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The Harper Anthology of Academic Writing
The Harper P\(\·::�·::::: ...:.:: .� : . ::: : :. �: =..:: ..·. .. ::.:·. · ..... ·.' · .· Anthology of . ;:·:·::·:.-::: Academic Writing S T U D E N T A U T H 0 R S Emily Adams Tina Herman Rosemarie Ruedi Nicole Anatolitis Anna Inocencio Mary Ellen Scialabba Tina Anatolitis Geoff Kane Jody Shipka Mario Bartoletti David Katz Susan Shless Marina Blasi Kurt Keifer Carrie Simoneit Jennifer Brabec Sherry Kenney Sari Sprenger Dean Bushek Kathy Kleiva Karen Stroehmann Liz Carr Gail Kottke Heather To llerson Jennifer Drew-Steiner Shirley Kurnick Robert To manek Alisa Esposito Joyce Leddy Amy To maszewski Adam Frankel James Lee Robert Van Buskirk Steve Gallagher Jan Loster Paula Vicinus Lynn Gasier Martin Maney Hung-Ling Wan Christine Gernady Katherine Marek Wei Weerts ·:-::::·:· Joseph L. Hazelton Philip Moran Diana Welles Elise Muehlhausen Patty Werber Brian Ozog Jimm Polli Julie Quinlan Santiago Ranzzoni Heidi Ripley I S S U E V I I 1 9 9 5 The Harper Anthology of Academic Writing Issue VII 1995 \Y/illiam Rainey Harper College T h e Harper Anthology Emily Adams "Manic Depression: a.k.a. Bipolar Disorder" Table (Psychology) 1 Nicole Anatolitis, Tina Anatolitis, Lynn Gasier and Anna Inocencio "Study Hard" of (Reading) 7 Mario Bartoletti "Zanshin: Perfect Posture" Contents (English) 8 Marina Blasi "To Parent or Not to Parent ... That Is the Question (English) 11 Jennifer Brabec "Nature Journal" (Philosophy) 15 Dean Bushek "A Piece of My Life" (English) 17 Liz Carr "Betrayal" (English) 20 Jennifer Drew-Steiner "First Exam: Question Four" (Philosophy) 24 Alisa Esposito "The Trouble with Science" (English) 25 Adam Frankel "Form, Subject, Content" (Art) 27 Table of Contents Steve Gallagher Joyce Leddy "Galileo Galilei" "Is Good Design A Choice?" (Humanities) 28 (Interior Design) 62 Christine Gernady James Lee "Stresses of Office Work, Basic Causes "Scientific Integrity" and Solutions" (Physics) 63 (Secretarial Procedures) 34 Jan Loster Joseph L. -
Music in Time
MUSIC MUSIC IN TIME John Kennedy, Director and Host PROGRAM I: LISTENING TO FRAGRANCES OF THE DUSK Simons Center Recital Hall at College of Charleston May 27 at 5:00pm Meditation (2012) Toshio Hosokawa (b. 1955) AMERICAN PREMIERE Symphony No. 8 – Revelation 2011 (2011) Toshi Ichiyanagi (b. 1933) AMERICAN PREMIERE Listening to Fragrances of the Dusk (1997) Somei Satoh (b. 1947) AMERICAN PREMIERE John Kennedy, conductor Spoleto Festival USA Orchestra PROGRAM II: THE BOWED PIANO ENSEMBLE Memminger Auditorium May 29 at 8:00pm Rainbows, Parts One and Two (1981) Stephen Scott (b. 1944) Aurora Ficta (2008) Excerpts from Paisajes Audibles/Audible Landscapes (2002) Azul En su Isla Victoria Hansen, soprano 1977: Music of Three Worlds (2012) WORLD PREMIERE I. Genesis: Charleston, Colorado Springs, Kealaikahiki, Spring 1977 II. Saba Saba Saba Saba (7/7/77): Dar es Salaam III. Late Summer Waltz/Last Waltz in Memphis The Bowed Piano Ensemble Founder, Director and Composer Stephen Scott Soprano Victoria Hansen The Ensemble Trisha Andrews Zachary Bellows Meghann Maurer Kate Merges Brendan O’Donoghue Julia Pleasants Andrew Pope A.J. Salimbeni Nicole Santilli Stephen Scott 84 MUSIC MUSIC IN TIME PROGRAM III: CONVERSATION WITH PHILIP GLASS Dock Street Theatre June 2 at 5:00pm Works to be announced from the stage. Members of the Spoleto Festival USA Orchestra PROGRAM IV: DRAMAS Simons Center Recital Hall at College of Charleston June 7 at 5:00pm Grind Show (unplugged) (2008) Tansy Davies (b. 1973) AMERICAN PREMIERE Island in Time (2012) John Kennedy (b. 1959) Drama, Op. 23 (1996) Guo Wenjing (b. 1956) I – II – III – IV – V – VI Members of the Spoleto Festival USA Orchestra JOHN KENNEDY (conductor, director PHILIP GLASS (composer, Program III), and host), Spoleto Festival USA Resident born in Baltimore, Maryland, is a graduate Conductor, has led acclaimed performances of the University of Chicago and The and premieres worldwide of opera, ballet, Juilliard School. -
