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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
Facts & Stories | I-ITALY
SIGN IN | LOG IN Search HOME ABOUT US MAGAZINE MULTIMEDIA EVENTS TASTEBOOK BLOGGERS COMMUNITY MAGAZINE FRONT PAGE FACTS & STORIES ARTS & CULTURE LIFE & PEOPLE OP-EDS SPECIALS Home » Magazine EVENTS NEWS Madrigals and Metamorphoses Amy Bedik A Safe-Haven for Italian Risorgimento's Founding Fathers In collaboration with the Switzerland Consulate General of Italy FACTS & STORIES The Vandals are Back in Rome, but Who are IN THIS SECTION They? Rome, from Peaceful March to JUDITH HARRIS (September 6, 2011) Mayhem—but “nobody got killed” JUDITH HARRIS Gian Antonio Stella: Madly in Love with Italy and Italy Screws Me Over LETIZIA AIROS Technology Transfer in the US and Italy MARIO GATES Saying No to Kebabs PATRIZIA ORIOLI Naples. Danger for Via San Gregorio Armeno N. L. View all >> Yes, they are back. Visited annually by some 23 million visitors, Piazza Navona is perhaps Rome’s most beloved square after St. Peter’s. At 8:30 Saturday morning, while its cafes were serving cappuccini and corneti, a man of perhaps 45 years of age jumped into the Baroque-era Fountain of the Moor, one of the two side fountains in Piazza Navona. Cameras show that he first tried to strike at the central figure, but slipped and instead smashed at one of the marble masks that decorate the fountain border. Like Send 0 Email Print Permalink MULTIMEDIA The Vandals sacked Rome back in 455. Today their equivalent have returned, Parading on 5th Ave striking this weekend to add a few cracks to the city’s art heritage, and to its legendary promise to remain the beloved Eternal City. -
Dipartimento Di Studi Storici E Geografici
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Florence Research Università degli Studi di Firenze Dipartimento di Studi Storici e Geografici Dottorato di Ricerca in Studi Storici per l’Età Moderna e Contemporanea Tesi di Storia Moderna (M-STO/02) XXII ciclo Dall’assedio del Ghetto al ritorno del Papa (1793-1800): culture e pratiche tra ebrei e cristiani Dottoranda Manuela Militi Tutor Coordinatrice Prof Renato Pasta Prof.ssa Simonetta Soldani Tutor Prof. Rolando Minuti Sommario Introduzione pag. 5 Capitolo I Gli «altri» ebrei del papa: le Università israelitiche dello Stato della Chiesa nel Settecento » 15 1. Gli ebrei del papa » 16 1.1 Le imposizioni esterne: «les carrières» e il cappello giallo zafferano. 1.2 L’ordinamento interno dei «cammini» ed il prelievo fiscale 1.3 Il Settecento: un secolo di cambiamenti 2. Ferrara » 42 2. 1 Il periodo francese (1796 – 1799) 3. Ancona » 56 4. I ghetti della «Legazione di Urbino» » 61 Capitolo II Il Ghetto: lo spazio e i suoi abitanti » 68 1. Spazi e territorio » 69 1.1 Qualche grafico sugli immobili del Ghetto 1.2 «Fatta la legge trovato l’inganno»: lo ius gazzagà 2. Istituzioni, economia e società del Ghetto » 93 2.1 I poteri dell'Università: la Congrega dei Sessanta e i Fattori 2.2 Le Confraternite e le Scuole 2.3 Le «gabelle speciali» degli ebrei 2.4 Tra carretti e botteghe, osterie e caffè 2.4.1 Il mondo del lavoro 2.4.2 Le relazioni interpersonali 3. Ritualità e pratiche » 128 3.1 Dalla nascita alla morte: circoncisione, matrimonio e sepoltura 3.2 Da Yom Kippur a Purìm: pentimento e sfrenatezza Capitolo III Dall’assedio del Ghetto alla caduta della Repubblica romana (1793 – 1799) » 140 1. -
Invest in Italy the Best Real Estate Opportunities in the Italian Market Mipim 2020 Cannes
