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Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader. -
Mike Ehrmantraut and the Profound Power of Silence
Mike Ehrmantraut and The Profound Power of Silence We find a case of polar opposites in Better Call Saul, where two characters have sharply contrasting speaking styles. The character of Saul Goodman (Bob Odenkirk) is a chatterbox. The way the writers get Jimmy’s personality to pop and stand out is to put him in a room with somebody who doesn’t use words. In this example, that’s Mike Ehrmantraut (Jonathan Banks), a man of such few words that he speaks only when absolutely necessary. He doesn’t even have a lot of facial expressions or body language; instead he is a blank slate and we have no idea what he’s thinking. He’s completely poker faced and plays everything straight. And then, when he does take an action, it’s decisive. He doesn’t equivocate or waffle. In fact, he’s the opposite of Jimmy in just about every possible way. It was ingenious of Vince Gilligan and Peter Gould to give Mike a prominent role in Better Call Saul and Jimmy’s backstory, because we have the opportunity to learn a lot more about this laconic character. In this particular scene, Mike is called in and arrested. Two cops, one playing good cop, the other bad, !1 interrogate him. They try to work Mike and get him to crack, but in the entire scene, all Mike says is one word. INT. POLICE STATION – INTERVIEW ROOM – PRESENT DAY PRESENT-DAY MIKE in answering profile, dressed as he was at the end of episode 105. ABBASI (O.S.) Don’t know why we had to do it this way.. -
MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past. -
Outstanding Casting for a Drama Series
Outstanding Casting for a Drama Series Episode 511, “Confessions”: Walt, Skylar, Hank & Marie meet to discuss what's next. Trent, just doing his job, interrupts this very tense situation...more than once. Walter White … Bryan Cranston Skyler White … Anna Gunn Hank Schrader … Dean Norris Marie Schrader … Betsey Brandt Trent* … Guy Wilson Episode 515, “Granite State”: The Disappearer returns to Walt at his hideout in New Hampshire to bring him supplies. Walter White … Bryan Cranston The Disappearer* … Robert Forrester Episode 516, “Felina”: Walt returns to Elliott & Gretchen's. Our fan favorites Badger & Skinny Pete are not far behind. Walter White … Bryan Cranston Elliott … Adam Godley Gretchen … Jessica Hecht Badger … Matt Jones Skinny Pete … Charles Baker Lydia & Todd have an unexpected visit from Walt at the weekly coffee shop meeting Walter White … Bryan Cranston Lydia* … Laura Fraser Todd* … Jesse Plemons The shootout between Jack’s gang and Walter’s machine. The final good-bye. Walter White … Bryan Cranston Jesse Pinkman … Aaron Paul Todd* … Jesse Plemons Uncle Jack* … Michael Bowen Kenny* … Kevin Rankin Lester* … Tait Fletcher Jack’s Man* … Matthew T. Metzler Frankie* … Patrick Shane *Cast this season Casting Summary for Production 12-20-2012 BREAKING BAD Artist Episode # Episode Title Role Name Series Stars: BRANDT, BETSY MARIE CRANSTON, BRYAN WALTER WHITE GUNN, ANNA SKYLER WHITE MITTE, RJ WALTER, JR. NORRIS, DEAN HANK ODENKIRK, BOB SAUL GOODMAN PAUL, AARON JESSE Guest Cast: BAKER, CHARLES 509 BLOOD MONEY SKINNY PETE BRUMMETT, -
Premeditated Merger October 6, 2020
Premeditated Merger October 6, 2020 Chris Hanslik Larry Wilson PAGE 1 AGENDA: Thinking Through An Acquisition • Binding Provisions in Preliminary Documents • Definitions that Make a Difference • Representations and Warranties • Indemnity Issues • ….And….Pesky Miscellaneous Terms PAGE The Players BUYER: Madrigal Elektromotoren GmbH – An international conglomerate with interests in industrial equipment, manufacturing, global logistics, construction, and hospitality. A small but very profitable and rapidly growing division owns interests in fast casual restaurants. SELLER: Los Pollos Hermanos LLC – A successful and vertically integrated fast casual restaurant chain located in the Southwest United States owned by Mr. Gustovo Fring. Los Pollos Hermanos provides a superior product based upon proprietary recipes and has a loyal customer base. Growth is constrained by availability of raw materials and an inefficient distribution network. PAGE 3 The Deal Madrigal will acquire all of the membership interests of Los Pollos Hermanos from Mr. Fring (or alternatively, will acquire all of the assets and assume certain liabilities of Los Pollos Hermanos) for a cash-free, debt-free purchase price of $350 million. The parties have agreed that the purchase price will be adjusted up or down based upon the Net Working Capital of Los Pollos Hermanos as of the closing date and that Mr. Fring, will make customary representations and warranties relating to the business and assets of Los Pollos Hermanos. Madrigal and Mr. Fring will sign a long term, evergreen, employment contract under which Mr. Fring will continue to operate Los Pollos Hermanos, subject to termination for cause by the Madrigal board of directors. An escrow of 10% of the purchase price will be established to secure the post-closing indemnity obligations of Mr. -
