Sarah Vaughan the Magic of Sarah Vaughan Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Sarah Vaughan The Magic Of Sarah Vaughan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Magic Of Sarah Vaughan Country: US Released: 1959 Style: Vocal, Big Band, Swing MP3 version RAR size: 1671 mb FLAC version RAR size: 1981 mb WMA version RAR size: 1633 mb Rating: 4.8 Votes: 836 Other Formats: MOD VOX TTA MP3 MP2 ADX MP4 Tracklist A1 That Old Black Magic 2:50 A2 Careless 2:05 A3 Separate Ways 2:20 A4 Are You Certain 2:12 A5 Mary Contrary 2:38 A6 Broken-Hearted Melody 2:15 B1 I’ve Got The World On A String 3:05 B2 Don’t Look At Me That Way 2:10 B3 Love Is A Random Thing 2:47 B4 Friendly Enemies 2:15 B5 What’s So Bad About It 1:55 B6 Sweet Affection 2:01 Credits Liner Notes – Louis Sidran* Liner Notes, Directed By [Recording] – Clyde Otis Notes Black label with silver lettering; deep groove. No musical credits information listed. Also available on Monaural MG 20438 Other versions Category Artist Title (Format) Label Category Country Year The Magic Of Sarah Sarah MG 20438 Vaughan (LP, Album, Mercury MG 20438 US 1959 Vaughan Mono) Sarah The Magic Of Sarah 892 001 WQY Fontana 892 001 WQY Italy 1959 Vaughan Vaughan (LP, Album) The Magic Of Sarah Sarah MG C-20438 Vaughan (LP, Album, Mercury MG C-20438 Canada 1959 Vaughan Mono) Sarah The Magic Of Sarah SRW 16280 Mercury SRW 16280 US 1964 Vaughan Vaughan (LP, Album) The Magic Of Sarah MG 20438, Sarah Mercury, MG 20438, Vaughan (LP, Album, US 1959 MG-20438 Vaughan Mercury MG-20438 Mono) Related Music albums to The Magic Of Sarah Vaughan by Sarah Vaughan Sarah Vaughan - Through The Years Sarah Vaughan - Misty / Broken-Hearted Melody Sarah Vaughan - ¡Viva! Vaughan Sarah Vaughan - Vaughan With Voices Vaughan, Sarah - Sassy Swings The Tivoli Sarah Vaughan - Viva Vaughan Sarah Vaughan - Sarah Voughan Sings with John Kirby Sarah Vaughan - The World Of Sarah Vaughan - The Divine One Sings.

Copy Link

Recommended publications

CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus.
[Show full text]
The Man I Love Full Score
Jazz Lines Publications the man i love Presents recorded by sarah vaughan Arranged by benny carter prepared for publication by rob duboff and jeffrey sultanof full score jlp-9797 Words by Ira Gershwin Music by George Gershwin Copyright © 2021 The Jazz Lines Foundation, Inc. Logos, Graphics, and Layout Copyright © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Benny Carter Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA sarah vaughan series the man i love (1963) Sarah Vaughan Biography: Sarah Lois Vaughan was born on March 27, 1924, in Newark New Jersey. She was born into a very musical churchgoing family, and this gave her the chance to discover and begin developing her stunning abilities at an early age. She began piano lessons while in elementary school, and played and sang in the church choir, as well as during church services. During her teens she began seriously performing and attending nightclubs, and while she did eventually attend an arts-based high school, she dropped out before graduating to focus on her burgeoning musical exploits. Encouraged by a friend or friends to give the famous career-making Amateur Night at the Apollo Theater in Harlem, New York City a try (the exact date and circumstances are debated), she sang Body and Soul and won. This led to her coming to the attention of Earl Hines, whose band at the time was a revolutionary group at the forefront of the bebop movement.
