DOCSLIB.ORG

Jane's Addiction Nothing's Shocking Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jane's Addiction Nothing's Shocking Mp3, Flac, Wma Jane's Addiction Nothing's Shocking mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nothing's Shocking Country: Canada Released: 1988 Style: Alternative Rock, Funk Metal, Glam MP3 version RAR size: 1905 mb FLAC version RAR size: 1874 mb WMA version RAR size: 1802 mb Rating: 4.9 Votes: 582 Other Formats: WAV VOC AUD FLAC MP2 DXD AHX Tracklist A1 Up The Beach 3:00 A2 Ocean Size 4:20 A3 Had A Dad 3:44 A4 Ted, Just Admit It... 7:23 A5 Standing In The Shower...Thinking 3:03 B1 Summertime Rolls 6:18 B2 Mountain Song 4:03 B3 Idiots Rule 3:00 B4 Jane Says 4:52 B5 Thank You Boys 1:00 Companies, etc. Record Company – Warner Communications Distributed By – WEA Music Of Canada, Ltd. Phonographic Copyright (p) – Warner Bros. Records Inc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Warner Bros. Records Inc. Copyright (c) – WEA International Inc. Copyright (c) – I'll Hit You Back Music Copyright (c) – Bubbly Orange Stuff Music Copyright (c) – Embryotic Music Copyright (c) – Swizzle Stick Music Pressed By – Cinram Printed By – Ever Reddy Published By – I'll Hit You Back Music Published By – Bubbly Orange Stuff Music Published By – Embryotic Music Published By – Swizzle Stick Music Engineered At – Eldorado Recording Studios Mixed At – Post Logic Studios Mastered At – Future Disc Credits Art Direction [Art Hostess] – Kim Champagne Artwork [Art Assistant And Lover] – Casey Niccoli Artwork [Castings] – Paul Fisher Bass, Acoustic Guitar – Eric A.* Design [Album], Artwork [Sculpture], Photography By – Perry Farrell Drums, Percussion – Stephen Perkins Electric Guitar, Acoustic Guitar – Dave Navarro Engineer – Dave Jerden, Ronnie S. Champagne* Engineer [Additional] – Andy Harper Engineer [Second] – Jeff Piergeorge Horns – Angelo Moore (tracks: B3), Christopher Dowd (tracks: B3), Flea (tracks: B3) Lacquer Cut By – JW* Mastered By – Steve Hall Mixed By – Dave Jerden, Perry Farrell Music By – Jane's Addiction Photography By [Band Photograph] – Kevin Westenberg Photography By [Individual Photos] – Casey Niccoli, Perry Farrell Producer – Dave Jerden, Perry Farrell Voice – Perry Farrell Words By – Perry Farrell Notes Release contains lyrics inner-sleeve Printed on back cover: Distributed by/Distribué par - WEA Music of Canada Ltd./WEA Musique du Canada Ltée./ A Warner Communications Company ©1988 Warner Bros. Records Inc. for the US and WEA International Inc. for the world outside the US ℗1988 Warner Bros. Records Inc. for the US and WEA International Inc. for the world outside the US Printed on spine: [Ever Reddy logo] Printed in Canada Printed on labels: Published by I'll Hit You Back Music/Bubbly Orange Stuff Music/Embryotic Music/Swizzle Stick Music BMI ℗1988 Warner Bros. Records Inc. for the US Distributed by / Distribué par WEA Music of Canada, Ltd / WEA Musique du Canada, Ltée / A Warner Communications Company Printed on inner sleeve: Engineered ... at Eldorado Studios in Los Angeles Mixed ... at Post Logic Studios in Hollywood Mastered ... at Future Disc Flea appears courtesy of EMI-Manhattan Records, a division of Capitol Records, Inc. Christopher Dowd and Angelo Moore appear courtesy of Columbia Records ©1988 Warner Bros. Records Inc. for the U.S. All songs ©1988 I'll Hit You Back Music/Bubbly Orange Stuff Music/Embryotic Music/Swizzle Stick Music BMI Barcode and Other Identifiers Barcode (Text): 075992572712 Matrix / Runout (Side A variant 1 etched): 92-57271-A② JW Matrix / Runout (Side B variant 1 etched, CR stamped): 92-57271-B CR(in circle) Matrix / Runout (Side A variant 2 etched): 92-57271-A③ JW Matrix / Runout (Side B variant 2 etched, CR stamped): 92-57271-B CR(in circle) Pressing Plant ID (Side A & B labels): CR Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Jane's Nothing's Shocking Warner Bros. 9 25727-2 9 25727-2 US 1988 Addiction (CD, Album) Records Jane's Nothing's Shocking Warner Bros. 25P2-2289 25P2-2289 Japan 1989 Addiction (CD, Album, RE) Records Jane's Nothing's Shocking Warner Bros. CD 25727 CD 25727 Canada Unknown Addiction (CD, Album, RE) Records Warner Bros. Nothing's Shocking W4 25727, Jane's Records, W4 25727, (Cass, Album, Club, US 1988 4-25727 Addiction Warner Bros. 4-25727 Dol) Records Nothing's Shocking Jane's Warner Bros. 4-25727 (Cass, Album, 4-25727 US 1988 Addiction Records Club) Related Music albums to Nothing's Shocking by Jane's Addiction Less Than Jake - Absolution For Idiots And Addicts Rod Stewart - Superstar Goo Goo Dolls - Home Wes Cunningham - 12 Ways To Win People To Your Way Of Thinking Jane's Addiction - Ritual De Lo Habitual Prince - Partyman Jane's Addiction - Classic Girl America - Daisy Jane / Tomorrow Fleetwood Mac - Save Me David Lee Roth - Damn Good.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
    THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE.
