DOCSLIB.ORG

Disney's Enchanted Purim Story Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CBI presents Disney’s Enchanted Purim Story Book aka the Disney Princess Esther Schpiel Thursday, February 25, 6 pm Live on ZOOM! 1 CBI Presents Disney’s Enchanted Purim Story Book aka the Disney Princess Esther Schpiel By Eric Friedenwald-Fishman with Rabbi Michael Cahana and Cantor Ida Rae Cahana Adapted from numerous Disney Movie Soundtracks Special thanks to Rabbi Rachel for suggesting the need to do a Disney Schpiel Updated November 30, 2020 2 GREEN TYPE = Notes on the Music BLUE TYPE = Stage Directions/Production Notes RED TYPE = Narrator PURPLE TYPE = Art Card for the Video & Title Pages for the Enchanted Purim Storybook We are creating a companion “storybook” PDF of the Enchanted Purim Storybook that audiences can download if they want to follow along with lyrics/want a souvenir. This could be much less work that doing captions for all lyrics in the video and will be really cool. A separate copy and illustration document will be provided for the Storybook. In summary it will include: • The Cover • The opening spread with the Characters in order of the narrator introducing them • And for each song “chapter” - an illustrated Chapter opening spread with Illuminated first letter and calligraphy Title Lettering for example Chapter 4 will read “The Ball at the Palace” with the illustration of The Palace and some Wine bottles and glasses • The Cast/Band Production List • The End (see you next year) IMPORTANT PRODUCTION NOTE: For scenes with Persians and Jews where we are not shooting on location, we will provide in advance an image (photo or illustration for everyone to use as their Zoom background. We will need everyone to download the update of ZOOM and we will need to hold a training on use of ZOOM and filming at one of our rehearsals. There are 4 songs where the entire chorus is singing generally just the finale. For safety’s sake these will be captured on video individually form homes (like for High Holidays) and will be edited in as (Hollywood Squares). The Character List Esther: Cantor Green Haman: Cantor Cahana Mordechai: Rabbi Cahana King Ahasuerus: Ben Sandler Vashti: Leona Mitchell Vashti’s Lady in Waiting: Gillian Rosicky Bigthan one of Haman’s sidekicks & a corrupt palace guard: Eric Friedenwald-Fishman Teresh one of Haman’s sidekicks & a corrupt palace guard: Ron Silver The Mohel of Shushan: Steve Seres The Bagel Baker of Shushan: Evi Pazmanczyk Zethar a palace guard under Haman’s spell: Libby Scwartz Carcas a palace guard under Haman’s spell: Scott Schafer Harbona a palace guard under Haman’s spell: Rebecca Hill Shethar a Persian Noble under Haman’s spell: Judy Cappelman Marsena a Persian Noble and Advisor to the King: Andrew Witt Memucan a Persian Noble and Advisor to the King: Jim Richman Meres a Persian Noble and Advisor to the King: Paul Fishman The “Just Little Something” Baker of Shushan: Deb Lewinsohn The Knish Maker of Shushan: Joanne Van Ness Menashe The Fish-Monger of Shushan: Lorraine Rose The Rebbe of Shushan: Rabbi Joseph Joshua the Macher an influential leader of Shushan’s Temple and Yeshiva joint Committee (STYC): Josh Kashinsky Beauty Finalist #1 Anastasia of Persepolis: Jewely Sandos Beauty Finalist #2 Drizella of Sardis: Leslie Robinson Chaggai a Jewish rights activist: Cory Silver Daryawesh a Jewish wise man of Shushan: Don Spiegel Shaina a Jewish rights activist: Shaina Boal Abagtha a palace carpenter under Haman’s spell: Michelle Gradow Biztha a palace ropemaker under Haman’s spell: Vicki Lachmann Mehuman a carpenter’s apprentice at the palace under Haman’s spell: Donna Lieberman Bigtha a carpenter’s apprentice at the palace under Haman’s spell: Anita Mention Hegai the King’s chamberlain who is also under Haman’s spell: Marge Congress Jews and Persians of Shushan/The Incredible Chorus: *members of the chorus + fill in any new cast members post 11/23 Small Chorus: Principals when not on stage/camera in a number (in various songs we need to record harmony for background singers and will use principals socially distanced as a small chorus for safety) Narrator: Paul Fishman 3 The Song List/Plot Outline NOTE: The recordings used (syllable count, timing, etc.) for this Schpiel are all compiled in the SPOTIFY play list: Enchanted Schpiel – curated by Eric Friedenwald-Fishman: https://open.spotify.com/playlist/6Gm4m6Uklzrf2L35JX1tw6?si=WIGnyGFyRwu5FizOpx9S5A Below, we list who is in each number. In the numbers that have both Persians and Jews cast members wear either the RED or BLUE depending upon if they are a Persian or a Jew. Scenes that are Persians Only or Jews Only are for the entire chorus wearing the appropriate vest color. 