INVEST IN ITALY THE BEST REAL ESTATE OPPORTUNITIES IN THE ITALIAN MARKET MIPIM 2020 CANNES Ministero degli Affari Esteri e della Cooperazione Internazionale INDEX INVEST IN ITALY REAL ESTATE 4 FS SISTEMI URBANI 34 FRIULI VENEZIA GIULIA 66 TUSCANY 94 REAL ESTATE MARKET – OVERVIEW MILAN DISUSED RAILWAY YARDS: LOGISTICS HUB CARNIA INDUSTRIAL NEW URBAN CENTRE - MASTERPLAN ITALY 2019* 6 FOCUS ON FARINI, ROGOREDO AND PARK 68 RICHARD ROGERS 96 LAMBRATE 36 BUSINESS HOTEL PORTA DELLA CARNIA 70 FORMER BARRACKS LUPI DI TOSCANA 98 ROME TUSCOLANA - REGENERATION OF THE DISUSED RAILWAY AREA 38 SCHIAVETTI BRANCOLO VILLA BASILEWSKY COMPLEX 100 AGENZIA DEL DEMANIO 12 INDUSTRIAL AREA 72 VENICE MESTRE - HOTEL THE ITALIAN STATE PROPERTY INVESTMENTS & REGENERATION IN OPPORTUNITIES 14 RAILWAY AREAS 40 ANCE 102 LIGURIA 74 HOTEL AND ASSISTED HEALTHCARE THE POLCEVERA RESIDENCE ANTICHE TERME CASSA DEPOSITI E PRESTITI 18 INVIMIT 42 PARK AND THE RED CIRCLE 76 TRICARICO 104 GENOA EXCLUSIVE OFFICES IN HISTORICAL MAMELI BARRACKS 20 ENHANCEMENT OF PRESTIGIOUS RESIDENTIAL ASSETS (PIAZZA CABLE TRANSPORT 78 BUILDING 106 SANI BARRACKS 22 BERTARELLI) 44 PRE-VISIONS. A NEW GATEWAY FOR THE HISTORICAL BUILDINGS IN VENICE: AREA DEVELOPMENT IN VENICE 46 HISTORICAL PALAZZO DUODO & PALAZZO DIEDO 24 CITY CENTER 80 TROPHY ASSET ENHANCEMENT IN ASSOPORTI 108 MILAN 48 FREESTE 2 110 DIFESA SERVIZI 26 LOMBARDY 82 CONSTRUCTION BIG APULIA 50 INDUSTRIAL WAREHOUSE 112 ENHANCEMENT OF THE FORMER REDEVELOPMENT OF THE “EX-TICOSA” SEAPLANE BASE “IVO MONTI”, THE AREA 84 DISTRIPARK - INDUSTRIAL PARK 52 CHURCH OF SANTA BARBARA AND THE MANTOVA HUB URBAN REGENERATION “CANTIERE CAPOJALE” AREA 28 GROTTAGLIE AIRPORT 54 PROJECT: INDOOR MARKET AND U.I.R. -
Roma Letteraria in D'annunzio, Moravia E Pasolini. Una
Roma letteraria in D’Annunzio, Moravia e Pasolini. Una lettura semiotica by Maria Laura Mosco A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Italian Studies University of Toronto © Copyright by Maria Laura Mosco, 2013 ii Roma letteraria in D’Annunzio, Moravia e Pasolini. Una lettura semiotica Maria Laura Mosco Doctor of Philosophy Department of Italian Studies University of Toronto 2013 Abstract Nel Il piacere di Gabriele D’Annunzio, i Racconti romani di Alberto Moravia e Ragazzi di vita di Pier Paolo Pasolini, Roma si pone come ‘altro’ da un semplice scenario davanti al quale si svolge la narrazione. La città interloquisce con il lettore, contribuendo alla costruzione di una forma alternativa di discorso poetico e critico che si muove tra etica ed estetica, tra condizione esistenziale e percezione della forma. Questo studio mette a dialogo semiotica e critica letteraria. La città, la sua topografia e le sue forme architettoniche dirigono il percorso interpretativo e conoscitivo del lettore, ponendosi come sistema semiotico intorno al quale la narrazione è organizzata. Qui lo spazio è geografico, bidimensionale e topografico ma è anche quello tridimensionale del volume architettonico, e infine quadridimensionale, quello del cronotopo bachtiniano. Bachtin difatti chiarisce che solo attraverso il cronotopo è possibile comprendere “l’interconnessione sostanziale dei rapporti temporali e spaziali dei quali la letteratura si è impadronita artisticamente...Nel cronotopo letterario ha luogo la fusione dei connotati spaziali e temporali in un tutto dotato di senso e di concretezza” (Estetica e Romanzo 231). Se Michail Bachtin pone il tempo come principio guida nella forma artistica, Yuri Lotman si concentra sullo spazio come sistema semiotico, spazio culturale. -
2008 Parte 1 Pp. 1-379
~ CJ) o ~ N ~ ~ o ~ o >< trl rn o > ..... 00 >< z z - CJ) z -~ - > REGIONE LAZIO PAll:SIOIE:NZA DELLA GIUNTA STRENNA DEI ROMANISTI NATALE DI ROMA 2008 ab U. c. MMDCCLXI ALPI - APOLLONI - BARBERINI/DIKMANN DE PETRA - 8ARBERITO - BARI - BARTOLONI - BATTAFARANO - BENOCCI - BIANCINI - BONADONNA Russo - BORGHETTI - CECCARELLI - CERESA - ClAMPAGLIA - COCCIA - COLESANTI - CORRADI - D' AMBROSIO - DAINOTTO - DE ROSA - DELLA SETA - DEVOTI - DI CASTRO - FRAPISELLI - GIGLI - GUERRIERI BORSOI - IMPIGLIA - JATTA - LAVAGNINO - LOTTI - MALIZIA - MARIOTTI BIANCHI - MASETTI ZANNINI - MAZIO - MORELLI - F. ONORATI - U. ONORATI - PAGLIALUNGA - PANELLA - POCINO - PROIETTI - QUINTAVALLE - RANDOLFI - RoccIOLO - ROTELLA - Russo DE CARO - SANTINI - SCARFONE - SERLUPI CRESCENZI - STACCIOLI - TALALAY - TAMBLÉ - TOURNON - F. TRASTULLI - P.E. TRASTULLI - VERDONE - VIAN - VIGHY - WIEDMANN In copertina: '"""" Veduta della Basilica di San Pietro e di Piazza San Pietro in Vaticano ......... (1754), Giovanni Paolo Panini, Piacenza 1691-Roma 1765. ~o' Olio su tela cm 74,5 x 99 """"'"""'""""',... (Collezione Fondazione Roma) ROMA AMOR LA STRENNA DEI ROMANISTI DAL 1940 SU WWW. UNISU .IT Comitato dei curatori: MANLIO BARBERITO LAURA BIANCINI MARIA TERESA BONADONNA Russo FILIPPO DELPINO LAURA GIGLI ELIA MARCACCI UMBERTO MARIOTTI BIANCHI ANTONIO MARTIN! FRANCO ONORATI FRANCESCO PICCOLO Coordinamento e impaginazione: GEMMA HARTMANN AMEDEO INNOCENTI BRUNO MARIO NOBILE GIUSEPPE SCIROCCO Consulenza editoriale: ANDREA MARINI GRUPPO DEI ROMANISTI www.gruppodeiromanisti.it [email protected] © ROMAAMOR TEL. 06 32 34 375 MMDCCLXI [email protected] AB VRBE CONDITA Quel giorno benedetto MARIO ALPI Quel giorno benedetto era quello della partenza, per le va canze, verso la nostra meta emiliana; l'aspettavamo, mio fratel lo Gigi ed io, con tanta ansia. Ma nessuno deve pensare che noi due avessimo qualcosa contro Roma: vi eravamo nati, vi abita vamo, vi frequentavamo volentieri le nostre scuolette; insomma, era la nostra città, la bellissima, quella dove saremmo vissuti da grandi. -
Patronage and Dynasty
PATRONAGE AND DYNASTY Habent sua fata libelli SIXTEENTH CENTURY ESSAYS & STUDIES SERIES General Editor MICHAEL WOLFE Pennsylvania State University–Altoona EDITORIAL BOARD OF SIXTEENTH CENTURY ESSAYS & STUDIES ELAINE BEILIN HELEN NADER Framingham State College University of Arizona MIRIAM U. CHRISMAN CHARLES G. NAUERT University of Massachusetts, Emerita University of Missouri, Emeritus BARBARA B. DIEFENDORF MAX REINHART Boston University University of Georgia PAULA FINDLEN SHERYL E. REISS Stanford University Cornell University SCOTT H. HENDRIX ROBERT V. SCHNUCKER Princeton Theological Seminary Truman State University, Emeritus JANE CAMPBELL HUTCHISON NICHOLAS TERPSTRA University of Wisconsin–Madison University of Toronto ROBERT M. KINGDON MARGO TODD University of Wisconsin, Emeritus University of Pennsylvania MARY B. MCKINLEY MERRY WIESNER-HANKS University of Virginia University of Wisconsin–Milwaukee Copyright 2007 by Truman State University Press, Kirksville, Missouri All rights reserved. Published 2007. Sixteenth Century Essays & Studies Series, volume 77 tsup.truman.edu Cover illustration: Melozzo da Forlì, The Founding of the Vatican Library: Sixtus IV and Members of His Family with Bartolomeo Platina, 1477–78. Formerly in the Vatican Library, now Vatican City, Pinacoteca Vaticana. Photo courtesy of the Pinacoteca Vaticana. Cover and title page design: Shaun Hoffeditz Type: Perpetua, Adobe Systems Inc, The Monotype Corp. Printed by Thomson-Shore, Dexter, Michigan USA Library of Congress Cataloging-in-Publication Data Patronage and dynasty : the rise of the della Rovere in Renaissance Italy / edited by Ian F. Verstegen. p. cm. — (Sixteenth century essays & studies ; v. 77) Includes bibliographical references and index. ISBN-13: 978-1-931112-60-4 (alk. paper) ISBN-10: 1-931112-60-6 (alk. paper) 1. -
Rome Attractions Walking Map
Rome attractions walking map Continue In this post, we provide you with free, self-central Rome walking tours with print tour cards as well as an audio tour option for smartphones. You can use them to discover the city at your own pace (or) as a preview for what you will see on live excursions. Check out our free walking tours of Rome. SELF-GUIDED TOUR OF ROME'S CENTRE This independent tour takes you through some of Rome's main attractions, from the Spanish Steps through the Trevi Fountain to Campo de Fiori. Overall, there are many attractions along the way spanning over two thousand years of history. Here are some of the sites that you can expect to see on this tour: the Piazza Navon Pantheon Trevi Fountain Spanish Steps Venice Square Campo de Fiori We also have our own app where you can find a more in-depth version of the GPS-led audio tour for just 1.99 euros. Here's an example. Download our free walking