Michel Walter Pharand CURRICULUM VITAE
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The Underpainter
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 212, Spring 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University -
The Continuum Companion to Anarchism
The Continuum Companion to Anarchism 9781441172129_Pre_Final_txt_print.indd i 6/9/2001 3:18:11 PM The Continuum Companion to Anarchism Edited by Ruth Kinna 9781441172129_Pre_Final_txt_print.indd iii 6/9/2001 3:18:13 PM Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York, NY 10038 www.continuumbooks.com © Ruth Kinna and Contributors, 2012 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitt ed, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the permission of the publishers. E ISBN: 978-1-4411-4270-2 Library of Congress Cataloging-in-Publication Data A catalog record of this title is available from the Library of Congress. Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed and bound in the United States of America 9781441172129_Pre_Final_txt_print.indd iv 6/9/2001 3:18:13 PM Contents Contributors viii Acknowledgements xiv Part I – Research on Anarchism 1 Introduction 3 Ruth Kinna Part II – Approaches to Anarchist Research 2 Research Methods and Problems: Postanarchism 41 Saul Newman 3 Anarchism and Analytic Philosophy 50 Benjamin Franks 4 Anarchism and Art History: Methodologies of Insurrection 72 Allan Antliff 5 Participant Observation 86 Uri Gordon 6 Anarchy, Anarchism and International Relations 96 Alex Prichard Part III – Current Research in Anarchist Studies 7 Bridging the Gaps: Twentieth-Century Anglo-American Anarchist Thought 111 Carissa Honeywell 8 The Hitchhiker as Theorist: Rethinking Sociology and Anthropology from an Anarchist Perspective 140 Jonathan Purkis 9 Genders and Sexualities in Anarchist Movements 162 Sandra Jeppesen and Holly Nazar v 9781441172129_Pre_Final_txt_print.indd v 6/9/2001 3:18:13 PM Contents 10 Literature and Anarchism 192 David Goodway 11 Anarchism and the Future of Revolution 212 Laurence Davis 12 Social Ecology 233 Andy Price 1 3 Leyendo el anarchismo a través de ojos latinoamericanos : Reading Anarchism through Latin American Eyes 252 Sara C. -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
The Gissing Newsletter
THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume XI, Number 3 July, 1975 ********************************** Pierre Coustillas on the steps of 33 Oakley Gardens, Chelsea, London at the unveiling of the George Gissing plaque *************************************************** Editorial Board Pierre Coustillas, Editor, University of Lille Shigeru Koike, Tokyo Metropolitan University Jacob Korg, University of Washington, Seattle Editorial correspondence should be sent to the editor: 10, rue Gay-Lussac, 59110-La Madeleine, France, and all other correspondence to: C. C. KOHLER, The Gatehouse, Coldharbour Lane, Dorking, Surrey, England. Subscriptions Private Subscribers: £1.00 per annum Libraries: £1.50 per annum *************************************************** -- 2 -- G. L. C. Blue Plaque for Gissing C. C. Kohler At lunchtime on Thursday, 12th June, in hot sunshine and in front of a sizeable crowd, Professor Pierre Coustillas unveiled one of those familiar shiny blue G.L.C. plaques at 33 Oakley Gardens in Chelsea. The plaque reads “George Gissing | l857-1903 | Novelist | lived here | 1882-1884.” Everyone at the ceremony enjoyed this splendid occasion. It was a time to meet old friends, to put faces to people who had hitherto sheltered behind letters and to make new friends. Publishers of Gissing gossiped with librarians, writers on Gissing met their readers and subscribers to the Newsletter clambered on posh Chelsea cars the better to take photographs. Many people had made arduous journeys to be in Chelsea on this brilliant summer’s day, but I think that their travelling was rewarded with good talk and a feeling of fellowship as London, following Wakefield and Paris, paid homage to Gissing. -