1. Overture & Setting the Scene (Page 7): The narrator introduces the Kingdom of Shushan 481 BCE, the people (Persians and Jews and each of the key characters – with just a bit of context and some humor). Like in many classic Disney movies the narration is filming a close up of a classic story book as the narrator reads the opening and between each scene. This gives us an easy transition devise between songs AND allows a way to carry the audience through the story line and into “different Disney worlds” from the movies we are pulling the most popular songs from Disney movies. Instrumental: When you wish upon a star, Once upon a Dream, Part of your world 2. Introduction of the Characters in the Kingdom of Shushan (Page 9): The ability for Jews to live and worship as they please AND the impending threat of Haman. The Jews of Shushan - Happily Sing “Baruch Atah Adonai” a slight squeeze of inflection to be (Hakuna Matata – Lion King). This number includes kids and kids-at-heart (congregants who sent in their 1-line video of the chorus). (Mordi, Esther, The Rebbe of Shushan, + cameo stills by congregants and possibly some choir members) 3. King A & Others praise themselves (Page 11): King A happily takes credit for how cool he is and how awesome Sushan is by singing: You’re Welcome (Moana) (solos by other members of the Shushan community share their own self-aggrandizing perspective) (King A, the Mohel of Shushan, the Bagel Baker of Shushan, Mordi, Haman, Bigthan and Teresh) 4. We learn of how “mal” Haman is (Page 14): Haman and her general ill-will, hatred of the Jews and desire for the throne is introduced with “Haman” (Gaston – Beauty and the Beast) (Bigthan, Teresh, Haman, Persian solos #1 Libby - #2 Scott - #3 Rebecca H - #4 Judy Cappelman) 5. The Party (Page 17): King A. throws a party and demands that Vashti Dances – she refuses and is killed. Vashti and her Lady in Waiting sing I’ll Just Say No (How Far I’ll Go - Moana). (King A. Haman, Vashti, Vashti’s Lady in Waiting: Gillian + Persian soloists with opening sighs) 6. Cheering the King with the concept of a Contest (Page 18): Hamon and the Persians convince the bereaved King to hold a Beauty Contest. They convince him that having a beautiful wife is 4 simply taking care of “The Bare Necessities.” King A. gets excited by the idea and makes this number a mash-up by singing the final chorus of “Someday My Queen Will Come” (Page 21) (Someday My Prince Will Come – Snow White) (King A. Haman, Bigthan, Teresh, Persian solos #4 Andrew - #5 Jim - #6 Paul) 7. The Contest (Page 21): The most beautiful and confident women in Persia (pageant finalists including Esther) have a sing-off showing how determined they are to win (and showing off for King A) with “I Just Can’t wait to be Queen.” (I Just Can’t Wait to the King – Lion King). (King A., Haman, Bigthan, Teresh, Finalist #1 Anastasia, Finalist #2 Drizella, Mordi, Esther, Chorus ALL as Jews) 8. The King and Esther Fall in Love and seek a new world (Page 24): King A. selects Esther, crowns her Queen and the new love birds talk of how together they will create “A Whole New World.” Esther demonstrates that she plans to move the Kingdom toward justice and could be an obstacle to Haman’s plans. Mordi and King A. piss-off Haman by celebrating the King’s marriage at the end of the song. (King A. and Esther) 9. Haman’s Plot (Page 26): Hamon and her hench-people lay out her murderous plot to kill the Jews and to Kill the King with “Be Prepared” (Lion King) while Mordi (hidden) overhears EVERYTHING. (Haman, Bigthan, Teresh, King A., Persians [small chorus], Mordi, Chorus ALL as Persians) 10. Convincing Esther and Planning the Invitation (Page 29): Mordi tells of Haman’s plot and steels the courage of the Jews and Esther with “We’ll Make a Mensch Out of You.” (I’ll Make a Man Out of You – Mulan). This includes the iconic line: “let’s get down to business and defeat Haman!” (Mordi, Esther, Jewish solos #1 Cory - #2 Don - #3 Shaina + the Just a Little Something Baker, the Knish Maker and the Fish Monger as Jewish Chorus, Chorus ALL as Jews) 11. Hamon and the Persians build the gallows (Page 31): They sing of their hate “Heigh- Ho” including “ to build the gallows we go.” (Snow White). (Haman, Bigthan, Teresh + five Persians = Haman and the Seven Ethical Dwarfs including 2 solos Persian solos #7 Michelle - #8 Vicki + the Ethical Dwarf Choir: Donna and Anita) 12. The Invitation (Page 33): Esther and her entourage (great solos for choir members) invite the King and Hamon to Dinner with “Be Our Guest.” (Beauty and the Beast) Esther, The Just a Little Something Baker, the Knish Maker, the Fish-Monger and the Bagel Baker of Shushan + King A.
Recommended publications
  • Snow White and the Little Men -2