2-Minute Stories Galileo's World
OU Libraries National Weather Center Tower of Pisa light sculpture (Engineering) Galileo and Experiment 2-minute stories • Bringing worlds together: How does the story of • How did new instruments extend sensory from Galileo exhibit the story of OU? perception, facilitate new experiments, and Galileo and Universities (Great Reading Room) promote quantitative methods? • How do universities foster communities of Galileo and Kepler Galileo’s World: learning, preserve knowledge, and fuel • Who was Kepler, and why was a telescope Bringing Worlds Together innovation? named after him? Galileo in Popular Culture (Main floor) Copernicus and Meteorology Galileo’s World, an “Exhibition without Walls” at • What does Galileo mean today? • How has meteorology facilitated discovery in the University of Oklahoma in 2015-2017, will History of Science Collections other disciplines? bring worlds together. Galileo’s World will launch Music of the Spheres Galileo and Space Science in 21 galleries at 7 locations across OU’s three • What was it like to be a mathematician in an era • What was it like, following Kepler and Galileo, to campuses. The 2-minute stories contained in this when music and astronomy were sister explore the heavens? brochure are among the hundreds that will be sciences? Oklahomans and Aerospace explored in Galileo’s World, disclosing Galileo’s Compass • How has the science of Galileo shaped the story connections between Galileo’s world and the • What was it like to be an engineer in an era of of Oklahoma? world of OU during OU’s 125th anniversary. -
Arnold) Glimcher, 2010 Jan
Oral history interview with Arne (Arnold) Glimcher, 2010 Jan. 6-25 Funding for this interview was provided by the Widgeon Point Charitable Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Arne Glimcher on 2010 January 6- 25. The interview took place at PaceWildenstein in New York, NY, and was conducted by James McElhinney for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by the Widgeon Point Charitable Foundation. Arne Glimcher has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview JAMES McELHINNEY: This is James McElhinney speaking with Arne Glimcher on Wednesday, January the sixth, at Pace Wildenstein Gallery on— ARNOLD GLIMCHER: 32 East 57th Street. MR. McELHINNEY: 32 East 57th Street in New York City. Hello. MR. GLIMCHER: Hi. MR. McELHINNEY: One of the questions I like to open with is to ask what is your recollection of the first time you were in the presence of a work of art? MR. GLIMCHER: Can't recall it because I grew up with some art on the walls. So my mother had some things, some etchings, Picasso and Chagall. So I don't know. -
The Museum of Modern Art