Oscar Wilde and Modern Culture: the Making of a Legend, Athens, OH, Ohio UP, 2008, Xliv + 448 P
Bristow, Joseph (ed.), Oscar Wilde and Modern Culture: The Making of a Legend, Athens, OH, Ohio UP, 2008, xliv + 448 p. Xavier Giudicelli To cite this version: Xavier Giudicelli. Bristow, Joseph (ed.), Oscar Wilde and Modern Culture: The Making of a Legend, Athens, OH, Ohio UP, 2008, xliv + 448 p.. 2013, http://journals.openedition.org/cve/387. hal- 02523400 HAL Id: hal-02523400 https://hal.univ-reims.fr/hal-02523400 Submitted on 28 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. BRISTOW, Joseph (ed.), Oscar Wilde and Modern Culture: The Making of a Legend, Athens, OH, Ohio UP, 2008, xliv + 448 p. Xavier Giudicelli CIRLEP, Université de Reims Champagne-Ardenne Since his death in 1900, Oscar Wilde and his works have been an on-going source of discussions, appropriations and creations, a palimpsest as well as a mirror of the modern and postmodern periods. The aim of Oscar Wilde and Modern Culture. The Making of a Legend is to explore the posterity of Wilde and of his works in the twentieth and twenty-first centuries. This volume was edited by Joseph Bristow, professor at the University of California, Los Angeles, a specialist of Victorian poetry and LGBT literary studies and a distinguished Wilde scholar. -
The Rattigan the Newsletter of the Terence Rattigan Society ISSUE NO
The Rattigan The Newsletter of The Terence Rattigan Society ISSUE NO. 18 AUGUST 2016 Version The first night of The Sleeping Prince An extract from the diary of our President, 5th November 1953 “Michael Franklin called for Several photographers me at 6.45. I was very excited, made me pose for them when we were going to Terry’s I arrived, it must have been opening of The Sleeping the white mink - much to Prince. Mr Hastings at Brad- Mara Lane’s annoyance, she is ley’s had lent me a white mink a regular first nighter, just to stole (£2,000) as I had told him be noticed and get into the I was going onto the party papers. We had excellent Terry was giving for Vivien seats on the left side of the Leigh and Larry Olivier. Was aisle, fourth row of the wearing my Susan Small blue stalls. Sheilagh Wilson was in dress, had to cut a lot of the a box above us with Lionel hem off as it had got so muddy Green, I was worried she and tattered. Unfortunately would wonder why I was not got home at 5.30 so didn’t with Terry, but he officially have a lot of time; also had to does not watch his first put my false eyelashes on, they nights, but hovers around in looked very false but there the background to gauge the was no time to change them. reactions. Noel Coward was Laurence Olivier and Vivien Leigh in Michael had a Daimler hire The Sleeping Prince, 1953 in our row. -
100 Must-Read Classic Novels[3
01 100 MR CLASSIC NOVELS 16/10/06 8:02 pm Page iv 00 100 MR CLASSIC NOVELS 17/10/06 12:22 pm Page i BLOOMSBURYGOODREADINGGUIDES 100 MUST-READ CLASSICNOVELS Nick Rennison A & C Black • London 00 100 MR CLASSIC NOVELS 17/10/06 12:22 pm Page ii First published 2006 A & C Black Publishers Limited 38 Soho Square London W1D 3HB www.acblack.com © 2006 Nick Rennison ISBN–10: 0–7136–7583–7 ISBN–13: 978–0–7136–7583–2 eISBN-13: 978-1-4081-0369-2 A CIP catalogue record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced in any form or by any means – graphic, electronic or mechanical, including photocopying, recording, taping or information storage and retrieval systems – without the written permission of A & C Black Publishers Limited. This book is produced using paper that is made from wood grown in managed, sustainable forests. It is natural, renewable and recyclable. The logging and manufacturing processes conform to the environmental regulations of the country of origin. Cover design by Jocelyn Lucas Typeset in 8.5pt on 12pt Meta-Light Printed and bound in Great Britain by Bookmarque Ltd, Croydon, Surrey 00 100 MR CLASSIC NOVELS 17/10/06 12:22 pm Page iii CONTENTS ABOUTTHISBOOK . v INTRODUCTION . ix A–ZOFENTRIES . 