2-Minute Stories Galileo's World
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The Harper Anthology of Academic Writing
The Harper P\(\·::�·::::: ...:.:: .� : . ::: : :. �: =..:: ..·. .. ::.:·. · ..... ·.' · .· Anthology of . ;:·:·::·:.-::: Academic Writing S T U D E N T A U T H 0 R S Emily Adams Tina Herman Rosemarie Ruedi Nicole Anatolitis Anna Inocencio Mary Ellen Scialabba Tina Anatolitis Geoff Kane Jody Shipka Mario Bartoletti David Katz Susan Shless Marina Blasi Kurt Keifer Carrie Simoneit Jennifer Brabec Sherry Kenney Sari Sprenger Dean Bushek Kathy Kleiva Karen Stroehmann Liz Carr Gail Kottke Heather To llerson Jennifer Drew-Steiner Shirley Kurnick Robert To manek Alisa Esposito Joyce Leddy Amy To maszewski Adam Frankel James Lee Robert Van Buskirk Steve Gallagher Jan Loster Paula Vicinus Lynn Gasier Martin Maney Hung-Ling Wan Christine Gernady Katherine Marek Wei Weerts ·:-::::·:· Joseph L. Hazelton Philip Moran Diana Welles Elise Muehlhausen Patty Werber Brian Ozog Jimm Polli Julie Quinlan Santiago Ranzzoni Heidi Ripley I S S U E V I I 1 9 9 5 The Harper Anthology of Academic Writing Issue VII 1995 \Y/illiam Rainey Harper College T h e Harper Anthology Emily Adams "Manic Depression: a.k.a. Bipolar Disorder" Table (Psychology) 1 Nicole Anatolitis, Tina Anatolitis, Lynn Gasier and Anna Inocencio "Study Hard" of (Reading) 7 Mario Bartoletti "Zanshin: Perfect Posture" Contents (English) 8 Marina Blasi "To Parent or Not to Parent ... That Is the Question (English) 11 Jennifer Brabec "Nature Journal" (Philosophy) 15 Dean Bushek "A Piece of My Life" (English) 17 Liz Carr "Betrayal" (English) 20 Jennifer Drew-Steiner "First Exam: Question Four" (Philosophy) 24 Alisa Esposito "The Trouble with Science" (English) 25 Adam Frankel "Form, Subject, Content" (Art) 27 Table of Contents Steve Gallagher Joyce Leddy "Galileo Galilei" "Is Good Design A Choice?" (Humanities) 28 (Interior Design) 62 Christine Gernady James Lee "Stresses of Office Work, Basic Causes "Scientific Integrity" and Solutions" (Physics) 63 (Secretarial Procedures) 34 Jan Loster Joseph L. -
Music in Time
MUSIC MUSIC IN TIME John Kennedy, Director and Host PROGRAM I: LISTENING TO FRAGRANCES OF THE DUSK Simons Center Recital Hall at College of Charleston May 27 at 5:00pm Meditation (2012) Toshio Hosokawa (b. 1955) AMERICAN PREMIERE Symphony No. 8 – Revelation 2011 (2011) Toshi Ichiyanagi (b. 1933) AMERICAN PREMIERE Listening to Fragrances of the Dusk (1997) Somei Satoh (b. 1947) AMERICAN PREMIERE John Kennedy, conductor Spoleto Festival USA Orchestra PROGRAM II: THE BOWED PIANO ENSEMBLE Memminger Auditorium May 29 at 8:00pm Rainbows, Parts One and Two (1981) Stephen Scott (b. 1944) Aurora Ficta (2008) Excerpts from Paisajes Audibles/Audible Landscapes (2002) Azul En su Isla Victoria Hansen, soprano 1977: Music of Three Worlds (2012) WORLD PREMIERE I. Genesis: Charleston, Colorado Springs, Kealaikahiki, Spring 1977 II. Saba Saba Saba Saba (7/7/77): Dar es Salaam III. Late Summer Waltz/Last Waltz in Memphis The Bowed Piano Ensemble Founder, Director and Composer Stephen Scott Soprano Victoria Hansen The Ensemble Trisha Andrews Zachary Bellows Meghann Maurer Kate Merges Brendan O’Donoghue Julia Pleasants Andrew Pope A.J. Salimbeni Nicole Santilli Stephen Scott 84 MUSIC MUSIC IN TIME PROGRAM III: CONVERSATION WITH PHILIP GLASS Dock Street Theatre June 2 at 5:00pm Works to be announced from the stage. Members of the Spoleto Festival USA Orchestra PROGRAM IV: DRAMAS Simons Center Recital Hall at College of Charleston June 7 at 5:00pm Grind Show (unplugged) (2008) Tansy Davies (b. 1973) AMERICAN PREMIERE Island in Time (2012) John Kennedy (b. 1959) Drama, Op. 23 (1996) Guo Wenjing (b. 1956) I – II – III – IV – V – VI Members of the Spoleto Festival USA Orchestra JOHN KENNEDY (conductor, director PHILIP GLASS (composer, Program III), and host), Spoleto Festival USA Resident born in Baltimore, Maryland, is a graduate Conductor, has led acclaimed performances of the University of Chicago and The and premieres worldwide of opera, ballet, Juilliard School. -
