DOCSLIB.ORG

Topaze (RTA) Tutorial #1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Topaze (RTA) Tutorial #1 Topaze (RTA) Tutorial #1 1. Introduction This tutorial provides a description of the options and workflow in KAPPA-Workstation. This includes creation of new documents and analyses, loading of pressure and rate data, extraction of the loaded production data, Decline Curve Analysis, use of loglog analysis tools, example of analytical and numerical modeling, specialized plots, sensitivity and forecast, and the creation of interpretation file templates. The tutorial finishes by pointing to a few items that users may decide to explore on their own. Before starting this session, the user is expected to have installed KAPPA-Workstation and started the RTA (Topaze) module. The tutorial will use the three files (shown below) located in the Examples folder in the Installation directory. Topaze starts (below, left) and brings the user to the ‘File’ page. The active option is ‘New and recent’ and a ‘Blank’ icon can be seen towards the top left of the screen (below, right). KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 1/28 2. Creating a new document Click on the ‘Blank’ icon. This starts a wizard that will take the user through six steps to initialize a new document and its first analysis. - Step 1: initialization of the main document options: reference time and location, general information, units and general comments. Keep everything as default and click . - Step 2: main options of the first analysis in this document. Input the main test parameters. Those highlighted with red fields have a significant impact on the results and should not stay at default value. If the default happens to be the answer one may enter the same value or right click in the field and select ‘Accept default’. If any field remains, a red warning message will be carried out throughout the interpretation. For this session, set the pay zone (h) to 100 ft and the porosity () to 0.08. Click . - Step 3: definition of the fluid and its physical diffusion in the formation. Define the fluid as single phase gas. Advanced PVT is required when the reference phase is gas, in order to compute pseudo properties. To access the advanced PVT definition, click on . In the PVT definition page, change the reference pressure to 6650 psia and reference temperature to 300 °F. Validate the PVT definition with and proceed to Step 4 using . KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 2/28 - Step 4: definition of the constant parameters and/or pseudo-functions that will be used in analytical or linear numerical models (linearity is required for superposition). The computed pseudo-pressure and pseudo-time integral can be viewed in tabulated and graphical form using (below, right). The choice of pseudo pressures (none, not normalized or normalized) affects the plot axes only. The model is always generated in pseudo pressures. Click on . - Step 5: controls the level of complexity in the numerical model. The options in the left column are standard with Saphir and Topaze. The options in the right columns are Rubis functionalities. Although these models can be directly built from Saphir or Topaze, they do require a Rubis license to be available. The default numerical settings will be largely sufficient for now but will be visited later in this tutorial, so click on . KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 3/28 - Step 6: the default model can be set at any stage of the analysis, even at initialization stage. If the user knows or suspects that a given model should apply there is no need to start with an irrelevant default. For this session, do not change the default at this stage. Click on . The document and its first analysis are initialized and the main Topaze window appears. The active tab is ‘Analysis’ with an empty workspace. The document is only in the active computer memory and it is named ‘Untitled1’. Save it and call it ‘RTA Tutorial 1’ using the Ctrl+S shortcut or select ‘Save’ in the File menu. KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 4/28 3. Loading production data Click on the ‘Load Q’, , icon in the control panel on the left to load the Rate History. The rate information is stored in ‘RTAEX01 Rates.xlsx’. Click on and select the file to load. A file preview is shown (below, left). with the possibility to change the tab/worksheet. brings a dialog where the file information is interpreted line by line (below, right). The collapsible panels on the left offer detailed load options. The top right section has a set of editable information while the bottom left window gives the result of the format processing. As the input file is very simple, with time stored as durations, the default format will work. Click on to proceed. The main Topaze screen is displayed again with a history plot showing the loaded rates. KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 5/28 4. Automatic extraction and Rate Decline curve analysis It is possible to perform a Decline curve analysis as soon as a production history is available, regardless of the existence of a pressure gauge. The ‘Extract’, , icon in the control panel accesses the manual extraction dialog. We will revisit the dialog later. The ‘Automatic Extraction’, , icon appears in lieu of the ‘Extract’ icon when the shift key is pressed. In this state, click on the icon and the entire loaded production history, using the default extraction settings will be extracted on a DCA plot, generated at the end of the