tour app on (iTunes) or (Android). There are also daily guided tours both day and night that really work on paying for what-you-like model. INTRO This 15 stop, self-guided excursion takes you through some of Rome's main attractions, from the Spanish steps through the Trevi Fountain to Campo de Fiori, with plenty of attractions along the way spanning more than two thousand years of history. It is best to set aside 2-3 hours for a walk along this route. You will see a lot of tourists and Romans as you go, and both groups make good people watch, not to mention much chance at photos, coffee, ice cream, and historical color. -
L'archivio Dell'amministrazione Torlonia
QUADERNI DELLA RASSEGNA DEGLI ARCHIVI DI STATO ARCHIVIO CENTRALE DELLO STATO 52 L'ARCHIVIO DELL'AMMINISTRAZIONE TORLONIA INVENTARIO A CURA DI ANNA MARIA GIRALDI SOMMARIO Introduzione Pag. VII Inventario ». 1 I - Fondi rustici e urbani » 3 II - Domande d'impiego. Sussidi. Elargizioni » 11 III - Personale » 13 IV - Lavori agricoli. Vendita e distribuzione prodotti » 23 V - Perizie » 29 VI - Piante e mappe » 31 VII - Pratiche diverse » 35 VIII - Colonie .... » 45 IX - Amministrazioni diverse » 51 X - Corrispondenza e titoli nobiliari » 55 XI - Imposte e tasse . » 73 XII - Relazioni sull'archivio Torlonia » 87 XIII - Storia di Porto » 91 XIV - Zuccherificio di Avezzano. Fucino » 93 xv - Pratiche diverse » 97 XVI - Mutui. Bonifica. Trasformazione agraria » 101 XVII - Banco Torlonia » 117 XVIII - Antichità e scavi . » 123 XIX - Contabilità » 125 XX - Amministrazione marchesi Gerini . » 135 Registri » 139 Indice dei « titoli » » 151 Indice degli allegati » 157 Indice dei nomi . » 161 Indice delle località . » (4219248) Roma, 1985 - Istituto Poligrafico e Zecca dello Stato - P. V. 173 V. INTRODUZIONE L'archivio della famiglia Torlonia è stato depositato nell'Archivio centrale dello Stato nel marzo 19791. Il fondo è quanto rimane dell'antico e ricco ar, chivio Torlonia che in parte è andato distrutto per il terremoto di Avezzano e in parte si è disperso a causa di spostamenti di sede e di ripetuti smembra 2 menti • La parte pervenuta è composta di scritture relativamente recenti (le pn.1 antiche risalgono all'ultimo decennio dell'Ottocento, con l'eccezione di qualche documento precedente) che riguardano l'amministrazione dei beni urbani ed extraurbani della famiglia. ;1 Prima del deposito il materiale era in pessimo stato di conservazione e gran parte delle scritture è stata imbustata soltanto per le esigenze di trasporto. -
Chapter 3 Who Built the Pantheon? Agrippa, Apollodorus, Hadrian And
Despite so much that is known about Roman buildings, Chapter 3 there is relatively little to say about the individuals involved in the ferment of their creation. We can reconstruct Who Built the Pantheon? confidently the original appearance of many a monument, but not much about their designers. This is not for want of Agrippa, Apollodorus, information; it is just not quite of the right kind. All around the Mediterranean survive ample ruins, including some Hadrian and Trajan strikingly well-preserved buildings, of which the Pantheon is the prime example. This physical evidence is illuminated by literary sources, inscriptions and brickstamps, and on Mark Wilson Jones occasion by maps and drawings inscribed in stone. Notwithstanding some long-running disputes, we can often be sure of the identity and date of individual monuments in major cities. We also possess quite a populous roster of architects’ names, thanks to numbers of their tombstones, along with the occasional textual mention of a few of the men at the top of their profession. Some buildings bear discreet architects’ inscriptions, yet these are nothing like as numerous and prominent as those of their patrons; it is they who take the credit. In short, it is normally impossible to join up specific surviving buildings with specific architects about whom we know any more than the name. In this the Roman period fares worse than the Greek, when architects were frequently tied to particular projects by specifications, contracts and accounts recorded on stone, while the names of famous protagonists can be found in the treatises of Roman writers, most notably Vitruvius and Pliny.1 By such means we know of no fewer than three individuals who had responsibility for the design of the Parthenon in one role or other, Ictinus, Kallikrates and Karpion, while a fourth, Phidias, the creator of Athena Parthenos, may also have had some architectural input. -
