DOCSLIB.ORG

Winter 2020–21

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

December • January • February Quarter Notes WCPE Radio, The Classical Station • Winter 2020–21 Beethovenfest Top 100 Russian Romantics Mozart Madness Simply Strings table of contents WCPE Daily Schedule Quarter Notes® Meet Your Host: Meet Your Host .......................1 Weekdays WCPE’s member magazine Tony Waller Home Sweet Home .................2 Vol. 42, no. 4 12:00 Sleepers, Awake with Sherman Wallace How long have December Calendar .................3 midnight WCPE’s mission is to expand the community of classical music lovers by sharing classical music with everyone, you been an 5:30 a.m. Rise and Shine with Kristine Bellino everywhere, at any time. We entertain, educate, and announcer at January Calendar .....................4 engage our audience with informative announcers, WCPE, and what 10:00 a.m. Classical Café with Elizabeth Elliott programs, and publications. We strive to make it easy to February Calendar ...................5 appreciate and enjoy Great Classical Music. attracted you 9:00 a.m.– Final Friday of each month: to The Classical Winter Highlights ....................6 10:00 p.m. All-Request Friday Editor: Christina Strobl Romano Designer: Deborah Cruz Station? I’ve been 1:00 p.m. As You Like It with Nick Robinson Printer: Chamblee Graphics regularly on the air Mondays This Quarter 4:00 p.m. Allegro with Dick Storck since April 2019. My Life in Music, Renaissance Fare .......8 WCPE Staff When I moved Monday Night at the Symphony ............9 5:30 p.m. 5:30 waltz Deborah S. Proctor ..........................General Manager & to central North 7:00 p.m. Mondays through Wednesdays and Chief Engineer Carolina, I discov- Opera House .........................10 Fridays: Concert Hall with Andy Huber, Dean Baldwin .............National Business Dev’t. Director ered that it is better than the typical concert Charles Holloway, Warner Hall, Larry Sundays This Quarter Kristine Bellino .............................Host of Rise and Shine music radio station. Hedlund, Bruce Matheny, Mark Schreiner, Bob Chapman ........Host of Thursday Night Opera House Great Sacred Music ...........................11 Christopher Scoville, and a variety of Gregg Cockroft ...................................Facilities Engineer How did you get involved in broadcasting, Preview .............................................12 volunteer hosts Adrienne DiFranco ........... Accounting/Member Services and do you have any exciting stories to Thursdays: Thursday Night Opera House Elizabeth Elliott ............................Host of Classical Café; Wavelengths, and share with us from your experiences? with Bob Chapman Music Library Assistant Peaceful Reflections .......................13 John Graham .............................Director of Engineering In prepping for an upcoming show, I like 8:00 p.m. Mondays: Monday Night at the Symphony Charles Holloway ..........................Writer and Producer* researching an anecdote or factoid that with Andy Huber, Charles Holloway, and a Met Broadcast Schedule .........15 Michael Hugo ................................................Announcer enhances the listener’s experience. variety of hosts Haydn Jones ..................................................Announcer 10:00 p.m. Music in the Night with Tony Waller, Rob Kennedy ........................ Host of Great Sacred Music What is your favorite genre of music? Who Program Listings ....................17 Mike Huber, Bob Chapman, and a variety and Digital Content Creator are some of your favorite composers and Joyce Kidd .....................................................Announcer 250th Anniversary of of hosts artists? I am a huge classical music fan. Dan McHugh ...................Director of Member Services* Beethoven’s Birth ...................28 Saturdays Mary Moonen ..................Underwriting Dev’t. Director; My favorites are the 19th century lyrical Traffic Manager 12:00 Sleepers, Awake with Haydn Jones romantics, led by Dvořák. My interest spans Lately We’ve Read Susan Nunn .........................................Member Services; the gamut from the 20th century’s Respighi midnight Web Team Coordinator Rough Ideas and Copland to the baroque Samuel Scheidt. 6:00 a.m. Weekend Classics with Lyle Adley-Warrick, Jane O’Connor ................ Acting Volunteer Coordinator By Stephen Hough ........................29 Helen Halva, Peggy Powell, Joyce Kidd, Stu Pattison .................................................Data Services Do you have a background in music per- and a variety of volunteer hosts Nick Robinson ...............................Host of As You Like It Classical Community .............30 Christina Strobl Romano .................. Publications Editor formance? I’m an orchestral percussionist 6:00 p.m. Saturday Evening Request Program with Dick Storck ......................Network Operations Director; as a member of two amateur community Classical Events and Haydn Jones Host of Allegro orchestras. I studied unofficially at a conser- Promotional Partners .............31 Sundays Sherman Wallace.......................... Host of Sleepers Awake vatory during my teen years. William Woltz .......................................Music Director* 12:00 Sleepers, Awake with Michael Hugo *This staff member is also an announcer. Tell us about your travels. Have you seen What You're Saying ...............32 midnight ©Copyright 1978–2021, WCPE Radio, Raleigh, NC. many concerts by different musicians 6:00 a.m. Weekend Classics with Chuck Till and a All rights reserved. All material disseminated by WCPE, around the world? Which ones stand out variety of hosts including compilations, is copyrighted or used under in your memory? My career as a con- application regulations. 7:30 a.m. Sing for Joy with Bruce Benson sultant moved me around the country and Allegro; As You Like It; Classical Cafe; Quarter Notes; Rise enabled me to catch the first performance of 8:00 a.m. Great Sacred Music with Rob Kennedy and Shine; Sleepers, Awake!; TheClassicalStationand The Dvořák’s seldom-performed Fifth Symphony Classical Station; and WCPE are registered or pending 12:00 p.m.. Weekend Classics with Greysolynne at two major concert venues. Hyman, Naomi Lambert, Bruce Huffine, trademarks or service marks of WCPE. Jay Pierson, and a variety of volunteer WCPE Is there anything else your listeners might On the cover: hosts P.O. Box 828 enjoy knowing about you? There is no Midori Gotō, featured 6:00 p.m. Preview with David Jeffrey Smith, Wake Forest, NC 27588 truth to the rumor that when I’m alone at 800-556-5178 on Beethovenfest Steve Thebes, and a variety of hosts the station doing Music in the Night that 9:00 p.m. Wavelengths with Ed Amend Membership: [email protected] I enhance the on-air music by playing Photo by Timothy Greenfield-Sanders. Editor: [email protected] “air timpani.” 10:00 p.m. Peaceful Reflections with Ed Amend Website: theclassicalstation.org 1 home sweet home december calendar Well, we are coming to the end of the year, 1 Tuesday 16 Wednesday beethovenfest after a most unusual drive—thank you very Rudolf Buchbinder 1946 Ludwig van Beethoven 1770 (250th much for helping us make this another vic- 2 Wednesday anniversary of birth) tory. This drive was the first time which we Zoltán Kodály 1882 John Barbirolli 1899 have really had a captive audience because Trevor Pinnock 1946 Maria Callas 1923 of the pandemic. Before, we had to try to 17 Thursday time the drive to get around sports games, 3 Thursday Domenico Cimarosa 1749 state fairs, and other events which would José Serebrier 1938 Arthur Fiedler 1894 have lessened listenership and participation 4 Friday All-Request Friday 18 Friday All-Request Friday because of the influence of alternate activi- Hamilton Harty 1879 ties. But not this time! We’ve gotten many Edward MacDowell 1860 Metropolitan Opera comments on three primary topics: Edmond de Stoutz 1920 5 Saturday broadcasts begin William Boughton 1948 The first theme is “Thank you for being there Francesco Geminiani 1687 19 Saturday through all of this.” We are thrilled to hear Vítězslav Novák 1870 Fritz Reiner 1888 from listeners who have a new love of classi- José Carreras 1946 William Christie 1944 cal music and those who have rediscovered it Krystian Zimerman 1956 Deborah S. Proctor 20 Sunday during this time. General Manager 6 Sunday Mitsuko Uchida 1948 The next theme is “Thank you for not talk- Nikolaus Harnoncourt 1929 ing about the virus and the ills of the world Henryk Górecki 1933 21 Monday Winter begins over the radio.” We made the conscious 7 Monday Pearl Harbor Remembrance Zdeněk Fibich 1850 of the partner stations who simulcast our decision not to focus on the pandemic, or Michael Tilson Thomas 1944 programming are helping untold multitudes Pietro Mascagni 1863 anything depressing for that matter, over the András Schiff 1953 get through this mess a little bit more easily. Daniel Chorzempa 1944 air. We prefer to be a refuge from the ills of 22 Tuesday Thank you for supporting and sharing Great 8 Tuesday the world. Carl Friedrich Abel 1723 Classical Music with the world without cost Jean Sibelius 1865 Giacomo Puccini 1858 The final theme is “I’ve been listening a or obligation to those who need it. Manuel Ponce 1882 lot more at home.” This increase has been James Galway 1939 23 Wednesday Thank you for being there for us, as we con- noticed when we look at our listenership 9 Wednesday Zara Nelsova 1918 tinue to be there for you. Claudio Scimone 1934 report. We are often now in the top ten Émile Waldteufel
Recommended publications

