SF Commentary 67
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
SF Commentary 41-42
S F COMMENTARY 41/42 Brian De Palma (dir): GET TO KNOW YOUR RABBIT Bruce Gillespie: I MUST BE TALKING TO MY FRIENDS (86) . ■ (SFC 40) (96) Philip Dick (13, -18-19, 37, 45, 66, 80-82, 89- Bruce Gillespie (ed): S F COMMENTARY 30/31 (81, 91, 96-98) 95) Philip Dick: AUTOFAC (15) Dian Girard: EAT, DRINK AND BE MERRY (64) Philip Dick: FLOW MY TEARS THE POLICEMAN SAID Victor Gollancz Ltd (9-11, 73) (18-19) Paul Goodman (14). Gordon Dickson: THINGS WHICH ARE CAESAR'S (87) Giles Gordon (9) Thomas Disch (18, 54, 71, 81) John Gordon (75) Thomas Disch: EMANCIPATION (96) Betsey & David Gorman (95) Thomas Disch: THE RIGHT WAY TO FIGURE PLUMBING Granada Publishing (8) (7-8, 11) Gunter Grass: THE TIN DRUM (46) Thomas Disch: 334 (61-64, 71, 74) Thomas Gray: ELEGY WRITTEN IN A COUNTRY CHURCH Thomas Disch: THINGS LOST (87) YARD (19) Thomas Disch: A VACATION ON EARTH (8) Gene Hackman (86) Anatoliy Dneprov: THE ISLAND OF CRABS (15) Joe Haldeman: HERO (87) Stanley Donen (dir): SINGING IN THE RAIN (84- Joe Haldeman: POWER COMPLEX (87) 85) Knut Hamsun: MYSTERIES (83) John Donne (78) Carey Handfield (3, 8) Gardner Dozois: THE LAST DAY OF JULY (89) Lee Harding: FALLEN SPACEMAN (11) Gardner Dozois: A SPECIAL KIND OF MORNING (95- Lee Harding (ed): SPACE AGE NEWSLETTER (11) 96) Eric Harries-Harris (7) Eastercon 73 (47-54, 57-60, 82) Harry Harrison: BY THE FALLS (8) EAST LYNNE (80) Harry Harrison: MAKE ROOM! MAKE ROOM! (62) Heinz Edelman & George Dunning (dirs): YELLOW Harry Harrison: ONE STEP FROM EARTH (11) SUBMARINE (85) Harry Harrison & Brian Aldiss (eds): THE -
Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Beth Meacham Career Titles-1
Selected Titles Edited by Beth Meacham This list does not include books that Meacham assisted other editors on; it does not include books where she only did the production and packaging work; and it does not include anthologies where she did not help select the contents. (There are a lot of those, too!) Addison, Katherine (Sarah Monette) (The Angel of the Crows) Anderson, Kevin J. Spine of the Dragon (Vengewar) Anthony, Piers Anthonology Chimera's Copper Dragon's Gold Ghost Mouvar's Magic Orc's Opal Serpent's Silver The Shade of the Tree Demons Don’t Dream Alien Plot Isle of Woman Letters To Jenny Harpy Thyme Shame of Man Roc and a Hard Place Yon Ill Wind Hope of Earth Zombie Lover Faun & Games Dream A Little Dream Muse of Art Quest for the Fallen Star Dream A Little Dream Xone of Contention Zombie Lover Vale of the Vole Gutbucket Quest, The Heaven Cent Dastard, The Xone of Contention Man from Mundania DoOon Mode Secret of Spring, The How Precious Was That While Dastard, The Swell Foop DoOon Mode How Precious Was That While Up In a Heaval Swell Foop Cube Route Up In a Heaval Currant Events Cube Route Pet Peeve Stork Naked Air Apparent Two to the Fifth Jumper Cable Climate of Change Knot Gneiss Well-Tempered Clavicle Luck of the Draw Esrever Doom Barnes, Steve Gorgon Child Streetlethal The Kundalini Equation Firedance Blood Brothers Iron Shadows Charisma Bear, Elizabeth and Sarah Monette Companion to Wolves, A Tempering of Men, The Apprentice to Elves, An Bear, Elizabeth All the Windwracked Stars By the Mountain Bound Sea Thy Mistress, The Range of Ghosts Shattered Pillars Steles of the Sky Karen Memory Stone Mad Stone in the Skull, The Red-Stained Wings, The (The Origin Of Storms) Bear, Greg Blood Music The Forge of God Beyond Heaven’s River Psychlone Hardfought-Cascade Point Hegira Heads Moving Mars Legacy Eternity Moving Mars Sland Anvil of Stars The Collected Stories of Greg Bear Bishop, Paul Chapel of the Ravens Sand Against the Tide Blaylock, James P. -
THE SURVIVAL and MUTATION of Utoi
