Author Index ANQ/JOHN/TIAGO ASTR0FLASH/DAD
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
Table of Contents
Administrative Services and Property Management SPECIFICATIONS SOLICITATION #: 15-22173 BUILDING: U-89 Uplands Campus Ottawa, Ontario PROJECT: U-89 Washroom Renovation PROJECT #: U89-5054 Date: January 2015 SPECIFICATION TABLE OF CONTENTS Construction Tender Form Buyandsell Notice Instructions to Bidders Ontario Sales Tax Acceptable Bonding Companies Articles of Agreement Plans and Specifications A Terms of Payment B General Conditions C Labour Conditions and Fair Wage Schedule D N/A Insurance Conditions E Contract Security Conditions F Security Requirement Check List G Directions to the Ottawa Research Facilities — Uplands NRC Institute for Aerospace Research (NRC-IAR) Research Road Ottawa, Ontario, Canada Tel: 613-991-5738 NRC Centre for Surface Transportation Technology (NRC-CSTT) 2320 Lester Road Ottawa, Ontario, Canada Tel: 613-998-9639 NRC Institutes/Branch/Program Buildings NRC Administrative Services and Property Management (NRC-ASPM) U-62 NRC Institute For Aerospace Research (NRC-IAR) U-61, U-66, U-67, U-69, U-70 NRC Centre for Surface Transportation Technology (NRC-CSTT) U-84, U-86, U-87, U-88, U89, U-90, U-91 By Road, from the MONTREAL RD FACILITIES to NRC-CSTT, 2320 Lester Road 1. Drive EAST on MONTREAL RD 2. Turn RIGHT on BLAIR RD, cross OGILVIE RD 3. Take the ramp and follow Highway 174 WEST 4. Keep RIGHT and take first exit on ramp Highway 417 EAST towards Cornwall/Montreal 5. Exit at WALKLEY RD, merge RIGHT on WALKLEY 6. Turn LEFT at CONROY RD 7. Turn RIGHT at DAVIDSON RD, cross BANK ST – name changes to LESTER RD 8. Continue on LESTER RD and watch for NRC Research Facilities signs Directions to the Ottawa Research Facilities — Uplands PAGE 2 of 4 By Road, from the MONTREAL RD FACILITIES to NRC-IAR, Research Road 1. -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program. -
Zhou-Master.Pdf (1.441Mb)
Are You a Good Chinese Musician? The Ritual Transmission of Social Norms in a Chinese Reality Music Talent Show Miaowen Zhou Master’s Thesis in East Asian Culture and History (EAST4591 - 60 Credits) Department of Culture Studies and Oriental Languages UNIVERSITY OF OSLO Spring 2015 © Miaowen Zhou 2015 Are You a Good Chinese Musician? The Ritual Transmission of Social Norms of a Chinese Reality Music Talent Show http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo II Abstract The sensational success of a Chinese reality music talent show, Super Girls’ Voice (SGV), in 2005 not only crowned many unknown Chinese girls/women with the hail of celebrity overnight, but also caused hot debates on many subjects including whether the show triggered cultural, even political democracy in China. 10 years have passed and China is in another heyday of reality music talent shows. However, the picture differs from before. For instance, not everybody can take part in it anymore. And the state television China Central Television (CCTV) joined the competition for market share. It actually became a competitive player of “reality” by claiming to find the best original and creative Chinese musicians whose voices CCTV previously avoided or oppressed. In this thesis, I will examine one CCTV show, The Song of China (SOC), in order to examine what the norms of good Chinese music and musicians are in the context of reality music talent shows. My work will hopefully give you some insights into the characteristics and the wider social and political influences of such reality music talent shows in the post-SGV era. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Children on the Margins: The Global Politics of Orphanage Care in Contemporary China Permalink https://escholarship.org/uc/item/4434c760 Author Wang, Leslie Kim Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Children on the Margins: The Global Politics of Orphanage Care in Contemporary China By Leslie Kim Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Thomas B. Gold, Co-Chair Professor Barrie Thorne, Co-Chair Professor Marion Fourcade-Gourinchas Professor You-Tien Hsing Fall 2010 Abstract Children on the Margins: The Global Politics of Orphanage Care in China by Leslie Kim Wang Doctor of Philosophy in Sociology University of California, Berkeley Professor Thomas B. Gold, Co-Chair Professor Barrie Thorne, Co-Chair Since beginning its rapid transition to a market economy in 1978, the People’s Republic of China has sought to become internationally dominant. In order to develop human capital and labor power, it has implemented a range of ideologically-driven policies that have been geared towards improving the overall mental, moral and physical “quality” (suzhi) of the population. The current criteria for assessing the individual value of citizens have resulted in new lines of stratification being drawn among children. As a result, healthy rural daughters and special needs children in particular are now considered unworthy of intensive investment and face a higher likelihood of being abandoned to state care. -
The Chinese Way of War: How Has It Changed?
