Meet Ptain King, A-B's N W Top Cop

Total Page:16

File Type:pdf, Size:1020Kb

Meet Ptain King, A-B's N W Top Cop .. Blood ~n"'-; death prompts to act ~ PAGE 12 Vol. 11. No. 42 • 40 Pages • 3 75¢ Newspaper Company • allstonbrightontab .com FRIDAY. JUNE 1 , 2007 Meet ptain King, A-B's n w top cop By Karen Elowltt youth services. Prior to about all of it." she said. STAFFWRlTER wm'\cp/l her way up the ranks from However. she did mention alcluup"e of spe- enevieve King. a 22-year police de­ detlectl've to lieutenant. serving in a cific accomplishments. with partment veteran. has becn named units and districts the domestic violence Imit years back. new captain of District 14. Her first tJu,~ug:hol"t tl'oslon. including a stint as a de-­ King helped automate the and G assault division. King create a searchable database. was back day was Tuesday. May 2S. Captain King replaces Mark Hayes. who officer for 10 years before when computers were just coming into announced two wecks ago that he would be as a sworn officer. vogue." she said. moving on to pun;ue a promotion with the In­ what achievements she is King also oversaw the Asso- ternal A Efair.; Department. career. King was somewhat ciation of Chiefs of Police "I'm committed to community policing." Before being appointed to lead 0-14. King Boston in 2006. which was .;;~~~,iti~'.'~1 her own praises. and aI thousand police chiefs served 25 a captain for two years with the Bu­ g am proud of my rise Genevieve King reau of Field Services. the unit in charge of thrtlllll'h and my experience and just KING. page 9 K SQUARE FIREHOUSE LOSS l!riends rem nft,t".'''1 cyclist killed in Ye s ler Local 71S­ union that up to a raging resents St. in Allston - firefig/lters blaze that Boston fire­ anno\lJ1ced Dave "TIm" Middleton Middl ton figbt during his shift. died in the lill<1 COURTESY PHOTO of duty earl~ they got closer to the Areflghter , ...., .. _. Middleton leapt from the David (Tim) MondOy mom grabbed a massive hydrant Middleton mg. and heaved it onto his mus­ Within shoulder as he sprinted to­ of finishing ~ 'Wl!iil+lth&"rater<ollnce. 6ragging 24-h'lU! tour duriTlg'Whi~h!leba hose behind him. tied the two blazes. Middleto that moment, there was no suffered a heart attack and died . that the solidly built 39-year­ his fiancee's arms as she desper firefigbter's actions at Fire ately tried to save his life by per 5247 would be his last as forming the CPR technique th FIRE. page ormer employee: BRA's MO needs improvement By Karen Elowltt sible for shaping the future A memorial for Kelly Wallace was put up at HarVR'rd Ave. and Cambridge Street. STAFF WR!TER their community. every girl. and desired guy. She he commented that the On Wednesday. May 9. Koff. By Karen Elowltt STAff WRITER was one of those people got along former 25-year employec of Re<jev1elollment Authori­ i with every single person po,,&ib.le and just strong feclings and BRA. spoke at a mecting host KeUy Wallace was a pretty amazing per­ sarcastic. energetic. ligbt- had nothing wrong with really did en)iOti()ns. Larry Koff could not by the League of Women Vol SOIl, by all accounts. Loyal. positive and at heart," said her friend. not have any bad qualities. was one-in- done a better job summariz­ who!", purpose was to discuss I fril!ndly. she loved animals. had a cool job sentiments of many A-B cU11'<\nt state of the BRA. Ha . at Hempest in Harvard Square. and was fa- f-Iellthel MalqKJ nne," "She was admired by re*iderlll towards the organiza­ becn a witness