A Bit of String: Rebecca West on Henry James by Hazel Hutchison
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The Serbs: Nurtured by Defeat
PECOB’S PAPERS ISSN: 2038-632X SERIES The Serbs: Nurtured by Defeat David B. Kanin Adjunct Professor Johns Hopkins University JULY 2011 | #13 13www.pecob.eu PECOB’s Scientific Board About PECOB’s people is an ininterdisciplinaryterdiscirdisciplinplinararyy boboardarddofd of ddirectors,irector responsible for reviewing proposals and graphic design: mdelgatto.com accepting international high quality scien- Ƥ of the Europe and the Balkans Interna- tional Network and the Association of Ital- ian Slavists. Ƥ blind review process will be published in the portal. Ƥ - tors are: Ȉ ȋ Ȍ Ȉ ȋ Ȍ Ȉ ȋ Ȍ Ȉ ȋ Ȍ PECOB’s Editorial Staff selectssellectts andand bbrbringsiinggs ttogetheroggetthher tthehe ththinkinginkin of distinguished scholars, scholars experts, experts rre- Ǧǡ- ǡ Ƥ Ǥ Ms Aurora Domeniconi ơǤ ǡ - cations concerning conferences and events, courses, academic calls and contents for the ǡ Ƥ Ƥ Library. [email protected] Mr Michele Tempera Ǥ concerning the economic and business section. [email protected] Mr Massimiliano Del Gatto Ǥ ǡ- correct functioning, as well as for technical details and requirements of contributions. [email protected]@unibo.it PECOB’s Scientific Board is an ininterdisciplinaryterdiscirdisciplinplinararyy boboardarddofd of ddirectors,irector responsible for reviewing proposals and graphic design: mdelgatto.com accepting international high quality scien- Ƥ of the Europe and the Balkans Interna- tional Network and the Association of Ital- ian Slavists. Ƥ blind review process will be published in the portal. Ƥ - tors are: Ȉ ȋ Ȍ Ȉ ȋ Ȍ The Serbs: Ȉ ȋ Ȍ Ȉ ȋ Ȍ Nurtured By Defeat PECOB’s Editorial Staff selectssellectts andand bbrbringsiinggs ttogetheroggetthher tthehe ththinkinginkin of distinguished scholars, scholars experts, experts rre- Ǧǡ- ǡ Ƥ Ǥ by David B. -
Ann Veronica a Modern Love Story by H
ANN VERONICA A MODERN LOVE STORY BY H. G. WELLS CONTENTS CHAP. I. ANN VERONICA TALKS TO HER FATHER II. ANN VERONICA GATHERS POINTS OF VIEW III. THE MORNING OF THE CRISIS IV. THE CRISIS V. THE FLIGHT TO LONDON VI. EXPOSTULATIONS VII. IDEALS AND A REALITY VIII. BIOLOGY IX. DISCORDS X. THE SUFFRAGETTES XI. THOUGHTS IN PRISON XII. ANN VERONICA PUTS THINGS IN ORDER XIII. THE SAPPHIRE RING XIV. THE COLLAPSE OF THE PENITENT XV. THE LAST DAYS AT HOME XVI. IN THE MOUNTAINS XVII. IN PERSPECTIVE "The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge." ANN VERONICA CHAPTER THE FIRST ANN VERONICA TALKS TO HER FATHER Part 1 One Wednesday afternoon in late September, Ann Veronica Stanley came down from London in a state of solemn excitement and quite resolved to have things out with her father that very evening. She had trembled on the verge of such a resolution before, but this time quite definitely she made it. A crisis had been reached, and she was almost glad it had been reached. She made up her mind in the train home that it should be a decisive crisis. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. She had a compartment to herself in the train from London to Morningside Park, and she sat with both her feet on the seat in an attitude that would certainly have distressed her mother to see, and horrified her grandmother beyond measure; she sat with her knees up to her chin and her hands clasped before them, and she was so lost in thought that she discovered with a start, from a lettered lamp, that she was at Morningside Park, and thought she was moving out of the station, whereas she was only moving in. -
Ford Madox Ford Collection Also Including a Fine Selection of Works by Joseph Conrad, Compton Mackenzie, V.S