extraction. Double clicking on the DCA plot title bar maximizes it, bringing additional options in the ribbon. Right-click in the plot to access the split options in the popup menu. Split horizontally and vertically to end with three plots. KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 6/28 Change the top right plot to q vs Q by right clicking on it and selecting the plot type in ‘Decline curve options’ (below left). Similarly, change the bottom one to log(q) vs log(t) to end up with something as shown below, right: Click on ‘Parameters’, , in the ‘Plot options’ panel at the top and change the model to Duong. The slider bar at the bottom allows the user to set the relative weight of rates and cumulative production while regressing on the model parameters. Move the slider to mid-way between q and Q and run the regression on initial rate, M and A Exponents (each decline curve will have its own set of parameters): Change the abandonment rate to 500 Mscf/D, observe the abandonment time change (6.49 years) and the EUR (4.14 bscf). The results may vary slightly depending on the position of the slider between q and Q. KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 7/28 Abandonment ratio 1e-3 Abandonment rate 500 Mscf/D Several DCA plots may be created with different decline models on each. Close the dialog and restore the DCA plot by double clicking on the plot title bar. KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 8/28 5. Loading Pressure data Create a new analysis by clicking on ‘New’, , in the ribbon at the top (or using the Ctrl + M keyboard shortcut). When creating a new analysis, different levels of duplication are offered to the user. For this session, select the existing ‘Analysis 1’ to duplicate and keep all the selections. Click on . Delete the existing DCA plot in Analysis 2. Before proceeding with loading pressure data, access the ‘RTA Settings’ through located at the top right of the Topaze window and select the automatic plots as indicated below: Based on the above selection, when an extraction is made only the normalized rate – cumulative plot will be created (in addition to the loglog plot and Blasingame plot which are always created on extraction). This allows the user to save overcrowding the workspace with plots the user is not intending to use. The unchecked plots can always be created at any time during the analysis using the ‘New plot’, , option in the ribbon (subject to plot prerequisites being met). This will be visited later in the tutorial. KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 9/28 Click on ‘Load P’, , in the main control panel to load the Pressure History. The pressure data are stored in the Ascii file ‘RTAEX01 Pressures.txt’. Click on the icon and select the file to bring a preview of the file content (below, left). Click on to proceed to the next dialog. The dialog is the same as when loading rates, where the file information is being interpreted line by line (below, right). Again, the format is simple, so keep the defaults and click on to proceed. Back in the Topaze main workspace, the history plot is displayed with both rate and pressure data. Since an extraction already existed, even though we deleted the DCA plot, loading pressure data will also launch the extraction dialog. This time, the extraction will be based on both pressures and rates, unlike before, when we had rates only. If no extraction had existed, the dialog can be manually called using ‘Extract’, , in the control panel. KW v5.40 - Doc v5.40.01 © KAPPA 2003-2021 RTA Tutorial #1 • RTAEX01 - 10/28 6. Extracting data interval and generating plots In the extraction dialog (below, left) the loglog plot resulting from the current extraction options is displayed on the right.
Load more

Recommended publications
  • The Dublin Gate Theatre Archive, 1928 - 1979
    Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors.
    [Show full text]
  • Topaze Marcel Pagnol Pdf
    Topaze marcel pagnol pdf Continue Fifteen years after he first adapted his popular topaze scene for film, Marcel Pagnol turned out to be this more polished version, believing it was the perfect car for Fernandez, the iconic comic actor who featured in many of his previous films. In his 1936 adaptation, the lead role was played to perfection by Alexander Arna, and while Fernandel is seemingly perfect for playing an innocent schoolteacher idiot, he is far less convincing as the ruthless capitalist that Topaze eventually becomes. Pagnol's 1951 production of Topaze is certainly slicker than the director's previous version, but it's less convincing and lacks the satirical hit that earlier film. Fernandl is the weakest link in an otherwise impeccable cast that includes the wife of director Jacqueline Pagnol and the similarly tyrannical Marcel Valle, perfect for the director role. Pierre Larkey is the obvious casting choice for the part of the supposedly incorruptible Tamise teacher, which provides a guide to which Topaze's moral decline is measured. Helen Perdri're and Jak Morel are pleasantly venal as supposed piece villains, devilish couples who lure Topaze into a lucrative life of vice. By this stage of his career, Fernandel began to prove himself as an actor, although here he is overly stretched on a part that requires a much more dramatic range than he might suggest. If ever there was an opportunity for the actor to bury his sympathetic imbecile persona it was. Alas, he couldn't bring himself to do so, and so his Topaze is undoubtedly the movie's least reliable.