PHOENIX RENEWED: THE SURVIVAL AND MUTATION OF UTOi’IAN THOUGHT IN NORTH AMERICAN SCIENCE FICTION, 1965—1982 A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR TEE DEGREE OF DOCTOR OF PHILOSOPHY BY HODA MOUKHTAR ZAKI DEPARTMENT OF POLITICAL SCIENCE ATLANTA, GEORGIA DECEMBER 1984 ABS TRACT POLITICAL SCIENCE ZAKI, H01P4 MOURHIAR B.A. , American University in Cairo, 1971 N.A., Atlanta University, Atlanta, Georgia, 1974 Phoenix Renewed: The Survival and_Mutation_of Utopian Thought in ~urth American Science Fiction, 1965—1982 Adviser: Dr. Alex Hillingham The&is d~tei Decenber, 1984 This dissertation is concerned with the status of utoni en in rwdcra timas. As such it is concerned with a historic problem ir pci tial :hearv, i.e., how to visualize a perfect human community. Since the turn of the 20th century, we have seen a decline in utopian ~i tera.ture. A variety of commentators, including Mannhein: and Mumford, noted and decried this trend. It seemed ironic to those observers that utopia~s demise would occur when humanity was closest to realizing material abundance for all. My research evaluates this irony. The primary data of my work are drawn from the genre of science fiction. The new locus for utopian thought seems natural enough. Science fiction is a speculative activity and, in its emphasis on science and technology, concerns itself with an area of human activity that has been intimately connected with the idea of progress since the European Enlightenment. A number of scholars including Mumford, Sargent, Suvin, and Williams, have asserted that contemporary utopian thought could be found in science fiction. -
Future Primitive : the New Ecotopias Pdf, Epub, Ebook
FUTURE PRIMITIVE : THE NEW ECOTOPIAS PDF, EPUB, EBOOK Kim Stanley Robinson | 352 pages | 01 Jul 1997 | St Martins Press | 9780312863500 | English | New York, United States Future Primitive : The New Ecotopias PDF Book There is certainly a lot of overlap — but the mundane project seems to be more focused on a specific set of constraints in regard to technological possibilities, wheras environmental sci-fi, if there can be called such a thing, is more focused on environmental concerns be they oriented towards projections of eco-disaster or envisioning a more sustainable and environmentally sound model. Sherlockia Pat Cramer, Bookseller 26 items. Some other examples of ecological dystopias are depictions of Earth in the films Wall-E and Avatar. Fiction award, ; Hugo award, , When marauding ships attack the Andromeda Ascendant, the Andromeda crew, desperate to save their ship, slipstream to a world called Festival, which fends off their mysterious attackers and welcomes the crew with open arms. Robinson has also done his homework on the history of Antarctic exploration; the early exploration of the continent is presented in enough detail to make clear that he knows whereof he writes. Search Encyclopedia Search over one million articles, find something about almost anything! Sign in with your eLibrary Card close. London, Orbis, Email this Article Email Address:. Poetry sellers , items. For Simak, landscape is present unto itself and nature is not a spur but a balm. Douglas Trumbull -Beasts of the Southern Wild, dir. Learn how to enable JavaScript on your browser. Again, Dangerous Visions. Be the first to write a review. Download Free PDF. -
SF Commentary 83
SSFF CCoommmmeennttaarryy 8833 October 2012 GUY SALVIDGE ON THE NOVELS OF PHILIP K. DICK ALSO IN THIS ISSUE: Brian ALDISS Eric MAYER John BAXTER Cath ORTLIEB Greg BENFORD Rog PEYTON Helena BINNS Mark PLUMMER Damien BRODERICK Franz ROTTENSTEINER Ned BROOKS Yvonne ROUSSEAU Ian COVELL David RUSSELL Bruce GILLESPIE Darrell SCHWEITZER Fenna HOGG Steve SNEYD John-Henri HOLMBERG Ian WATSON Carol KEWLEY Taral WAYNE Robert LICHTMAN Frank WEISSENBORN Patrick MCGUIRE Ray WOOD Murray MACLACHLAN Martin Morse WOOSTER Tim MARION Cover: Fenna Hogg S F Commentary 83 SF Commentary No 83, October 2012, 107 pages, is edited and published by Bruce Gillespie ([email protected]), 5 Howard St., Greensborough VIC 3088, Australia, and http://efanzines.com/SFC/SFC83.pdf. All correspondence: [email protected]. Member fwa. First edition and primary publication is electronic. All material in this publication was contributed for one-time use only, and copyrights belong to the contributors. Alternate editions: * A very limited number of print copies are available. Enquiries to the editor. * The alternate PDF version is portrait-shaped, i.e. it looks the same as the print edition, but with colour graphics. Front cover: Melbourne graphic artist Fenna Hogg’s cover does not in fact portray Philip K. Dick wearing a scramble suit. That’s what it looks like to me. It is actually based on a photograph of Melbourne writer and teacher Steve Cameron, who arranged with Fenna for its use as a cover. Graphic: Carol Kewley (p. 105). Photographs: Damien Broderick (p. 5); Guy Salvidge (p. 10); Jim Sakland/Dick Eney (p. 67); Jerry Bauer (p. -