for so many y that is in many ways respon- BRA MO, page 7 I INSIDE Cardiac A hero erownhouse rehab Senior housing resident unit at known/or out risk? to J10'n~,h.rlr(' By Karen Elowltt STAFF WRITER Though Mary The future of the cardiac McCluskey has not al­ Unsung rehab center at S~ Eliza­ ways livoo in A-B ••\5 beth's Me<lical Center may soon as she moved here hero be in doubt, a notioll that has nearly 20 year.; ago. awards. many of the unit's patients, she loved it and made Big move at staff and doctors worried. herself indispensable to Part 3 of In the last weck, two pa­ her neigbbors almOst q.:hildrens Museum tients of the cent r called from the stat!. ~SEEPAGE 15 the TAB to say they had A former resident of becn told the unit would Winthrop. McCluskey close as soon as next souglJt out senior housing Brigbton when month. This report was she decided that she could afford her rent confirmed by a staff mem­ anymore. She contactoo Community Commentary ber in the unit. Housing for the Elderly on recommenda- On Wednesday, May 30" !Community Notes 4 Crime 8 De&tInatIons 16 UbnM'y Notes 26 Mortgage Loans ObItuarIes 27 Local knowledge. People 6 Sports EJcperienced answers. - Expert rlp,nll,a PoIltlcaI Notebook 22 Auto Peoples . Shirt !<;pn,l,-. Oak Square YMCA Work T_ : .. ~~..b 615 Washington St Federal Savings Bank Yo"r NeliglJ['qrlilood Realtor® "" .Bdghton. MA 02135 Allston 129 Nonh Harvard Sm"l 20 Franklin SI. , Brighl(ln .." 617·782·3535 Tel. 017.7.7·2121 Brighton 435 Market Street 1. ~ www.ymcoboston.org .;, (617) ~707 ' """".pfsb.com (617) 787 .. 870 D McnbafDfC TAB 2007 By Bill , Here's the answer to this week's COD- ComrnonwealthAv- day. Street, dating from the 1840s, linked Avenue apartment ., test (we gave you the hint last week): The period 1910 to 1925 was to 'The Three Brighton Avenue with Washington Other structures by -i 'The Scotfield," a k a 'The Three see tips part of Commonwealth Avenue sive fil\:ade of Street, the main road to Boston before 1494-1504 Common- ,n Fields" Apartment Building, 1368-1384 built~p rapidl) with elegant apartment stands 00 the filling of the Back Bay. Scotfield , (1922); 209-225 Chestnut .." Commonwealth Ave., South Allston. housjos such as the Three Fields. South Road was put through at the time of the (1917); 192-194 Warren St. '" This handsome Renaissance Revival AIIsiho was Olle of the favorite neigh­ construction of The Three Fields. South St., as well as aU of style apartment complex was built in bomlxxt. outside of the downtown for in The building's architect, H. W. Hard­ to\\'I1ij,)USCO blrildimgs along the west-' ~ 1912, shortly aftet the introduction f wcliT~ apartment dwellers of that Allston ing, was a major contributor to the South Street. '.. 10 Help ~e historicalsocietj ',. If you have photos of old Brightoo:Al!ston in ./ your family phbto albums, plea consIder allow­ ing the Brighton-Allston Historical SocietY to copy them for possible display at the Brightori-Allstoo on a main thorough- Heritage Museum and/or in this column. If you Center is one of have photos you would like to donate, or ould be Ar~~t ~~:~ri~~!~~l~~few~~ remaining Fed- willing to hav'1 the Historical Society co , please dating from the contact Bill Marchione at 617-782-8483. from the 1970s, I!l;t,mic building was clad in The street that rums to was named for one nOllse ~ long-time occupants, a fa­ Winners engineer of the late 19th identify the streets that Bill Nixon location? . your answer to allston­ John Ferriero ~~:!,ton@,cpc .. conn. fax it to 781-433- I in to 781-433-8365, \fyou me,; ~ag:e , please spell your name Doug Curry and include your fIrst . Also leave your tele­ Tommy mll'T1her in case we need to con­ questions about your an­ aIls,wers must be recei ved by ........ Sean ... ~. F,o..u. ~ noon on W~drn~ lIY, June 6. Marian ",,"0 co'"'I" Of THE BRIGHTCJN.N..LSTOH HISTOfIlCAl SOCIETY Additional history cOI~e!d winner The following name Was . omitted from the list of winners for the week of May history cootest: Bing McGilvray, WEEKLY MAY 29m TO .................... 911< lb. o ....................89 4 bead . .................' 1.49 lb . House . .................. ........ 98c lb. i BREHA BILrtATION Physical • Heart al~;"; K • surgery • 24-hour mh-.in or long-term care - Manufacturer's lifetime \lUllrprnee Exclusive Colors and Styles your bath.~tu~b~,w~a~lIts ~-:~~~=] and wainscot. .. Subway Tile, Bpadboard " ~~saic, 12x12" Tile, 6" Tile , 5" Diamond Tile, & Marbles that ONLY Re-Bath oilers!!! So easy to clean ... NO MORE GROUT LINES! Professional Service ... find Angie's List and Craig's List!!! ~ brcichure and IAPMO, H.U.D., UL, NAHB, & ANSI tested and approved. -.. call Visit One of Our Sholwr'lorh.: -Framingham: -Pembroke: 419 Worcester Rd. 558 Corporate Park Dr. (West of Shoppers World (Off Oak St. Ate 3 Exit 12) Or @ www.rebath.com ReI:;r ......,4 Group has been providing .te" ltl,ea,,, &'Is.. ,;or housing services ·l:tml:ZUUlY:· Store Hours: Mon - Sat 8 a.m, - 7 p.m. • Sunday 8 a.m. - 6 p.m. Cl#:ttQl :~ Visit. our website: www·russo.s.com Mass Reg . 11 40681 1 available ~RlfrlshlngR~r • June I 2007 TAB, RCHII)IOCESE DEAL ALLSTON ~l BRIGHTON Invitation APAC :>::lSale may s ·up ac ___ _ c, une 7, ..... u'" ·• • (ievelop • office SPLA.~I ~ for ! was acquired in 2006. "It erty, Dunn said that BC officials Families !, Master plan filing us some time to I a game figured it would become available plan for the uses build- eventually, but though it would be Where: St. Gabriel's, 149 as~lmJgto'n Street : delay possible later rather than sooner. • ings." .
Recommended publications
  • French Underground Raves of the Nineties. Aesthetic Politics of Affect and Autonomy Jean-Christophe Sevin
    French underground raves of the nineties. Aesthetic politics of affect and autonomy Jean-Christophe Sevin To cite this version: Jean-Christophe Sevin. French underground raves of the nineties. Aesthetic politics of affect and autonomy. Political Aesthetics: Culture, Critique and the Everyday, Arundhati Virmani, pp.71-86, 2016, 978-0-415-72884-3. halshs-01954321 HAL Id: halshs-01954321 https://halshs.archives-ouvertes.fr/halshs-01954321 Submitted on 13 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French underground raves of the 1990s. Aesthetic politics of affect and autonomy Jean-Christophe Sevin FRENCH UNDERGROUND RAVES OF THE 1990S. AESTHETIC POLITICS OF AFFECT AND AUTONOMY In Arundhati Virmani (ed.), Political Aesthetics: Culture, Critique and the Everyday, London, Routledge, 2016, p.71-86. The emergence of techno music – commonly used in France as electronic dance music – in the early 1990s is inseparable from rave parties as a form of spatiotemporal deployment. It signifies that the live diffusion via a sound system powerful enough to diffuse not only its volume but also its sound frequencies spectrum, including infrabass, is an integral part of the techno experience. In other words listening on domestic equipment is not a sufficient condition to experience this music.