[Show full text]
Sarah Vaughan You're Mine You Mp3, Flac, Wma
Sarah Vaughan You're Mine You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: You're Mine You Country: Germany Released: 1969 Style: Vocal, Easy Listening MP3 version RAR size: 1173 mb FLAC version RAR size: 1869 mb WMA version RAR size: 1635 mb Rating: 4.6 Votes: 816 Other Formats: AHX DXD ADX MP3 VOC FLAC AAC Tracklist A1 You're Mine You A2 The Best Is Yet To Come A3 Wichcraft A4 So Long A5 Second Time Around A6 I Could Write A Book B1 Maria B2 Baubles, Bangles And Beads B3 In Other Words B4 Moonglow B5 Invitation B6 On Green Dolphin Street Companies, etc. Record Company – Deutsche Vogue Schallplatten GmbH Credits Design [Cover Design] – Jac. Kip* Photography By [Foto] – David Redfern Notes Pressed on red vinyl On Frontcover: Jazz Non Stop Sarah Vaughan You're Mine You Vogue Schallplatten Stereo Upper part of Backcover: Stereo (auch mono abspielbar) - Jazz Non Stop - CDVR 102 Lower part of Backcover: Original Record by Roulette Tracklisting & some Liner Notes Im Vertrieb der Deutschen Vogue Schallplatten GmbH Barcode and Other Identifiers Rights Society: GEMA Other versions Category Artist Title (Format) Label Category Country Year Sarah You're Mine You (LP, R 52082 Roulette R 52082 US 1962 Vaughan Album, Mono) Sarah You're Mine You (LP, SR 52082 Roulette SR 52082 US 1962 Vaughan Album) Sarah You're Mine You (LP, 33SX 1438 Columbia 33SX 1438 UK 1962 Vaughan Album, Mono) Sarah You're Mine You (CD, Fresh Sound FSR CD 19 FSR CD 19 Spain 1988 Vaughan Album) Records 7243 8 57157 Sarah You're Mine You (CD, 7243 8 57157 Roulette Jazz Europe 1997 2 3 Vaughan Album, RE) 2 3 Related Music albums to You're Mine You by Sarah Vaughan Alfons Bauer Und Seine Sounders - Modern Zither Sarah Vaughan - ¡Viva! Vaughan Sarah Vaughan - Vaughan With Voices Ramon Bonafon - Maria Bonita Sarah Vaughan And Her Trio - Sarah Vaughan At Mister Kelly's Sarah Vaughan - Time To Go Sarah Vaughan - The World Of Sarah Vaughan - The Divine One Sings Sarah Vaughan - The Explosive Side Of Sarah Vaughan.
[Show full text]
Jazz Various the Swing Years (1936- 46) RD4-21- 1/6 Reader's Digest
Jazz Various The Swing Years (1936- RD4-21- Reader's VG/ 6 Disc Box 46) 1/6 Digest (RCA VG+ Set Custom) Various In the Groove with the RD4-45- Reader's VG+ 6 Disc Box Info Kings Of Swing 1/6 Digest (RCA Set Packet Custom) Various The Great Band Era RD4-21- Reader's VG/ 10 Disc Cover (1936-1945) 1/9 Digest (RCA VG+ Box Set and Disc Custom) 10 Missing Various Big Band Collection QUSP- Quality VG-/ Box Set vol.1 5002 Special VG Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 2 5002 Special VG+ Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 3 5002 Special VG+ Missing Products Box The Cannonball Mercy, Mercy, Mercy T-2663 Capitol VG/ Live at Adderley Quintet VG+ “The Club” The Cannonball Country Preacher SKA0-8- Capitol VG/ Gatefold Adderley Quintet 0404 VG+ The Cannonball Why Am I Treated So ST-2617 Capitol VG-/ Adderley Quintet Bad! VG The Cannonball Accent On Africa ST-2987 Capitol VG/ Adderley Quintet VG+ The Cannonball Cannonball Adderly with ST-2877 Capitol VG-/ Adderley and the Sergio Mendes & The VG Bossa Rio Sextet Bossa Rio Sextet with Sergio Mendes Nat King Cole The Swingin' Moods Of DQBO- Capitol VG/ 2 Disc Nat King Cole 91278 VG+ Gatefold Nat King Cole The Unforgettable Nat ST-2558 Capitol VG-/ King Cole Sings The VG Great Songs Nat King Cole Ramblin' Rose ST-1793 Capitol VG 1 Jazz Nat King Cole Thank You, Pretty Baby ST-2759 Capitol VG/ VG+ Nat King Cole The Beautiful Ballads ST-2820 Capiol VG/ VG+ Nancy Williams From Broadway With T-2433 Capitol VG/ Love VG+ Nancy
[Show full text]
Jazz History, November 2015