    [Show full text]
  • Marcel Pagnol, Cinéaste
    MASARYKOVAUNIVERZITA PEDAGOGICKÁ FAKULTA Katedra francouzského jazyka a literatury Marcel Pagnol, cinéaste Diplomová práce Brno2007 Vypracoval: Vedoucí diplomové práce: Přemysl Machatý PaedDr. Pavla Kellnerová Prohlášení Prohlašuji, že jsem diplomovoupráci zpracoval samostatně apoužil jenprameny uvedenév seznamuliteratury. Souhlasím, aby práce bylauloženanaMasarykově univerzitě v Brně v knihovně Pedagogické fakultyazpřístupněnake studijním účelům VBrnědne19.4.2007 PřemyslMachatý Remerciement Je voudrais remercier Madame Pavla Kellnerová, professeur au Département de Français de la Faculté de Pédagogie de l’Université Masaryk, d’avoir accepté mon sujet et de m’avoir guidé dans toutes les étapes de mon travail.Ses conseilset sessuggestionsm’aidèrentàrédiger cemémoire. 3 cinéaste e 4 SOMMAIRE INTRODUCTION ..............................................................................................p.7 PARTIETHEORIQUE .....................................................................................p.9 1.LABIOGRAPHIE DEMARCELPAGNOL................................................p.9 2.LECINEMADEMARCELPAGNOL...........................................................p.16 2.1.Lethéoricien ........................................................................................p.16 2.2.Lecommerçant.....................................................................................p.18 2.3.Letechnicien........................................................................................p.19 2.4.Lemetteurenscène .............................................................................p.21
    [Show full text]
  • Henri Verneuil
    26 AOÛT AU 1ER SEPTEMBRE mer 26 jeu 27 ven 28 sam 29 dim 30 lun 31 mar 1er Avec le soutien de la Ville de La Valette-du-Var www.lavalette83.fr LA BONNE ÉPOUSE 18h 18h 21h 18h 04.94.20.59.49 GREENLAND (VF) 21h 18h 21h 18h THE CLIMB (VOST) 21h 15h 21h DU 26 AOÛT AU 29 SEPTEMBRE 2020 THE KING OF STATEN ISLAND 21h 18h (VOST) BIGFOOT FAMILY 15h 15h 18h 15h 15h cinéma 2 AU 8 SEPTEMBRE mer 2 jeu 3 ven 4 sam 5 dim 6 lun 7 mar 8 LES BLAGUES DE TOTO 15h 18h 15h 18h HENRI VERNEUIL DE GAULLE 18h 15h 21h 18h Salle équipée en numerique et en 3D L’INFIRMIÈRE (VOST) 21h 18h 21h ESPACE CULTUREL ALBERT-CAMUS - LA COUPIANE - 83160 LA VALETTE-DU-VAR THE PERFECT CANDIDATE 18h 15h 21h (VOST) ÉVA EN AOÛT (VOST) 21h 21h TOPAZE - CYCLE PAGNOL 18h 9 AU 15 SEPTEMBRE mer 9 jeu 10 ven 11 sam 12 dim 13 lun 14 mar 15 YAKARI 15h 15h 15h BELLE-FILLE 15h 18h 21h 21h ÉTÉ 85 21h 18h 18h MIGNONNES 18h 21h 21h LE DÉFI DU CHAMPION 18h (VOST) 21h (VF) 18h (VF) NAÏS - CYCLE PAGNOL 18h 16 AU 22 SEPTEMBRE mer 16 jeu 17 ven 18 sam 19 dim 20 lun 21 mar 22 L’OMBRE DE STALINE 18h (VF) 21h (VOST) 21h (VF) 21h (VOST) EFFACER L’HISTORIQUE 21h 18h 21h 18h 21h THE PERFECT CANDIDATE BELLE-FILLE 15h - 18h 18h 15h D’HAIFAA AL MANSOUR SPYCIES 15h 18h LE SCHPOUNTZ - CYCLE PAGNOL 18h CYCLE PAGNOL / FERNANDEL 23 AU 29 SEPTEMBRE mer 23 jeu 24 ven 25 sam 26 dim 27 lun 28 mar 29 TOPAZE - Samedi 5 Septembre - 18h PETIT PAYS 18h 15h 18h 21h 18h 15h 21h NAÏS - Samedi 12 Septembre - 18h TENET 21h (VOST) 18h (VF) 21h (VF) 17h (VF) 21h (VF) (VOST) LE SCHPOUNTZ - Samedi 19 Septembre - 18h CITOYENS DU MONDE
    [Show full text]
  • Lecture 4 the Topaze, the Jourdain and the Dienes Effects in the Process of Mathematics Teaching