February 2013 Bertram Rota Ltd 31 LONG ACRE COVENT GARDEN, LONDON WC2E 9LT Telephone: + 44 (0) 20 7836 0723 * Fax: + 44 (0) 20 7497 9058 E-mail: [email protected] www.bertramrota.co.uk IN OUR NINETIETH ANNIVERSARY YEAR The Gavin H. Fryer Ford Madox Ford Collection also including a fine selection of works by Joseph Conrad, Compton Mackenzie, V.S. Pritchett and others Catalogue 308 Part I Established 1923 TERMS OF BUSINESS. The items in this catalogue are offered at net sterling prices, for cash upon receipt. Charges for postage and packing will be added. All books are insured in transit. PAYMENT. We accept cheques and debit and credit cards (please quote the card number, start and expiry date and 3 digit security code as well as your name and address). For direct transfers: HSBC, 129 New Bond Street, London, W1A 2JA, sort code 40 05 01, account number 50149489 . VAT is added and charged on autograph letters and manuscripts (unless bound in the form of a book), drawings, prints and photographs WANTS LISTS. We are pleased to receive lists of books especially wanted. They are given careful attention and quotations are submitted without charge. We also provide valuations of books, manuscripts, archives and entire libraries. HOURS OF BUSINESS. We are open from 10.30 to 6.00 from Monday to Friday. Appointment recommended. Unless otherwise described, all the books in this catalogue are published in London, in the original cloth or board bindings, octavo or crown octavo in size. Dust-wrappers should be assumed to be present only when specifically mentioned. -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
Of St Cuthbert'
A Literary Pilgrimage of Durham by Ruth Robson of St Cuthbert' 1. Market Place Welcome to A Literary Pilgrimage of Durham, part of Durham Book Festival, produced by New Writing North, the regional writing development agency for the North of England. Durham Book Festival was established in the 1980s and is one of the country’s first literary festivals. The County and City of Durham have been much written about, being the birthplace, residence, and inspiration for many writers of both fact, fiction, and poetry. Before we delve into stories of scribes, poets, academia, prize-winning authors, political discourse, and folklore passed down through generations, we need to know why the city is here. Durham is a place steeped in history, with evidence of a pre-Roman settlement on the edge of the city at Maiden Castle. Its origins as we know it today start with the arrival of the community of St Cuthbert in the year 995 and the building of the white church at the top of the hill in the centre of the city. This Anglo-Saxon structure was a precursor to today’s cathedral, built by the Normans after the 1066 invasion. It houses both the shrine of St Cuthbert and the tomb of the Venerable Bede, and forms the Durham UNESCO World Heritage Site along with Durham Castle and other buildings, and their setting. The early civic history of Durham is tied to the role of its Bishops, known as the Prince Bishops. The Bishopric of Durham held unique powers in England, as this quote from the steward of Anthony Bek, Bishop of Durham from 1284-1311, illustrates: ‘There are two kings in England, namely the Lord King of England, wearing a crown in sign of his regality and the Lord Bishop of Durham wearing a mitre in place of a crown, in sign of his regality in the diocese of Durham.’ The area from the River Tees south of Durham to the River Tweed, which for the most part forms the border between England and Scotland, was semi-independent of England for centuries, ruled in part by the Bishop of Durham and in part by the Earl of Northumberland. -
Notes to Chapter One: the Life of 'Rebecca West'
