Lincoln's Biblical Allusions in the Gettysburg
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Patriarchy, Resistance, and Democracy’S Future Carol Gilligan and David A
Cambridge University Press 978-0-521-89898-0 - The Deepening Darkness: Patriarchy, Resistance, and Democracy’s Future Carol Gilligan and David A. J. Richards Index More information Index abolitionism, radical, 141–144 Odyssey as complement for, 60 Child and, 142 patriarchy as theme in, 54, 60–61, 70–72 ethnology and, 227–228 personal and political psychology in, 60, feminism and, 141 72, 75, 79 of Garrison, 141–142 as political narrative, 60, 80 Grimke, Angelina, and, 142–144 resisting voices in, 79 Grimke, Sarah, and, 142–144 Roman gods in, 62–63, 78–79 Jacobs and, 142, 143 trauma in, 72 Mott and, 141, 143 violence in, 72, 73–74 Quakers and, 143 Aeschylus, 12–15, 17, 79. See also Oresteia Stanton and, 141–142, 143 The Age of Innocence (Wharton), 3, 198, women as part of, 3, 121, 140–144, 227, 209–212 232, 240 patriarchy as theme in, 209, 213 World Anti-Slavery Convention and, 141 resistance to patriarchy in, 209–212 Achilles Tatius, 87 Agrippa, 27, 37 Adam and Eve Agrippina the Elder, 33, 51 Augustine on, 103–104 Agrippina the Younger, 29, 33, 51 in The City of God, 103 Ahmadinejad, Mahmoud, 256 adultery “Ain’t I a Woman?” (Truth), 143 Jesus’ views on, 127–128 Ali, Ayaan Hirsi, 254 Julia the Elder and, 44–45 Alter, Robert, 132 under Lex Julia de adulteriis coercendis, 2, Ambrose of Milan (Bishop), 102, 157 41–42 Augustine of Hippo and, influenced by, Aeneid (Vergil), 1, 2, 21, 52, 53, 59–81, 97, 110 99, 111, 159, 160, 164, 177, 185, 201, An American Requiem (Carroll), 156–157 225 The Anatomy of Prejudices (Young-Breuhl), Augustus Caesar as impetus for, 53, 59–60 239 Cleopatra in, 71 ancient Greece. -
The Lord's Supper
The Doctrine of Communion Trinity Baptist Church Discipleship Training (June, 2004) Introduction: The Lord’s Supper is one of the two ordinances of the Christian Church. Like baptism, it is also a doctrine that is surrounded by disagreement and controversy among believers. We should never consider the Lord’s Supper a minor issue of doctrine. The purpose of this study is to examine the Biblical doctrine of the Lord’s Supper. Bibliography: Calvin, John, Institutes of the Christian Religion, translated by Henry Beveridge. Grand Rapids, Wm. B. Eerdmans Publishing Co., 1983 Dagg, John L. Manual of Theology, Second Part: A Treatise on Church Order. Harrisonburg: Gano Books, 1990 Elwell, Walter A. Evangelical Dictionary of Theology, Grand Rapids: Baker Book House, 1985 Gray, Andrew. The Works of Andrew Gray, Ligonier: Soli Deo Gloria Publications, 1992 Hodge, Charles. Systematic Theology, Grand Rapids: Eerdmans, 1986 House, H. Wayne. Charts of Christian Theology and Doctrine. Grand Rapids: Zondervan Publishing House, 1992. Kauffman, Donald T. The Dictionary of Religious Terms. Westwood: Fleming H. Revell Co., 1967 Phillips, Richard D, What is the Lord’s Supper?, Phillipsburgburgh: Presbyterian and Reformed Publishing, 2005) Watson, Thomas, The Lord’s Supper, Edinburgh: The Banner of Truth Trust, 2004 Part I -- Main Views Held in Christianity Transubstantiation, Consubstantiation, Reformed, Memorial I. Transubstantiation A. View Described - The elements of communion are consecrated by the priest and literally change to the body and blood of Christ. Christ is truly and substantially present in the elements of the supper. B. This view was adopted as the doctrine of the Catholic Church in 1059 although the term was not used until the Fourth Lateran Council of 1215 under Pope Innocent III. -
The Five Solas of the Reformation
The Five Solas of the Reformation Contents Background ...................................................................................................................................... 3 Sola Gratia ........................................................................................................................................ 6 Indulgences .................................................................................................................................. 6 Definition of Grace ...................................................................................................................... 7 Grace Alone ................................................................................................................................. 9 Grace is Part of the Character of God ...................................................................................... 9 Grace is Clearly Displayed by the Cross of Jesus .................................................................. 11 Grace is Expressed in Different Ways ................................................................................... 12 Grace is Pure .......................................................................................................................... 14 Grace is Sovereign ................................................................................................................. 14 Grace in Relation to the Law ................................................................................................. 16 Grace is Given -