    [Show full text]
  • March 1, 2020 (TBD by Approval) to December 31, 2021
    *Catalog effective: March 1, 2020 (TBD by approval) to December 31, 2021 The Los Angeles Acting Conservatory (LAAC) is a private institution approved for operation by the Bureau of Private Postsecondary Education (BPPE). Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. www.bppe.ca.gov This catalog is reviewed and updated each school year. As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement. You are also encouraged to review the School Performance Fact Sheet, which must be provided to you prior to signing an enrollment agreement. You may request a copy of the catalog and SPFS by emailing [email protected] 1 Location & Contact Info 3 History 4 Purpose 4 Mission 4 Objectives 4 Educational Programs 5 Associate Degree in Acting 5 Associate Degree in Filmmaking 16 Admission Requirements 22 Financial Aid Policy 25 Return & Cancellation Policies 26 Notice Concerning Transferability of Units Earned at Our School 28 Attendance & Scheduling Policy 29 Student Services 31 Academic & Grading Policy 33 Licensing & Approvals 37 Facility & Equipment 39 Library Resources 40 Disciplinary Policy 43 Code of Conduct 47 International Student Information 53 Faculty 57 Academic Calendar 65 2 Location & Contact Info Nestled between a café, salon, retail shops, and a popular restaurant, Edgemar Center for the Arts is the anchor of the Edgemar complex on Main Street in Santa Monica. A couple blocks away from the beach, near the 10 freeway, the Los Angeles Acting Conservatory (LAAC) is housed in its own state-of-the-art building design by renowned architect Frank Gehry, which includes two theater spaces and an art gallery.
    [Show full text]
  • Download the Conference Abstracts Here
    THURSDAY 8 SEPTEMBER 2016: SESSIONS 1‐4 Maciej Fortuna and Krzysztof Dys (Academy of Music, Poznán) BIOGRAPHIES Maciej Fortuna is a Polish trumpeter, composer and music producer. He has a PhD degree in Musical Arts and an MA degree in Law and actively pursues his artistic career. In his work, he strives to create his own language of musical expression and expand the sound palette of his instrument. He enjoys experimenting with combining different art forms. An important element of his creative work consists in the use of live electronics. He creates and directs multimedia concerts and video productions. Krzysztof Dys is a Polish jazz pianist. He has a PhD degree in Musical Arts. So far he has collaborated with the great Polish vibrafonist Jerzy Milian, with famous saxophonist Mikoaj Trzaska, and as well with clarinettist Wacaw Zimpel. Dys has worked on a regular basis with young, Poznań‐based trumpeter, Maciej Fortuna. Their album Tropy has been well‐received by the audience and critics as well. Dys also plays in Maciej Fortuna Quartet, with Jakub Mielcarek, double bass, and Przemysaw Jarosz, drums. In 2013 the group toured outside Poland with a project ‘Jazz from Poland’, with a goal to present the work of unappreciated or forgotten or Polish jazz composers. The main inspiration for Krzysztof Dys is the work of Russian composers Alexander Nikolayevich Scriabin, Sergei Sergeyevich Prokofiev, American artists like Bill Evans and Miles Davis, and last but not least, a great Polish composer, Grayna Bacewicz. TITLE Classical Inspirations in Jazz Compositions Based on Selected Works by Roman Maciejewski ABSTRACT A few years prior to commencing a PhD programme, I started my own research on the possibilities of implementing electronic sound modifiers into my jazz repertoire.
    [Show full text]
  • Neotrance and the Psychedelic Festival DC
    Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.
    [Show full text]
  • Salt Lake City August 1­—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
    47th Annual National Flute Association Convention Salt Lake City August 1 —4, 2019 NFAc_Discover_18_Ad_OL.pdf 1 6/13/19 8:29 PM C M Y CM MY CY CMY K Custom Handmade Since 1888 Booth 110 wmshaynes.com Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. schmittmusic.com/f lutegallery Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 214 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2019, Salt available in Carbon Fibre. Lake City! Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. 00 44 (0)20 8778 0752 [email protected] schmittmusic.com/f lutegallery www.wisemanlondon.com TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ...............................................................