    [Show full text]
  • Hitmakers-1990-08-03
    1-1 J ISSUE 649 fi(lG(1ST 3, 1990 55.00 an exclusive interview with L _ FOGELa President/CBS SHOW Industries I': 7d -. ~me co C+J 1M s-.0 1111, .. ^^-. f r 1 1 s rl Ji _ imp ii _U1115'11S The first hit single from the forthcoming album ALWAYS. Produced by L.A. Reid and Babyface for Laface, Inc. Management: Guilin Morey Associates .MCA RECORDS t 7990 MCA R,ords. S CUTTING EDGE LEADERSHIP FOR TODAY'S MUSIC RADIO Mainstream Top40 - Crossover Top40 - Rock - Alternative - Clubs/Imports - Retail ALDEN TO HEAD ELEKTRA PROMOTION Rick Alden has been National Marketing Manager, he was named Vice extremely good to me over the years, and I'm excited promoted to Senior Vice President of Top40 Promotion in November of 1987. about channeling my energies into this expanded President of Promotion Before joining ELEKTRA, Alden held positions at position. I'm working with the greatest staff, and we for ELEKTRA Entertain- ATLANTIC Records and RCA Records. are all looking forward to the future." ment, it was announced "After seeing the extraordinary results Rick has Also announced at ELEKTRA, by Vice President of this week by ELEKTRA achieved with Top40 Promotion, it became Urban Marketing and Promotion Doug Daniel, was Senior Vice Presi- increasingly clear that he was the man to head the appointment of Keir Worthy as National Director dent/General Manager Promotion overall," commented Hunt. "Rick's of Rap Promotion and Marketing. Brad Hunt. Alden was approach combines the analytic and the imaginative - Worthy previously served as Southwest/Midwest i previously Senior Vice he sees the big picture and never loses sight of the (See ALDEN page 40) RICK ALDEN President of Top40 details." Promotion, a post he Alden called his promotion "an honor and a was appointed to earlier this year.
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Steve Waksman [email protected]
    Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i1.9en Live Recollections: Uses of the Past in U.S. Concert Life Steve Waksman [email protected] Smith College Abstract As an institution, the concert has long been one of the central mechanisms through which a sense of musical history is constructed and conveyed to a contemporary listening audience. Examining concert programs and critical reviews, this paper will briefly survey U.S. concert life at three distinct moments: in the 1840s, when a conflict arose between virtuoso performance and an emerging classical canon; in the 1910s through 1930s, when early jazz concerts referenced the past to highlight the music’s progress over time; and in the late twentieth century, when rock festivals sought to reclaim a sense of liveness in an increasingly mediatized cultural landscape. keywords: concerts, canons, jazz, rock, virtuosity, history. 1 During the nineteenth century, a conflict arose regarding whether concert repertories should dwell more on the presentation of works from the past, or should concentrate on works of a more contemporary character. The notion that works of the past rather than the present should be the focus of concert life gained hold only gradually over the course of the nineteenth century; as it did, concerts in Europe and the U.S. assumed a more curatorial function, acting almost as a living museum of musical artifacts. While this emphasis on the musical past took hold most sharply in the sphere of “high” or classical music, it has become increasingly common in the popular sphere as well, although whether it fulfills the same function in each realm of musical life remains an open question.
    [Show full text]
  • Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
    BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma­ triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON­ Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli­ 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old­ KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi­ ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang­ Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop­ ~ Dear Beryl: .