JAZZ HISTORY ONLINE NOVEMBER, 2015! Luciana Souza: Passion and Versatility by Thomas Cunniffe Like Ray Charles, Sarah Vaughan, and Bobby McFerrin, Luciana Souza retains her unique identity regardless of the type of music she sings. Her range is staggering. She is a remarkable improviser with recordings that pair her with the most progressive musicians in jazz today. She is also an exquisite interpreter of pop songs, both classic and contemporary, offering definitive renditions of songs as varied as “Never Let Me Go”, “Waters of March” and “The Very Thought of You”. Her three albums of “Brazilian Duos” introduced great songs from Souza’s native land to American audiences by setting her expressive voice against solo guitar accompaniments by Romero Lubambo, Marco Pereira, Toninho Horta, Guilherme Monteiro, Swami, Jr. and her father, Walter Santos. She is also one of the premier interpreters of the music of the contemporary classical composer Osvaldo Golijov, performing his dramatic and vocally challenging music with orchestras and choruses around the world. She has written her own compositions with original words and music, and has also set the poetry of Elizabeth Bishop, Pablo Neruda and Leonard Cohen to her own melodies. JAZZ HISTORY ONLINE NOVEMBER, 2015! However, there is more to Souza’s art than just the mastery of diverse styles. Souza brings deep passion to everything she sings. She picks her repertoire carefully, and is meticulous about finding the right tempo and setting to properly transmit a song’s message. Her recording of “All of Me” sounds like a total act of romantic submission, and her setting of Neruda’s “Tonight I Can Write” conveys a feeling of loneliness and release.
[Show full text]
Introduction of Sarah Vaughan” of the President’S Speeches and Statements: Reading Copies at the Gerald R
The original documents are located in Box 4, folder “12/15/74 - Introduction of Sarah Vaughan” of the President’s Speeches and Statements: Reading Copies at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 4 of President's Speeches and Statements: Reading Copies at the Gerald R. Ford Presidential Library THE PRESIDENT HAS SEEll ;:. '·/· l PRESIDENTIAL INTRODUCTION OF SARAH VAUGHAN SUNDAY., DECEMBER 15~ 1974 - 1 - MR. PRES IDENT IT SEEMS TO ME THERE IS ONE ITEM 1 WE SHOULD HAVE PUT ON OUR AGENDA TODAY -- MUSIC. WHILE THERE ARE NUMEROUS AREAS OF MUTUAL INTEREST BETWEEN OUR TWO NATIONS THE POPULARITY OF JAZZ IN BOTH FRANCE AND THE U.S. IS UNDISPUTED. - 2 - THE LADY WHO WILL ENTERTAIN US TONIGHT HAS JUST RECEIVED THE FIRST JAZZ ACADEMY AWARD FROM YOUR COUNTRY. SHE IS AN INTERNATIONAL STAR OF STAGF;,• SCREEN_, RADIO., AND TELEVISION. HER RECORDS HAVE SOLD IN THE MILLIONS. - 3 - MR. PRES I DENT., IN OUR RESPECTIVE COUNTRIES WE ARE BOTH CONFRONTED WITH ENOUGH PROBLEMS TO S lNG THE BLUES.
[Show full text]
Women in Jazz
WOMEN IN JAZZ ELLA FITZGERALD - American jazz singer has ‘horn- like’ improvisational ability - She was the ﬁrst African- American woman to win multiple Grammy Awards - Recorded more than 200 albums throughout her career - Made her debut at the Apollo Theatre in New York which was one of the ﬁrst theatre to allow black people to perform at ELLA FITZGERALD - Ella and Mel Torme at the 1976 Grammy Awards ELLA - SUMMERTIME HTTPS://WWW.YOUTUBE.COM/ WATCH?V=U2BIGF337AU NINA SIMONE • Pianist, vocalist, songwriter • Known for singing “I Loves You, Porgy” • Was politically active with songs like “To Be Young, Gifted and Black” • Civil rights activist • Birth name: Eunice Waymon • Passed age 70 NINA SIMONE I loves you, Porgy Don't let him take me Don't let him handle me and drive me mad If you can keep me I wanna stay here with you forever and I'll be glad Yes, I loves you, Porgy Don't let him take me Don't let him handle me with his hot hands If you can keep me I wants to stay here with you forever I've got my man I love you, Porgy Don't let him take me Don't let him handle me and drive me mad If you can keep me I wanna stay here with you forever I've got my man Someday I know he's coming to call me He's going to handle me and hold me soon He's going to be like dying, Porgy When he calls me But when he comes I know I'll have to go I love you, Porgy Don't let him take me Honey, don't let him handle me and drive me mad If you can keep me I wanna stay here with you forever I've got my man MARIA SCHNEIDER • American composer and jazz orchestra leader
[Show full text]
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan ..................................................................................................................................
