIC EDWARDS Director of Photography ericedwardsdp.com PROJECTS Partial List DIRECTOR STUDIOS/PRODUCERS TALL GIRL Nzingha Stewart WONDERLAND / NETFLIX Feature Film Jenny Hinkey, Mary Viola THE OPENING ACT Feature Film Steve Byrne Peter Billingsley, Vince Vaughn ALEX, INC. Zach Braff SONY / ABC Pilot & Series Jill Footlick, John Davis, Matt Tarses FIST FIGHT Richie Keen NEW LINE CINEMA Feature Film Marty Ewing, Dan Cohen THE HOLLARS John Krasinski GROUNDSWELL Feature Film SYCAMORE PICTURES / SONY Official Selection – Sundance Film Festival Tom Rice, Janice Williams DIRTY GRANDPA Feature Film Dan Mazer Michael Flynn, Barry Josephson BOSCH Jim McKay AMAZON Pilot Pieter Jan Brugge, Eric Overmeyer DELIVERY MAN Ken Scott DREAMWORKS Feature Film Ray Angelic, Scott Mednick LIFE OF CRIME Feature Film Daniel Schechter Lee Stollman Official Selection – Toronto Int’l Film Festival LOVELACE Jeffrey Freidman MILLENNIUM FILMS Feature Film Rob Epstein Bob Dohrmann, Heidi Jo Markel Official Selection – Sundance Film Festival Laura Rister HAPPY VALLEY Pilot Adam Shankman SONY / Jack Clements, Jamie Tarses FIVE MOW “Mia” Segment Jennifer Aniston SONY / Nellie Nugiel, Kristin Hahn THE CHANGE-UP David Dobkin UNIVERSAL Feature Film Joe Caracciolo Jr., Neal Moritz VIRGINIA Dustin Lance Black KILLER FILMS Feature Film Gus Van Sant, Matt Myers COUPLES RETREAT Feature Film Peter Billingsley UNIVERSAL / Guy Riedel, Scott Stuber MANAGEMENT Feature Film Stephen Belber SKE / Nan Morales, Wyck Godfrey KNOCKED UP Judd Apatow UNIVERSAL Feature Film Clayton Townsend, Shauna Robertson THE BREAK-UP Feature Film Peyton Reed UNIVERSAL / Stuart Besser THE SLAUGHTER RULE Alex Smith Michael Robinson Feature Film Andrew Smith ANOTHER DAY IN PARADISE Larry Clark TRIMARK Feature Film Stephen Chin COP LAND Feature Film James Mangold MIRAMAX / Cathy Konrad, Kerry Orent FLIRTING WITH DISASTER David Russell MIRAMAX Feature Film Dean Silver KIDS Feature Film Larry Clark MIRAMAX / Cary Woods TO DIE FOR Feature Film Gus Van Sant COLUMBIA PICTURES / Laura Ziskin EVEN COWGIRLS GET THE BLUES Gus Van Sant NEW LINE CINEMA Feature Film Laurie Parker GIFT Perry Farrell SHOWTIME Jane’s Addiction Casey Niccoli Peter Nydrle MY OWN PRIVATE IDAHO Feature Film Gus Van Sant NEW LINE CINEMA Nomination, Best Cinematography – Laurie Parker Independent Spirit Awards INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

Copy Link

Recommended publications

Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
[Show full text]
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
[Show full text]
Comic-Con Issue 15 Rewe St., Brooklyn, NY 11211 3210 Vanowen St., Burbank, CA 91505 [email protected] [email protected]