    [Show full text]
  • PARTAMDAILY Espartandaily.Com 10.30.01 %Cm 117, No
    San Jose State University Since 1934 SServing TUESDAY PARTAMDAILY www.t espartandaily.com 10.30.01 %cm_ 117, No. 43 SJSU grad, police officer killed in line of duty By Cohn Atagi DeShawn Campbell as the main couldn't believe what happened. While attending SJSU, he DARN SIAII WKIIIK suspect and that he should be con- "Whenever I hear something worked for the San Francisco sidered armed and extremely happening with San Jose PD, in 49ers' front office, she said. WEATHER A San Jose State University dangerous. particular, or any department He had an internship with the graduate was killed Sunday Campbell is also wanted for here, I try to think it's one of my SJPD as a part of the Community RAIN morning in the line of duty for the two felony charges. guys (she taught) in a good way," Policing Program, she said. San Jose Police Department. Some students, staff and facul- she said. "When I heard it was a Fontana was the recipient ot High :66 According to a SJPD press ty members of SJSU said they are younger officer, I was hoping it the Daniel Lomio memorial Schol- Low: 52 release, Officer Jeffrey Fontana, upset about Fontana's death. wasn't someone I knew. When I arship in 1999, Hagemann said. 24, was performing a routine traf- Sgt. John Laws of the Universi- heard it was Jeff Fontana, my Loma) was also killed in the line fic stop when he was shot around ty Police Department said it's heart just sank." of duty. 4:30 a.m.
    [Show full text]
  • September 2019 New Releases
    September 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 72 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES SUBHUMANS - KMFDM - FIDDLER ON THE ROOF: CRISIS POINT PARADISE 2018 CAST ALBUM Music Video DVD & Blu-ray 45 Non-Music Video DVD & Blu-ray 49 Order Form 75 Deletions and Price Changes 78 800.888.0486 THE HILLS HAVE EYES 2 NOIR ARCHIVE VOLUME TO HELL AND BACK: 203 Windsor Rd., Pottstown, PA 19464 [LIMITED EDITION] 3: 1957-1960 (9-FILM THE KANE HODDER SUBHUMANS - DEIDRE & THE DARK - KMFDM - www.MVDb2b.com COLLECTION) STORY CRISIS POINT VARIETY HOUR PARADISE HILLS HAVE EYES 2, SEE YOU IN SEPTEMBER! THE HILLS HAVE EYES 2, Wes Craven’s 1984 follow up to his classic original 1977 film, finds the lone survivor of a cannibal tribe detouring a motocross team across the desert straight into a pack of devouring ogres! The Hills are alive with the sound of screaming! From ARROW VIDEO, THE HILLS HAVE EYES 2 bluray is packed with extras that includes a limited edition 40-page book. If blinding horror is what you’re Craven, then this sequel delivers the goods! THE HILLS HAVE EYES 2 will see you in September, and the ogres will sing ‘Bye-bye, so long, farewell!’ Priests who are able to turn into dinosaurs may be an overused theme in film (!) but nobody does it better than WILD EYE films! THE VELOCIPASTOR DVD and bluray finds a despondent priest moving to China to find himself, only to find he can turn into a giant dinosaur.
    [Show full text]
  • WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1997 to the Present
    WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1997 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. 4th Disciple(2) - "Silent Weapons For Quiet Wars"- Killarmy-/ + "Heavy Mental"- Killah Priest-/Troy Mike Dean(3) - "Picture This"- Do Or Die-/ The Legendary Traxster + "The Untouchable"- Scarface-/ + Hightower Bob Power 4th Disciple "My Homies"- Scarface-/ Brian Ackley(1) - "Christmas Live"- Mannheim Steamroller-/ John Dee(1) - "Dig Your Own Hole"-The Chemical BrothersVSteve Dub Tim Holmes John Dee Oliver Adams(1) - "Our Little Secret"- Lords Of AcidVPeer Rave Michael Denten(1) - "An Eye For An Eye"- RBL Posse-/ The Enhancer Chuck Ainlay(1) - "Blue Clear Sky"-George StraitVSteve Tillisch Ian Devaney(1) - "Lisa Stansfield"-Lisa StansfieldVAidan McGovern Peter Mokran John Alagia(1) - "Live At Red Rocks 8.15.95"-Dave Matthews BandVDan Healy Jeff Thomas Nick Didia(2) - "Blue Sky On Mars"-Matthew Sweet-/ + "Yield"- Pearl JamVBrendan O'Brien Ken Allardyce(l) - "Nimrod"- Green Day-/ Brian Dobbs(2) - "Eight Arms To Hold You"- Veruca Salt-/ + "Reload"- Metallica-/Randy Staub Mike Carlos Alvarez(1) - "Tango'-Julio Iglesias-/ Fraser Slamm Andrews(1) - "Turn The Radio Off"- Reel Big Fish-/ Kevin Globerman Tony Dofat(1) - "Waterbed Hev"- Heavy D.-/ Kenneth Lewis Jamie Staub Greg Archilla(2) - "Disciplined Breakdown"- Collective Soul-/ + "Yourself Or Someone Like You"- Jimmy Dougias(3) - "Ginuwine...The Bachelor"- Ginuwine-/ + "Supa Dupa Fly"-Missy 'Misdemeanor1 Matchbox 20-/Jeff Tomei Matthew Serletic Elliott-/ Timbaland + "Welcome To Our World"-Timbaland & Mag-oo-/ Dave Aron(1) - "Last Man Standing"- MC Eiht-/DJ Muggs Alan Douglas(1) - "Pilgrim"-Eric Clapton-/ "Ben 0.
