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The Role of Art in Enterprise
Report from the EU H2020 Research and Innovation Project Artsformation: Mobilising the Arts for an Inclusive Digital Transformation The Role of Art in Enterprise Tom O’Dea, Ana Alacovska, and Christian Fieseler This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 870726. Report of the EU H2020 Research Project Artsformation: Mobilising the Arts for an Inclusive Digital Transformation State-of-the-art literature review on the role of Art in enterprise Tom O’Dea1, Ana Alacovska2, and Christian Fieseler3 1 Trinity College, Dublin 2 Copenhagen Business School 3 BI Norwegian Business School This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No. 870726 Suggested citation: O’Dea, T., Alacovska, A., and Fieseler, C. (2020). The Role of Art in Enterprise. Artsformation Report Series, available at: (SSRN) https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3716274 About Artsformation: Artsformation is a Horizon 2020 Research and Innovation project that explores the intersection between arts, society and technology Arts- formation aims to understand, analyse, and promote the ways in which the arts can reinforce the social, cultural, economic, and political benefits of the digital transformation. Artsformation strives to support and be part of the process of making our communities resilient and adaptive in the 4th Industrial Revolution through research, innovation and applied artistic practice. To this end, the project organizes arts exhibitions, host artist assemblies, creates new artistic methods to impact the digital transformation positively and reviews the scholarly and practi- cal state of the arts. -
Connecting with Listeners: How Radio Stations Are Reaching Beyond the Dial (And Their Competitors) to Connect with Their Audience
Rochester Institute of Technology RIT Scholar Works Theses 8-13-2015 (Re)Connecting With Listeners: How Radio Stations are Reaching Beyond the Dial (and Their Competitors) to Connect With Their Audience Alyxandra Sherwood Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Sherwood, Alyxandra, "(Re)Connecting With Listeners: How Radio Stations are Reaching Beyond the Dial (and Their Competitors) to Connect With Their Audience" (2015). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Running head: (RE)CONNECTING WITH LISTENERS 1 The Rochester Institute of Technology School of Communication College of Liberal Arts (Re)Connecting With Listeners: How Radio Stations are Reaching Beyond the Dial (and Their Competitors) to Connect With Their Audience by Alyxandra Sherwood A Thesis submitted in partial fulfillment of the Master of Science degree in Communication & Media Technologies Degree Awarded: August 13, 2015 (RE)CONNECTING WITH LISTENERS 2 The members of the Committee approve the thesis of Alyxandra Sherwood presented on August 13, 2015. ___________________________________ Patrick Scanlon, Ph.D. Professor of Communication and Director School of Communication ___________________________________ Rudy Pugliese, Ph.D. Professor of Communication School of Communication Thesis Advisor ___________________________________ Michael J. Saffran, M.S. Lecturer and Faculty Director for WGSU-FM (89.3) Department of Communication State University of New York at Geneseo Thesis Advisor ___________________________________ Grant Cos, Ph.D. Associate Professor of Communication Director, Communication & Media Technologies Graduate Degree Program School of Communication (RE)CONNECTING WITH LISTENERS 3 Dedication The author wishes to thank Dr. -
Congress Advances Farm Bill