The Museum of Modern Art 50th Anniversary NO. 81 *o FOR IMMEDIATE RELEASE ADVANCE FACT SHEET EXHIBITION: PRINTED ART:A VIEW OF TWO DECADES DATES: The Museum of Modern Art, New York February 14-April 1, 1980 DIRECTOR: Riva Castleman, Director of the Department of Prints and Illustrated Books, The Museum of Modern Art CONTENTS: The past two decades have been unprecedented in the production of fine prints and other printed matter by leading artists. The printed image is ubiquitous in contemporary art. The silkscreens of the Pop Artists; the lithographs of the major painters of the 1960's and 1970's; the ephemeral periodicals and booklets of the Conceptualists; the etchings and engravings of the Minimalists, with their precise lines and clear colors; the images of every day life seen in the work of the Photo-Realists--all are, in the words of Riva Castleman, "testimony that a great part of the creative activity of this era has been directed toward the widespread communication that prints make possible." This major international survey of work in the different print mediums, a 50th Anniversary year exhibition of The Museum of Modern Art, includes more than 175 contemporary artists from Eastern and Western Europe, North and South America, and Japan. Among the artists represented in the exhibition are Josef Albers, Art & Language, Jennifer Bartlett, Joseph Beuys, Mel Bochner, Daniel Buren, Christo, Chuck Close, Jim Dine, Marcel Duchamp, Helen Frankenthaler, Richard Hamilton, David Hockney, Bryan Hunt, Jasper Johns, Alex Katz, Ellsworth Kelly, Joseph Kosuth, Les Levine, Sol LeWitt, Roy Lichtenstein, Claes Oldenburg, Philip Pearl- stein, Martial Raysse, Robert Rauschenberg, Ad Reinhardt, Ed Ruscha, Robert Ryman, Michael Snow, Soto, Frank Stella, Victor Vasarely, and Andy Warhol. -
Savage Winter #Bamnextwave No Intermission LOCATION: RUN TIME: DATES: Pittsburgh Opera Approx 1Hr15mins BAM Fisher (Fishman Space) NOV 7—10At7:30Pm
Brooklyn Academy of Music Adam E. Max, Chairman of the Board William I. Campbell, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Savage Winter Executive Producer American Opera Projects and Pittsburgh Opera Music by Douglas J. Cuomo Directed by Jonathan Moore DATES: NOV 7—10 at 7:30pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) Leadership support for music programs at BAM RUN TIME: Approx 1hr 15mins provided by the Baisley Powell Elebash Fund. no intermission #BAMNextWave BAM Fisher Savage Winter Written and Composed by Music Director This project is supported in part by an Douglas J. Cuomo Alan Johnson award from the National Endowment for the Arts, and funding from The Andrew Text based on the poem Winterreise by Production Manager W. Mellon Foundation. Significant project Wilhelm Müller Robert Signom III support was provided by the following: Ms. Michele Fabrizi, Dr. Freddie and Directed by Production Coordinator Hilda Fu, The James E. and Sharon C. Jonathan Moore Scott H. Schneider Rohr Foundation, Steve & Gail Mosites, David & Gabriela Porges, Fund for New Performers Technical Director and Innovative Programming and The Protagonist: Tony Boutté (tenor) Sean E. West Productions, Dr. Lisa Cibik and Bernie Guitar/Electronics: Douglas J. Cuomo Kobosky, Michele & Pat Atkins, James Conductor/Piano: Alan Johnson Stage Manager & Judith Matheny, Diana Reid & Marc Trumpet: Sir Frank London Melissa Robilotta Chazaud, Francois Bitz, Mr. & Mrs. John E. Traina, Mr. & Mrs. Demetrios Patrinos, Scenery and properties design Assistant Director Heinz Endowments, R.K. Mellon Brandon McNeel Liz Power Foundation, Mr. & Mrs. William F. Benter, Amy & David Michaliszyn, The Estate of Video design Assistant Stage Manager Jane E. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
2005 Next Wave Festival