    Snow White and the Little Men -2

    SNOW WHITE AND THE LITTLE MEN (Based very loosely upon the tales by the Bros. Grimm. First produced at Brown Ledge Camp, 1975.) Conceived and Written by WILLIAM J. SPRINGER Performance Rights To copy this text is an infringement of the federal copyright law as is to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for further scripts and licensing information. On all programs and advertising the author’s name must appear as well as this notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 1978 by Eldridge Publishing Company Download your complete script from Eldridge Publishing https://histage.com/snow-white-and-the-little-men Snow White and the Little Men -2- Story of the Play In this farce, a narrator helps the action and humor even to the point of carrying off the good queen, who doesn’t want to die after Snow White, is born. The evil queen can’t make up a rhyme that’s worth a darn before the magic mirror, and she even forgets her apples are poisonous and eats one at the wedding of the Prince and Snow. Snow White and the Little Men -3- CAST OF CHARACTERS NARRATOR GOOD QUEEN CREW MEMBER NURSE KING ANOTHER WIFE MAN EVIL QUEEN MIRROR SNOW WHITE HUNTSMAN BORE DWARF #1 DWARF #3 DWARF #5 DWARF #7 PRINCE (DWARFS #2, 4 and 6 are dummies supported between the odd-numbered DWARFS.) Snow White and the Little Men -4- SNOW WHITE AND THE LITTLE MEN (AT RISE: There is a stool SL which the NARRATOR will sit on and a chair or short stool SR which serves as the throne for the GOOD QUEEN.
  • Esther Through the Centuries (Blackwell Bible Commentaries)

    Esther Through the Centuries (Blackwell Bible Commentaries)

    Esther Through the Centuries Jo Carruthers Esther Through the Centuries Blackwell Bible Commentaries Series Editors: John Sawyer, Christopher Rowland, Judith Kovacs, David M. Gunn John Th rough the Centuries Ecclesiastes Th rough the Centuries Mark Edwards Eric S. Christianson Revelation Th rough the Centuries Esther Th rough the Centuries Judith Kovacs & Christopher Rowland Jo Carruthers Judges Th rough the Centuries Psalms Th rough the Centuries: David M. Gunn Volume One Exodus Th rough the Centuries Susan Gillingham Scott M. Langston Galatians Th rough the Centuries John Riches Forthcoming: Leviticus Th rough the Centuries Th e Minor Prophets Th rough the Mark Elliott Centuries 1 & 2 Samuel Th rough the Centuries Jin Han & Richard Coggins David M. Gunn Mark Th rough the Centuries 1 & 2 Kings Th rough the Centuries Christine Joynes Martin O’Kane Luke Th rough the Centuries Psalms Th rough the Centuries: Larry Kreitzer Volume Two Th e Acts of the Apostles Th rough the Susan Gillingham Centuries Song of Songs Th rough the Centuries Heidi J. Hornik & Mikael C. Parsons Francis Landy & Fiona Black Romans Th rough the Centuries Isaiah Th rough the Centuries Paul Fiddes John F. A. Sawyer 1 Corinthians Th rough the Centuries Jeremiah Th rough the Centuries Jorunn Okland Mary Chilton Callaway 2 Corinthians Th rough the Centuries Lamentations Th rough the Centuries Paula Gooder Paul M. Joyce & Diane Lipton Hebrews Th rough the Centuries Ezekiel Th rough the Centuries John Lyons Andrew Mein James Th rough the Centuries Jonah Th rough the Centuries David Gowler Yvonne Sherwood Pastoral Epistles Th rough the Centuries Jay Twomey Esther Through the Centuries Jo Carruthers © by Jo Carruthers blackwell publishing Main Street, Malden, MA - , USA Garsington Road, Oxford OX DQ, UK Swanston Street, Carlton, Victoria , Australia Th e right of Jo Carruthers to be identifi ed as the author of this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act .
  • Prints and Johan Wittert Van Der Aa in the Rijksmuseum in Amsterdam.[7] Drawings, Inv