The Consequences of Appalachian Representation in Pop Culture
University of Kentucky UKnowledge Theses and Dissertations--English English 2017 STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE Chelsea L. Brislin University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.252 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Brislin, Chelsea L., "STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE" (2017). Theses and Dissertations--English. 59. https://uknowledge.uky.edu/english_etds/59 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Literaturverzeichnis in Auswahl1
Literaturverzeichnis in Auswahl1 A ADAMS, THOMAS: An Exposition upon the Second Epistle General of St. Peter. Herausgegeben von James Sherman. 1839. Nachdruck Ligonier, Pennsylvania: Soli Deo Gloria, 1990. DERS.: The Works of Thomas Adams. Edinburgh: James Nichol, 1862. DERS.: The Works of Thomas Adams. 1862. Nachdruck Eureka, California: Tanski, 1998. AFFLECK, BERT JR.: „The Theology of Richard Sibbes, 1577–1635“. Doctor of Philosophy-Dissertation: Drew University, 1969. AHENAKAA, ANJOV: „Justification and the Christian Life in John Bunyan: A Vindication of Bunyan from the Charge of Antinomianism“. Doctor of Philosophy-Dissertation: Westminster Theological Seminary, 1997. AINSWORTH, HENRY: A Censure upon a Dialogue of the Anabaptists, Intituled, A Description of What God Hath Predestinated Concerning Man. & c. in 7 Poynts. Of Predestination. pag. 1. Of Election. pag. 18. Of Reprobation. pag. 26. Of Falling Away. pag. 27. Of Freewill. pag. 41. Of Originall Sinne. pag. 43. Of Baptizing Infants. pag. 69. London: W. Jones, 1643. DERS.: Two Treatises by Henry Ainsworth. The First, Of the Communion of Saints. The Second, Entitled, An Arrow against Idolatry, Etc. Edinburgh: D. Paterson, 1789. ALEXANDER, James W.: Thoughts on Family Worship. 1847. Nachdruck Morgan, Pennsylvania: Soli Deo Gloria, 1998. ALLEINE, JOSEPH: An Alarm to the Unconverted. Evansville, Indiana: Sovereign Grace Publishers, 1959. DERS.: A Sure Guide to Heaven. Edinburgh: Banner of Truth Trust, 1995. ALLEINE, RICHARD: Heaven Opened … The Riches of God’s Covenant of Grace. New York: American Tract Society, ohne Jahr. ALLEN, WILLIAM: Some Baptismal Abuses Briefly Discovered. London: J. M., 1653. ALSTED, JOHANN HEINRICH: Diatribe de Mille Annis Apocalypticis ... Frankfurt: Sumptibus C. Eifridi, 1627. -
Bridging the Digital Divide in Rural Appalachia: Internet Usage in the Mountains Jacob J
Informing Science InSITE - “Where Parallels Intersect” June 2003 Bridging the Digital Divide in Rural Appalachia: Internet Usage in the Mountains Jacob J. Podber, Ph.D. Southern Illinois University, Carbondale, IL, USA [email protected] Abstract This project looks at Internet usage within the Melungeon community of Appalachia. Although much has been written on the coal mining communities of Appalachia and on ethnicity within the region, there has been little written on electronic media usage by Appalachian communities, most notably the Melun- geons. The Melungeons are a group who settled in the Appalachian Mountains as early as 1492, of apparent Mediterranean descent. Considered by some to be tri-racial isolates, to a certain extent, Melungeons have been culturally constructed, and largely self-identified. According to the founder of a popular Me- lungeon Web site, the Internet has proven an effective tool in uncovering some of the mysteries and folklore surrounding the Melungeon community. This Web site receives more than 21,000 hits a month from Melungeons or others interested in the group. The Melungeon community, triggered by recent books, films, and video documentaries, has begun to use the Internet to trace their genealogy. Through the use of oral history interviews, this study examines how Melungeons in Appalachia use the Internet to connect to others within their community and to the world at large. Keywords : Internet, media, digital divide, Appalachia, rural, oral history, ethnography, sociology, com- munity Introduction In Rod Carveth and Susan Kretchmer’s paper “The Digital Divide in Western Europe,” (presented at the 2002 International Summer Conference on Communication and Technology) the authors examined how age, income and gender were predictors of the digital divide in Western Europe. -
Home Study Mark 5:21-43 SCRIPTURE