November 2005 2005 Next Wave Festival Mary Heilmann, Last Chance for Gas Study (detail), 2005 BAM 2005 Next Wave Festival is sponsored by: The PerformingNCOREArts Magazine Altria 2005 ~ext Wave FeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Symphony No.6 (Plutonian Ode) & Symphony No.8 by Philip Glass Bruckner Orchestra Linz Approximate BAM Howard Gilman Opera House running time: Nov 2,4 & 5, 2005 at 7:30pm 1 hour, 40 minutes, one intermission Conducted by Dennis Russell Davies Soprano Lauren Flanigan Symphony No.8 - World Premiere I II III -intermission- Symphony No. 6 (Plutonian Ode) I II III BAM 2005 Next Wave Festival is sponsored by Altria Group, Inc. Major support for Symphonies 6 & 8 is provided by The Robert W Wilson Foundation, with additional support from the Austrian Cultural Forum New York. Support for BAM Music is provided by The Aaron Copland Fund for Music, Inc. Yamaha is the official piano for BAM. Dennis Russell Davies, Thomas Koslowski Horns Executive Director conductor Gerda Fritzsche Robert Schnepps Dr. Thomas Konigstorfer Aniko Biro Peter KeserU First Violins Severi n Endelweber Thomas Fischer Artistic Director Dr. Heribert Schroder Heinz Haunold, Karlheinz Ertl Concertmaster Cellos Walter Pauzenberger General Secretary Mario Seriakov, Elisabeth Bauer Christian Pottinger Mag. Catharina JUrs Concertmaster Bernhard Walchshofer Erha rd Zehetner Piotr Glad ki Stefa n Tittgen Florian Madleitner Secretary Claudia Federspieler Mitsuaki Vorraber Leopold Ramerstorfer Elisabeth Winkler Vlasta Rappl Susanne Lissy Miklos Nagy Bernadett Valik Trumpets Stage Crew Peter Beer Malva Hatibi Ernst Leitner Herbert Hoglinger Jana Mooshammer Magdalena Eichmeyer Hannes Peer Andrew Wiering Reinhard Pirstinger Thomas Wall Regina Angerer- COLUMBIA ARTISTS Yuko Kana-Buchmann Philipp Preimesberger BrUndlinger MANAGEMENT LLC Gorda na Pi rsti nger Tour Direction: Gudrun Geyer Double Basses Trombones R. -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
Bruckner Orchester Linz
Bruckner Orchester Linz Dennis Russell Davies Conductor Martin Achrainer / Bass-Baritone Angélique Kidjo / Vocals Thursday Evening, February 2, 2017 at 7:30 Hill Auditorium Ann Arbor 35th Performance of the 138th Annual Season 138th Annual Choral Union Series Tonight’s presenting sponsor is Michigan Medicine. Tonight’s supporting sponsor is the H. Gardner and Bonnie Ackley Endowment Fund. Media partnership provided by WGTE 91.3 FM, WRCJ 90.9 FM, Ann Arbor’s 107one, and WDET 101.9 FM. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. The Bruckner Orchester Linz is the Philharmonic Orchestra of the State of Upper Austria, represented by Governor Dr. Josef Puehringer. The Bruckner Orchester Linz is supported by presto – friends of Bruckner Orchester. Bruckner Orchester Linz appears by arrangement with Columbia Artists Management, Inc. Angélique Kidjo appears by arrangement with Red Light Management. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM George Gershwin, Arr. Morton Gould Porgy and Bess Suite Alexander Zemlinsky Symphonische Gesänge, Op. 20 Song from Dixieland Song of the Cotton Packer A Brown Girl Dead Bad Man Disillusion African Dance Arabesque Mr. Achrainer Intermission Duke Ellington, Arr. Maurice Peress Suite from Black, Brown, and Beige Black Brown Beige Philip Glass Ifè: Three Yorùbá Songs Olodumare Yemandja Oshumare Ms. Kidjo 3 PORGY AND BESS SUITE (1935, ARRANGED IN 1955) George Gershwin Born September 26, 1898 in Brooklyn, New York Died July 11, 1937 in Hollywood, California Arr. -
^T&Mtioqal Stuttgart Wind Quintet