DEAD MALLS GET NEW INTERIOR DEPARTMENT CANDIDATES FOR NACo LIVES IN CREATIVE TO DISTRIBUTE RECORD 2ND VP PRESENT THEIR REBOOTS PG. 5 PILT PAYMENTS PG. 6 PLATFORMS PG. 8 NATIONAL ASSOCIATION of COUNTIES VOL. 50, NO. 14 JULY 9, 2018 Congress advances farm bill By Arthur Scott and Eryn Hurley House and Senate versions of the farm bill are headed to a conference committee where stark differences will be hashed out over the handling of the Supplemental Nutrition Assistance Program (SNAP) and cuts to conservation titles. The House version, the Ag- riculture and Nutrition Act of 2018 (H.R. 2), passed June 21 after weeks of uncertainty. County officials from across the country will meet July 13-16 in Nashville (Davidson County), Tenn. for NACo’s 83rd Annual Conference The five-year, $860 billion farm & Exposition. bill reauthorization package squeezed by on a 213-211 vote — the result of unanimous op- Nashville hosts 83rd Final Thoughts position from Democrats over significant changes to SNAP. Annual Conference EACH YEAR, COUNTY NEWS INTERVIEWS THE OUTGOING A week later, the Senate re- NACo PRESIDENT FOR HIS OR HER REFLECTIONS ON It’s the place of legends: The honorary degrees and many THEIR TERM. TARRANT COUNTY, TEXAS COMMISSIONER See FARM BILL page 3 Grand Ole Opry. Hank Williams. awards, including the Presi- ROY CHARLES BROOKS OFFERS HIS REFLECTIONS. Loretta Lynn. Earl Scruggs. Pat- dential Medal of Freedom, the sy Cline. Dolly Parton. Hank nation’s highest civilian award, How would you ing the Underserved, Counties Williams, Jr. The Carter Family. and the Robert F. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
BHM 1998 Feb.Pdf
TTABLEABLE OFOF CONTENTSCONTENTS MAGAZINE COMMITTEE A Message From the President.......................................................... 1 Features OFFICER IN CHARGE The Show’s New Footprint ........................................................ 2 J. Grover Kelley CHAIRMAN Blue Ribbon Judges ..................................................................... 4 Bill Booher Impact of Pay-Per-View — Now and in the Future ................... 6 VICE CHAIRMAN Taking Stock of Our Proud Past ............................................... 8 Bill Bludworth EDITORIAL BOARD 1998 Attractions & Events.......................................................... 10 Suzanne Epps C.F. Kendall Drum Runners.............................................................................. 12 Teresa Lippert Volunteer the RITE Way............................................................... 14 Peter A. Ruman Marshall R. Smith III Meet Scholar #1.................................................................... 15 Constance White Committee Spotlights COPY EDITOR Larry Levy International .................................................................................. 16 REPORTERS School Art ...................................................................................... 17 Nancy Burch Gina Covell World’s Championship Bar-B-Que ....................................... 18 John Crapitto Sue Cruver Show News and Updates Syndy Arnold Davis PowerVision Steps Proudly Toward the Future.......................... 19 Cheryl Dorsett Freeman Gregory Third-Year -
Media Ecologies: Materialist Energies in Art and Technoculture, Matthew Fuller, 2005 Media Ecologies
M796883front.qxd 8/1/05 11:15 AM Page 1 Media Ecologies Media Ecologies Materialist Energies in Art and Technoculture Matthew Fuller In Media Ecologies, Matthew Fuller asks what happens when media systems interact. Complex objects such as media systems—understood here as processes, or ele- ments in a composition as much as “things”—have become informational as much as physical, but without losing any of their fundamental materiality. Fuller looks at this multi- plicitous materiality—how it can be sensed, made use of, and how it makes other possibilities tangible. He investi- gates the ways the different qualities in media systems can be said to mix and interrelate, and, as he writes, “to produce patterns, dangers, and potentials.” Fuller draws on texts by Félix Guattari and Gilles Deleuze, as well as writings by Friedrich Nietzsche, Marshall McLuhan, Donna Haraway, Friedrich Kittler, and others, to define and extend the idea of “media ecology.” Arguing that the only way to find out about what happens new media/technology when media systems interact is to carry out such interac- tions, Fuller traces a series of media ecologies—“taking every