Galileo's Search for the Laws of Fall
Phys. Perspect. 21 (2019) 194–221 Ó 2019 Springer Nature Switzerland AG 1422-6944/19/030194-28 https://doi.org/10.1007/s00016-019-00243-y Physics in Perspective What the Middle-Aged Galileo Told the Elderly Galileo: Galileo’s Search for the Laws of Fall Penha Maria Cardozo Dias, Mariana Faria Brito Francisquini, Carlos Eduardo Aguiar and Marta Feijo´ Barroso* Recent historiographic results in Galilean studies disclose the use of proportions, graphical representation of the kinematic variables (distance, time, speed), and the medieval double distance rule in Galileo’s reasoning; these have been characterized as Galileo’s ‘‘tools for thinking.’’ We assess the import of these ‘‘tools’’ in Galileo’s reasoning leading to the laws of fall (v2 / D and v / t). To this effect, a reconstruction of folio 152r shows that Galileo built proportions involving distance, time, and speed in uniform motions, and applied to them the double distance rule to obtain uniformly accelerated motions; the folio indicates that he tried to fit proportions in a graph. Analogously, an argument in Two New Sciences to the effect that an earlier proof of the law of fall started from an incorrect hypothesis (v µ D) can be recast in the language of proportions, using only the proof that v µ t and the hypothesis. Key words: Galileo Galilei; uniformly accelerated fall; double distance rule; theorem of the mean speed; kinematic proportions in uniform motions. Introduction Galileo Galilei stated the proof of the laws of fall in their finished form in the Two New Sciences,1 published in 1638, only a few years before his death in 1642, and shortly before turning 78. -
Galileo's Two New Sciences: Local Motion
b. Indeed, notice Galileo’s whole approach here: put forward a hypothesis, develop a mathe- matical theory yielding striking predictions that are amenable to quasi-qualitative tests! c. But the experiments were almost certainly too difficult to set up in a way that would yield meaningful results at the time G. Mersenne's Efforts and the Lacuna: 1633-1647 1. Mersenne, perhaps provoked by a remark in Galileo's Dialogue, sees a different way of bridging any lacuna in the evidence for claims about free-fall: measure the distance of fall in the first second -- in effect g/2 -- the constant of proportionality in s î t2 a. Galileo's remark: objects fall 4 cubits in first sec, which Mersenne knew to be way too small b. Galileo himself calls attention to a lacuna in the argument for the Postulate in the original edition of Two New Sciences [207] c. If stable value regardless of height, and if it yields reasonable results for total elapsed times, then direct evidence for claim that free fall uniformly accelerated 2. Fr. Marin Mersenne (1588-1648) a professor of natural philosophy at the University of Paris, a close friend of Gassendi and Descartes, and a long time correspondent and admirer of Galileo's a. Deeply committed to experimentation, and hence naturally tried to reproduce Galileo's exper- iments, as well as to conduct many further ones on his own, in the process discovering such things as the non-isochronism of circular pendula b. Relevant publications: Les Méchanique de Galilée (1634), Harmonie Universelle (1636), Les nouevelles pensées de Galilée (1639), Cogitata Physico-Mathematica, Phenomena Ballistica (1644), and Reflexiones Physico-Mathematica (1647) c. -
Galilei-1632 Dialogue Concerning the Two Chief World Systems