  • ARSC Journal

    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
  • Download Booklet

    Download Booklet

    AROUND BRITTEN AROUND BRITTEN As a tribute to a great Russian musician and MATTHEW BARLEY patriot I based this suite on Russian themes: To celebrate the centenary of the greatest English the first three tunes were taken from Tchaikovsky’s Third Suite for Cello, Op 87 (1971) Benjamin Britten (1913–1976) composer of the twentieth century I wanted to volumes of folk-song arrangements; the fourth, focus on, and expand from, a very specific part the ‘Kontakion’ (Hymn for the departed), from 1 I Introduzione: Lento [2.10] 8 VIII Moto perpetuo: Presto [0.57] 2 II Marcia: Allegro [1.49] 9 IX Passacaglia: Lento solenne [4.25] of his music for cello: the last minute of his the English Hymnal.” 3 III Canto: Con moto [1.19] 0 Mournful Song [0.33] Third Suite for Cello. This ending is Britten’s 4 IV Barcarola: Lento [1.33] q Autumn [0.19] rendition of the Kontakion – the Hymn for the Based on these four melodies the suite is a set 5 V Dialogo: Allegretto [1.42] w Street Song [0.26] Dead from the Russian Orthodox Church, and is of variations with the themes only heard in their 6 VI Fuga: Andante espressivo [2.55] e Depart in peace, with the Saints [2.42] peaceful, mysterious and profound. At the time complete versions at the end of the journey. 7 VII Recitativo: Fantastico [1.07] (Kontakion) of composing Britten had five years to live One or more of them are present in every one of r Greensleeves (1941) Trad, arr.
  • Bibliography19802017v2.Pdf

    Bibliography19802017v2.Pdf

    A LIST OF PUBLICATIONS ON THE HISTORY OF WARWICKSHIRE, PUBLISHED 1980–2017 An amalgamation of annual bibliographies compiled by R.J. Chamberlaine-Brothers and published in Warwickshire History since 1980, with additions from readers. Please send details of any corrections or omissions to [email protected] The earlier material in this list was compiled from the holdings of the Warwickshire County Record Office (WCRO). Warwickshire Library and Information Service (WLIS) have supplied us with information about additions to their Local Studies material from 2013. We are very grateful to WLIS for their help, especially Ms. L. Essex and her colleagues. Please visit the WLIS local studies web pages for more detailed information about the variety of sources held: www.warwickshire.gov.uk/localstudies A separate page at the end of this list gives the history of the Library collection, parts of which are over 100 years old. Copies of most of these published works are available at WCRO or through the WLIS. The Shakespeare Birthplace Trust also holds a substantial local history library searchable at http://collections.shakespeare.org.uk/. The unpublished typescripts listed below are available at WCRO. A ABBOTT, Dorothea: Librarian in the Land Army. Privately published by the author, 1984. 70pp. Illus. ABBOTT, John: Exploring Stratford-upon-Avon: Historical Strolls Around the Town. Sigma Leisure, 1997. ACKROYD, Michael J.M.: A Guide and History of the Church of Saint Editha, Amington. Privately published by the author, 2007. 91pp. Illus. ADAMS, A.F.: see RYLATT, M., and A.F. Adams: A Harvest of History. The Life and Work of J.B.
  • International Richard Wagner Congress – Bonn 23Rd to 27Th September 2020