    1999 MATH 645 CONCORDIA UNIVERSITY LECTURE NOTES ON THE THEORY OF DIDACTIC SITUATIONS – ANNA SIERPINSKA LECTURE 4 THE TOPAZE, THE JOURDAIN AND THE DIENES EFFECTS IN THE PROCESS OF MATHEMATICS TEACHING PART I - PROBLEMS OF TEACHING DIVISION - CONTINUED In analyzing the two sets of division problems in Lecture 3, we found the following conceptions of division: Elementary arithmetic conceptions: Sharing: A whole number N of objects is shared among a whole number of persons P (or is put in boxes, in piles, etc.). N / P represents the number of objects that each person gets (there might be a remainder). Partitioning: A quantity Q is distributed in packages of q; Q / q represents the number of packages. (Q and q can be any numbers) A geometric conception: Ratio as a comparison of two magnitudes of the same kind: if A and B are amounts of two magnitudes of the same kind then one can sometimes express the relation between these amounts as a proportion, ‘A is to B as p is to q’, where p and q are whole numbers, and write the ratio as a fraction p/q, without necessarily understanding it as a number in the same sense as whole numbers are numbers; in this conception, a ratio could still be understood as a pair of whole numbers. A physical conception: Ratio as a compound magnitude: if A and B are amounts of two magnitudes, not necessarily of the same kind, then the ratio of A to B expresses the amount of the first magnitude per a unit of the second magnitude.
    [Show full text]
  • La Mare Au Diable, George Sand Topaze, Marcel Pagnol
    FACULTÉ DES LETTRES DE SORBONNE UNIVERSITÉ SERVICE DES EXAMENS DE LA LANGUE FRANÇAISE RÉSERVÉS AUX ÉTUDIANTS ÉTRANGERS CERTIFICAT PRATIQUE DE LA LANGUE FRANÇAISE C1 PROGRAMME 2019-2020 ÉPREUVE DE LITTÉRATURE La Mare au diable, George Sand Ouvrage : LA MARE AU DIABLE, GEORGE SAND, Hachette Education, coll. « Bibliocollège », Paris, 1999. Bibliographie ▪ BREM Anne-Marie de, George Sand, Un diable de femme, Gallimard, coll. « Découvertes Gallimard » (n° 311), Série Littératures, Paris, 1997. ▪ REID Martine, George Sand, Gallimard, coll. « Folio biographies » (n° 98), Paris, 2013. ▪ DECROIX Olivier, DE GANDT Marie, Le romantisme, Gallimard, coll. « La Bibliothèque Gallimard » (n° 188), Paris, 2010. Filmographie ▪ La Mare au diable de George Sand, téléfilm français de Pierre Cardinal, 1972, INA, http://www.ina.fr/video/CPF86611508 ▪ George Sand, Histoire de sa vie, film documentaire de Micheline Paintault, coproduction France 5/SCEREN-CNDP, 2004. ▪ George Sand, Une femme libre, film documentaire de Gérard Poitou-Weber, Les Films de l'Arlequin et France 3, 2004. Sitographie ▪ Livre audio : La Mare au diable de George Sand, Livres audio gratuits à écouter et télécharger http://www.litteratureaudio.com/livre-audio-gratuit-mp3/george-sand-la-mare-au-diable.html Topaze, Marcel Pagnol Ouvrage : Topaze, MARCEL PAGNOL, Éditions de Fallois, coll. « Fortunio » (n°10), Paris, 2004. Bibliographie CASTANS Raymond, Il était une fois... Marcel Pagnol, Éditions de Fallois, coll. « Fortunio », Paris 1995. Filmographie ▪ Topaze, film réalisé par Marcel Pagnol, avec Fernandel dans le rôle-titre, 1951, https://www.youtube.com/watch?v=DvRQghK_bno ▪ Topaze, pièce enregistrée, 1956, http://www.ina.fr/video/CPF86654039 Sitographie Site officiel, Marcel Pagnol, http://www.marcel-pagnol.com FRANÇAIS SUR OBJECTIFS UNIVERSITAIRES « Sciences humaines et sociales » Synthèse de textes dans différents domaines : essai de philosophie, de sociologie, d’histoire et d’histoire de l’art.
