Thad Jones Arrangements List Copy
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CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
Thad Jones Discography Copy
Thad Jones Discography Compiled by David Demsey 2012-15 Recordings released during Thad Jones’ lifetime, as performer, bandleader, composer/arranger; subsequent CD releases are listed where applicable. Each entry lists Thad Jones compositions/arrangements contained on that recording. Album titles preceded by (•) are contained in the Thad Jones Archive collection. I. As a Leader or Co-Leader Big Band Leader or Co-Leader (chronological): • Thad Jones/Mel Lewis Orchestra, Live at the Vanguard (rec. 1/7 [sic], 3/21/66) [live recording donated by George Klabin] Contains: All My Yesterdays (2 versions), Backbone, Big Dipper (2 versions), Mean What You Say, Morning Reverend, Little Pixie, Willow Weep for Me (Brookmeyer), Once Around, Polka Dots and Moonbeams (small group), Low Down, Lover Man, Don’t Ever Leave Me, A-That’s Freedom • Thad Jones/Mel Lewis Orchestra, On Tour (rec. varsious dates and locations in Europe) Discs 1-7, 10-11 [see Special Recordings section below] On iTunes. • Thad Jones/Mel Lewis Orchestra, In the Netherlands (rec. 1974) [unreleased live recording donated by John Mosca] • Thad Jones/Mel Lewis Orchestra, Presenting the Thad Jones-Mel Lewis Orchestra (rec. 5/4-5-6/66) Solid State UAL18003 Contains: Balanced Scales = Justice, Don’t Ever Leave Me, Mean What You Say, Once Around, Three and One • Thad Jones/Mel Lewis Orchestra, Opening Night (rec. 1[sic]/7/66, incorrect date; released 1990s) Alan Grant / BMG Ct. # 74321519392 Contains: Big Dipper, Polka Dots and Moonbeams (small group), Once Around, All My Yesterdays, Morning Reverend, Low Down, Lover Man, Mean What You Say, Don’t Ever Leave Me, Willow Weep for Me (arr. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Karriere Eines Weltstars Oder Einfacher
1 of 6 C A T E R I N A V A L E N T E THE CAREER OF AN INTERNATIONAL STAR! or simply A WOMAN BORN FOR MUSIC! London's DAILY SKETCH (1970) wrote: "Whatever it takes to be a star, she's got it"! This laconic statement implicates the superlatives used by other journalists all over the world. Whether they call her "Caterina la grande" in Italy or "Caterina the great" in England and the U.S.A., she is the same everywhere: an undisputed queen of show business. Celebrated by the public, awarded the highest praise by her peers, revered by the greatest musicians and popular among other artists. She is fortunate to have a blessed voice, unique musicality, and possesses a particularly distinctive feel for rhythm. But that's not all. This graceful woman worked on herself continuously and unwaveringly with incredible tenacity and an iron will. Whether she was singing, dancing, or playing solo guitar, she did so with total focus. Her abilities, combined with her charismatic personality gave this artist a glittering career and led to her becoming a well-established celebrity in the world of entertainment. To give a complete description of her career would take too long, so here is just a short summary of the most important stages of her success. 1931 Born on January 14 in Paris France. Her mother, Maria Valente, is a world-famous musical clown and her father, Giuseppe, is a talented musician. Her parents are Italian; Caterina therefore acquires Italian nationality. 1936 First appearance at the Friedrichsbau in Stuttgart within the family group. -
The Man I Love Full Score
Jazz Lines Publications the man i love Presents recorded by sarah vaughan Arranged by benny carter prepared for publication by rob duboff and jeffrey sultanof full score jlp-9797 Words by Ira Gershwin Music by George Gershwin Copyright © 2021 The Jazz Lines Foundation, Inc. Logos, Graphics, and Layout Copyright © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Benny Carter Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA sarah vaughan series the man i love (1963) Sarah Vaughan Biography: Sarah Lois Vaughan was born on March 27, 1924, in Newark New Jersey. She was born into a very musical churchgoing family, and this gave her the chance to discover and begin developing her stunning abilities at