1 INDEX . 158 01 100 MR CLASSIC NOVELS 16/10/06 8:02 pm Page iv 01 100 MR CLASSIC NOVELS 16/10/06 8:02 pm Page v ABOUTTHISBOOK This book is not intended to provide a list of the 100 ‘best’ novels ever published. -
Lettres Françaises Araraquara No 20(1) P.1-220 2019
Lettres Françaises Araraquara no 20(1) p.1-220 2019 Faculdade de Ciências e Letras, UNESP – Univ Estadual Paulista, Campus Araraquara Reitor: Sandro Roberto Valentini Vice-reitor: Sergio Roberto Nobre Diretor: Cláudio Cesar de Paiva Vice-diretor: Rosa Fátima de Souza Chaloba LETTRES FRANÇAISES n. 20(1), 2019 – ISSN Eletrônico 2526-2955 Tema: O feminino na literatura finissecular francesa Conselho de redação: Guacira Marcondes Machado (Coordenadora) Adalberto Luís Vicente Norma Domingos Conselho editorial: Andressa Cristina de Oliveira (UNESP – Araraquara) Fulvia M. L. Moretto (UNESP – Araraquara) Glória Carneiro do Amaral (USP/SP) Guilherme Ignácio da Silva (UNIFESP/Guarulhos) Leda Tenório da Motta (PUC/SP) Leila de Aguiar Costa (UNIFESP/Guarulhos) Leila Gouvêa Luís Fernandes dos Santos Nascimento (UFSCar/ São Carlos) Maria Adélia Menegazzo (UFMS) Norma Domingos (UNESP/Assis) Regina Salgado Campos (USP/SP) Renata Junqueira (UNESP/Araraquara) Silvana Vieira da Silva (UNESP/Araraquara) Verônica Galindez Jorge (USP/SP) Versão do inglês: Natasha Costa Revisão de normalização e formatação: Kedrini Domingos dos Santos Projeto Gráfico: Antônio Parreira Neto Diagramação: Eron Pedroso Januskeivictz Departamento de Letras Modernas e Programa de Pós-Graduação em Estudos Literários FCL/UNESP/CAr. Rod. Araraquara-Jaú, km 1 – CEP 14800-901 – Araraquara – SP – Brasil Fone: (16) 3301-6226 – Fax: (16) 3301-6245 e-mail: [email protected] – homepage: http://www.fclar.unesp.br SUMÁRIO / CONTENTS Apresentação Guacira Marcondes Machado ���������������������������������������������������� -
A History of the Welsh English Dialect in Fiction
_________________________________________________________________________Swansea University E-Theses A History of the Welsh English Dialect in Fiction Jones, Benjamin A. How to cite: _________________________________________________________________________ Jones, Benjamin A. (2018) A History of the Welsh English Dialect in Fiction. Doctoral thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa44723 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ A history of the Welsh English dialect in fiction Benjamin Alexander Jones Submitted to Swansea University in fulfilment of the requirements -
A Bit of String: Rebecca West on Henry James by Hazel Hutchison
1 A Bit of String: Rebecca West on Henry James By Hazel Hutchison, University of Aberdeen In the summer of 1916, a slim, blue volume appeared in the bookstores. The cover carried two names: Henry James and Rebecca West. One was the title, and the other was the author. James had died in February of that year, worn out by a lifetime of literary production--novels and novellas, short stories by the score, critical essays, reviews, and translations. He had recently been awarded the Order of Merit for his services to Literature, only the third novelist ever to receive such an honor from the British Crown. Admittedly, sales of James’s books had not been high in recent years. Yet, his name still commanded recognition and respect on both sides of the