    [Show full text]
  • Pagnol Et La Provence
    PAGNOL ET LA PROVENCE 1- Les Souvenirs d’enfance Étapes Pagnol a d’abord écrit un récit pour Elle en décembre 1956 (du 3 au 31 – N° 571-574) : il y raconte comment sa famille, sur la route des vacances, passait le long du canal, près de quatre châteaux. Il rédige ensuite une première version de son enfance en deux tomes : La Gloire de mon père (1957) et Le Château de ma mère (1958), version reprise dans les œuvres complètes, Club de l’Honnête homme, 1970. Il ajoute un troisième tome, Le Temps des secrets, en 1960. Le Temps des amours, quatrième tome des Souvenirs, n’a pas été achevé ni publié par Pagnol, mais les documents qui le composent, en grande partie rédigés, ont été réunis par son éditeur, Bernard de Fallois, et publiés en 1977. La version définitive des deux premiers tomes est achevée par Pagnol en 1965, c’est celle qui est enregistrée en CD et éditée en collection Fortunio par les Éditions de Fallois. Roman ou autobiographie ? Les Souvenirs s’inspirent de la réalité vécue par Marcel, mais la modifient pour en faire un roman d’aventures, un récit initiatique, et transformer l’été en paradis d’une enfance provençale. Lire l’article de Michel Druon dans http://michel.drujon.pagesperso-orange.fr/portes_ chateau/4-partie_2.htm Cette enquête exemplaire et illustrée sur les dates et lieux des vacances de Marcel permet de bien comprendre le rapport entre la réalité vécue et la fiction qui l’embellit. L’article s’appuie sur l’ouvrage d’un psychiatre qui a consulté les archives de Marseille et les vieilles cartes d’état-major pour reconstituer les itinéraires et le calendrier des Souvenirs.
    [Show full text]
  • Two Houses Conduct Formal Initiations
    ·; lit ~-.. ,__~.-- , t ft 0 Volume XXXIV HARTFORD, CONN., MARCH 8, 1938 Number 17 "WEIRD CREATURES OF AN Office News TWO HOUSES CONDUCT Alumni News TRIN SWIMMERS SINK ANCIENT DAY" TOPIC OF On Friday evening, March 25, FORMAL INITIATIONS T.he memorial window to Prof. Is­ WESMEN BY 43 TO 32 Professor Clarence W. Mendell of bon T. Beckwith, which was dedicated THIRD GARV AN LECTURE Yale University, will lecture in the St. Anthony and Sigma Nu Induct on February 9 this year, was given SCORE IN HOME POOL auditorium on Sophocles, Seneca, and Eight New Men to Conclude to the College Chapel by friends of Prof. E. L. Troxell Asserts that Shakespeare. Professor Mendell, for­ Initiation Season the college and aluimii, especially Pa~ked . Gallery Watches Trinity Growth in Size May Result merly dean of Yale College, is an alumni members of the Phi Kappa Romp Away with Six of in Man's Extinction authority on dassi'cal literature, and Saturday, M.arch 5-The annual Chapter of Alpha. Delta Phi, of which the Nine Firsts proposes to consider certain themes season of initiations was brought to he was a member. Among the donors EXHIBITS DIATRYMA which appear first in the tragedy of a close tonight when eight men were was Albert Chureh Hamlin, '87, of AKSOMITAS VICTORIOUS Sophocles, are later developed by the initiated in two fraternities. Saint Pasadena, California. Since the dedi­ Giant Prehistoric Heron Found in Anthony and the Delta Chi Chapter cation of the window, he has decided Latin Seneca, and come to their final Muir Takes Both the 220 and 440; Wyoming in 1929, Has Fellow of Sigma Nu were the fraternities that he wishes .to be the sole donor form in Shakespeare's plays.