an early age. She began piano lessons while in elementary school, and played and sang in the church choir, as well as during church services. During her teens she began seriously performing and attending nightclubs, and while she did eventually attend an arts-based high school, she dropped out before graduating to focus on her burgeoning musical exploits. Encouraged by a friend or friends to give the famous career-making Amateur Night at the Apollo Theater in Harlem, New York City a try (the exact date and circumstances are debated), she sang Body and Soul and won. This led to her coming to the attention of Earl Hines, whose band at the time was a revolutionary group at the forefront of the bebop movement. -
Cash Bo.X Office
—— GERMANY ITALY Allies Davis, trumpeteer and composer of modern jazz, started his tour After his tour of the USA, Domenico Modugno has started a long tour of throughout Germany in Hannover on March 29th. He goes to Cologne, Munich, Italy, at the end of which he is likely to record with Caterina Valente. On Karlsruhe and Nuernberg. March 26th and 27th, Modugno gave three concerts in a Milanese theatre. Renata Tebaldi, First Lady of the Opera, is expected to tour Germany in “Personalita” coupled with “Till” by Caterina Valente is recording high sales May. Marlene Dietrich will visit her home country in May, with her own ballet. in Italy. It is on the Decca label. Deutsche Grammophon Gesellchaft won the “Grand Prix du Disque in “Mustafa’,” a cheerful. Oriental-like tune, distributed by Durium on the 1906”, winning four prizes out of fifteen. Vogue label was released in Italy. A remake of the film, “Bomben auf Monte Carlo” with Eddie Constantine, “Morgen” is becoming popular in Italy and three versions are now available has made the tune, “A Night In Monte Carlo” by Billy Vaughn very popular in —Eddie Calvert’s on Columbia, Ivo Robic’s on Polydor and Miran De Martino’s Germany. Teldec has already sold 200,000 copies of this record. on RCA. The music is published in Italy by Leonardi. Carmen Cavallaro’s recording of “The Eddy Duchin Story”, for which he got Durium will present and distribute the Neopolitan record label. Royal, in Italy large Italian a gold record on American Decca, is now released in Germany on the Bruns- and abroad. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
Caterina Valente – Die Wandelbare Dienstag, 5
Jazz Collection: Caterina Valente – die Wandelbare Dienstag, 5. Januar 2021, 21.00 – 22.00 Uhr, SRF 2 Kultur Samstag, 9. Januar 2021, 17.06 – 18.30 Uhr, SRF 2 Kultur (mit Bonustracks) Caterina Valente wurde in eine Zirkusfamilie italienischer Herkunft hineingeboren. Vielleicht erklärt das den Umstand, warum sich die Sängerin locker zwischen verschiedensten musikalischen Genres, zwischen Jazz und Schlager hin- und herbewegt, ohne Berührungsängste. Caterina Valente feiert im Januar 2021 ihren 90. Geburtstag. Eric Facon hat den Kulturjournalisten Manfred Papst von der NZZ am Sonntag zum Gespräch über die vielseitige Künstlerin gebeten. Gast: Manfred Papst Redaktion und Moderation: Eric Facon Interpret*in Titel Komponist*in Album / Label Caterina Valente Istanbul Nat Simon Bonjour Catherine / Polydor (1957/ 2000) Caterina Valente Ganz Paris träumt von der Liebe Cole Porter Bonjour Catherine Caterina Valente The Breeze And I Ernesto Lecueno Auf der Strasse der Erinnerung / Polydor (1996) Caterina Valente I’ll Remember April Gene De Paul Chet Baker / Compact Jazz (1989) Caterina Valente Komm ein bisschen mit nach Italien Heinz Gietz Caterina Valente: Hallo! / Polydor (1987) Caterina Valente Nocturne for the Blues Earle Hagen Caterina Valente in New York / Polydor (2002) Caterina Valente Nessuno al mondo Art Crafer I successi di Caterina Valente / Replay (1991) Caterina Valente Till the End of Time Frédéric Chopin With a Song in My Heart / Bear Family Records (2000) Caterina Valente Itsy Bitsy Teenie Weenie Honolulu Paul J. Vance Auf der Strasse -
Jazz Various the Swing Years (1936- 46) RD4-21- 1/6 Reader's Digest