    [Show full text]
  • What's New in Joint Replacement?
    Washtenaw Jewish News Presort Standard In this issue… c/o Jewish Federation of Greater Ann Arbor U.S. Postage PAID 2939 Birch Hollow Drive Ann Arbor, MI Ann Arbor, MI 48108 Permit No. 85 Sukkot, A2/Nahalal In Vitro “Time Student Testing of our Exchange Encouraged Happiness” Page 8 Page12 Page 24 October 2011 Tishrei/Cheshvan 5772 Volume XXXI Number 2 FREE What’s new in joint replacement? JLI course to “debunk the myths” Avram Kluger, special to the WJN Paul Shapiro, special to the WJN he Maimonides Society of the Jewish patients. His great satisfaction is having a pa- he Rohr Jewish Federation of Greater Ann Arbor will tient say “You gave me my life back.” Learning In- T present a symposium entitled ‘Hips Goldstein noted that the modern era in im- T stitute (JLI) and Knees: What’s New in Joint Replacement?’ plants began in the 1980s. Current implant ma- will present “Fascinat- on October 16, from 9 a.m. to noon, at the Kel- terials are able to outlast any possible need. In ing Facts: Exploring the logg Eye Center, 1000 Wall Street. the past 20 years, significant advances in ortho- Myths and Mysteries of The program will feature two Ann Arbor pedics have also occurred in the instruments Judaism”; the six-session experts. David Markel, MD, is an orthopedic used to insert the implants. course will commence on surgeon with an ac- Although orthopedics is a relatively small Tuesday, November 15. tive local practice specialty, it has a large impact on healthcare Rabbi Aharon Gold- in hip and knee re- spending.
    [Show full text]
  • DIRECTED by MUSICIANS by Bryan Film and Music Are Two Different but Related Areas of Popular Entertainment
    MOVIES DIRECTED BY MUSICIANS by Bryan Film and music are two different but related areas of popular entertainment. One interesting way they intersect is in those times when musicians cash in the clout theyʼve built up to get behind the camera. Often itʼs a side project or an experiment, usually it receives some criticism as a vanity project, occasionally it becomes a new career. Here are a few examples of the odd creations that have resulted. 200 MOTELS (Frank Zappa [co-directing with Tony Palmer], 1971) Frank Zappa and The Mothers of Invention star as themselves in the most psychedelic and nonsensical movie on this list. Featuring Ringo Starr, Keith Moon and the London Philharmonic Orchestra. HUMAN HIGHWAY (Neil Young [co- directing with Dean Stockwell], 1982) Neil Young, Dean Stockwell, Dennis Hopper, Russ Tamblyn, Sally Kirkland and Devo (glowing red with radioactivity) are among the weirdos in this strange story of a diner next a leaking nuclear power plant. TRUE STORIES (David Byrne, 1986) David Byrne stars as a stranger visiting Virgil, Texas for the Celebration of Specialness and encountering oddballs portrayed by the likes of John Goodman, Spalding Gray, Swoosie Kurz, Pops Staples and the voice of Dom DeLuise. This has a soundtrack by the Talking Heads and is the only film on this list included in the Criterion Collection. UNDER THE CHERRY MOON (Prince, 1986) Mr. Rogers Nelsonʼs directorial debut is not as broadly appealing as Purple Rain, and upon release it tied with Howard the Duck for worst picture at The Razzies. As is often the case, they were disastrously wrong, and the movie holds up as a goofy, retro-styled romantic comedy with an all- timer soundtrack (released as the album Parade) including the classics “Kiss” and “Sometimes It Snows in April.” Itʼs shot in beautiful black and white by Michael Ballhaus (between two Scorsese movies) and features the film debut of Kristin Scott Thomas as the Prince characterʼs absolutely charming love interest.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]