[Show full text]
Sarah Vaughan and Margie Anderson Mp3, Flac, Wma
Sarah Vaughan Spotlight On Sarah Vaughan And Margie Anderson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Spotlight On Sarah Vaughan And Margie Anderson Country: US MP3 version RAR size: 1178 mb FLAC version RAR size: 1384 mb WMA version RAR size: 1323 mb Rating: 4.6 Votes: 438 Other Formats: MIDI RA DMF TTA MP4 AC3 DXD Tracklist A1 My Kinda Love A2 Love Me Or Leave Me A3 I Can't Get Started With You A4 Sometimes I Feel Like A Motherless Child A5 Lord's Prayer B1 I'll Wait And Pray B2 Caribbean B3 C'est Paris B4 Rickshaw Blues B5 Lost In The Fog Notes This is the stereo release Other versions Category Artist Title (Format) Label Category Country Year Sarah Vaughan And Margie Sarah Vaughan Anderson - Spotlight On Tiara TMT 7519 And Margie TMT 7519 US Unknown Sarah Vaughan And Margie Records Anderson Anderson (LP, Album, Mono) Sarah Vaughan And Margie Sarah Vaughan Anderson - Spotlight On Tiara TST 519 And Margie TST 519 US Unknown Sarah Vaughan And Margie Records Anderson Anderson (LP, Album) Sarah Vaughan And Margie Sarah Vaughan Anderson - Spotlight On Tiara TMT 7561 And Margie TMT 7561 US Unknown Sarah Vaughan And Margie Records Anderson Anderson (LP, Album, Mono) Related Music albums to Spotlight On Sarah Vaughan And Margie Anderson by Sarah Vaughan Sarah Vaughan - Featuring the voice of Sarah Vaughan Sarah Vaughan - Separate Ways Sarah Vaughan - Viva! Sarah Vaughan - Sarah Vaughan - Sarah Vaughan In Hi-Fi Sarah Vaughan - Sarah Vaughn Sings Sarah Vaughan - Spotlight On Sarah Vaughan Sarah Vaughan - Feelin' Good Sarah Vaughan - Tenderly Sarah Vaughan With Count Basie & His Orchestra - Count Basie / Sarah Vaughan.
[Show full text]
Chicago Jazz Orchestra Brings Sarah Vaughan Tribute to Symphony Center Presents Jazz Series
FOR IMMEDIATE RELEASE: Press Contacts: April 29, 2016 Eileen Chambers/CSO 312.294.3092 MaryJane Maharry/Brava PR 773.490.6046 Photos Available By Request [email protected] CHICAGO JAZZ ORCHESTRA BRINGS SARAH VAUGHAN TRIBUTE TO SYMPHONY CENTER PRESENTS JAZZ SERIES Vocalists Dee Alexander, Ann Hampton Callaway and René Marie featured in Program that Highlights Classic Sarah Vaughan Hits Friday, May 20, at 8:00 p.m. CHICAGO— The Symphony Center Presents (SCP) Jazz series continues with “A Tribute to Sarah Vaughan” featuring The Chicago Jazz Orchestra (CJO) on Friday, May 20, at 8:00 p.m. CJO Conductor and Artistic Director Jeff Lindberg leads his big band with strings and an all-star roster of talented vocalists including Chicago’s own Dee Alexander and Ann Hampton Callaway, as well as GrammyⓇ-nominee René Marie in transcriptions of some of Vaughan’s signature standards. This new, original program is a world premiere presentation that was created in collaboration with the CJO specifically for the Symphony Center Presents Jazz series. The program honors the legacy of the incomparable Sarah Vaughan, a GrammyⓇ award winner, NEA Jazz Master award recipient and one of the most unforgettable voices in jazz. At the concert, Vaughan’s contributions to jazz are also recognized with a special onstage unveiling of the newly issued Sarah Vaughan Forever Stamp by special guest Tangela Bush, Postmaster, Chicago District. Alexander, Callaway and Marie perform some of Vaughan’s most memorable songs including "Misty", "Tenderly", "Key Largo", "How High The Moon, "I Hadn't Anyone 'Til You" and "Until I Met You" among others.
