Issue 18 – November, 2017 Contributions from Sista Helen, Pete
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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Download Oxfordshire Music Scene 34 (3.5 Mb Pdf)
WINTER 2018 FREE ISSUE 34 LITTLE BROTHER ELI SHOW THEIR ‘TOOTH’ INSIDE: BRICKWORK LIZARDS, THE CRIBS, MARK LANEGAN, WILLIE J HEALEY, ART THEEFE, SWEET BABOO, DREADZONE Also: DESERT STORM’S RECORD COLLECTION JONNY GREENWOOD & LOTS MORE OMS34 OMS34 OMM full page ad January 2018.pdf 1 02/01/2018 11:56 MUSIC NEWS the short trip down the road. They join a tempting - looking lineup which includes 6Music’s Steve Lamacq, lounge funkers Field Music, Bristol’s right wing - bothering agit - punks Idles and OMS favourites, Liverpool’s finest oddball pop merchants Her’s (who also play at the Cellar on May 12). Tickets for the day are £20.00 and can be purchased from areyoulistening.org.uk. Brian Briggs makes a welcome return to the local live music arena in March, his first, to our knowledge, since Stornoway sadly called it sayonara. Enticingly, he’s teamed up with poet / songwriter Paul Henry and they’ll be According to the publicist’s blurb, Gaz performing their collaboration The Glass Coombes’ new album, going by the typically Aisle, described as ‘a long poem with songs’ understated title World’s Strongest Man, is – along with a selection of Brian’s Stornoway ‘inspired variously by Grayson Perry’s The repertoire. It’s on Saturday March 3 at the Old Descent of Man, Frank Ocean’s Blonde, Fire Station, tickets from oldfirestation.co.uk Californian weed, British woodlands, C or on 01865 263990. unchecked masculinity, Neu! and hip- M hop’. Thankfully it is also inspired by good Some Radiohead – related activity going Y 2 year creative media degrees ol’rawkan’rewwl with spiky lead single Deep on. -
Benny Page to Release New Single Champion Sound
FOR IMMEDIATE RELEASE BENNY PAGE TO RELEASE NEW SINGLE CHAMPION SOUND Artist: Benny Page Release: Champion Sound ft. Assassin Date: August 2014 “If you don't know about Benny Page…make sure you get to know.... We are loving the sound of this” MOBO Awards (Official) “Benny Page is going to be a complete tear down” Glastonbury Festivals “This tune is massive!” BBC Radio One In the lead up to his debut Glastonbury Festival appearance headlining The Cave, Benny Page announces his new single entitled Champion Sound, out worldwide August 2014 on his own label High Culture Recordings and Rise Artists Ltd. This release is revealed after Mistajams recent BBC Radio premiere, an accolade following the wave of success surrounding his recent dancefloor hit Hot Body Gal ft. Richie Loop supported Sir David Rodigan, Seani B and Toddla T across BBC Radio One, 1Xtra and Kiss Fm alongside worldwide festival and club appearances. Champion Sound features Assassin who appears on Kanye West’s last album “Yeezus” and was mastered at Metropolis Studios by Stuart Hawkes who has worked with Basement Jaxx, Rudimental, Disclosure, Example and Maverick Sabre to name a few. After number of years establishing international recognition; Benny Page has honed his sound initiating the start of this unique album project. Flying over to Jamaica to work personally with prestigious artists in the area, Benny Page teamed up with Richie Loop on his first single for the project entitled Hot Body Gal, the follow up Champion Sound also features a Jamaican front man called Assassin. He recorded a range of artists on the island with a goal to achieve a more authentic and diverse sound, going through the motions of a more traditional and personal songwriting process managing the studio recordings directly. -
Read Or Download
afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Eastern Progress Eastern Progress 1949-1950
Eastern Progress Eastern Progress 1949-1950 Eastern Kentucky University Year 1950 Eastern Progress - 10 Mar 1950 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1949-50/9 EASTERN PROGRESS Student Publication of Eastern Kentucky State College Volume 28 Richmond, Kentucky, Friday, March 10, 1950 ' - Numbers' Students Select "Big Three^For 1949-50 Name Choices 125 Earn 40 Points Results of the election held on For First Semester the campus Tuesday, Februapy 21, show that Eastern's favorites One hundred twenty-five stu- arc Jenny Lou Eaves, Doris Cro- dents earned forty or more qual- ley, and Paul Hicks. " ity grade points for the first se- Jenny Lou Eaves, voted Miss mester, 1949-60. They are: Eastern, is an Ashland junior, Donald Meredith Akin, Danville; A Anita Claire Allen, Bardstown; majoring in English and history. Corazon S. Baldos, Manila, Philip- She is a member of the Canter- pines; Nancy Carroll Baldwin, Hop- cury Club, secretary of the House kinsville; William Samuel Bald- Council of Burnam Hall, and was win. Hopkinsville; Dana Lee Ball, k Harlan; John William Ballard, elected this year's ROTC battal- Richmond; Luther Willis Baxter, J ion sponsor. In 1948 Jenny Jr, Lawrenceburg; James Curtis reigned as Snow Queen of the Bevins, Pikevllle; Jack Daris Bil- Christmas formal. As Miss East- lingsley, Middlesboro; Eula Lee Bingham, Burlington; Jack Ken- i ern she will represent the college neth Bradley, McRoberts; Ray at the Mountain Laurel Festival Thomas Brown, Cynthiana; Grigs- to be held at Pineville in May. by Gordon Browning. Dry Ridge, Doris Croley, a senior from In- Richard Lee Browning Cawood; sull, was elected Miss Popularity. -
Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
Safer Sex Week
i The Issue University of No. 903 Surrey Students' Paper 7th March 1997 International Gala Night ast Friday saw the tached to a flower which while her mum was shouting fugalìy tumed inside a circular grand finale to represented fertility. at her saying that she had no sieve. respect for her elders or for International The evening ending with the L The Norwegian Society gave tradition. The show developed Week with the fabulous US a humorous tale of life in into a series of traditional audience standing up and gala night. Six overseas Norway, the history of the Vì- dances including one per- dancing in the aisles to the fi- societies performed five kings and how to cope with formed at Asian weddings. nal dance of the Hellenic and trolis! The highiight of the Cypriot Societies. The whole half an hour shows show was when the Norwe- The last act was a joint eifort depicting the history, ni^it was thoroughly enjoy- gian milkmaids milked the hu- with the Hellenic and Cypriot able and a big thank you culture and traditions of man cows who were fitted out Society which was a humor- should go to ali the societies ous look into the history óf the ^the countries of origin. complete with udders. involved in the week's ^Mhe first performance two countries and their people. The International Tamil Soci- The sketches ranged from the events, Noel Feriara was from the Malaysian ety, newly formed this year, hilarious sketches with the Overseas Secretary and Society who recreated periformed a spectacular mod- Greek Gods to traditional Gwynn Davies, Dean of the Malaysian wedding em day dance to traditional Cypriot and Greek dances. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
Peter Tosh Into the Counterculture Hall of Fame
Roger Steffens’ Induction Speech of PETER TOSH into the Counterculture Hall of Fame by Roger Steffens In addition to presenting daily multi-media shows on Peter Back in 1998 the burgeoning annual Amsterdam gathering of and Bob, I was invited to The Temple to be a “celebrity judge” herbalists sponsored by High Times, known as the Cannabis Cup, of 21 sativas and 63 indicas. Let me state immediately that this decided to create a Cannabis Hall of Fame. Bob Marley was is not humanly possible, not even for someone with more than an obvious choice for its initial member. As a biographer of the four decades of Saigon-Commie-Weed initiation puffing behind Reggae King, I was invited to come help induct him and celebrate him. But I did give it the old college try, once the afternoon show his efforts toward the re-legalization of Jah Holy Weed. Part of was concluded. Andrew Tosh was an almost constant visitor to the award was a nearly two-foot long cola presented to Bob’s the aerie climes of The Temple – five stories up a terribly narrow delighted widow Rita, who promptly cancelled her flight home. staircase whose boards were thin as rulers. Once we were there, “How can I leave this behind?” she asked me later in her hotel surrounded by shelves of jars of strains in contention for the Grand room, as she rolled a snow cone spliff the size of a small tusk. Prize (which could mean for its creator, we were told privately, as Ten years later, the Hall broadened to include other bohemian much as one million dollars or more in added seed sales because fellow travelers, and changed its name to the Counterculture Hall of this “honor”), there seemed no reason to leave. -
Lot No Description Estimate Estimate Description Lot No
Lot No Description Estimate Lot No Description Estimate 1 E. Leitz Wetzlar monocular microscope, £140-£180 12 A metal "Morgan" advertising sign; the £40-£50 brass and japanned barrel and support, sign depicting two occupied cars and three Leitz objectives, circular rotation the words "Motoring for the Millennium", stage, condenser on a horseshoe base, approx 40 x 30 cms (af), a "Cyclists' with a Leitz Wetzlar zeichenocular, Touring Club" life membership three further objectives and a optical application certificate, the front precision instrument in the original fitted depicting racing cards from year 1931 leather E.Leitz case, the whole to 1941, approx 32 x 26 cms, glazed contained in a mahogany case with key and framed, a framed cork board with a and carry handle. selection of badges pinned to the board, approx 22 x 17 cm, a Crawley 2 Four 19th century French gilt brass £100-£150 Down Coronation Souvenir Programme, plaques, the oval plaques depicting a Harvey & Son, Bridge Wharf Brewery, cherub musicians, approx 30 x 18 cms, Lewes plaque dd 1990, a Catford mounted and framed. Cycling Club Fancy Dress Ball Dance 3 Two antique table top collectors chests, £40-£60 Card, various programmes and with six graduated drawer slides, cigarette cards, an East Grinstead approx 33 x 30 x 25 cms. Cycling Club badge, a Mark Twain Tablet (school items) in a suede pouch, 4 Portrait mIniature of the Queen Mother, £100-£150 a Mazda watch in a round silver metal monogram ML, dated 1954, approx 8 x case, a Schuco Grand Prix model of a 9.5 cms together with a sepia racing car and a toy bicycle. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.