Where Diplomacy Meets Art
Ugo Colombo Sacco di Albiano WHERE DIPLOMACY MEETS ART FOREWORD t gives me great pleasure to present this important work by Ugo Colombo Sacco di Albiano which I takes a look at the history of the buildings that have housed Italian diplomacy in almost a century and a half of activity. In so doing, it also looks at the stages in the evolution of our profession. This original and valuable research, reconstructing the events intimately linked to the buildings in which the Italian Ministry of Foreign Affairs has carried out its work, travels along those same dual paths that tradition- ally characterise the approach of Italian diplomacy: to conserve the memory and rich legacy of an assuredly glorious past as an ideal ‘launching pad’ for projecting itself towards new challenges and the increasingly com- plex missions of the present and future. It would also appear that the route along which this book has travelled towards its publication – and espe- cially its passionate promotion effected by Gaetano Cortese – corroborates another ‘typical’ aspect of the diplomatic system: the particular relationships that are created among its members. In fact, our Representations abroad bear a certain resemblance to ships, in that the common destiny of the crew, surrounded by the high seas, inevitably depends in the main on the united aims and commitment of all those aboard. This leads to the WHERE DIPLOMACY MEETS ART forming of both professional and personal bonds – sometimes so strong as to be almost familial – between the head of a Mission and his collaborators. Often, these bonds resist the changing fortunes arising from the requirements of duty that may beset individual life paths and careers. -
Brochure 2017 Def2 Mipim
MIPIM CANNES 14-17 MARCH 2017 ANCE, the National Association of Construction Companies, is the leading association for the construction industry in Italy. It represents more than 20,000 firms of all sizes, including large general contractors and small and medium size enterprises, specialized in every field of civil construction. ANCE, one of the largest members of Confindustria, the Italian entrepreneurs’ organisation, is headquartered in Rome and has a community based network, composed of 20 Regional and 99 Local branches throughout the Country, in charge of each Region and Provincial Districts respectively. ANCE supports the Italian construction industry with regard to public authorities, public services, economic decision makers and other key players involved in the construction sector’s policies and activities. The Association provides a full range of services in order to meet the needs and concerns of its members, thereby improving the quality of construction and protecting the public interest. It stipulates the national labour agreement for the construction industry and operates together with the trade Unions an important network of agencies, organized at the national level, the objective of which is the training, care and safety of construction workers. As a member of the European Construction Industry Federation (Fiec) and of the European International Contractors (Eic), ANCE acts at the European level in order to support the construction industry. Via G.A. Guattani 16 Roma, Italy www.ance.it • [email protected] +39 06 84567976 / +39 06 84567312 MIPIM CANNES 14-17 MARCH 2017 3 Real Estate Opportunities The real estate market in Italy is today on a rising trend.