PERSPECTIVE THE JOURNAL OF THE ART DIRECTORS GUILD JULY – AUGUST 2015 US $8.00 Comic-Con Issue 15 Rewe St., Brooklyn, NY 11211 3210 Vanowen St., Burbank, CA 91505 [email protected] [email protected] BRIDGEPROPS.COM ® contents The Anatomy of an Anti-Hero 12 Constantine’s darkness doesn’t feel so bad by David Blass, Production Designer Tomorrowland 20 Logos and pins by Clint Schultz, Graphic Designer Comic Con, Pot Fields 28 Designing the world of Ted 2 & a Giant Cake by Stephen Lineweaver, Production Designer Welcome to Nowhere 36 Manhattan in New Mexico by Ruth Ammon, Production Designer Comic Book Art 46 Created by Art Directors Guild members Collected by Patrick Rodriguez, Illustrator 5 EDITORIAL 6 CONTRIBUTORS 8 NEWS ON THE COVER: 58 PRODUCTION DESIGN Director Brad Bird called on Graphic Designer Clint Schultz three different times to develop 60 MEMBERSHIP key logos for Tomorrowland (Scott Chambliss, Production Designer). His last assignment 61 CALENDAR resulted in this fully rendered 3D model of 62 MILESTONES the T pin that is an important prop and story element in the film. It went on to become 64 RESHOOTS central to the studio’s marketing efforts. PERSPECTIVE | JULY/AUGUST 2015 1 PERSPECTIVE THE JOURNAL OF THE ART DIRECTORS GUILD July/August 2015 PERSPECTIVE ISSN: 1935-4371, No. 60, © 2015. Published bimonthly by the Art Directors Guild, Local 800, IATSE, 11969 Ventura Blvd., Second Floor, Studio City, CA 91604-2619. Telephone 818 762 9995. Fax 818 762 9997. Periodicals postage paid at North Hollywood, CA, and at other cities.
[Show full text]
MEMOIRS of a GEISHA John Williams, Composer Dreamworks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, Prods
KENNETH WANNBERG MUSIC EDITOR MEMOIRS OF A GEISHA John Williams, Composer DreamWorks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, prods. Rob Marshall, dir. STAR WARS: EPISODE 3-REVENGE John Williams, Composer OF THE SITH Lucas Film Rick McCallum, prod. George Lucas, dir. THE TERMINAL John Williams, Composer DreamWorks SKG Laurie MacDonald, Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. HARRY POTTER AND THE PRISONER John Williams, Composer OF AZKABAN Warner Bros. David Heyman, prod. Alfonso Cuaron, dir. CATCH ME IF YOU CAN John Williams, Composer DreamWorks SKG Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. MINORITY REPORT John Williams, Composer 20th Century Fox Walter Parkes, Jan De Bont, Gerald Molen, Bonnie Curtis, prods. Steven Spielberg, dir. STAR WARS: EPISODE 2-ATTACK OF John Williams, Composer THE CLONES LucasFilm / JAK Productions Rick McCallum, prod. George Lucas, dir. HARRY POTTER AND THE John Williams, Composer SORCERER’S STONE Warner Bros. David Heyman, prod. Chris Columbus, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KENNETH WANNBERG MUSIC EDITOR A.I.: ARTIFICIAL INTELLIGENCE John Williams, Composer DreamWorks / Warner Bros. Kathleen Kennedy, Bonnie Curtis, Steven Spielberg, prods. Steven Spielberg, dir. THE PATRIOT John Williams, Composer Sony Pictures Dean Devlin, Mark Gordon (II), Gary Levinson, prods. Roland Emmerich, dir. ANGELA’S ASHES John Williams, Composer Paramount Pictures David Brown, Alan Parker, Scott Rudin, prods. Alan Parker, dir. STAR WARS: THE PHANTOM John Williams, Composer MENACE Lucas Film Rick McCallum, prod. George Lucas, dir. STEPMOM John Williams, Composer Sony Pictures Wendy Finerman, Mark Radcliffe, Michael Barnathan, prods. Chris Columbus, dir. SAVING PRIVATE RYAN John Williams, Composer DreamWorks SKG Steven Spielberg, Mark Gordon, Ian Bryce, Gary Levinson, prods.
