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Dmitri Shostakovich I 2400 SIK Secon D E D Ition

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Dmitri Shostakovich I 2400 SIK Secon D E D Ition SchostakowitschCover2011NEU.indd 1 Dmitri Schostakowitsch · Dmitri Shostakovich SIK 2400 secon D e D ition Dmitri Shostakovich 14.03.2011 10:46:21 d m i t r i shostakovich s i k o r s k i musikverlage h a m b u r g sik 2400 We have, wherever possible, located the copyright own- ers of the illustrations. Should we not have sufficiently succeeded in doing this or made any errors in any par- ticular case, we request that the authors contact us, so that we can immediately attend to justified demands. Wo möglich haben wir die Inhaber aller Urheberrechte der Illustrationen ausfindig gemacht. Sollte dies im Ein- zelfall nicht ausreichend gelungen oder es zu Fehlern gekommen sein, bitten wir die Urheber, sich bei uns zu melden, damit wir berechtigten Forderungen umgehend nachkommen können. © 2011 by Sikorski Musikverlage Hamburg printed in Germany (updated: 23 Setember 2014) Inhalt und Satz: Mark Heyer sikorski musikverlage 20139 Hamburg · Tel.: +49(0)40/414100-0 · Fax: +49(0)40/414100-40 www.sikorski.de · [email protected] contents preface ............................................ 6 vorwort .......................................... 9 Juvenilia ......................................... 12 chronological List of Works ................ 14 undated Works ................................ 220 systematic index of works Stage Works ....................................... 222 Orchestral Works ................................... 223 Concertos ......................................... 225 Wind Orchestra / Band .............................. 225 Vocal Works Solo Voice(s) and Orchestra ....................... 225 Solo Voice(s), Choir and Orchestra ................. 226 Choir and Orchestra .............................. 227 Solo Voice(s), Choir and Piano ..................... 227 Choir and Piano .................................. 228 Choir a Cappella ................................. 229 Voice(s) and Instruments .......................... 229 Voice(s) and Piano ............................... 229 Instrumental Chamber Music String Quartet ................................... 231 Strings and Piano ................................. 231 Violin and Piano ................................. 231 Violoncello and Piano ............................ 232 Two Pianos ...................................... 232 Piano Duet ...................................... 232 Piano solo ....................................... 233 Miscellaneous Instrumental Chamber Works ......... 234 Incidental Music .................................... 234 Film Music ........................................ 235 Suites from Film Music / Incidental Music / Stage Works . 237 Arrangements ...................................... 239 Index of Opus Numbers ............................. 244 Works without Opus Number ......................... 252 Alphabetical Index of Works ......................... 257 Awards ............................................ 270 Alphabetical Index of Names ......................... 272 DSCH New Collected Works ......................... 308 5 preface The catalogue of works of Dmitri Dmitrievich Shostakovich (1906-1975) comprises no few- er than 147 opus numbers. In addition to these, there are many unnumbered compositions. Besides 15 symphonies, there are 15 string quartets, two operas and an operetta, three bal- lets, instrumental concertos, chamber music, cantatas, oratorios, stage music, film music and songs. A large number of these works are precisely documented by extant manuscripts or printed scores, performance materials and rich source specifications. On the other hand, some compositions, due to missing or yet undiscovered source material, can only partially be catalogued and with some reservations. We know of the existence of some works only by hearsay. Perhaps individual manuscripts and/or materials of Shostakovich’s works are being stored in archives of various institutions and orchestras of the former Soviet Union, still waiting for an evaluation. The present catalogue of works therefore makes no claim to be complete or final. Rath- er, it is an attempt to briefly document the present bibliographical state of knowledge of the oeuvre of Dmitri Shostakovich by bringing together and comparatively evaluating the most varied sources. In this way the user should have the possibility of rapidly gaining an overview of the compositions of Shostakovich. One of the essential issues in conceiving this catalogue was to represent the works in authentic detail, despite all compromising of the extensive material. Alongside the most precise possible chronological classification, the complete movement designations, titles and tempo indications were taken into consideration wherever the