SOLI DEO GLORIA CHURCH May 3, 2020 - Home Study Mark 5:21-43 SCRIPTURE Psalm 9 (Read Aloud) I will give thanks to the Lord with my whole heart I will recount all of your wonderful deeds. I will be glad and exult in you I will sing praise to your name, O Most High. When my enemies turn back, they stumble and perish before your presence. For you have maintained my just cause; you have sat on the throne, giving righteous judgment. You have rebuked the nations; you have made the wicked perish; you have blotted out their name forever and ever. The enemy came to an end in everlasting ruins; their cities you rooted out; the very memory of them has perished. But the Lord sits enthroned forever; he has established his throne for justice, and he judges the world with righteousness; he judges the peoples with uprightness. The Lord is a stronghold for the oppressed, a stronghold in times of trouble. And those who know your name put their trust in you, for you, O Lord, have not forsaken those who seek you. Sing praises to the Lord, who sits enthroned in Zion! Tell among the peoples his deeds! For he who avenges blood is mindful of them; he does not forget the cry of the aicted. Be gracious to me, O Lord! See my aiction from those who hate me, O you who lift me up from the gates of death, that I may recount all your praises, that in the gates of the daughter of Zion I may rejoice in your salvation. -
Thomas R.R. Cobb and the Law of Negro Slavery Paul Finkelman University of Tulsa College of Law
Roger Williams University Law Review Volume 5 | Issue 1 Article 4 Fall 1999 Thomas R.R. Cobb and the Law of Negro Slavery Paul Finkelman University of Tulsa College of Law Follow this and additional works at: http://docs.rwu.edu/rwu_LR Recommended Citation Finkelman, Paul (1999) "Thomas R.R. Cobb and the Law of Negro Slavery," Roger Williams University Law Review: Vol. 5: Iss. 1, Article 4. Available at: http://docs.rwu.edu/rwu_LR/vol5/iss1/4 This Symposia is brought to you for free and open access by the Journals at DOCS@RWU. It has been accepted for inclusion in Roger Williams University Law Review by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Thomas R.R. Cobb and the Law of Negro Slavery Paul Finkelman* From the Revolution until the Civil War Southern intellectu- als, professionals, and politicians developed and articulated elabo- rate defenses of slavery. The most significant proslavery legal scholar was Thomas R.R. Cobb, a Georgia attorney, law professor and one-time reporter for the Georgia Supreme Court. His trea- tise, An Inquiry into the Law of Negro Slavery in the United States of America,' profoundly illustrates the way antebellum Southern lawyers and judges used their learning and talents to support slavery. Proslavery advocates, such as Cobb, emphatically insisted on the justice and morality-the essential rightness-of slavery. Cobb believed that racially based slavery was a prerequisite for a truly "republican equality"2 because only in such a system were all whites equal in status, regardless of their wealth, property, or sta- tion in life. -
Extension Activity
Extension Activity - How the Banjo Became White Rhiannon Giddens is a multi-instrumentalist, singer, and found- ing member of the old-time music group Carolina Chocolate Drops. In 2017 she was awarded the Macarthur “Genius” Grant. Below are excerpts from a keynote address she gave at the 2017 International Bluegrass Music Association Conference, where she discusses the erasure of African Americans in the history of bluegrass, a genre that predominantly features the banjo. So more and more of late, the question has been asked: how do we get more diversity in bluegrass? Which of course, behind the hand, is really, why is bluegrass so white??? But the answer doesn’t lie in right now. Before we can look to the future, we need to understand the past. To understand how the banjo, which was once the ultimate symbol of African American musical expression, has done a 180 in popular understanding and become the emblem of the mythical white mountaineer—even now, in the age of Mumford and Sons, and Béla Fleck in Africa, and Taj Mahal’s “Colored Aristocracy,” the average person on the street sees a banjo and still thinks Deliverance, or The Beverly Hillbillies. In order to understand the history of the banjo and the history of bluegrass music, we need to move beyond the narratives we’ve inherited, beyond generalizations that bluegrass is mostly derived from a Scots-Irish tradition, with “influences” from Africa. It is actually a complex creole music that comes from multiple cultures, African and European and Native; the full truth that is so much more interesting, and American. -
Creating Real and Virtual Communities Among the Melungeons of Appalachia by Jacob J