[Show full text]
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
[Show full text]
Night and Day Free Ebook
FREENIGHT AND DAY EBOOK Iris Johansen | 400 pages | 21 Feb 2017 | St. Martin's Press | 9781250075901 | English | United States North Carolina Dentists | Night & Day Dental | Extended Hours Each of our nine offices in CaryCharlotteClaytonConcordCorneliusDurhamHolly SpringsRaleighand Steele Creekfollow Night and Day simple formula of top-notch dentistry delivered how you want it, when you want it. Our late opening hours, comfortable care, and easy scheduling options contribute to our refreshing approach to dental care. Leave your fears at the door while you enjoy top-notch care at one of our convenient locations. Yes, you can now visit the dental office before work, after work, in Night and Day evenings, and even on the weekends. Millions of Americans suffer from dental anxiety due to Night and Day stereotypes about the Night and Day. However, these are now in the past. Our caring teams offer Night and Day, customized, and modern services at our six office locations. It is now! Thanks to our array of financing options and insurance solutions, you can achieve your dream smile without the added financial burden. Not only do we Night and Day convenient opening times but we also house a Night and Day of well-trained dentists who offer first-class care. Across our nine locations, we make your visit simple through easy booking, financial options, emergency dental servicesa bilingual team, and so much more. Our entire team is excited to serve your smile! In addition to this, we have carefully constructed teams that allow us to provide a host of services under one roof. From emergency care to dental implant placement, we have everything you need for a healthier, more attractive smile.
[Show full text]
Félags- Og Mannvísindadeild
Félags- og mannvísindadeild MA-ritgerð Blaða- og fréttamennska Slægjur Undirflokkur hryllingsmynda Oddur Björn Tryggvason September 2009 Félags- og mannvísindadeild MA-ritgerð Blaða- og fréttamennska Slægjur Undirflokkur hryllingsmynda Oddur Björn Tryggvason September 2009 Leiðbeinandi: Guðni Elísson Nemandi: Oddur Björn Tryggvason Kennitala: 070278-5459 Ágrip Slægjur eru undirflokkur hryllingsmynda sem áttu blómaskeið sitt um miðbik áttunda áratugarins og fyrri hluta þess níunda. Þessar tegundir mynda þóttu ekki merkilegar út frá kvikmyndalegu sjónarmiði og voru harðlega gagnrýndar. Slægjurnar voru álitnar þrepinu ofar en klámmyndir. Auðvelt er að afskrifa myndirnar sökum einsleitni þeirra en þegar betur er að gáð má glögglega sjá að þær eru afsprengi umhverfisins og lýsandi dæmi um þann veruleika sem ákveðin kynslóð upplifði. Óvættirnir voru gjarnan táknrænir fyrir refsivendi óæskilegrar hegðunar og góð gildi ásamt sjálfsbjargarhvöt voru það sem þurfti til að lifa af. Félags- og stjórnmálalegar aðstæður höfðu sitt að segja í upprisu þessarra mynda og þær öðluðust vinsældir á umrótartíma í Bandaríkjunum. Fjallað verður um þessa tegund mynda og leitast við að varpa ljósi á menningarlegt gildi þeirra. bls. 3 Abstract Slasher films are a sub category within horror films that had it‘s glory days in the late seventies and early eighties. These films were not considered very noteworthy from a cinematic viewpoint and were harshly criticized by critics. Slasher films were thought to be one nocth above pornographic films. It‘s easy to write these films off because of their simplitcity but looking beneath the cover one can clearly see that these films are culturally significant and are indicative of a reality experienced by a certain generation.