    [Show full text]
  • Omaggio a Marcel Pagnol Homage to Marcel Pagnol
    OMAGGIO A MARCEL PAGNOL HOMAGE TO MARCEL PAGNOL In collaborazione con Nicolas Pagnol (Compagnie Mediterranéenne de Films) e Bruno Despas (Vision Global) Il restauro dei film di Marcel Pagnol è stato reso possibile dalla collab- The restoration of Marcel Pagnol’s films is made in partnership with orazione con la Compagnie Méditerranéenne de Films, che detiene i the Compagnie Méditerranéenne de Films, which holds the rights to diritti dei lavori del regista, e con Vision Globale, la più importante Pagnol’s works, and Vision Globale, Quebec’s leading film restoration società del Quebec nel settore del restauro, che ha sviluppato il soft- company with its software GeneSys. The restoration materials used ware GeneSys. Per il restauro sono stati utilizzati interpositivi stampati were interpositives wet-gate printed from the original nitrate negatives, sotto liquido dai negativi originali su supporto nitrato, a cui è seguita scanned at 2K resolution. One of the challenges of this type of restora- una scansione a 2K. Grazie a questa metodologia di restauro si cerca tion is recreating what the viewer’s initial experience might have been di ricreare quella che può essere stata l’esperienza dello spettatore without an “original” image reference. After repeated testing of the alla prima visione, pur senza avere a disposizione la fonte “originale”. calibration of the Digital Intermediate chain and extensive work on the Dopo numerosi test sull’intermediato digitale e sui parametri per lo black-and-white development settings, Vision Globale was able to sviluppo in bianco e nero, Vision Globale ha raggiunto uno standard di achieve a contrast and density that were approved by Nicolas Pagnol, contrasto e densità fotografiche approvate da Nicolas Pagnol, promo- who spearheaded the project and is intimately familiar with his grand- tore del progetto e profondo conoscitore del lavoro del nonno.
    [Show full text]
  • With 8 Brownsville a and Valley 8 Theaters DANCING Del
    With 8 Brownsville a and ■ Valley 8 Theaters DIPLOMANIACS MEET A BLONDE ROMANCE IN “EMERGENCY CALL’’ TOPAZE DISCOVERS SEX APPEAL ------- MARY HEADS ■ _ SPEEDY PACE LARGE CAST SET BY FILM IN “SECRETS’ HERE SUNDAY A swift-paced picture, red-blood- Leslie Howard ed drama of the heroism of the Plays hospital ambulance service, RKO- Lead in Rivoli Radio pictures’ “Emergency Call” shows today and Monday at the Picture Queen theatre, Brownsville, with Bill Boyd, Wynne Gibson and Wil- liam Gargan. Surrounded by one of the largest Moving with the speed of an ex- casts In her long career and di- press train and teeming with rected by Frank Borzage, two-time thrills and suspense, “Emergency Academy winner, Mary Pickford Call” is a strikingly human docu- comes to the Rivoli theatre Sun- ment of the colorful careers of a dcotor and his day in “Secrets," an adaptation of young ambulance the celebrated stage play by Rudolf driver. Bill Boyd, as Joe Bradley, Besier and May Edgington. And is the idelaistic and courageous thus, according to all advance re- interne. William Gargan, as Steve ports, motion picture fans will see Brennan, is a wise-cracking devil- John Barrymore finds Myrna Loy's love entrancing in this flirtatious the star in one of the best pictures may- care driver. Their dangerous from RKO-Radio Pictures’ dramatic she has made. Bert Wheeler and Robert Woolsey run the gamut of high-powered sequence comedy “Topaze.” and exciting adventures in oppos- . n him n iwmrwnnnannnnwiiwwnii w Min«BMMg»«3BgawwBBWMggM»innffwmiwmmwMaaBaM Showing Thursday only at the Brownsville.