path in a labyrinth simultaneously,” as he describes one chapter. He looks at contemporary London-based pirate radio and its interweaving of high- and low-tech “Media Ecologies offers an exciting first map of the mutational body of media systems; the “medial will to power” illustrated by analog and digital media technologies. Fuller rethinks the generation and “the camera that ate itself”; how, as seen in a range of interaction of media by connecting the ethical and aesthetic dimensions compelling interpretations of new media works, the capac- of perception.” ities and behaviors of media objects are affected when —Luciana Parisi, Leader, MA Program in Cybernetic Culture, University of they are in “abnormal” relationships with other objects; East London and each step in a sequence of Web pages, Cctv—world wide watch, that encourages viewers to report crimes seen Media Ecologies via webcams. -
04.7)/Charlotte - Which Van Stone
ISSUE NUMBER 957 THE INDUSTRY'S NEWSPAPER Limbaugh In Stratosphere INSIDE: 21st Century Rush? EFM Me- Chairman Ed McLaughlin be- dia has renegotiated its deal lieves the deal ever_tually po- ADAMS FACING with Talk phenom Rush Lim - sitions the Rusher to earn more baugh, and while specifics of than Infinity's multimillion- RECEIVERSHIP? the new contract weren't re- dollar man Howard Stern. Adds vealed, both sides say the pact Limbaugh: "This show has Charging Radio Group Corp. - will keep Limbaugh in place for become the biggest thing in formerly Adams Radio Corp. - most of this decade. radio in a long, long time, and As for financial details, Lim- this contract reflects that." with "gross mismanagement," baugh will only say that his The "Rush Limbaugh Show" bankers are demanding several compensation consists entirely is currently heard m 500 sta- of a share of the show's profits tions, with a weekly cume of of the group's stations be placed - he draws no salary. EFM 12.8 million. into receivership. Page 4 THE TRUTH ABOUT DIARYKEEPERS Bush Signs Indecency Bill left unaffected by action Rob Balon reveals the facts Morning drive about people who keep Arbitron As expected, President George Bush last week signed diaries: legislation that would limit in- Repercussions They can't be manipulated decent radio and television broadcasts to the hours of mid- Harbor open from They can't be BS'd night to 6am. midnight -6am They're not more "radio - The FCC currently recog- Court reversal (l -r) EFM VP/Partner Stu Krane, EFM Chairman Ed McLaughlin, literate" than others nizes an 8pm -6am "safe har- Rush Limbaugh, and EFM President John Axten. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
2013 Year in Review
2013 YEAR IN REVIEW WHAT DIFFERENT LOOKS LIKE FINANCIAL HIGHLIGHTS (In millions, except per share data, branch outlets and ATMs) 2013 2012 2011 EARNINGS SUMMARY Income (loss) from continuing operations available to common shareholders $ 1,103 $ 1,050 $ (25) Net income (loss) available to common shareholders 1,090 991 (429) Earnings (loss) per common share from continuing operations – diluted 0.78 0.76 (0.02) Earnings (loss) per common share – diluted 0.77 0.71 (0.34) BALANCE SHEET SUMMARY At year-end Loans, net of unearned income $ 74,609 $ 73,995 $ 77,594 Assets 117,396 121,347 127,050 Deposits 92,453 95,474 95,627 Long-term debt 4,830 5,861 8,110 Stockholders’ equity 15,768 15,499 16,499 Average balances – Continuing Operations Loans, net of unearned income $ 74,924 $ 76,035 $ 80,673 Assets 117,805 122,182 126,719 Deposits 92,646 95,330 95,671 Long-term debt 5,206 6,694 11,240 Stockholders’ equity 15,502 15,035 15,350 SELECTED RATIOS Tangible common stockholders’ equity to tangible assets (non-GAAP)* 9.24% 8.63% 6.58% Allowance for loan losses as a percentage of loans, net of unearned income 1.80 2.59 3.54 Allowance for credit losses as a percentage of loans, net of unearned income 1.90 2.71 3.64 Adjusted efficiency ratio (non-GAAP)* 65.42 64.42 64.56 Tier 1 Common (non-GAAP)* 11.21 10.84 8.51 Tier 1 Capital 11.68 12.00 13.28 OTHER INFORMATION Basic Weighted-average number of common shares outstanding 1,395 1,381 1,258 Diluted Weighted-average number of common shares outstanding 1,410 1,387 1,258 Total Branch Outlets 1,705 1,711 1,726 ATMs 2,029 2,054 2,083 *See Table 2 in Form 10-K for GAAP to non-GAAP reconciliations. -