[Show full text]
Festa Del Cinema Di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016
11A Festa del Cinema di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016 FONDATORI PRESIDENTE Roma Capitale Piera Detassis Regione Lazio Città Metropolitana di Roma Capitale Camera di Commercio di Roma DIRETTORE GENERALE Fondazione Musica per Roma Francesca Via Istituto Luce Cinecittà S.r.l DIRETTORE ARTISTICO COLLEGIO DEI FONDATORI Antonio Monda Presidente Lorenzo Tagliavanti Presidente della Camera di Commercio di Roma COMITATO DI SELEZIONE Virginia Raggi Mario Sesti, Coordinatore Sindaca di Roma Capitale Valerio Carocci e della Città Metropolitana Alberto Crespi Giovanna Fulvi Nicola Zingaretti Richard Peña Presidente della Regione Lazio Francesco Zippel Aurelio Regina Presidente della Fondazione Musica per Roma Roberto Cicutto Presidente dell’Istituto Luce Cinecittà CONSIGLIO DI AMMINISTRAZIONE RESPONSABILE UFFICIO CINEMA Piera Detassis, Presidente Alessandra Fontemaggi Laura Delli Colli Lorenzo Tagliavanti José Ramón Dosal Noriega Roberto Cicutto COLLEGIO DEI REVISORI DEI CONTI Roberto Mengoni, Presidente Massimo Gentile, Revisore Effettivo Giovanni Sapia, Revisore Effettivo Maurizio Branco, Revisore Supplente Marco Buttarelli, Revisore Supplente A FESTA 13-23 DEL CINEMA OTTOBRE 11 DI ROMA 2016 Prodotto da Main Partner Promosso da Partner Istituzionali Con il supporto di In collaborazione con Official sponsor Partner Tecnico Eco Mobility Partner Sponsor di Servizi Media Partner Partner Culturali Sponsor2.1 Invicta institutional logo “Since” 2.1.1 Dimensions, proportions and colour references The Invicta corporate logo is made up of 2 colours, blue and red. The Invicta corporate logo must never be modiﬁed or reconstructed. FOOD PROMOTION & EVENTS MANAGEMENT 26x 8x 87x 1x 15x 31x 2x 3x 5x 3x 1x Pantone 33xCMYK Pantone RGB 2x Textile 20x Invicta red C: 0 4852x C P.
[Show full text]
1-Abdul Haseeb Ansari
Journal of Criminal Justice and Law Review : Vol. 1 • No. 1 • June 2009 IDENTIFYING LARGE REPLICABLE FILM POPULATIONS IN SOCIAL SCIENCE FILM RESEARCH: A UNIFIED FILM POPULATION IDENTIFICATION METHODOLOGY FRANKLIN T. WILSON Indiana State University ABSTRACT: Historically, a dominant proportion of academic studies of social science issues in theatrically released films have focused on issues surrounding crime and the criminal justice system. Additionally, a dominant proportion has utilized non-probability sampling methods in identifying the films to be analyzed. Arguably one of the primary reasons film studies of social science issues have used non-probability samples may be that no one has established definitive operational definitions of populations of films, let alone develop datasets from which researchers can draw. In this article a new methodology for establishing film populations for both qualitative and quantitative research–the Unified Film Population Identification Methodology–is both described and demonstrated. This methodology was created and is presented here in hopes of expand the types of film studies utilized in the examination of social science issues to those communication theories that require the examination of large blocks of media. Further, it is anticipated that this methodology will help unify film studies of social science issues in the future and, as a result, increase the reliability, validity, and replicability of the said studies. Keywords: UFPIM, Film, Core Cop, Methodology, probability. Mass media research conducted in the academic realm has generally been theoretical in nature, utilizing public data, with research agendas emanating from the academic researchers themselves. Academic studies cover a gambit of areas including, but not limited to, antisocial and prosocial effects of specific media content, uses and gratifications, agenda setting by the media, and the cultivation of perceptions of social reality (Wimmer & Dominick, 2003).