    [Show full text]
  • Topaze Accusé”: Un Cas De Figure Pour Penser Sur Les Processus Qui Conduisent De L’Incompréhension Dans Les Apprentissages À La Suspicion Envers L’École
    ”Topaze accusé”: un cas de figure pour penser sur les processus qui conduisent de l’incompréhension dans les apprentissages à la suspicion envers l’école. Entre sociologie et didactique. Stéphane Bonnéry To cite this version: Stéphane Bonnéry. ”Topaze accusé”: un cas de figure pour penser sur les processus qui conduisent de l’incompréhension dans les apprentissages à la suspicion envers l’école. Entre sociologie et didactique.. XXXVIème colloque COPIRELEM. Auch 2009. L’enseignement des mathématiques à l’école : où est le problème ?, Jun 2009, Auch, France. pp.13-32. halshs-00680234 HAL Id: halshs-00680234 https://halshs.archives-ouvertes.fr/halshs-00680234 Submitted on 18 Mar 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Actes du XXXVIème colloque COPIRELEM. Auch 2009. L'enseignement des mathématiques à l'école : où est le problème ? Conférence invitée « TOPAZE ACCUSÉ » : UN CAS DE FIGURE POUR PENSER LES PROCESSUS QUI CONDUISENT DE L’INCOMPREHENSION DANS LES APPRENTISSAGES À LA SUSPICION ENVERS L’ECOLE ? Stéphane Bonnéry, MCF en Sciences de l’éducation CIRCEFT-ESCOL, Paris 8 [email protected] 1 ÉLÉMENTS DE RÉFLEXION À PARTIR DU CAS DE FIGURE « TOPAZE ACCUSÉ » 1.1 Présentation du cas fictionnel « Topaze accusé » et des limites de son caractère illustratif Je voudrais d’abord partir d’un cas de figure fictionnel, tiré d’une pièce de théâtre qui a été filmée et dont nous allons commencer par regarder un court extrait.
    [Show full text]
  • Les Souvenirs D'enfance De Marcel Pagnol : La Réappropriation D'une Œuvre Autobiographique Au Cinéma, À La Télévision Et En Bande Dessinée
    Les Souvenirs d’enfance de Marcel Pagnol : la réappropriation d’une oeuvre autobiographique au cinéma, à la télévision et en bande dessinée Laure Desclaux To cite this version: Laure Desclaux. Les Souvenirs d’enfance de Marcel Pagnol : la réappropriation d’une oeuvre autobi- ographique au cinéma, à la télévision et en bande dessinée. Littératures. 2017. dumas-01824059 HAL Id: dumas-01824059 https://dumas.ccsd.cnrs.fr/dumas-01824059 Submitted on 26 Jun 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Laure DESCLAUX Les Souvenirs d'enfance de Marcel Pagnol : la réappropriation d'une œuvre autobiographique au cinéma, à la télévision et en bande dessinée Mémoire de Master 2 « Master Arts, Lettres, Langues » Mention : Lettres et Civilisations Spécialité : Poétiques et Histoire de la littérature et des Arts Parcours : Poétiques et Histoire littéraire Membres du jury : M. Yves LANDEROUIN, Maître de conférences en Littérature Comparée Mme Julie GALLEGO, Maître de conférences en langue et linguistique latines Mme Fabienne GASPARI, Maître de conférences HDR en Études Anglophones Sous la direction de Julie GALLEGO et Yves LANDEROUIN Date de soutenance : 31 août 2017 Verso page couverture Page de garde recto REMERCIEMENTS Je remercie mes directeurs de recherche, Julie Gallego et Yves Landerouin, qui ont accepté de me suivre pour une nouvelle année consacrée à Marcel Pagnol et à ses adaptateurs.
    [Show full text]