SF COMMENTARY 101 February 2020 129 Pages
SF COMMENTARY 101 February 2020 129 pages JAMES ‘JOCKO’ ALLEN * GEOFF ALLSHORN * JENNY BLACKFORD * RUSSELL BLACKFORD * STEPHEN CAMPBELL * ELAINE COCHRANE * BRUCE GILLESPIE * DICK JENSSEN * EILEEN KERNAGHAN * DAVID RUSSELL * STEVE STILES * TIM TRAIN * CASEY JUNE WOLF * AND MANY MANY OTHERS Cover: Ditmar (Dick Jenssen): ‘Trumped!’. S F Commentary 101 February 2020 129 pages SF COMMENTARY No. 101, February 2020, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. DISTRIBUTION: Either portrait (print equivalent) or landscape .PDF file from eFanzines.com: http://efanzines.com or from my email address: [email protected]. FRONT COVER: Ditmar (Dick Jenssen): ‘Tumped!’. BACK COVER: Steve Stiles (classic reprint from cover of SF Commentary 91.) PHOTOGRAPHS: Elaine Cochrane (p. 7); Stephen Silvert (p. 11); Helena Binns (pp. 14, 16); Cat Sparks (p. 31); Leigh Edmonds (pp. 62, 63); Casey Wolf (p. 81); Richard Hyrckiewicz (p. 113); Werner Koopmann (pp. 127, 128). ILLUSTRATIONS: Steve Stiles (pp. 11, 12, 23); Stephen Campbell (pp. 51, 58); Chris Gregory (p. 78); David Russell (pp. 107, 128) Contents 30 RUSSELL BLACKFORD 41 TIM TRAIN SCIENCE FICTION AS A LENS INTO THE FUTURE MY PHILIP K. DICK BENDER 40 JENNY BLACKFORD 44 CASEY JUNE WOLF INTERVIEWS WRITING WORKSHOPS AT THE MUSLIM SCHOOL EILEEN KERNAGHAN 2 4 I MUST BE TALKING TO MY 20 BRUCE GILLESPIE FRIENDS The postal path to penury 4 BRUCE GILLESPIE The future is now! 51 LETTERS OF COMMENT 6 BRUCE GILLESPIE AND ELAINE COCHRANE Leanne Frahm :: Gerald Smith :: Stephen Camp- Farewell to the old ruler. Meet the new rulers. -
SF Commentary 106
SF Commentary 106 May 2021 80 pages A Tribute to Yvonne Rousseau (1945–2021) Bruce Gillespie with help from Vida Weiss, Elaine Cochrane, and Dave Langford plus Yvonne’s own bibliography and the story of how she met everybody Perry Middlemiss The Hugo Awards of 1961 Andrew Darlington Early John Brunner Jennifer Bryce’s Ten best novels of 2020 Tony Thomas and Jennifer Bryce The Booker Awards of 2020 Plus letters and comments from 40 friends Elaine Cochrane: ‘Yvonne Rousseau, 1987’. SSFF CCOOMMMMEENNTTAARRYY 110066 May 2021 80 pages SF COMMENTARY No. 106, May 2021, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Email: [email protected]. Phone: 61-3-9435 7786. .PDF FILE FROM EFANZINES.COM. For both print (portrait) and landscape (widescreen) editions, go to https://efanzines.com/SFC/index.html FRONT COVER: Elaine Cochrane: Photo of Yvonne Rousseau, at one of those picnics that Roger Weddall arranged in the Botanical Gardens, held in 1987 or thereabouts. BACK COVER: Jeanette Gillespie: ‘Back Window Bright Day’. PHOTOGRAPHS: Jenny Blackford (p. 3); Sally Yeoland (p. 4); John Foyster (p. 8); Helena Binns (pp. 8, 10); Jane Tisell (p. 9); Andrew Porter (p. 25); P. Clement via Wikipedia (p. 46); Leck Keller-Krawczyk (p. 51); Joy Window (p. 76); Daniel Farmer, ABC News (p. 79). ILLUSTRATION: Denny Marshall (p. 67). 3 I MUST BE TALKING TO MY FRIENDS, PART 1 34 TONY THOMAS TO MY FRIENDS, PART 1 THE BOOKER PRIZE 2020 READING EXPERIENCE 3, 7 41 JENNIFER BRYCE A TRIBUTE TO YVONNNE THE 2020 BOOKER PRIZE -