Galileo di Vincenzo Bonaulti de Galilei ([ɡaliˈlɛːo ɡaliˈlɛi]; 15 February 1564 – 8 January 1642) was an Italian astronomer, physicist and engineer, sometimes described as a polymath, from Pisa. Galileo has been called the "father of observational astronomy", the "father of modern physics", the "father of the scientific method", and the "father of modern science". Galileo studied speed and velocity, gravity and free fall, the principle of relativity, inertia, projectile motion and also worked in applied science and technology, describing the properties of pendulums and "hydrostatic balances", inventing the thermoscope and various military compasses, and using the telescope for scientific observations of celestial objects. His contributions to observational astronomy include the telescopic confirmation of the phases of Venus, the observation of the four largest satellites of Jupiter, the observation of Saturn's rings, and the analysis of sunspots. Galileo's championing of heliocentrism and Copernicanism was controversial during his lifetime, when most subscribed to geocentric models such as the Tychonic system. He met with opposition from astronomers, who doubted heliocentrism because of the absence of an observed stellar parallax. The matter was investigated by the Roman Inquisition in 1615, which concluded that heliocentrism was "foolish and absurd in philosophy, and formally heretical since it explicitly contradicts in many places the sense of Holy Scripture". Galileo later defended his views in Dialogue Concerning the Two Chief World Systems (1632), which appeared to attack Pope Urban VIII and thus alienated him and the Jesuits, who had both supported Galileo up until this point. He was tried by the Inquisition, found "vehemently suspect of heresy", and forced to recant. -
Redalyc.The International Pendulum Project
Revista Electrónica de Investigación en Educación en Ciencias E-ISSN: 1850-6666 [email protected] Universidad Nacional del Centro de la Provincia de Buenos Aires Argentina Matthews, Michael R. The International Pendulum Project Revista Electrónica de Investigación en Educación en Ciencias, vol. 1, núm. 1, octubre, 2006, pp. 1-5 Universidad Nacional del Centro de la Provincia de Buenos Aires Buenos Aires, Argentina Available in: http://www.redalyc.org/articulo.oa?id=273320433002 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Año 1 – Número 1 – Octubre de 2006 ISSN: en trámite The International Pendulum Project Michael R. Matthews [email protected] School of Education, University of New South Wales, Sydney 2052, Australia The Pendulum in Modern Science Galileo in his final great work, The Two New Sciences , written during the period of house arrest after the trial that, for many, marked the beginning of the Modern Age, wrote: We come now to the other questions, relating to pendulums, a subject which may appear to many exceedingly arid, especially to those philosophers who are continually occupied with the more profound questions of nature. Nevertheless, the problem is one which I do not scorn. I am encouraged by the example of Aristotle whom I admire especially because he did not fail to discuss every subject which he thought in any degree worthy of consideration. (Galileo 1638/1954, pp.94-95) This was the pendulum’s low-key introduction to the stage of modern science and modern society. -
July 2020- Harmony
Touchstones a monthly journal of Unitarian Universalism July 2020 Harmony Wisdom Story “Islam is ...a practice, a way of life, a Making Beautiful Justice pattern for establishing harmony with Rev. Kirk Loadman-Copeland God and his creation.” Harmony with His father was a Harvard-trained pro- the divine is also a foundation of mysti- fessor of musicology and his mother, cism. who trained at the Paris Conservatory of Within our own tradition, our com- Music, was a classical violinist. But he mitment to social harmony is affirmed never cared for classical music, which in a number of our principles, including may explain why he began to play the “justice, equity, and compassion in hu- ukulele at the age of 13. He also learned Introduction to the Theme man relations” and “the goal of world to play the guitar. In 1936, when