    International Richard Wagner Congress – Bonn 23Rd to 27Th September 2020

    International Richard Wagner Congress – Bonn 23rd to 27th September 2020 Imprint The Richard Wagner Congress 2020 Richard-Wagner-Verband Bonn e.V. programme Andreas Loesch (Vorsitzender) John Peter (stellv. Vorsitzender) was created in collaboration with Zanderstraße 47, 53177 Bonn Tel. +49-(0)178-8539559 [email protected] Organiser / booking details ARS MUSICA Musik- und Kulturreisen GmbH Bachemer Straße 209, 50935 Köln Tel: +49-(0)221-16 86 53 00 Fax: +49-(0)221-16 86 53 01 [email protected] RICHARD-WAGNER-VERBAND BONN E.V. and is sponsored by Image sources frontpage from left to right, from top to bottom - Richard-Wagner-Verband Bonn - Michael Sondermann/Bundesstadt Bonn - Deutsche Post / Richard-Wagner-Verband Bonn - StadtMuseum Bonn - Michael Sondermann/Bundesstadt Bonn - Beethovenhaus Bonn - Stadt Königswinter - Michael Sondermann/Bundesstadt Bonn - Stadtmuseum Siegburg - Michael Sondermann/Bundesstadt Bonn - Michael Sondermann/Bundesstadt Bonn Current information about the program backpage - Michael Sondermann/Bundesstadt Bonn rwv-bonn.de/kongress-2020 Congress Programme for all Congress days 2 p.m. | Gustav-Stresemann-Institut Dear Members of the Richard Wagner Societies, dear Friends of Richard Wagner’s Music, Conference Hotel Hilton Richard Wagner – en miniature Symposium: »Beethoven, Wagner and the political “Welcome” to the Congress of the International Association of Richard Wagner Societies in 2020, commemorating Ludwig “Der Meister” depicted on stamps movements of their time « (simultaneous translation) van Beethoven’s 250th birthday worldwide. Richard Wagner appreciated him more than any other composer in his life, which Prof. Dr. Dieter Borchmeyer, PD Dr. Ulrike Kienzle, is why the Congress in Bonn, Beethoven’s hometown, is going to centre on “Beethoven and Wagner”.
  • Qbz01gpoggah6xl.Pdf

    Qbz01gpoggah6xl.Pdf

    2018-2019 HD LIVE FROM METROPOLITAN OPERA NEW YORK 2018-2019 SEASON 10 evenings in live from New York including 4 new productions The Metropolitan Opera opens its season with the great Russian diva Anna Netrebko who will sing Aida on October 6th. She will return to the MET stage in Adriana Lecouvreur o n January 12, a new production by Sir David McVicar. Two new productions: La Traviata on December 15 with Diana Damrau and Joan Diego Fló rez and the premiere of Marnie on November 10, based on Alfred Hitchcock's masterpiece. Attentive to the renewal of the lyric repertoire, the MET reserves each season a privileged place for contemporary creation. New titular conductor of the house or chestra, Yannick Nézet-Séguin will lead Francis Poulenc's Dialogues des Carmélites on May 11 at the end of a season that hono urs French opera, notably with the new production of Samson and Dalila on 20 October with two ambassadors of French lyric singing: L aurent Naouri and Roberto Alagna. Alagna will return in Don José in Carmen on February 2nd. France will also be in the pit with Philippe Jordan, musical director of the Paris Opera. He will lead the Walkyrie on March 30, with Eva-Maria Westbroeck as Sieglinde, who will have sung a few months earlier the role of Minnie with Jonas Kaufmann in the Fanciulla del West on October 27, a less known opera by Puccini. Finally Pretty Yende and Javier Camarena will be reunited in The Daughter of the Regiment by Donizetti on March 2nd.
  • YULIA MENNIBAEVA Mezzosoprano

    YULIA MENNIBAEVA Mezzosoprano

    YULIA MENNIBAEVA mezzosoprano Yulia Mennibaeva has begun her musical studies under the guidance of Victor Minakov; then, from 2005 to 2010, she has studied with the soprano Galina Pisarenko at the Moscow Tchaikovsky Conservatory and as conclusion of her studies' path she has graduated at the Academy of Choral Arts with Dmitry Vdovin. Her career has begun thanks to the debut in the opera Orfeo ed Euridice. Furthermore, since 2010 she has been performing as soloist at the Kolobov Novaya Opera Theatre in Moscow where she has sung such important roles as Fenena in Nabucco, Dido in Dido and Aeneas, Maddalena in Rigoletto, Third Nymph in Rusalka, Olga in Eugeny Onegin, Kontchakovna in Prince Igor, Tisbe in La Cenerentola, Feodor in Boris Godunov, Spring in The Snow Maiden, Myrtale in Thais, the little robber girl in The Story about Kay and Gerda and Laura in Iolanta. Besides the opera repertoire, she has also been involved in lots of concert, among which we remember the Coronation Cantata by Glazunov at the Festival of the World Orchestras in Moscow (2012), the Mass of the world Armed Man by Karl Jenkins in the Great Hall of the Moscow Conservatory (2014), the Gloria by Vivaldi and Mozart's Requiem at the Moscow Philharmonic (2014), the Petite Messe Solennelle by Rossini at the Yaroslavl Philharmonic (2014), the Alexander Nevsky cantata by Sergei Prokofiev at the Novaya Opera (2016) and the final winners concert of Viñas Competition at the Teatro Real de Madrid (2016). During the Season 2016/2017 of the Opernhaus Zurich Yulia has been soloist of the International Opera Studio.
  • June WTTW & WFMT Member Magazine