    Prints and Johan Wittert Van Der Aa in the Rijksmuseum in Amsterdam.[7] Drawings, Inv

    Esther before Ahasuerus ca. 1640–45 oil on panel Jan Adriaensz van Staveren 86.7 x 75.2 cm (Leiden 1613/14 – 1669 Leiden) signed in light paint along angel’s shield on armrest of king’s throne: “JOHANNES STAVEREN 1(6?)(??)” JvS-100 © 2021 The Leiden Collection Esther before Ahasuerus Page 2 of 9 How to cite Van Tuinen, Ilona. “Esther before Ahasuerus” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artwork/esther-before-ahasuerus/ (accessed October 02, 2021). A PDF of every version of this entry is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Esther before Ahasuerus Page 3 of 9 During the Babylonian captivity of the Jews, the beautiful Jewish orphan Comparative Figures Esther, heroine of the Old Testament Book of Esther, won the heart of the austere Persian king Ahasuerus and became his wife (Esther 2:17). Esther had been raised by her cousin Mordecai, who made Esther swear that she would keep her Jewish identity a secret from her husband. However, when Ahasuerus appointed as his minister the anti-Semite Haman, who issued a decree to kill all Jews, Mordecai begged Esther to reveal her Jewish heritage to Ahasuerus and plead for the lives of her people. Esther agreed, saying to Mordecai: “I will go to the king, even though it is against the law.
  • Esther Nelson, Stanford Calderwood General

    Esther Nelson, Stanford Calderwood General

    ESTHER NELSON, STANFORD CALDERWOOD GENERAL & ARTISTIC DIRECTOR | DAVID ANGUS, MUSIC DIRECTOR | JOHN CONKLIN, ARTISTIC ADVISOR THE MISSION OF BOSTON LYRIC OPERA IS TO BUILD CURIOSITY, ENTHUSIASM AND SUPPORT FOR OPERA BY CREATING MUSICALLY AND THEATRICALLY COMPELLING PRODUCTIONS, EVENTS, AND EDUCATIONAL RESOURCES FOR THE BOSTON COMMUNITY AND BEYOND. B | BOSTON LYRIC OPERA OVERVIEW: ANNUAL REPORT 2017 WELCOME Dear Patrons, Art is often inspired by the idea of a journey. Boston Lyric Opera’s 40TH Anniversary Season was a journey from Season opener to Season closer, with surprising and enlightening stories along the way, lessons learned, and strengths found. Together with you, we embraced the unexpected, and our organization was left stronger as a result. Our first year of producing works in multiple theaters was thrilling and eye-opening. REPORT Operas were staged in several of Boston’s best houses and uniformly received blockbuster reviews. We made an asset of being nimble, seizing upon the opportunity CONTENTS of our Anniversary Season to create and celebrate opera across our community. Best of all, our journey brought us closer than ever to our audiences. Welcome 1 It’s no coincidence that the 2016/17 Season opened with Calixto Bieito’s renowned 2016/17 Season: By the Numbers 2 staging of Carmen, in co-production with San Francisco Opera. The strong-willed gypsy Leadership & Staff 3 woman and the itinerant community she adopted was a perfect metaphor for our first production on the road. Bringing opera back to the Boston Opera House was an iconic 40TH Anniversary Kickoff 4 moment. Not only did Carmen become the Company’s biggest-selling show ever, it also Carmen 6 ignited a buzz around the community that drew a younger, more diverse audience.
  • Megillat Esther