Notes NOTES TO CHAPTER ONE: THE LIFE OF 'REBECCA WEST' I. The Times (London), 10 November 1970, p. 12. 2. The Times (London), 1 September 1975, p. 7. 3. Jim Hicks, 'Specialist in Traitors, Spies, and Weeds',Life, LXI (30Sep 1966) p.55. 4. Lovat Dickson, H. G. Wells: His Turbulent Life and Times (New York: Atheneum, 1969) p. 221. 5. Bernard Kalb, [Biographical sketch of Rebecca West], Saturday Review,!! Literature, XXXVIII (19 March 1955) p. 13. 6. Frank Swinnerton, The Georgian Literary Scene (London: William Heinemann, 1935) p. 404. 7. Norman and Jeanne MacKenzie, The Time Traveller: The Life of H. G. Wells (London: Weidenfeld & Nicolson, 1973) p. 285. 8. Dachine Rainer, 'Rebecca West: Disturber ofthe Peace', Commonweal, 88 (10 May 1968) p. 227. 9. Rebecca West, 'The Duty of Harsh Criticism', New Republic, I (7 November 1914) p. 19. 10. Rebecca West, [A philosophy oflife], in I Believe, ed. Clifton Fadiman (New York: Simon & Schuster, 1939) p. 321. II. Ibid., pp. 32~30. 12. Jane Lidderdale and Mary Nicholson, Dear Miss Weaver: Harriet Shaw Weaver, /870-/96/ (London: Faber, 1970) p. 63. 13. Dickson, H. G. Wells, pp. 248-57, 28~92. 14. Rebecca West, 'The Art of Scepticism', Vogue (I Nov 1952), p. 114. 15. Gordon N. Ray, H. G. Wells and Rebecca West (New Haven, Conn.: Yale University Press, 1974) p. 125. 16. Ibid., p. 189. 17. Wyndham Lewis, Blasting and Bombardiering (London: Eyre & Spottiswoode, 1937) p. 92. 18. Bernard Shaw and Mrs. Patrick Campbell: Their Correspondence, ed. Alan Dent (London: Victor Gollancz, 1952) pp. 191-2. -
Collège De Franceinstitut Français Chaire
www.egyptologues.net Collège de FranceInstitut français Chaire "Civilisation de l'Égypte pharaonique : d'archéologie orientale archéologie, philologie, histoire" Bulletin d'Information Archéologique BIA www.egyptologues.net XLII Juillet - Décembre 2010 Le Caire - Paris 2010 Système de translittération des mots arabes consonnes voyelles L’année se termine sur un bilan mitigé. Le CSA est agité de mouvements internes divers ; les archéologues tentent, en vain, de créer un syndicat qui puisse les protéger, alors que les promesses d’embauche et de titularisations se multiplient, sans que les moyens suivent. Les multiples difficultés de trésorerie viennent manifestement contrecarrer les ambitions du Secrétaire général. 2010 a vu le centenaire du Musée copte et du Musée d’Art islamique, tandis que momies et sensationnel tiennent toujours le haut du pavé ; l’ADN de Toutânkhamon continue d’alimenter la polémique, tandis que ses trésors poursuivent leur tour du monde. Du côté des missions étrangères, la presse salue la venue de Béatrix Midant-Reynes à la tête de l’Institut français d’archéologie orientale. Tanis et Tell al-Dab‘a retiennent l’attention de la presse, même si Gîza reste avant les autres sites sous les feux des projecteurs des medias, moins pour la belle tombe de Roudj-ka, que pour les désormais trop fameux « conduits » de Chéops. Le dégagement et la restauration du dromos de Louqsor continuent également à soulever commentaires et discussions, tandis que le Secrétaire général détaille les découvertes du temple funéraire d’Amenhotep -
ANN VERONICA, SEXUAL MORALITY and NATIONAL REGENERATION1 Anthony Patterson
SAVING ENGLAND: ANN VERONICA, SEXUAL MORALITY AND NATIONAL REGENERATION1 Anthony Patterson Concerned about the erotic content of his novel The Trespasser (1912), D. H. Lawrence famously told Edward Garnett that he did not wish to be ‘talked about in an Ann Veronica fashion’.2 It is some gauge of the scandal Ann Veronica caused that Lawrence should worry about achieving the same kind of notoriety that Ann Veronica brought Wells. To a modern reader, this might appear surprising, as Ann Veronica does not seem particularly racy. It is certainly less sexually daring than many contemporary sex novels such as Hubert Wales’s The Yoke (1907) or Elinor Glyn’s Three Weeks (1907). Even John St