    June WTTW & WFMT Member Magazine

    Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event.
  • Newsletter • Bulletin Summer 2002 Été

    Newsletter • Bulletin Summer 2002 Été

    NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2002 Été P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A new Canadian star!!! by Renate Chartrand Opernglas’ featured a six-page interview with her on the occasion of her Covent Garden debut as Donna Anna with Bryn Terfel as Don Giovanni. (Perhaps while I am writing this, ‘Opera Canada’ is doing the same?) For several years she was based in Vienna, singing lead roles at the State Opera. Elsewhere in Europe she has had great success as Elsa, Arabella, Tatiana, Desdemona and Alice Ford in Munich, Paris, Glyndebourne and Milan. Four years ago in Hamburg she had already caught my at- tention as a great Ellen Orford in Peter Grimes. As is the custom in Europe we joined the fans wait- ing for her at the stage door and asked her whether she is thinking of doing Tosca. Yes, next year in San Francisco. This year she will sing her first Elisabetta (Don Carlo) in Salzburg, Ariadne in Barcelona and her Met debut as Lisa (Pique Dame) is planned for 2004. For us Ottawans of greatest interest will be her first Sieglinde in Toronto’s (continued on page 3) Adrianne Pieczonka Kat’a Kabanova During my trip to Germany in April I had the pleasure of witnessingBrian a Canadian star being born. Soprano Adrianne Pieczonka made the front page of the ‘Hamburger Abendblatt’Law with the comment “A star was born” follow- ing the opening night of Kat’a Kabanova by Janacek at the Hamburg State Opera.
  • The Old Bailey and the Recorder of London: a Brief History

    The Old Bailey and the Recorder of London: a Brief History

    From our Patron, Simon Callow Last year I received the exceptional honour of the Freedom of the City of London. Since boyhood I have been haunted by the City, its history, its imagery, its traditions. One of the most vital of those traditions is the City's association with music. Since at least 1350, The Worshipful Company of Musicians has proudly celebrated the noble art. I vividly remember a City of London Festival when I was a youth, in which The Yeoman of the Guards was performed with full son et lumière effects at the Tower of London, and Sir William Walton was specially commissioned to write a splendid piece for the City – A Song for the Lord Mayor's Table. Since then the Barbican Concert Hall has opened, and the London Symphony Orchestra has become resident orchestra. Music is everywhere in the City, as it should be. So when last year's Lord Mayor and Lady Mayoress, Roger and Clare Gifford, asked me become a Patron of their new charity, the City Music Foundation, I said yes straight away - not only because of the ancient association of the City with music, but because it looks so keenly to the future. Its raison d'être is to help young musicians at that critical difficult early point in their careers, right at the beginning, after their training, when they attempt to launch themselves into the world. The Foundation nurtures, encourages, and supports them at a vulnerable moment in their lives. I know very well what that feels like - young actors face exactly the same problems; sometimes really gifted, exceptional artists fall by the wayside.
  • Spring 2008-Final

    Spring 2008-Final

    Wagneriana Endloser Grimm! Ewiger Gram! Spring 2008 Der Traurigste bin ich von Allen! Volume 5, Number 2 —Die Walküre From the Editor ven though the much-awaited concert of the Wagner/Liszt piano transcriptions was canceled due to un- avoidable circumstances (the musicians were unable to obtain a visa), the winter and early spring months E brought several stimulating events. On January 19, Vice President Erika Reitshamer gave an audiovisual presentation on Wagner’s early opera Das Liebesverbot. This well-attended event was augmented by photocopies of extended excerpts from the libretto, with frequently amusing commentary by the presenter on Wagner’s influences and foreshadowings of his future operas. February 23 brought the excellent talk by Professor Hans Rudolf Vaget of Smith College. Professor Vaget spoke about Wagner’s English biographer Ernest Newman, whose seminal four-volume book The Life of Richard Wagner has never been surpassed in its thoroughness. In the early part of the twentieth century, the music critic Newman served as a counterbalance to his fellow countryman Houston Stewart Chamberlain, Wagner’s son-in-law and an ardent Nazi. The talk also included aspects of Thomas Mann’s fictional writings on Wagner, as well as the philoso- pher and musician Theodor Adorno and Wagner’s other son-in-law Franz Beidler. On April 19 we learned the extent of Buddhism’s influence on Wagner’s operas thanks to a lecture and book signing by Paul Schofield, author of The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner’s Ring. The audience members were so interested in what Mr.
  • Press Information Eno 2013/14 Season