    [Show full text]
  • Marvel in the Midwest
    But Madison was hardly an early- music.” Bowles is amazed by how the serve as artists who also lead workshops music mecca, and, indeed, most residents event has been able to build a stand- for everyone from beginners to pre- probably didn’t know anything about out profile in a city flush with festivals professionals. It’s a formula the Rowes the specialized field. Put simply, it was of all kinds. “The community has instituted at the beginning and have a big risk. The couple moved ahead really, really embraced this festival,” continued all along. “If that were to anyway, recruiting Chelcy Bowles, who she said. change very much,” Bowles said, taught in the University of Wisconsin’s The summer event established “it wouldn’t be the same festival.” Division of Continuing Education, as itself as one of this country’s most It also doesn’t hurt that the festival a co-founder and the festival’s program important early-music festivals by takes place at the University of director (essentially executive director). differentiating itself right from the start. Wisconsin-Madison in partnership And the threesome’s initiative has clearly Not only is it situated away from the with its Mead Witter School of paid off. From July 6-13, the Madison two coasts, where similar offerings Music. The university provides both Early Music Festival will mark its are mostly found, but it also focuses 20th-anniversary season. mainly on medieval and Renaissance “It went fast,” Bensman-Rowe said, music and not the more prominent “and it’s a happy surprise that it’s been Baroque era.
    [Show full text]
  • Boom Festival | Rehearsing the Future
    Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies .........................................................................................
    [Show full text]
  • ARTEMANDOLINE Early Music
    ARTEMANDOLINE Early Music With their ensemble Artemandoline, formed in 2001, Juan Carlos Muñoz and Mari Fe Pavón chose to go back to the original documents to establish the true pedigree of this incomparable family of plucked string instruments. They have made a major contribution to launching a movement to encourage musical freshness and rigour. A better understanding of the compositions, closer study of the early treatises, the playing styles, the musical environment of the glorious era of the mandolin, leads to better appreciation of Baroque music, which itself became over time a mode of thought and action. Searching for early mandolins, working on the manuscripts, hunting down early treatises, exploring the iconography: these are the means by which, for more than ten years now, the musicians of Artemandoline have sought to do fuller justice to the works of Scarlatti, Vivaldi, Weiss, and their contemporaries. The success of this approach based on a return to the sources, which constitutes the most important development in the history of the interpretation of ‘serious’ music in the course of the twentieth century, has been made possible by the cooperation of many protagonists – musicians, but also concert organisers, recording producers, publishers, musicologists, and instrument makers. To ensure that music composed in the past does not sound like mere ‘early music’ in the present, the performers must manage to be sufficiently free, spontaneous, anticipative and astonished in their intimate act of creation and the newness it engenders. Juan Carlos Muñoz and Mari Fe Pavón spend their lives searching out and reviving forgotten masterpieces of the mandolin repertory.
    [Show full text]
  • Classical Folk & Blues Jazz Stage & Screen World Music
    Fall, 2020 All Prices Good through 11/30/20 Music Classical see pages 3 - 24 Not Our First Goat Rodeo Yo-Yo Ma & Friends A classical-crossover selection SNYC 19439738552 $16.98 Folk & Blues see pages 42 - 49 Sierra Hull: 25 Trips Sierra jumps from her bluegrass roots to entirely new terrain 1CD# RDR 1166100579 $16.98 Jazz see pages 38 - 41 Diana Krall This Dream of You A wonderful collection of gems from the American Songbook 1CD# IMPU B003251902 $19.98 Stage & Screen see pages 25 - 29 Ennio Morricone Partnered with: Once Upon A Time Arrangements for Guitar 1CD# BLC 95855 $12.98 World Music see pages 34 - 37 Afwoyo – Afro Jazz Milégé derive inspiration from the diverse musical traditions of Uganda VT / KY / TN CD# NXS 76108 $16.98 see page 2 HBDirect Mixed-Genre Catalog HBDirect is pleased to present our newest Mixed-Genre catalog – bringing you the widest selection of classical, jazz, world music, folk, blues, band music, oldies and so much more! Call your Fall 2020 order in to our toll-free 800 line, mail it to us, or you can search for your selections on our website where you’ll also find thousands more recordings to choose from. Not Our First Goat Rodeo: Yo-Yo Ma & Friends Classical highlights in this issue include a tribute to Orfeo Records in honor of the label’s 40th Nine years ago, classical legends Yo Yo Ma, Stuart Duncan, Chris Thile, and anniversary, music of African American composers on page 8, plus new releases, videos, boxed sets Edgar Meyer released Goat Rodeo, and now they return with their masterful, and opera.