Loe Strachey, a supporter of the National Social Purity Crusade and one of the novel’s most trenchant critics, commented ‘Ann Veronica has not a coarse word in it, nor are the “suggestive” passages open to any very severe criticism.’3 If Ann Veronica did not offend through franker sexual depictions, many critics still accused Wells of supplanting an old morality based on female sexual restraint and the sanctity of matrimony with a new morality of sexual freedom and self-indulgent individualism. Writing in the Daily News, R. A. Scott-James argued: ‘In effect he is content to negate the old morality as something out of date, effete, harmful, tiresome; he puts in its place a negative which masquerades as the supreme assertion of individuality’ (WCH, 157). Wilfred Whitten, writing in T. P.’s Weekly, referred to the novel’s eponymous hero as ‘a modern British daughter defying the old morality, and saying it is glorious to do so’ (WCH, 162). -
The Art of Fiction and the Art of War: Henry James, H. G. Wells, and Ford Madox Ford
<http://nbn-resolving.de/urn:nbn:de:bsz:21-opus-49437> | <https://doi.org/10.25623/conn001.1-wiesenfarth-1> Connotations Vol. l.1 (1991) The Art of Fiction and the Art of War: Henry James, H. G. Wells, and Ford Madox Ford JOSEPH WIESENFARTI-1 The house of fiction has . a number of possible windaws. At each of them stands a figure ... with a field-glass, which [insures] to the person making use of it an impression distinct from every other. -Henry James Almost a year after the war broke out between the Allied Forces and the Central Powers in August 1914, a battle was fought between Henry James and H. G. Wells on the literary front. These two instances of hostility, although vastly different in their significance, are nevertheless not unrelated. France, for instance, was the object of attack in both the military and literary campaigns. For Kaiser Wilhelm II, France was the cultural capital of Europe which, in its pride, looked down upon Germany; for H. G. Wells, France threatened England because Henry James-American scion of Balzac, Flaubert, and de Maupas- sant-sought to disseminate a foreign aesthetic in preference to the indigenous one espoused by Wells himself. So just as the German emperor sought to conquer and humiliate France, the British novelist sought to conquer and humiliate Henry James, who, along with Joseph Conrad, a Pole; Stephen Crane, an American; and Ford Madox Ford, an Anglo-German, formed for Wells "a ring of foreign conspirators" (Seymour 14) who were plotting to overthrow the English novel. -
Riverside Quarterly V3N2 Sapiro 1968-03
RIUEHSIUE QUHY 95 RIVERSIDE QUARTERLY March 1968 ’ Vol« ZII» N°. 2 Editor: Leland Sapiro Associate Editor: Jim Harmon Poetry Editor: Jim Sallis R.Q Miscellany Assistant Editors: Redd Boggs Bill Blackbeard Jon White Send business correspondence and manuscripts to: Box 40 University Station, Regina, Canada AS OTHERS SEE US Mandatory reading for the student of science-fiction is TABLE OF CONTENTS Susan Sontag^'s essay, "The Imagination of Disaster," on recent s.f. films. This critic's resume of s.f. movie clich&s is RQ Miscellany ............................................... 95 gruesomely hilarious and her general diagnoses, needle-sharp. (Her remarks on s.f. cinematic sadism and its rationale—by the H.G. Wells, Critic of Progress view of extra-terrestrials as non-human and therefore sub-human (second of five parts) ........................................Jack Williamson. .96 —brings to mind the Clayton Astounding Stories of the early Edgar Rice Burroughs and the Heroic Epic....Tom Slate............. 118 'SO's.) Whether or not he attends to movies, the s.f. reader Motifs and Sources for'Lord of the Rings'...Sandra Miesel...l25 will achieve both shame and! enlightenment from this article. A Valuable New Book on Wells ....................................Richard Mullen.. 129 Also inducing shame, for2another reason, is Michel Butor's "Notes on Science Fiction." This critic is familiar with H.G. Poetry: Wells and Jules Verne, and he has read over half a dozen stories Lawrence Spingarn... 131 Anthony Sobin.....................136 by s.f. writers born in the 20th century. On this basis he re peats the customary pieties on the satiric value of s.f., divides A. -