    Megillat Esther

    The Steinsaltz Megillot Megillot Translation and Commentary Megillat Esther Commentary by Rabbi Adin Even-Israel Steinsaltz Koren Publishers Jerusalem Editor in Chief Rabbi Jason Rappoport Copy Editors Caryn Meltz, Manager The Steinsaltz Megillot Aliza Israel, Consultant Esther Debbie Ismailoff, Senior Copy Editor Ita Olesker, Senior Copy Editor Commentary by Chava Boylan Rabbi Adin Even-Israel Steinsaltz Suri Brand Ilana Brown Koren Publishers Jerusalem Ltd. Carolyn Budow Ben-David POB 4044, Jerusalem 91040, ISRAEL Rachelle Emanuel POB 8531, New Milford, CT 06776, USA Charmaine Gruber Deborah Meghnagi Bailey www.korenpub.com Deena Nataf Dvora Rhein All rights reserved to Adin Steinsaltz © 2015, 2019 Elisheva Ruffer First edition 2019 Ilana Sobel Koren Tanakh Font © 1962, 2019 Koren Publishers Jerusalem Ltd. Maps Editors Koren Siddur Font and text design © 1981, 2019 Koren Publishers Jerusalem Ltd. Ilana Sobel, Map Curator Steinsaltz Center is the parent organization Rabbi Dr. Joshua Amaru, Senior Map Editor of institutions established by Rabbi Adin Even-Israel Steinsaltz Rabbi Alan Haber POB 45187, Jerusalem 91450 ISRAEL Rabbi Aryeh Sklar Telephone: +972 2 646 0900, Fax +972 2 624 9454 www.steinsaltz-center.org Language Experts Dr. Stéphanie E. Binder, Greek & Latin Considerable research and expense have gone into the creation of this publication. Rabbi Yaakov Hoffman, Arabic Unauthorized copying may be considered geneivat da’at and breach of copyright law. Dr. Shai Secunda, Persian No part of this publication (content or design, including use of the Koren fonts) may Shira Shmidman, Aramaic be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying or otherwise, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews.
  • Bible Grade 3 Esther Curriculum Review Sheets Teacher

    Bible Grade 3 Esther Curriculum Review Sheets Teacher

    Name Date Esther Look at the underlined word to determine if the statement is true or True–False false. If the statement is true, write true in the blank. If the statement is false, write false in the blank. true 1. Haman wanted to kill Mordecai because Mordecai refused to bow down to him. false 2. Haman was rewarded for saving the king’s life. (Mordecai) true 3. Mordecai sent a message to Esther that she should ask the king to save the lives of the Jews. false 4. Mordecai, Esther, and their friends fasted ten days and nights. (three) true 5. Esther risked her life by going before the king when he had not sent for her. false 6. Esther invited the king and Haman to three banquets. (two) true 7. Haman had to lead Mordecai through the city and proclaim that he was being honored by the king. true 8. Although the name of God is not mentioned in the book of Esther, the book tells of God’s protection for His people. Discuss: Explain why the false answers are incorrect statements. Short Answer Read each question carefully, and write your answer in the blank. 1. How did Haman trick King Ahasuerus into sending out a decree to kill all the Jews? He pretended to be concerned about the entire kingdom and told the king that the kingdom would be better off without the Jews. over Copyright © mmxviii Pensacola Christian College • Not to be reproduced. Esther • Lesson 125 231 Esther • page 2 2. What should King Ahasuerus have done before allowing the decree to be sent out? Answers vary.
  • Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of All Ages

    Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of All Ages

    ACT I Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of all Ages. Speaker 1: Welcome to the wonderful world of Walt Disney! Speaker 2: A magical kingdom where elephants fly, Chimney sweeps dance Speaker 3: And every wish you make comes true. Speaker 1,2, &3: Welcome one and all to the happiest place on earth! Zip-a-dee-doo-dah Zip-a-dee-doo-dah, Zip-a-dee-ay, my oh my, what a wonderful day, Plenty of sunshine headin’ my way, Zip-a-dee-doo-dah, Zip-a-dee-ay. Mister Bluebird on my shoulder, it’s the truth! It’s act’chill’! Everything is satisfactich’ll! Zip-a-dee-doo-dah, Zip-a-dee-ay wonderful feelin’ wonderful day. Wonderful feelin’ it’s a Disney Day. Wonderful Day. How d’ya do and shake hands How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business Twiddle Dee: You go thru life and never know the day when fate may bring, a situation that will prove to be embarrassing Twiddle Dum: Your face gets red; you hide your head, and wish that you could die. But that’s old fashioned, here’s a new thing you should really try: How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Say how d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Bibbidi Bobbidi Boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di-boo Fairy Godmother: Sa-la-ga-doo-la means men-chic-ka-boo-la-roo, but the thing –a-ma-bob that does the job is bib-bi-di-bob-bi-di-boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di-boo.
  • Rockin Snow White Script