    Press Information Eno 2013/14 Season

    PRESS INFORMATION ENO 2013/14 SEASON 1 #ENGLISHENO1314 NATIONAL OPERA Press Information 2013/4 CONTENTS Autumn 2013 4 FIDELIO Beethoven 6 DIE FLEDERMAUS Strauss 8 MADAM BUtteRFLY Puccini 10 THE MAGIC FLUte Mozart 12 SATYAGRAHA Glass Spring 2014 14 PeteR GRIMES Britten 18 RIGOLetto Verdi 20 RoDELINDA Handel 22 POWDER HeR FAce Adès Summer 2014 24 THEBANS Anderson 26 COSI FAN TUtte Mozart 28 BenvenUTO CELLINI Berlioz 30 THE PEARL FISHERS Bizet 32 RIveR OF FUNDAMent Barney & Bepler ENGLISH NATIONAL OPERA Press Information 2013/4 3 FIDELIO NEW PRODUCTION BEETHoven (1770–1827) Opens: 25 September 2013 (7 performances) One of the most sought-after opera and theatre directors of his generation, Calixto Bieito returns to ENO to direct a new production of Beethoven’s only opera, Fidelio. Bieito’s continued association with the company shows ENO’s commitment to highly theatrical and new interpretations of core repertoire. Following the success of his Carmen at ENO in 2012, described by The Guardian as ‘a cogent, gripping piece of work’, Bieito’s production of Fidelio comes to the London Coliseum after its 2010 premiere in Munich. Working with designer Rebecca Ringst, Bieito presents a vast Escher-like labyrinth set, symbolising the powerfully claustrophobic nature of the opera. Edward Gardner, ENO’s highly acclaimed Music Director, 2013 Olivier Award-nominee and recipient of an OBE for services to music, conducts an outstanding cast led by Stuart Skelton singing Florestan and Emma Bell as Leonore. Since his definitive performance of Peter Grimes at ENO, Skelton is now recognised as one of the finest heldentenors of his generation, appearing at the world’s major opera houses, including the Metropolitan Opera, New York, and Opéra National de Paris.
  • Simon O'neill ONZM

    Simon O'neill ONZM

    Simon O’Neill ONZM Tenor “Simon O'Neill made a tremendous debut in the title-role, giving notice that he is the best heroic tenor to emerge over the last decade.” Rupert Christiansen, The Telegraph, UK. A native of New Zealand, Simon O’Neill is one of the finest helden-tenors on the international stage. He has frequently performed with the Metropolitan Opera, the Royal Opera House, Covent Garden, Berlin, Hamburg and Bayerische Staatsopern, Teatro alla Scala and the Bayreuth, Salzburg, Edinburgh and BBC Proms Festivals, appearing with a number of illustrious conductors including Daniel Barenboim, Sir Simon Rattle, James Levine, Riccardo Muti, Valery Gergiev, Sir Antonio Pappano, Pietari Inkinen, Pierre Boulez, Sir Mark Elder, Sir Colin Davis, Simone Young, Edo de Waart, Fabio Luisi, Donald Runnicles, Sir Simon Rattle, Jaap Van Zweden and Christian Thielemann. Simon’s performances as Siegmund in Die Walküre at the Royal Opera House, Covent Garden with Pappano, Teatro alla Scala and Berlin Staatsoper with Barenboim, at the Metropolitan Opera with Runnicles in the celebrated Otto Schenk production returning with Luisi in the Lepage Ring Cycle and in the Götz Friedrich production at Deutsche Oper Berlin with Rattle were performed to wide critical acclaim. He was described in the international press as "an exemplary Siegmund, terrific of voice", "THE Wagnerian tenor of his generation" and "a turbo-charged tenor". During this season’s engagements Simon makes his debut at: Tanglewood with the Boston Symphony and Andris Nelsons and the Toronto Symphony with Sir Andrew Davis and Orquestra de la Comunitat Valenciana with Henrik Nánási as Siegmund in concert performances of Die Walküre.