^t&Mtioqal THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Stuttgart Wind Quintet WILLY FREIVOGEL, Flutist RAINER SCHUMACHER, Clarinetist SIGURD MICHAEL, Oboist HERMANN HERDER, Bassoonist FRIEDHELM PUTZ, Homist with DENNIS RUSSELL DAVIES, Pianist WEDNESDAY EVENING, APRIL 5, 1989, AT 8:00 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Sextet for Piano and Winds, Op. 6 ............................ LUDWIG THUILLE Allegro moderate Larghetto Andante quasi allegretto Vivace Six Bagatelles for Wind Quintet (1953) ......................... GYORGY LIGETI Allegro con spirito Rubato lamentoso Allegro grazioso Presto ruvido Adagio mesto Molto vivace (Capriccioso) INTERMISSION FiveFoldFive (1987) ........................................ WILLIAM BOLCOM Sextet for Piano and Winds ................................. FRANCIS POULENC Allegro vivace Divertissement Finale: allegro vivace The Stuttgart Wind Quintet is represented by Columbia Artists Management Inc. Halls Cough Tablets, courtesy of Warner-Lambert Company, are available in the lobby. Thirty-ninth Concert of the 110th Season Twenty-sixth Annual Chamber Arts Series PROGRAM NOTES Sextet for Piano and Winds, Op. 6 ........................ LUDWIG THUILLE (1861-1907) Ludwig Thuille's greatest distinction as a composer is his devotion to the cultivation of chamber music at a time when most composers were ignoring the medium. Although he composed several operas on whimsical subjects (Lobetanz, composed in 1896, was heard regularly in New York at the turn of the century), his instrumental and vocal chamber music remain part of the standard repertoire. As an educator, his music theory textbook Harmonielehre, written in 1907 with Rudolf Louis, remained the authoritative work on the subject long after Thuille's death. The Sextet for Piano and Winds, Op. 6, was written in 1889 and was an immediate success. -
MUSICAL and DRAMATIC FUNCTIONS of LOOPS and LOOP BREAKERS in PHILIP GLASS's OPERA the VOYAGE Chia-Ying Wu Dissertation Prepar
MUSICAL AND DRAMATIC FUNCTIONS OF LOOPS AND LOOP BREAKERS IN PHILIP GLASS’S OPERA THE VOYAGE Chia-Ying Wu Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2016 APPROVED: David Bard-Schwarz, Major Professor Hendrik Schulze, Related Field Professor Stephen Slottow, Committee Member Frank Heidlberger, Chair of the Division of Music History, Theory, and Ethnomusicology Warren Henry, Interim Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School Copyright 2016 by Chia-Ying Wu ii ACKNOWLEDGEMENTS Continuous support from faculty members and students of Music History, Theory and Musicology Division at the University of North Texas, and my family make the production of this dissertation possible. I wish to express my deepest appreciation to my major professor, Dr. David Schwarz, for guiding me through doctoral coursework, qualifying exams, dissertation proposal, and this dissertation; and also to my related field professor, Dr. Hendrik Schulze, who provides me insights into the field of opera. I appreciate the help from dissertation committee member Dr. Stephen Slottow for shaping this research from an idea to a dissertation; and also the help from Dr. Margaret Notley for the early development of this dissertation. I thank Jay Smith, a PhD student in music theory, for sharing his paper presented at the 2015 Texas Society for Music Theory conference. Finally, I would like to give special thanks to my father professor Chung-Yu (Peter) Wu at the National Chiao-Tung University in Taiwan, my mother Chao-Ling Wu Tseng, my younger sister Ying-Hsuen Wu, and relatives for their encouragement.