[Show full text]
Gummo's Whammo by Werner Herzog Interview / November 1999
Gummo’s Whammo by Werner Herzog Herzog: Tell me about your upbringing. Interview / November 1999 Korine: If someone asked me what my father did, I wouldn't be able to answer. He would leave for Harmony Korine's directorial debut is the fall film long periods of time, and sometimes my mother most likely to disturb and disgust the most would disappear too. It's not that they weren't people. Here Korine talks to one of his newest good; they were just doing something else and I fans, fellow moviemaker and rule-breaker Werner didn't know where they were. But I liked them Herzog when I saw them, and when my father came home he'd bring money and presents, so that was If Harmony Korine's screenplay for 1995's Kids nice. I recently asked my dad what his profession announced the arrival of a shockingly precocious was, and he wouldn't tell me. There were other observer of teenage wasteland, his first film as a things I didn't know, so I asked my mother to director not only confirms his precocity but send my birth certificate to me so I could find out establishes him as both auteur and unrepentant my real age and make sure everything was nihilist. The nonnarrative, super-squalid Gummo - legitimate. I got it a month and a half ago and it cryptically named for the absent member of said my father's occupation was fur trader, but Korine's beloved Marx Brothers - is a biliously I've never seen him wear fur or heard him talk Burroughsian snapshot of post-twister 1974 about it.
[Show full text]
Cataloging and Managing Film and Video Collections a Guide to Using RDA and MARC 21
CATALOGING AND MANAGING FILM AND VIDEO COLLECTIONS A GUIDE TO USING RDA AND MARC 21 COLIN HIGGINS An imprint of the American Library Association CHICAGO 2015 www.alastore.ala.org COLIN HIGGINS is Librarian of St Catharine’s College, University of Cambridge. He holds a BA in Philosophy from Trinity College Dublin, an MSc in Library Science from the University of Wales, and an MPhil in Philosophy from King’s College London, where he is currently completing a PhD. He writes and reviews on libraries for a wide variety of publications. His main research interests are in cataloging and classification, particularly their historical and philosophical aspects. Colin serves on a number of professional committees, and has been chair of the Cambridge College Libraries Forum. He maintains two blogs—Libraries at the Movies explores the representation of libraries in film, and Cutter’s Last Stand addresses contemporary issues in cataloging and classification. © 2015 by the American Library Association. Extensive effort has gone into ensuring the reliability of the information in this book; however, the publisher makes no warranty, express or implied, with respect to the material contained herein. ISBN: 978-0-8389-1299-7 (paper) Library of Congress Cataloging-in-Publication Data Higgins, Colin, 1979- Cataloging and managing film and video collections : a guide to using RDA and MARC21 / Colin Higgins. pages cm Includes bibliographical references and index. ISBN 978-0-8389-1299-7 1. Cataloging of motion pictures. 2. Cataloging of video recordings. 3. Libraries —Special collections—Motion pictures. 4. Libraries—Special collections—Video recordings. I. Title. Z695.64.H54 2015 025.3'473—dc23 2014040988 Cover design by Kirstin Krutsch.
[Show full text]
93Rd Oscars Nominations Announcement 2021
March 15, 2021 Note: Nominations press kit available here ® 93RD OSCARS NOMINATIONS ANNOUNCED THE OSCARS SET TO AIR LIVE, APRIL 25, 2021, ON ABC Actor-producer Priyanka Chopra Jonas and singer, songwriter and actor Nick Jonas announced the ® 93rd Oscars nominations today (March 15), live from London, via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, an international satellite feed and broadcast media. Chopra Jonas and Jonas announced the nominees in 23 categories at 5:19 a.m. PDT. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and International Feature Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 23 categories beginning Thursday, April 15, through Tuesday, April 20. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. ® The 93rd Oscars will be held on Sunday, April 25, 2021, at Union Station Los Angeles and the Dolby ® Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on ABC at 8 p.m. EDT/5 p.m. PDT. The Oscars also will be televised live in more than 200 countries and territories worldwide. # # # ABOUT THE ACADEMY The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film.
[Show full text]