BREAKING BAD by Vince Gilligan
BREAKING BAD by Vince Gilligan 5/27/05 AMC Sony Pictures Television TEASER EXT. COW PASTURE - DAY Deep blue sky overhead. Fat, scuddy clouds. Below them, black and white cows graze the rolling hills. This could be one of those California "It's The Cheese" commercials. Except those commercials don't normally focus on cow shit. We do. TILT DOWN to a fat, round PATTY drying olive drab in the sun. Flies buzz. Peaceful and quiet. until ••• ZOOOM! WHEELS plow right through the shit with a SPLAT. NEW ANGLE - AN RV Is speeding smack-dab through the pasture, no road in sight. A bit out of place, to say the least. It's an old 70's era Winnebago with chalky white paint and Bondo spots. A bumper sticker for the Good Sam Club is stuck to the back. The Winnebago galumphs across the landscape, scattering cows. It catches a wheel and sprays a rooster tail of red dirt. INT. WINNEBAGO - DAY Inside, the DRIVER's knuckles cling white to the wheel. He's got the pedal flat. Scared, breathing fast. His eyes bug wide behind the faceplate of his gas mask. Oh, by the way, he's wearing a GAS MASK. That, and white jockey UNDERPANTS. Nothing else. Buckled in the seat beside him lolls a clothed PASSENGER, also wearing a gas mask. Blood streaks down from his ear, blotting his T-shirt. He's passed out cold. Behind them, the interior is a wreck. Beakers and buckets and flasks -- some kind of ad-hoc CHEMICAL LAB -- spill their noxious contents with every bump we hit. -
The Hero As Villain in Contemporary Televised Narratives
THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES Maria João Brasão Marques Dissertação de Mestrado em Línguas, Literaturas e Culturas Estudos Ingleses e Norte-Americanos Março de 2016 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas – Estudos Ingleses e Norte-Americanos realizada sob a orientação científica da Professora Doutora Isabel Oliveira Martins. Show me a hero and I will write you a tragedy. F. Scott Fitzgerald AGRADECIMENTOS À minha orientadora, a Professora Doutora Isabel Oliveira Martins, pela confiança e pelo carinho nesta jornada e fora dela, por me fazer amar e odiar os Estados Unidos da América em igual medida (promessa feita no primeiro ano da faculdade), por me ensinar a ser cúmplice de Twain, Fitzgerald, Melville, McCarthy, Whitman, Carver, tantos outros. Agradeço principalmente a sua generosidade maior e uma paixão que contagia. Às Professoras Iolanda Ramos e Teresa Botelho, por encorajarem o meu investimento académico e por me facultarem materiais indispensáveis nesta dissertação, ao mesmo tempo que contribuíram para o meu gosto pela cultura inglesa e norte-americana. À professora Júlia Cardoso, por acreditar nesta demanda comigo e me fazer persistir até chegar a bom porto. Ao Professor João Maria Mendes, para sempre responsável pela minha paixão pelas narrativas, pelos heróis, pelo prazer de contar histórias que se mostram, pelo gosto de construir personagens que falham constantemente e que constantemente se reerguem. Aos meus pais, por me deixarem continuar a estudar. THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES MARIA JOÃO BRASÃO MARQUES RESUMO PALAVRAS-CHAVE: herói, anti-herói, protagonista, storytelling televisivo, revolução criativa, paradigma do herói, vilão. -
Transcription of the Spoken Dialogue and Audio, with Time-Code Reference, Provided Without Cost by 8Flix.Com for Your Entertainment, Convenience, and Study
CREATED BY Vince Gilligan EPISODE 5.14 “Ozymandias” As the series draws to a close, everyone copes with radically changed circumstances. WRITTEN BY: Moira Walley-Beckett DIRECTED BY: Rian Johnson ORIGINAL BROADCAST: September 15, 2013 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman (credit only) Laura Fraser ... Lydia Rodarte-Quayle (credit only) Jesse Plemons ... Todd Steven Michael Quezada ... Steven Gomez Michael Bowen ... Uncle Jack Kevin Rankin ... Kenny Patrick Sane ... Frankie Tait Fletcher ... Lester Saginaw Grant ... Native American Man Matthew T. Metzler ... Matt Hank Rogerson ... Detective #1 Billy Lockwood ... Detective #2 Patricio Delgado ... Cop #1 Carlos Telles ... Cop #2 1 00:00:19,311 --> 00:00:22,272 Yo, so, what's next? 2 00:00:22,481 --> 00:00:23,774 We wait. 3 00:00:23,982 --> 00:00:27,819 We don't got like eight more anal things we gotta do first? 4 00:00:28,612 --> 00:00:30,405 The reaction has begun. 5 00:00:30,614 --> 00:00:33,784 Yeah, I know. So how long? 6 00:00:33,992 --> 00:00:38,330 Well, if we had a freezer, the condensed liquid would cool more quickly.. -
Honors 102 Dr. Klodt the THESIS STATEMENT What Does a Thesis Statement Accomplish?
