From Hollywood to Shanghai: American Silent Films in China
From Hollywood to Shanghai: American Silent Films in China by Qian Zhang BA, Shanghai International Studies University, 1993 MA, Shanghai Theatre Academy, 2000 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH School of Arts and Sciences This dissertation was presented by Qian Zhang It was defended on April 3, 2009 and approved by Professor Ronald J. Zboray, Advisor, Communication Professor Lucy Fischer, English/Film Studies Professor Lester Olson, Communication Assistant Professor Xinmin Liu, East Asian Languages and Literatures/Film Studies ii Copyright © by Qian Zhang 2009 iii Advisor: Ronald J. Zboray From Hollywood to Shanghai: American Silent Films in China Qian Zhang, PhD University of Pittsburgh, 2009 My dissertation re-constructs the history of Hollywood movies in 1920s Shanghai through archival work in both China and the United States. Before that decade, film exhibition in China was little more than a novelty with limited social influence. The 1920s saw a boom in American film production and attempts to develop foreign markets for it. Consequently, Hollywood films flooded into China, just ahead of the development of the local national film industry in the late 1920s, and hence shaped the environment for that development. As heralds of a new medium with unprecedented capacity for shaping people’s perceptions, beliefs, and viewpoints, American films were received and interpreted by Chinese audiences in a transnational context. My research is mostly based on rarely or never used primary sources both in the United States and China, mainly in archives including the U.S.
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