A Mirror and Focus for the Jazz Community March 2019 Vol. 35, No. 03 EARSHOT JAZZSeattle, Washington Samantha Boshnack Photo by Daniel Sheehan LETTER FROM THE DIRECTOR EARSHOT JAZZ A Mirror and Focus for the Jazz Community March On, March On Executive Director John Gilbreath Managing Director Karen Caropepe Programs Manager Tara Peters Marketing & Development Associate Lucienne First of all, we’re hoping that March On will set the tempo for our exodus Aggarwal from this funky winter. Within the context of this March issue of Earshot Jazz, March On acknowledges the steady progression of jazz here in Se- Earshot Jazz Editors Lucienne Aggarwal & Tara Peters attle, with an appreciation of multiple rhythm cycles that spark the fires making this one of the deepest and most dynamic jazz scenes in America. Contributing Writers Halynn Blanchard, Paul As a musical title, March On, March On is most widely associated with de Barros, Peter Monaghan, Paul Rauch, the great Oliver Nelson’s 1961 recording, Screaming the Blues, on which Carlos Snaider Nelson mines the tension of the times by matching wits with fellow saxo- Calendar Editors Casey Adams, Jane phone genius, Eric Dolphy. Check out Paul de Barros’ fascinating piece Emerson, & Tara Peters on Dolphy in this issue. We’re proud to feature Paul’s work again in these Photography Daniel Sheehan pages. Layout Tara Peters Distribution Karen Caropepe, Dan Dubie & March always brings the annual Golden Ear and Seattle Jazz Hall of Earshot Jazz volunteers Fame Awards to Seattle. In addition to its core mission of recognizing outstanding accomplishments by our own resident artists each year, the Send Calendar Information to:
[email protected] awards are also a great opportunity for the long view, to take stock of the overall face and sound of this incredible community.