Sponsor: US Army Futures and Concepts Center Dept. No.: P622 Contract No.: W56KGU-19-F- 0004 The Chinese Way of War: How Has it Project No.: 0720A150-MD Changed? The views expressed in this document are those of the author and do not reflect the official policy or position of MITRE, the Department of Defense, or the US government. Approved for Public Release, Distribution Unlimited. Public Release Case Number 20-1450. Author: Timothy Thomas June 2020 ©2020 The MITRE Corporation. All rights reserved. McLean, VA 1 Executive Summary The title of this paper is “The Chinese Way of War: How Has it Changed?” The answer is that it has changed dramatically from what it was 20 years ago, but that does not mean that everything is new. There are some components of People’s Liberation Army (PLA) thinking (deception, stratagems, etc.) that remain as important elements of China’s way of war and they are being integrated into technologies. Such issues offer an overall sense of historical continuity in China’s approach to warfare that is based on a thought process going back thousands of years, to include the transcendent impact of Sun Tzu, Marx, and Mao on strategic and tactical issues. The number of articles and discussions in the journal China Military Science (CMS) over the past 20 years devoted to these three men fully support this contention. On the other hand, China’s intelligentization of operations and focus on joint and all-domain capabilities (to include domains not currently under consideration in the US) create new challenges. Artificial intelligence (AI) is now being used to help design warfare—repeat, help design warfare—to further provide control over conflicts and to ensure the PLA has a future deterrent force with which to confront other nations. -
East Asian Pop Music Idol Production and the Emergence of Data Fandom in China
ICS0010.1177/1367877920904064International Journal of Cultural StudiesZhang and Negus 904064research-article2020 International Journal of Cultural Studies 2020, Vol. 23(4) 493 –511 © The Author(s) 2020 Article reuse guidelines: sagepub.com/journals-permissions DOI:https://doi.org/10.1177/1367877920904064 10.1177/1367877920904064 journals.sagepub.com/home/ics Article East Asian pop music idol production and the emergence of data fandom in China Qian Zhang Communication University of China, PR China Keith Negus Goldsmiths, University of London, UK Abstract This article traces the formation of popular music idol industries in China and the emergence of data fandom. It charts the growth of digital platforms and historicizes the commercial and geopolitical itinerations linking cultural production in Japan, South Korea, and China. It locates data fandom as an integral part of the popular music industries reconfigured by digital social media platforms; a structural change from the production-to-consumption ‘supply chain’ model of the recording era towards emergent circuits of content that integrate industries and audiences. Data fans understand how their online activities are tracked, and adopt individual and collective strategies to influence metric and semantic information reported on digital platforms and social media. This article analyses how the practices of data fans impact upon charts, media and content traffic, illustrating how this activity benefits the idols they are following, and enhances a fan’s sense of achievement and agency. Keywords Chinese idol production, Chinese music industry, data, digital platforms, fandom, K-pop, recording industry, social media Corresponding author: Qian Zhang, School of Music and Recording Arts, Communication University of China, No. -
Malefizio Screenplay. Script
FADE IN EXT. NEW YORK CITY - LATE EVENING It’s late fall with daylight almost gone. We see Manhattan’s tall structures from a bird’s eye view with glittering lights shaping the city’s dusky outline... the view steep-drops in a vertiginous fall landing on the fast moving crowd on Lexington... The strident traffic competes with the throng moving madly in a frenzied race to beat the evening news. I/E. SUBWAY ENTRANCE - NIGHT MARK MILLER, a young artist, stark and lean walks up the subway stairs carrying a portfolio, he’s on his way to see his art dealer... sees people stumbling on each other in their dart against time... He’s not in a rush. Out of nowhere a young woman flashing a long colorful skirt and dinky shawl slices down through the subway crowd -- winks Mark with a swift-piercing glance and continues her dive... Dazzled, he eye-tracks her until she disappears in the underground labyrinth... left wondering, wants to go after her- better not- shrugs, and continues ascending the few steps left before mixing with the hurrying multitude. EXT. UPPER EAST SIDE ON LEXINGTON - NIGHT A mid-upper class Manhattan apartment building with a modest sign in its first level that reads: FOSS ART GALLERY Before going in, Mark peeps through the front door glass panels to see if his “marchant” is there... He’s there. INSIDE THE GALLERY JACOB FOSS, an old Jewish art merchant, wealthy and ascetic, lives and works in the same premise. He believes strongly that Mark has no future in art as long as he sticks to just one subject: FEMALE INCISIVE EYES. -