    [Show full text]
  • Historical Performance Practice at the Beginning of the New Millennium
    Historical Performance Practice at the beginning of the new millennium Dorottya Fabian An interest in early music and performing practices of the past has a long history by now. Its characteristics in the nineteenth century have been mapped by several authors, especially in relation to the revival of Johann Sebastian Bach’s music, the Cecilian Movement and various musical developments in England. Even more pub- lications are available on its twentieth-century history.1 The initiatives during the early decades (e.g. the organ and recorder movements of the 1920s, the establish- ing of the Schola Cantorum in Basel in 1933) and the contribution of pioneers like Wanda Landowska and Arnold Dolmetsch have been extensively studied togeth- er with lesser-known figures, places and institutions.2 But as is well-known, it was during the second half of the twentieth century that the Early Music or Historically Informed Performance Movement has truly taken off, becoming a major force in the world of classical music. Many books and papers have been dedicated to the history of this development, its various phases, musical characteristics, key figures, aesthetic outlook and philosophical assumptions, and its achievements. There was a burgeon- ing of such literature and heated debates during the 1980s and 1990s followed by more comprehensive and ‘corrective’ analyses published during the early years of the 2000s, most focussing on the second half of the twentieth century.3 Much less has 1 Harry Haskell, The Early Music Revival – A History, London 1988; George B. Stauffer, Changing Issues of Performance Practice, in: John Butt (Hg.), Cambridge Companion to Bach, Cambridge 1997, S.
    [Show full text]
  • A Prep Course for the Month-Long World
    A prep course for the month-long World Cup soccer tournament , a worldwide pheno menon to be played in the United States for the first time beginning June 17 , i s available in a set of three home videos . Each of the three volumes by PolyGra m Video lists for $ 14.95 and has a running time of about 60 minutes . The three volumes : `` World Cup USA '94 : The Official Preview , '' which includes a tou rnament history with footage all the way back to the first World Cup held in 193 0 . There 's a look at the training of the 1994 U.S. team and a profile of Brazi l 's Pele , just 17 when he took the 1958 event by storm , repeating in 1962 and 1970 . `` Top 50 Great World Cup Goals , '' highlighting exciting moments from competition beginning in 1966 with favorites such as Pele , Johan Cruyff , Diego Maradona , Roberto Baggio , Salvatore `` Toto '' Schillaci and Franz Beckenbaue r . `` Great World Cup Superstars , '' focusing on the top names in the game , f eatured in the `` Goals '' cassette , and adding some interviews that offer an i nsight into what makes these stars shine . Three new basketball videos available : `` Sir Charles '' takes a look at the on-court intensity and dynamic skills o f Charles Barkley of the Phoenix Suns as well as his entertaining off-court pers ona. $ 19.98 , 50 minutes , 1-800-999-VIDEO . `` NBA Superstars 3 '' follows up on two previous hit videos meshing the moves of the NBA 's elite with today 's h it music .
    [Show full text]
  • Underground Club Spaces and Interactive Performance
    Underground Club Spaces and Interactive Performance: How might underground club spaces be read and developed as new environments for democratic/participatory/interactive performance and how are these performative spaces of play created, navigated and utilised by those who inhabit them? Kathleen Alice O‟Grady Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Performance and Cultural Industries December 2009 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Acknowledgements This thesis is dedicated to my parents who have always believed in me and to my daughter, Maisie, who is my source of inspiration and joy. Gratitude goes to my PhD supervisors Professor Mick Wallis and Dr Martin Crick, both of whom have given me continued support and guidance throughout this research. Thanks also to my colleagues and my students at the School of Performance and Cultural Industries who have encouraged me and kept me going with their sense of humour, wise words and loyalty. Thank you to all the club and festival organizers that have allowed me access to their events, particularly those involved with Planet Angel, Synergy, Duckie, Riff Raff, Planet Zogg, Speedqueen, Manumission, Shamania, Beatherder, Nozstock and Solfest. Special gratitude to Fatmoon Psychedelic Playgrounds for allowing me the room to move creatively and to develop this practice in a supportive environment.
    [Show full text]