[Show full text]
The Jazz Tradition Jeff Rupert Thursday, June 27
Music for All Summer Symposium presented by Yamaha www.musicforall.org The Jazz Tradition Jeff Rupert Thursday, June 27 Music For All Summer Symposium SURVEY OF JAZZ HISTORY Jeff Rupert I Influences and elements of early jazz A Congo Square, New Orleans. 1 Gathering place for slaves in New Orleans, from the late 1700’s. 2 Catholicism in New Orleans. 3 Slave trade abolished in 1808. 4 Emancipation proclamation in 1862. B Ragtime 1 Scott Joplin,(1867-1917), primary composer and pianist. 2 Piano music, first published in 1896. 3 Syncopated music 4 Complex march-like song forms 5 Simulating the orchestra or marching band C Country Blues 1 Migration from the country into New Orleans. 2 Blues Inflections 3 Vocal Characteristics peculiar to the blues. 4 The first blues published in 1904. “I’ve got the blues”. 5 W.C. Handy publishes “St. Louis Blues” in 1914. D Marching bands in New Orleans 1 Several popular bands, serving numerous functions The Superior, the Onward Brass Bands playing parades, funerals and concerts. 2 Marching bands syncopating, or “ragging” rhythms 3 Playing “head charts” 4 The Big 4 5 Buddy Bolden,(1877-1931), Freddie Keppard, (1890-1933). E Opera and other European influence in New Orleans. 1 Opera and Orchestras in New Orleans 2 Creoles before and after the “black codes” or Jim Crow laws.(1877-1965). Plessy vs Ferguson upheld Jim Crow laws of separate but equal in Louisiana in 1896. 3 Music in New Orleans after the black codes. 4 Instruments incorporated in early jazz. Jazz History Outline. © Jeff Rupert RUPE MUSIC Pub.
[Show full text]
Newspaper $D.Bu — — 6
ApriL Newspaper $d.bU — — 6 Geffen Recordspromotion executive Marko THE DIVINE ONE JANE SAYS.. .GET Babineau has moved over to be general manager for the DIES Sarah Vaughan, one LOST: The former manager DGC label. In turn, Babineau an- of the greatest jazz singers of all of Jane's Addiction, Gary Kur- his promotional time, died of lung cancer last first, is suing the band. He nounced DGC team: Leavitt as Tuesday at the age of 66. "The claims that they fired him in Steve CHR Divine One," as she was aptly violation of a three-year con- promotion director, Hugh Surratt nicknamed, began her career in tract that does not expire until as AOR promotion director, and 1942, after winning an amateur August, 1991. Kurfirst alleges Mark Kates as alternative promo- contest at New York's Apollo at the time of the filing date tion director. DGC has also an- Theatre. For nearly 50 years, (January 25), lead singer Perry nounced thirteen regional her remarkable instrument Farrell was enrolled in a Bever- promotion managers: Mark which, amazingly, seemed to ly Hills drug rehab center, and Burger / Dallas, Lorren Cor- improve with age—has been lead guitarist Dave Navaro was nelius / St. Louis, Jim Gallis / heard on thousands of record- in a methadone program. He Midwest, Ed Green /Philadel- ings and in thousands of con- feels that the band members' phia, Angela Jones / Nashville, cert halls and jazz clubs. With alleged drug problems resulted Alek Maye/Cleveland, Sue O’- Billie Holiday and Ella in clouded judgement, result- Connell/New England, Zak Phil- Fitzgerald, she represented one ing in his dismissal.
[Show full text]