    Rockin Snow White Script

    !1 THE ROCKIN TALE OF SNOW WHITE This script belongs to: __________________________ CHARACTERS: Forest Animals: Ribbon Peddler Roonie Rabbit Comb Peddler Mother Donnie Deer Fruit Peddler Josh Billy Bunny Peggy Sue Chip Chipmunk Little Bird SONGS: King Young Queen Huntsman Snow White’s Hip-Hop, Doctor Angel Doo-Wop, Be-Bop, Funky Devil Little Rockin’ Tale Ladies in Waiting: Meredith Villagers: Ladies in Waiting Molly Rock Mary Stone The Seven Dwarves Work Maureen Pebble Song Martha Brick Judy Have Ya Heard? Dwarves: Evil Queen Zip A Pinch of This Snow White Kip Mirror Tip Celebrate Pip Romantic Hero Prince Flip Snow White Reprise His People Chip Big Mike !2 SONG: SNOW WHITE HIP-HOP, DOO WOP, BE-BOP, FUNKY LITTLE ROCKIN’ TALE ALL: Once upon a time in a legendary kingdom, Lived a royal princess, fairest in the land. She would meet a prince. They’d fall in love and then some. Such a noble story told for your delight. ’Tis a little rockin’ tale of pure Snow White! They start rockin’ We got a tale, a magical, marvelous, song-filled serenade. We got a tale, a fun-packed escapade. Yes, we’re gonna wail, singin’ and a-shoutin’ and a-dancin’ till my feet both fail! Yes, it’s Snow White’s hip-hop, doo-wop, be-bop, funky little rockin’ tale! GIRLS: We got a prince, a muscle-bound, handsome, buff and studly macho guy! GUYS: We got a girl, a sugar and spice and-a everything nice, little cutie pie. ALL: We got a queen, an evil-eyed, funkified, lean and mean, total wicked machine.
  • The Treasure Principle

    The Treasure Principle

    The Treasure Principle Ch 2: Ahasuerus approves a plan to find a new queen by searching the The Treasure of Influence empire (25 mill women) for the most graceful & stunning woman. Narrow the Esther 1:1-10:3 search down to 400 (Josephus), & give those women 1 year at the spa, becoming as gorgeous as possible before the king makes his final pick. Intro: Today’s message will be quite different than any I’ve preached before. Normally, we grab a few verses of the bible & work through them in an Among the Jews still living near the palace, we find a man named Mordecai. outline format. However, today, I am going to cover an entire book of the Bible (don’t leave), making observations & applications. If you’d like to join “He was bringing up Hadassah, that is Esther, the daughter of his uncle, for me in this journey, you can take your Bible (seatback or online) & find the she had neither father nor mother. The young woman had a beautiful figure Old Testament book of Esther. and was lovely to look at, and when her father and her mother died, Mordecai took her as his own daughter.” Esther 2:7 Setting: 2,500 years ago (486 BC) in the Persian Empire, the son of King Darius, the grandson of Cyrus the Great was preparing to invade Greece to Esther was chosen as one of the 400 young women who would receive a year settle an old score for his deceased father. Most of history remembers this of spa treatments in preparation to meet the king as a potential queen.
  • PURIM the Festival of Purim Is Based on the Story in the Book of Esther Celebrating the Jewish Queen of Persia Who Saves Her People from Annihilation

    PURIM the Festival of Purim Is Based on the Story in the Book of Esther Celebrating the Jewish Queen of Persia Who Saves Her People from Annihilation