Atlantic--although, as will become apparent, it would not be entirely correct to say that this respect was universal. Rebecca West, on the other hand, had never written a book before. People with literary interests might have recognized her name, not necessarily because they had read her work but because it was a pseudonym borrowed from a radical, freethinking character in Henrik Ibsen’s play Rosmersholm (1886). A number of established authors, including James’s friend Mrs. Humphry Ward, had lately come to dislike the name of Rebecca West, as since 1911 she had been publishing acidic reviews in women’s rights publications and literary journals such as the Freewoman and the English Review. These reviews were insightful, entertaining, and vividly expressed. They 2 were certainly not respectful, as Mary Ward knew to her cost, having been dismissed as “pretentious” and with barely “one gleam of horse-sense” (YR 14, 16). -
Convert Finding Aid To
Peter O'Toole: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: O'Toole, Peter, 1932-2013 Title: Peter O'Toole Papers Dates: circa 1792-2015 (bulk 1953-2015) Extent: 72 document boxes, 26 oversize boxes (osb) (30.24 linear feet), 25 oversize folders (osf) Abstract: The Peter O'Toole Papers consist of scripts, production materials, manuscript drafts, correspondence, photographs, and other professional and personal papers belonging to actor Peter O'Toole. The collection documents the span of O'Toole's nearly sixty-year career on stage and screen as well as the research and writing process for his two-volume autobiographical work Loitering with Intent. Call Number: Performing Arts Collection PA-00405 Language: English, French, German, and Japanese Access: Open for research. A few documents in the collection contain private information about living persons, including Social Security numbers, bank account numbers, and personal phone numbers. These documents are restricted during the lifetime of the individuals mentioned. Redacted photocopies of these materials are provided in place of the original documents. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
Anarchism : a History of Libertarian Ideas and Movements
Anarchism : A History Of Libertarian Ideas And Movements GEORGE WOODCOCK Meridian Books The World Publishing Company Cleveland and New York -3- AN ORIGINAL MERIDIAN BOOK Published by The World Publishing Company 2231 West 110th Street, Cleveland 2, Ohio First printing March 1962 CP362 Copyright © 1962 by The World Publishing Company All rights reserved Library of Congress Catalog Card Number: 62-12355 Printed in the United States of America -4- AN ORIGINAL MERIDIAN BOOK Published by The World Publishing Company 2231 West 110th Street, Cleveland 2, Ohio First printing March 1962 CP362 Copyright © 1962 by The World Publishing Company All rights reserved Library of Congress Catalog Card Number: 62-12355 Printed in the United States of America -4- Contents 1. PROLOGUE 9 I. The Idea 2. THE FAMILY TREE 37 3. THE MAN OF REASON 60 4. THE EGOIST 94 5. THE MAN OF PARADOX 106 6. THE DESTRUCTIVE URGE 145 7. THE EXPLORER 184 8. THE PROPHET 222 II. The Movement 9. INTERNATIONAL ENDEAVORS 239 10. ANARCHISM IN FRANCE 275 11. ANARCHISM IN ITALY 327 12. ANARCHISM IN SPAIN 356 -5- 13. ANARCHISM IN RUSSIA 399 14. VARIOUS TRADITIONS: ANARCHISM IN LATIN AMERICA, NORTHERN EUROPE, BRITAIN, AND THE UNITED STATES 425 15. EPILOGUE 468 SELECTED BIBLIOGRAPHY 479 INDEX 491 -6- Anarchism A HISTORY OF LIBERTARIAN IDEAS AND MOVEMENTS -7- [This page intentionally left blank.] -8- I. Prologue "Whoever denies authority and fights against it is an anarchist," said Sébastien Faure. The definition is tempting in its simplicity, but simplicity is the first thing to guard against in writing a history of anarchism.