Jazz Various The Swing Years (1936- RD4-21- Reader's VG/ 6 Disc Box 46) 1/6 Digest (RCA VG+ Set Custom) Various In the Groove with the RD4-45- Reader's VG+ 6 Disc Box Info Kings Of Swing 1/6 Digest (RCA Set Packet Custom) Various The Great Band Era RD4-21- Reader's VG/ 10 Disc Cover (1936-1945) 1/9 Digest (RCA VG+ Box Set and Disc Custom) 10 Missing Various Big Band Collection QUSP- Quality VG-/ Box Set vol.1 5002 Special VG Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 2 5002 Special VG+ Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 3 5002 Special VG+ Missing Products Box The Cannonball Mercy, Mercy, Mercy T-2663 Capitol VG/ Live at Adderley Quintet VG+ “The Club” The Cannonball Country Preacher SKA0-8- Capitol VG/ Gatefold Adderley Quintet 0404 VG+ The Cannonball Why Am I Treated So ST-2617 Capitol VG-/ Adderley Quintet Bad! VG The Cannonball Accent On Africa ST-2987 Capitol VG/ Adderley Quintet VG+ The Cannonball Cannonball Adderly with ST-2877 Capitol VG-/ Adderley and the Sergio Mendes & The VG Bossa Rio Sextet Bossa Rio Sextet with Sergio Mendes Nat King Cole The Swingin' Moods Of DQBO- Capitol VG/ 2 Disc Nat King Cole 91278 VG+ Gatefold Nat King Cole The Unforgettable Nat ST-2558 Capitol VG-/ King Cole Sings The VG Great Songs Nat King Cole Ramblin' Rose ST-1793 Capitol VG 1 Jazz Nat King Cole Thank You, Pretty Baby ST-2759 Capitol VG/ VG+ Nat King Cole The Beautiful Ballads ST-2820 Capiol VG/ VG+ Nancy Williams From Broadway With T-2433 Capitol VG/ Love VG+ Nancy -
Jazz History, November 2015
JAZZ HISTORY ONLINE NOVEMBER, 2015! Luciana Souza: Passion and Versatility by Thomas Cunniffe Like Ray Charles, Sarah Vaughan, and Bobby McFerrin, Luciana Souza retains her unique identity regardless of the type of music she sings. Her range is staggering. She is a remarkable improviser with recordings that pair her with the most progressive musicians in jazz today. She is also an exquisite interpreter of pop songs, both classic and contemporary, offering definitive renditions of songs as varied as “Never Let Me Go”, “Waters of March” and “The Very Thought of You”. Her three albums of “Brazilian Duos” introduced great songs from Souza’s native land to American audiences by setting her expressive voice against solo guitar accompaniments by Romero Lubambo, Marco Pereira, Toninho Horta, Guilherme Monteiro, Swami, Jr. and her father, Walter Santos. She is also one of the premier interpreters of the music of the contemporary classical composer Osvaldo Golijov, performing his dramatic and vocally challenging music with orchestras and choruses around the world. She has written her own compositions with original words and music, and has also set the poetry of Elizabeth Bishop, Pablo Neruda and Leonard Cohen to her own melodies. JAZZ HISTORY ONLINE NOVEMBER, 2015! However, there is more to Souza’s art than just the mastery of diverse styles. Souza brings deep passion to everything she sings. She picks her repertoire carefully, and is meticulous about finding the right tempo and setting to properly transmit a song’s message. Her recording of “All of Me” sounds like a total act of romantic submission, and her setting of Neruda’s “Tonight I Can Write” conveys a feeling of loneliness and release. -
Introduction of Sarah Vaughan” of the President’S Speeches and Statements: Reading Copies at the Gerald R
The original documents are located in Box 4, folder “12/15/74 - Introduction of Sarah Vaughan” of the President’s Speeches and Statements: Reading Copies at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 4 of President's Speeches and Statements: Reading Copies at the Gerald R. Ford Presidential Library THE PRESIDENT HAS SEEll ;:. '·/· l PRESIDENTIAL INTRODUCTION OF SARAH VAUGHAN SUNDAY., DECEMBER 15~ 1974 - 1 - MR. PRES IDENT IT SEEMS TO ME THERE IS ONE ITEM 1 WE SHOULD HAVE PUT ON OUR AGENDA TODAY -- MUSIC. WHILE THERE ARE NUMEROUS AREAS OF MUTUAL INTEREST BETWEEN OUR TWO NATIONS THE POPULARITY OF JAZZ IN BOTH FRANCE AND THE U.S. IS UNDISPUTED. - 2 - THE LADY WHO WILL ENTERTAIN US TONIGHT HAS JUST RECEIVED THE FIRST JAZZ ACADEMY AWARD FROM YOUR COUNTRY. SHE IS AN INTERNATIONAL STAR OF STAGF;,• SCREEN_, RADIO., AND TELEVISION. HER RECORDS HAVE SOLD IN THE MILLIONS. - 3 - MR. PRES I DENT., IN OUR RESPECTIVE COUNTRIES WE ARE BOTH CONFRONTED WITH ENOUGH PROBLEMS TO S lNG THE BLUES. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.