source specifications al- lowed. This also applies to the designation of dedicatees, text sources, translators, premiere performance dates and the designation of persons in the case of stage works and films. Moreover, important and interesting details were preserved in brief notes, giving informa- tion, for example, on the works in which Shostakovich quotes or adapts his own music or that of other composers, or indicating special characteristics of the circumstances of the work’s genesis. The systematic part of the catalogue allows the user to easily find works of particular genres or of specific instrumental combinations. Alongside a compilation of all compositions with opus numbers and a list of those works without, it is possible to find spe- cific works with the help of a title register, in which different title variants are also consid- ered. Finally, the register of names included in the appendix shows any person mentioned in a work as an interpreter, arranger, a translator, dedicatee, or quoted composer. Besides the extensive music archives at Sikorski Publishers, the 42-volume edition of the Complete Works, issued between 1980 and 1989 by the Moscow publishers Musyka, was drawn upon. The 150-volume New Complete Edition of the Works of Dmitri Shostakovich, issued by DSCH Publishers, Moscow, was also used. The volumes 1-6, 9, 18, 19, 20, 21, 24, 33 and 69 of this monumental edition, in which long intangible or previously undis- covered works are finally published, were available for perusal until the editorial deadline. Moreover, the following publications served as sources: “Schostakowitsch” by Krzysztof 6 Meyer (Gustav Lübbe, 1995), “Shostakovich – A Life” by Laurel E. Fay (Oxford University Press, 2000), “Shostakovich – A Life Remembered” by Elizabeth Wilson (Faber and Faber, 1994), “The Memoirs of Dmitri Shostakovich” edited by Solomon Volkov (in German: Pro- pyläen, 2000), as well as the catalogues of works by Malcolm MacDonald (Boosey & Hawkes, 1985, Le Chant du Monde, 1988) and Efim Sadovnikov [Notograficheski i biblio- graficheski spravochnik] (Musyka, 1965). In this connection, however, Derek C. Hulmes’s “Dmitri Shostakovich – A Catalogue, Bibliography and Discography” (Scarecrow Press, 2002) is of special importance; its third printing, with a plethora of meticulously researched material, was of great value for the present compilation. Due to the large amount of material, extending far beyond the bounds of this catalogue, a discography has not been included. For the same reason, the numerous stage produc- tions using music by Dmitri Shostakovich have not been considered here, with just a few exceptions. Apart from the Complete Edition issued by Musyka and the as yet incomplete New Complete Edition of DSCH Publishers, no reference has been made to the publishers of the numerous extant printed editions of his works. The same applies to the inclusion of adaptations of the works of Shostakovich by other composers – here, only the authors and instrumental combinations of those arrangements known to us have been named. on the second, revised edition The preparation of the second edition of this catalogue was used in order to undertake a fundamental revision which seemed urgently necessary in light of knowledge acquired through research on Shostakovich. During the course of just a few years, a number of pre- viously unknown works of Dmitri Shostakovich have been rediscovered; these include the Prologue to the satirical opera “Orango” conceived in 1932, a Symphonic Fragment from the year 1945 as well as an unfinished String Quartet written in 1962. Since the publication of the first edition of this catalogue in 2005, a considerable number of volumes (8, 10, 16, 17, 32, 40, 42, 44, 52a, 52b, 54, 64a, 64b, 65, 66, 87, 98, 122, 123, 126, 149) of the successively published DSCH Complete Edition have been issued. Of the 150 volumes planned, therefore, 33 are available. Thus it is now possible to document, for example, the early film music to “New Babylon,” Op. 18 and to “Odna,” Op. 26. 7 At this point we wish to point out the following: among the volumes of the DSCH Com- plete Edition not yet issued, there are some whose contents, already made known, refer to works that could only be considered by giving them general mention, also in this second edition of the Shostakovich catalogue of works. Specifically, these are Volume 93 (“Two Madrigals“), Volume 97 (“Songs”), Volume 109 (“Children’s Pieces from the Years between 1915 and the Early 1920s”) as well as Volume 111 (“Piano Fugues from the 1930s”). A considerable number of details concerning not only the works themselves, but also the performing interpreters and specific features having to do with the history of the works’ reception, could be taken from a number of further secondary sources, among which the following publications are
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