DEVELOPING THE THESIS STATEMENT Honors 102 Dr. Klodt THE THESIS STATEMENT What does a thesis statement accomplish? A thesis statement… …establishes the goal your writing will achieve …proves a specific argument to your reader …anticipates your reader’s questions How? + Why? …forecasts your interpretation to your reader THE THESIS STATEMENT What does a thesis statement accomplish? Theme → Topic What you are writing about Thesis → Goal What you will accomplish THE THESIS STATEMENT What is it? • A thesis is a specific interpretation you will prove to your reader. • A thesis transcends obvious + common knowledge. • You write about a theme (e.g.: A topic: the role of money), but you prove a thesis (e.g.: A goal: the indictment of the American dream for inherent materialism). • The analytical essay comes full circle, connecting the interpretation (conclusion) back to the thesis (introduction). THE THESIS STATEMENT Writing a thesis statement is a process. Writing a thesis statement takes time + effort + multiple drafts. If you write a thesis statement quickly and blithely, your essay will inevitably be superficial and will earn a poor grade. Translation: ����! THE THESIS STATEMENT “I’m in the Empire Business”: Money, Avarice, and the American Dream in Breaking Bad (Vince Gilligan 2008-2013) By analyzing the evolution of Walter White’s greed in five episodes of the Emmy Award-winning series, Breaking Bad becomes an allegory for contemporary American culture, in which money sanitizes moral depravity. Walter White (Bryan Cranston) repeatedly insists that his motives are noble: He justifies the profits from cooking methamphetamine to ensure his family’s security after he succumbs to cancer. -
State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another. -
Montage Sequences, Diegetic Music and Narcotics in Vince Gilligan‟S Breaking Bad
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-9 Issue-2, December 2019 Montage Sequences, Diegetic Music and Narcotics in Vince Gilligan‟s Breaking Bad A.Aiswarya Ramakrishna Pillai, P.V. Ramanathan In the present generation Netflix, Hotstar, Amazon Abstract: Vince Gilligan’s “Breaking Bad” is a neo-Western Prime and Hulu subscriptions very easily duplicate the television crime drama series that was broadcasted on AMC cinematic experience and are of a huge financial advantage. (American pay television channel). Crime Films can be The advancement in camera works, aesthetics, music, subtitle comprehended as a cinematic genre that was inaugurated by and several other graphical representations offered serials crime fiction in literature. The crime film is a complex and like Breaking Bad a precedence, due to the use of panoramic variegated object of study. Unlike the other existing genres, “crime film” is not defined as a cinematographic genre. This camera angles, thrilling shots from various angles and surreal genre is characterized by stories where there is an impending settings, not employed previously. Rebecca Williams crime, in some cases the crime would have already taken place and eloquently details how the creation of technical devices such is followed by the consequences. The advancement in technology as that of DVD and Blue-ray allocates a huge freedom that especially the invention of VCR,DVD and many such affordable allows the viewer to enjoy the entire series in a single sitting machines have made viewing television easy and affordable, or view it multiple times taking intervals and observing how which in turn paved the way for the success of critically acclaimed “ontological security can be felt differently when watching a serials such as “Breaking Bad” to embrace the success it deserved.