    PURIM The festival of Purim is based on the story in the book of Esther celebrating the Jewish queen of Persia who saves her people from annihilation. While the historical accuracy of this story is question- able, its metaphorical meaning – Jewish deliverance from destruction – remains current and relevant. The directive to observe Purim on the 14th of Adar is found in Esther 9:20-22, where the Jews of Shushan are told to observe “days of feasting and merrymak- ing,” to send “gifts (mishloach manot) to one another” and to give “gifts to the poor (matanot la’evyonim).” The primary observance of Purim is the reading of the Megillah, which generically means scroll but usually refers to the scroll of Esther. It is during the reading of the megillah that merrymaking takes place as the congregation noisily reacts to the names of the story’s characters. It had been customary to drown out only the name of the arch villain Haman with noisemakers (groggers) and jeers, but over the past few JEWISH HOME BASICS years, new customs have evolved to celebrate the female heroes of the story, Esther Megillat Esther and Queen Vashti. Groggers In Israel Purim has enjoyed a nationalist revival, with streets filled with costumed children, carnivals and parades. In North America, many synagogues sponsor Purim Masks carnivals, communal meals (seudot Purim) and Purimschpiels (plays). Flags But feasts and merrymaking are only one part of the command to observe Purim. another command, to give gifts to the poor, is an important opportunity for acts of tzedakah. In his code of Jewish law, the Mishneh Torah, Maimonides discusses the Purim mitzvot, and elaborates on gifts to the poor: On the 14th [or 15th] of Adar it is a duty.
  • Vashti's Banquet

    Vashti's Banquet

    Vashti’s Banquet The “Other” Megillah Introduction In truth, Megillat Esther has precious little to say about the ill-fated Vashti. What to do with this obstreperous wife? In adding flesh to the bare bones of the Vashti saga (and to pave the way for the virtuous new Jewish queen), the rabbis wove fanciful accounts of the ill-fated first queen’s materialism, arrogance and vanity. What follows is adapted from rabbinic texts on Megillat Esther. The Invitation: Girls Night Out Vashti sought to emulate her husband’s example, even in the point of exhibiting treasures. She displayed six storage chambers daily to the women she had invited as guests; and she did not shrink from dressing herself in the most lavish garments of the high priests. Because the “weak sex” is subject to sudden attacks of indisposition, the banquet was given in the halls of the palace so that the women could withdraw quickly to adjoining chambers. The gorgeously ornamented apartments of the palace were more appealing to feminine tastes than the natural beauty of the royal gardens because “women would rather sit in a beautifully appointed room and wear grand apparel than eat sumptuous food.” Nothing interested women more than to become acquainted with the interior decoration of the palace “for women are curious to know such things.” Vashti gratified their desire, showing them all of the rooms, describing everything as they viewed it: “This is the dining hall, this is the wine-room, this is the bed-chamber…” The Command: Boys Behaving Badly Esther 1:10: “On the seventh day, when the king was merry with wine, he ordered Mehuman, Bizzeta, Harbona, Bigta, Abagta, Zetar, and Carcas, the seven eunuchs in attendance on King Ahasuerus to bring Queen Vashti before the king wearing a royal diadem, to display her beauty to the people and the officials; for she was a beautiful women.
  • Sally Dworsky

    Sally Dworsky

    Sally Dworsky Sally Dworsky is an American singer-songwriter. She has been an voice actress and singer in animated films such as The Lion King, The Prince of Egypt, and Shrek in addition to releasing her own albums.[1] She has also performed on A Prairie Home Companion.[2] Her brother is Richard Dworsky. She grew up in Saint Paul, Minnesota. Contents Discography Filmography Other credits References External links Discography Boxes - Sally Dworsky Start It All Over Again - Sally Dworsky and Richard Dworsky Fare Well - Uma (Chris Hickey, Sally Dworsky, Andy Kamman) Habit Trail - Sally Dworsky Filmography The Wizard - song "I Found My Way" The Cutting Edge - song "Turning Circles" The Lion King - Adult Nala (singing voice) Mulan - additional voices The Prince of Egypt - Miriam (singing voice) A to Z (TV Series, Ep 4) - song "There Will Be a Light" Other credits R.E.M., Monster (1994) - backing vocals on "King of Comedy" Midge Ure, Breathe (Midge Ure album) (1996) - duet vocals on "Guns and Arrows" References 1. "Raúl Melo" (http://prairiehome.publicradio.org/programs/2009/07/11/guests.shtml). prairiehome.publicradio.org. Retrieved 19 June 2015. 2. http://rattlemycage.wordpress.com/2008/04/11/prairie-home-companion-at-town-hall-april-11-2008/ External links Sally Dworsky (https://www.imdb.com/name/nm0245460/) on IMDb Official website (http://www.sallydworsky.com/) Retrieved from "https://en.wikipedia.org/w/index.php?title=Sally_Dworsky&oldid=837747189" This page was last edited on 22 April 2018, at 19:53. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.