he was While there are efforts at harmony community with peace, liberty, and jus- seventeen, he fell in love with a five- among world religions, the emphasis on tice for all.” string banjo. He heard it at the Mountain harmony varies within the different Harmony with nature figured promi- Dance and Folk Festival in western North world religions. Social harmony figures nently among the Transcendentalists, Carolina near Asheville. Perhaps the prominently in Asian Religions like Tao- especially Thoreau. This emphasis on banjo chose him, since a person once said ism, Confucianism, Buddhism, Hindu- harmony is expressed in both our sev- that he actually looked like a banjo. He ism, and Sikhism, while harmony with enth principle, “respect for the interde- would later say, “I lost my heart to the nature is emphasized in Taoism, Neo- pendent web of all existence of which old-fashioned five-string banjo played pagan, and Native American traditions. -
On the Isochronism of Galilei's Horologium
IFToMM Workshop on History of MMS – Palermo 2013 On the isochronism of Galilei's horologium Francesco Sorge, Marco Cammalleri, Giuseppe Genchi DICGIM, Università di Palermo, [email protected], [email protected], [email protected] Abstract − Measuring the passage of time has always fascinated the humankind throughout the centuries. It is amazing how the general architecture of clocks has remained almost unchanged in practice to date from the Middle Ages. However, the foremost mechanical developments in clock-making date from the seventeenth century, when the discovery of the isochronism laws of pendular motion by Galilei and Huygens permitted a higher degree of accuracy in the time measure. Keywords: Time Measure, Pendulum, Isochronism Brief Survey on the Art of Clock-Making The first elements of temporal and spatial cognition among the primitive societies were associated with the course of natural events. In practice, the starry heaven played the role of the first huge clock of mankind. According to the philosopher Macrobius (4 th century), even the Latin term hora derives, through the Greek word ‘ώρα , from an Egyptian hieroglyph to be pronounced Heru or Horu , which was Latinized into Horus and was the name of the Egyptian deity of the sun and the sky, who was the son of Osiris and was often represented as a hawk, prince of the sky. Later on, the measure of time began to assume a rudimentary technical connotation and to benefit from the use of more or less ingenious devices. Various kinds of clocks developed to relatively high levels of accuracy through the Egyptian, Assyrian, Greek and Roman civilizations. -
A Phenomenology of Galileo's Experiments with Pendulums
BJHS, Page 1 of 35. f British Society for the History of Science 2009 doi:10.1017/S0007087409990033 A phenomenology of Galileo’s experiments with pendulums PAOLO PALMIERI* Abstract. The paper reports new findings about Galileo’s experiments with pendulums and discusses their significance in the context of Galileo’s writings. The methodology is based on a phenomenological approach to Galileo’s experiments, supported by computer modelling and close analysis of extant textual evidence. This methodology has allowed the author to shed light on some puzzles that Galileo’s experiments have created for scholars. The pendulum was crucial throughout Galileo’s career. Its properties, with which he was fascinated from very early in his career, especially concern time. A 1602 letter is the earliest surviving document in which Galileo discusses the hypothesis of pendulum isochronism.1 In this letter Galileo claims that all pendulums are isochronous, and that he has long been trying to demonstrate isochronism mechanically, but that so far he has been unable to succeed. From 1602 onwards Galileo referred to pendulum isochronism as an admirable property but failed to demonstrate it. The pendulum is the most open-ended of Galileo’s artefacts. After working on my reconstructed pendulums for some time, I became convinced that the pendulum had the potential to allow Galileo to break new ground. But I also realized that its elusive nature sometimes threatened to undermine the progress Galileo was making on other fronts. It is this ambivalent nature that, I thought, might prove invaluable in trying to understand crucial aspects of Galileo’s innovative methodology. -