Alan Jackson
COUNCIL FILE NO. /0~051-7 COUNCIL DISTRICT NO. 13 .,/ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S 1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* 1. Council Office of the District 2. Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ____J Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ___}Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office ofthe City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles > MAR 2 5 211111 Honorable Members: C. -
Brief CV (Pdf)
Antoinette LaFarge CV Professor of Digital Media, Department of Art, Claire Trevor School of the Arts, UC Irvine 92697, U.S.A. email: [email protected] url: http://www.antoinettelafarge.com/ Research Interests My beat is virtuality and its discontents. Areas of special inquiry include impersonation and improvisation, mixed realities, constructed narrative, technology-mediated performance, online role-play and avatarism, fictive art, and design for communication. I work with both traditional and digital media, although nearly all my projects are heavily computer-mediated and usually require custom programming. Many recent projects have involved telematic performance and virtual role-playing environments. Teaching Positions University of California, Irvine (1999-present) Professor of Digital Media, Dept. of Art (2010-present) Associate Dean for Graduate Affairs, Claire Trevor School of the Arts (2009-2013, 2014-15) Associate Professor of Digital Media, Dept. of Studio Art (2003-10) Assistant Professor of Digital Media, Dept. of Studio Art (1999-2003) Program faculty, Arts Computation Engineering (ACE) Program (2003-2010) Affiliated faculty, Center in Law, Society, and Culture (2008-present) Associate Director, Game Culture & Technology Laboratory (2003-2012) Director of Academic Computing, Claire Trevor School of the Arts (2004-2012) School of Visual Arts, New York (1995-99) Adjunct faculty, M.F.A. program in Computer Art. Adjunct faculty, M.F.A. program in Photography & Related Media. Lecturer, Internet courses and workshops in the Continuing Education program. Publications * = peer reviewed ** = book ** Monkey Encyclopedia W. ICI Press, 2019. * "Alive in the Now: Ekphrasis in Philip K. Dick and William Gibson." MOSF Journal of Science Fiction 2:1 (September 2017). -
PARTAMDAILY Espartandaily.Com 10.30.01 %Cm 117, No
San Jose State University Since 1934 SServing TUESDAY PARTAMDAILY www.t espartandaily.com 10.30.01 %cm_ 117, No. 43 SJSU grad, police officer killed in line of duty By Cohn Atagi DeShawn Campbell as the main couldn't believe what happened. While attending SJSU, he DARN SIAII WKIIIK suspect and that he should be con- "Whenever I hear something worked for the San Francisco sidered armed and extremely happening with San Jose PD, in 49ers' front office, she said. WEATHER A San Jose State University dangerous. particular, or any department He had an internship with the graduate was killed Sunday Campbell is also wanted for here, I try to think it's one of my SJPD as a part of the Community RAIN morning in the line of duty for the two felony charges. guys (she taught) in a good way," Policing Program, she said. San Jose Police Department. Some students, staff and facul- she said. "When I heard it was a Fontana was the recipient ot High :66 According to a SJPD press ty members of SJSU said they are younger officer, I was hoping it the Daniel Lomio memorial Schol- Low: 52 release, Officer Jeffrey Fontana, upset about Fontana's death. wasn't someone I knew. When I arship in 1999, Hagemann said. 24, was performing a routine traf- Sgt. John Laws of the Universi- heard it was Jeff Fontana, my Loma) was also killed in the line fic stop when he was shot around ty Police Department said it's heart just sank." of duty. 4:30 a.m.