Apocalypse and Australian Speculative Fiction Roslyn Weaver University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2007 At the ends of the world: apocalypse and Australian speculative fiction Roslyn Weaver University of Wollongong Recommended Citation Weaver, Roslyn, At the ends of the world: apocalypse and Australian speculative fiction, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2007. http://ro.uow.edu.au/theses/1733 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] AT THE ENDS OF THE WORLD: APOCALYPSE AND AUSTRALIAN SPECULATIVE FICTION A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ROSLYN WEAVER, BA (HONS) FACULTY OF ARTS 2007 CERTIFICATION I, Roslyn Weaver, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Roslyn Weaver 21 September 2007 Contents List of Illustrations ii Abstract iii Acknowledgments v Chapter One 1 Introduction Chapter Two 44 The Apocalyptic Map Chapter Three 81 The Edge of the World: Australian Apocalypse After 1945 Chapter Four 115 Exile in “The Nothing”: Land as Apocalypse in the Mad Max films Chapter Five 147 Children of the Apocalypse: Australian Adolescent Literature Chapter Six 181 The “Sacred Heart”: Indigenous Apocalypse Chapter Seven 215 “Slipstreaming the End of the World”: Australian Apocalypse and Cyberpunk Conclusion 249 Bibliography 253 i List of Illustrations Figure 1. -
Indice: 0. Philip K. Dick. Biografía. La Esquizofrenia De Dick. Antonio Rodríguez Babiloni 1
Indice: 0. Philip K. Dick. Biografía. La esquizofrenia de Dick. Antonio Rodríguez Babiloni 1. El cuento final de todos los cuentos. Philip K. Dick. 2. El impostor. Philip K. Dick. 3. 20 años sin Phil. Ivan de la Torre. 4. La mente alien. Philip K. Dick. 5. Philip K. Dick: ¿Aún sueñan los hombres con ovejas de carne y hueso? Jorge Oscar Rossi. 6. Podemos recordarlo todo por usted. Philip K. Dick. 7. Philip K. Dick en el cine 8. Bibliografía general de Philip K. Dick PHILIP K. DICK. BIOGRAFÍA. LA ESQUIZOFRENIA DE DICK. Antonio Rodríguez Babiloni Biografía: Philip. K. Dick (1928-1982) Nació prematuramente, junto a su hermana gemela Jane, el 2 de marzo 1928, en Chicago. Jane murió trágicamente pocas semanas después. La influencia de la muerte de Jane fue una parte dominante de la vida y obra de Philp K. Dick. El biógrafo Lawrence Sutin escribe; ...El trauma de la muerte de Jane quedó como el suceso central de la vida psíquica de Phil Dos años más tarde los padres de Dick, Dorothy Grant y Joseph Edgar Dick se mudaron a Berkeley. A esas alturas el matrimonio estaba prácticamente roto y el divorcio llegó en 1932, Dick se quedó con su madre, con la que se trasladó a Washington. En 1940 volvieron a Berkeley. Fue durante este período cuando Dick comenzó a leer y escribir ciencia ficción. En su adolescencia, publicó regularmente historias cortas en el Club de Autores Jovenes, una columna el Berkeley Gazette. Devoraba todas las revistas de ciencia-ficción que llegaban a sus manos y muy pronto empezó a ser influido por autores como Heinlein y Van Vogt. -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
Hamparian Thesis.Pdf (320.3Kb)
Matt Hamparian 1 Women of Science Fiction in the 1970s Introduction Science fiction is the genre of possibility, and is nearly boundless. The only limitation is that of what the reader and writer can imagine. What drew me to both science fiction, and this research is what draws many to science fiction: exploring new worlds, new ideas, new species, but importantly the depths of the human mind. Science fiction of the 1970s was transformative for the genre, as there was a distinct shift on who was writing best selling and award winning novels. Men had long dominated science fiction, especially during the “golden age,” but during the 1970s published science fiction novels by women gained the attention of those who loved the genre. Women such as Ursula K. Le Guin, Joanna Russ, Kate Wilhelm, and James Tiptree Jr. (Allison B. Sheldon), all wrote award winning science fiction, but their stories also challenged readers with themes of equality. The question then arises, why did so many female authors take to science fiction to express their messages of equality during the 1970s? Author Suzy McKee Charnas, author of The Holdfast Chronicles wrote of this in the Khatru Symposium: Women in Science Fiction: “instead of having to ‘twist’ reality in order to create ‘realistic’ female characters in today’s totally unfree society, the sf writer can create the societies that would produce those characters” (Charnas 4). The women of science fiction in the 1970s were responding to an issue in science fiction: women were not represented accurately in text, nor where they given the same chance as their male counterparts.