A New Vision of the Senses in the Work of Galileo Galilei
Perception, 2008, volume 37, pages 1312 ^ 1340 doi:10.1068/p6011 Galileo's eye: A new vision of the senses in the work of Galileo Galilei Marco Piccolino Dipartimento di Biologia, Universita© di Ferrara, I 44100 Ferrara, Italy; e-mail: [email protected] Nicholas J Wade University of Dundee, Dundee DD1 4HN, Scotland, UK Received 4 December 2007 Abstract. Reflections on the senses, and particularly on vision, permeate the writings of Galileo Galilei, one of the main protagonists of the scientific revolution. This aspect of his work has received scant attention by historians, in spite of its importance for his achievements in astron- omy, and also for the significance in the innovative scientific methodology he fostered. Galileo's vision pursued a different path from the main stream of the then contemporary studies in the field; these were concerned with the dioptrics and anatomy of the eye, as elaborated mainly by Johannes Kepler and Christoph Scheiner. Galileo was more concerned with the phenomenology rather than with the mechanisms of the visual process. His general interest in the senses was psychological and philosophical; it reflected the fallacies and limits of the senses and the ways in which scientific knowledge of the world could be gathered from potentially deceptive appearances. Galileo's innovative conception of the relation between the senses and external reality contrasted with the classical tradition dominated by Aristotle; it paved the way for the modern understanding of sensory processing, culminating two centuries later in Johannes Mu« ller's elaboration of the doctrine of specific nerve energies and in Helmholtz's general theory of perception. -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
Music and Science from Leonardo to Galileo International Conference 13-15 November 2020 Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca
MUSIC AND SCIENCE FROM LEONARDO TO GALILEO International Conference 13-15 November 2020 Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Keynote Speakers: VICTOR COELHO (Boston University) RUDOLF RASCH (Utrecht University) The present conference has been made possibile with the friendly support of the CENTRO STUDI OPERA OMNIA LUIGI BOCCHERINI www.luigiboccherini.org INTERNATIONAL CONFERENCE MUSIC AND SCIENCE FROM LEONARDO TO GALILEO Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Virtual conference 13-15 November 2020 Programme Committee: VICTOR COELHO (Boston University) ROBERTO ILLIANO (Centro Studi Opera Omnia Luigi Boccherini) FULVIA MORABITO (Centro Studi Opera Omnia Luigi Boccherini) RUDOLF RASCH (Utrecht University) MASSIMILIANO SALA (Centro Studi Opera Omnia Luigi Boccherini) ef Keynote Speakers: VICTOR COELHO (Boston University) RUDOLF RASCH (Utrecht University) FRIDAY 13 NOVEMBER 14.45-15.00 Opening • FULVIA MORABITO (Centro Studi Opera Omnia Luigi Boccherini) 15.00-16.00 Keynote Speaker 1: • VICTOR COELHO (Boston University), In the Name of the Father: Vincenzo Galilei as Historian and Critic ef 16.15-18.15 The Galileo Family (Chair: Victor Coelho, Boston University) • ADAM FIX (University of Minnesota), «Esperienza», Teacher of All Things: Vincenzo Galilei’s Music as Artisanal Epistemology • ROBERTA VIDIC (Hochschule für Musik und Theater Hamburg), Galilei and the ‘Radicalization’ of the Italian and German Music Theory • DANIEL MARTÍN SÁEZ (Universidad Autónoma de Madrid), The Galileo Affair through