Recensie: Level 42***
Recensie: Level 42*** Ancienne Belgique Brussel woensdag 27 oktober 2010 foto © Nick Legrand Recensie: "Dankuwel. Goede avond. We are Level 42. That's all I can remember these days“ zegt frontman Mark King van Level 42. Klokslag half negen gaat het zaallicht uit en dat zal zo'n uur en 35 minuten blijven. De band die zijn grootste successen in de jaren '80 kende, bracht een greatest hits-show in de AB "coz there is no new stuff“ verklaarde de zanger/bassist. Naarmate de show vordert vallen enkele doeken naar beneden zodat we albumcovers op zwarte doeken kunnen zien, links en rechts. Tijdens "Running in the family“ geeft ook het middenste zich prijs. "1980 -2010. Friends for 30 years“ prijkt er op. Dat moet dan als statement naar de fans gezien worden, want van de originele band schieten enkel nog frontman Mark King en toetsenist Mike Lindup over. Maar laat dat vooral de pret niet bederven. In de AB bracht Level 42 een goed geoliede show, soms een tikkeltje routineus met een knappe belichting. Tijdens de ballad "It's over“ zien we verschillende scanners een warm rode lichtstraal naar hetzelfde middelpunt schijnen zodat het geheel als een 14-puntige ster overkomt. Wanneer daar aan de buitenranden nog een streepje wit aan wordt toegevoegd, geeft dat en knap effect. Of hoe je met wat creativiteit tot mooie lichtresultaten kan komen. De band liet meermaals horen dat het in de jaren '80 oorspronkelijk vooral begonnen was met instrumentale jazz-funk nummers. Heel wat songs kenden lange niet gezongen stukken met elektrische gitaren en typisch voor die tijd en zijn genre ook de saxofoon. -
The Nine Chapters on the History of Chinese Mathematics
The Nine Chapters on the History of Chinese Mathematics Rik Brandenburg¤ Keimpe Nevenzeely 15 July 2007 Abstract This article explores Chinese mathematics from the ¯rst archeological evidence of numbers on oracle bones (14th century BC) to the time Chi- nese mathematics became a part universal mathematics (halfway the 19th century AD). First a concise overview of Chinese history and in philosophy is given. The ethical oriented Confucianism was the dominant philosophy and con- sequently little attention was given to the natural world, hindering the development of natural sciences and mathematics. Due to historical and philosophical reasons, Chinese mathematics took quite a di®erent path than its Western counterpart: Chinese mathematics was focused on alge- bra and practical applications instead of geometry and theoretical reason- ing. The Nine Chapters on the Mathematical Art (ca. 1st century AD) is by far the most influential work: it would shape Chinese mathematics for centuries to come. Between the 3rd and the 11th century AD, Bud- dhist and Indian ideas got a ¯rm grip on China, yet curiously Chinese mathematics is barely influenced. In the `Chinese Renaissance' and the subsequent Mongol occupation between the 12th and 14th century Chinese mathematics will reach its zenith. In the 15th and 16th centuries mathematical development waned and important achievements were forgotten. Only after the arrival of Eu- ropean missionary-scientists at the end of the 16th and during the 17th century mathematics made progress again. The Opium Wars of the 19th century mark the end of the classical China and the indigenous Chinese mathematics would be assimilated by universal mathematics. -
Polydor Records Discography 3000 Series
Polydor Records Discography 3000 series 25-3001 - Emergency! - The TONY WILLIAMS LIFETIME [1969] (2xLPs) Emergency/Beyond Games//Where/Vashkar//Via The Spectrum Road/Spectrum//Sangria For Three/Something Special 25-3002 - Back To The Roots - JOHN MAYALL [1971] (2xLPs) Prisons On The Road/My Children/Accidental Suicide/Groupie Girl/Blue Fox//Home Again/Television Eye/Marriage Madness/Looking At Tomorrow//Dream With Me/Full Speed Ahead/Mr. Censor Man/Force Of Nature/Boogie Albert//Goodbye December/Unanswered Questions/Devil’s Tricks/Travelling PD 2-3003 - Revolution Of The Mind-Live At The Apollo Volume III - JAMES BROWN [1971] (2xLPs) Bewildered/Escape-Ism/Get Up, Get Into It, Get Involved/Get Up I Feel Like Being A Sex Machine/Give It Up Or Turnit A Loose/Hot Pants (She Got To Use What She Got To Need What She Wants)/I Can’t Stand It/I Got The Feelin’/It’s A New Day So Let A Man Come In And Do The Popcorn/Make It Funky/Mother Popcorn (You Got To Have A Mother For Me)/Soul Power/Super Bad/Try Me [*] PD 2-3004 - Get On The Good Foot - JAMES BROWN [1972] (2xLPs) Get On The Good Foot (Parts 1 & 2)/The Whole World Needs Liberation/Your Love Was Good For Me/Cold Sweat//Recitation (Hank Ballard)/I Got A Bag Of My Own/Nothing Beats A Try But A Fail/Lost Someone//Funky Side Of Town/Please, Please//Ain’t It A Groove/My Part-Make It Funky (Parts 3 & 4)/ Dirty Harri PD 2-3005 - Ten Years Are Gone - JOHN MAYALL [1973] (2xLPs) Ten Years Are Gone/Driving Till The Break Of Dawn/Drifting/Better Pass You By//California Campground/Undecided/Good Looking