127 Jacob J. Podber Creating Real and Virtual Communities Among the Melungeons of Appalachia by Jacob J. Podber While the growth of the American “Sunbelt South” has become somewhat of a symbol of United States economic progress, Appalachia is often overlooked. As R. Eller writes in Confronting Appalachian Stereotypes (1999), “Always part of the mythical South, Appalachia continues to languish backstage in the American drama, still dressed, in the popular mind at least, in the garments of backwardness, violence, poverty and hopelessness once associated with the South as a whole. No other region of the United States today plays the role of the ‘other America’ quite so persistently as Appalachia” (p. ix). This article examines how the inception of the Internet into this region of the country has altered people’s lives. Oral history interviews illuminate ways that the Melungeon community, a tri-racial group in rural Appalachia that historically has been perceived as “other,” has begun to use the Internet to define itself, as well as reach out beyond its geographical borders to form an electronic virtual community. The interviews raise the question, does this redefining of Melungeon identity mean that they have actually recreated a larger, electronically—rather than geographically—defined Melungeon community? In the 1960s, Marshall McLuhan predicted that we were at the dawn of a new era of global communications where electronic technology would bring mankind into a “seamless web of kinship and interdependence” (McLuhan, 1964, p. 50). In the 1990s, the rapid expansion of the Internet seemed to suggest that this vision had already been realized. -
Soli Deo Gloria: the Relationship Between Christianity and the Arts Frederic Baue Concordia Seminary, St
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Masters of Divinity Thesis Concordia Seminary Scholarship 11-1-1980 Soli Deo Gloria: The Relationship Between Christianity and the Arts Frederic Baue Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: http://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Baue, Frederic, "Soli Deo Gloria: The Relationship Between Christianity and the Arts" (1980). Masters of Divinity Thesis. 39. http://scholar.csl.edu/mdiv/39 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Masters of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. 132786 CONTENTS Introduction 1 I The Biblical Basis for Creativity 3 God as Creator 3 Man as Creative 6 Christians as Creative 8 The Tabernacle 9 David and Solomon 14 The Temple 19 New Testament Guidelines 26 II The Relationship Between Christianity and the Arts in Western Civilization 33 ;Greek and Roman Sources 33 Christendom 34 Two Streams 36 The State of the Arts in American Lutheranism 40 III Current Work of Christian Artists 46 An Ecclesiastical Magician 46 A Musical Poet 52 A Club Near the Old Vic 54 IV Conclusions and a Look Ahead 60 Potential in the LC-MS 62 Three Options 68 A Society 68 A Synodical Board 70 A Congregational Initiative 73 Some Suggestions 78 Bibliography 81 CONCORDIA SEMINARY LIBRARY ST. LOUIS. MISSOURI SOLI DEO GLORIA: THE RELATIONSHIP BETWEEN CHRISTIANITY AND THE ARTS INTRODUCTION Lord, shall we not bring these gifts to Your service? The Lord who created must wish to create, And employ our creation again in His service. -
Hillbillies Emerge from the Woods: an Unsociological Moment* in John Sayles’S Matewan by Jimmy Dean Smith
123 Jimmy Dean Smith Hillbillies Emerge from the Woods: An Unsociological Moment* in John Sayles’s Matewan by Jimmy Dean Smith John Sayles’s 1987 film Matewan depicts a signal event in labor, social, and Ap- palachian history and thus the viewer feels the gravitational pull and satisfaction of a familiar trope—the myth enbodied in a familiar liberal morality tale. The movie can and does do good, but it resists that impulse at the same time. Good is not all it does, since Sayles takes a worthwhile chance on alienating his core audience. While the aesthetic precepts of social justice often limit the range of approaches an engaged but bourgeois artist can bring to politically and socially charged material, Sayles offers a scenario that toys with liberal good taste and questions whether politics that assumes a pre-fabricated response has the guts to recognize the tantalizing power of subversive mythology. Here are “the bare bones of the history [Sayles] started with” (Sayles 16): In 1920 the minefields in eastern Kentucky and southwestern West Virginia are totally nonunion . The United Mine Workers . target . several counties to be organized. The mine owners . hold Mingo and Logan counties in West Virginia in a military grip—controlling political officials and police, posting armed guards . sending spies into the midst of the miners and creating a “judicious mixture” of native miners, blacks and recent immigrants who they believe can never rise above their basic differences to resist collectively. A strike begins near the town of Matewan . The mayor and chief of police of the town, Cabell Testerman and Sid Hatfield, refuse a bribe offered by agents from the Baldwin-Felts Detective Agency, which functions as the enforcing arm of the state’s coal operators.