H.G. Wells, El Padre De La Ciencia Ficción
- CLÁSICOS AL RESCATE - H.G. Wells, el padre de la ciencia ficción Herbert George Wells en 1920 1.- Introducción: Wells es uno de los escritores más célebres que dado la ciencia ficción y, sin embargo, es uno de los menos conocidos al margen de las obras que le hicieron famoso. Si Mary W. Shelley y su fundacional Frankenstein o el moderno Prometeo (1818) es la madre del género, sin lugar a dudas el padre es el británico Herbert George Wells (1866-1946), porque fue él quien introdujo muchos de sus temas, enfoques y tratamientos. Prolífico novelista y pensador, creador de obras imprescindibles en la literatura universal, sus libros de «anticipación sociológica» tuvieron una notable influencia entre sus coetáneos de la escena intelectual y muy especialmente sobre la ciencia ficción posterior. De hecho, su popularidad perdura hasta nuestros días. Una de las mejores descripciones acerca de su personalidad contradictoria la realiza John Clute en su Enciclopedia Ilustrada: “Tenía una voz aguda y atiplada, y su piel olía a miel. Amó a sus esposas, pero se acostaba con cualquier mujer que le hiciera un sitio en su cama. Era un mocetón robusto de clase trabajadora en un mundo que mataba pronto a su especie, pero vivió hasta los ochenta años. Pretendía desdeñar el difícil arte de la ficción, pero no podía dejar de escribir novelas y una docena de ellas aún nos sorprenden por su brillantez, claridad mental y presciencia. Inventó la novela científica británica, aunque no el término, y fue el escritor de ciencia ficción más importante que ha conocido el género, aunque él nunca llamó a su obra ciencia ficción. -
1862, Accidental Death Lizzie Siddal and the Poetics of the Coroner's
1862, Accidental Death Lizzie Siddal and the Poetics of the Coroner’s Inquest “Accidentally and casually and by misfortune.” Such was the verdict of an inquest on the death of “Elizabeth Eleanor Rossetti” (née Elizabeth Siddall, later Siddal) held on February 13, 1862, two days after she died having “Accidentally [taken] an overdose of Laudanum.”1 On February 14, the Daily News reported the “Death of a Lady from an Overdose of Laudanum,” including most of the testimonies from the inquest and closing with a more succinct verdict: “The jury returned a verdict of Accidental Death.” A newspaper in Sheffield printed a similar notice. The coroner and the press seemed to dispose all doubts about the cause of Siddal’s death (Hunt 312). The inquest had been brief and uncomplicated; the case was closed. On February 17, Siddal was buried—along with a notebook of manuscript poems by her recent husband, a bereft Dante Gabriel Rossetti. In 1869, her coffin was famously unclosed, exhumed to recover Rossetti’s book. So had, in the intervening years, the inquest’s verdict of “accidental death” been reopened for scrutiny. Rumors circulated about Lizzie’s death as a possible suicide, whether to end her misery after a recent stillborn daughter, to lash out at Rossetti for emotional abuse and philandering, or to make a desperate cry for help. Oscar Wilde suggested that an exasperated Rossetti had murdered Lizzie by pushing a bottle of laudanum into her hands (Hawksley 205). In her early biography The Wife of Rossetti, Violet Hunt includes an alleged suicide