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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
General Knowledge ABBREVIATIONS a A.A.F
General Knowledge ABBREVIATIONS A A.A.F. Auxiliary Air Force A.A.S.U. All Asom Students Union A.C.D. Asian Co-operation Dialogue A.D.B. Asian Development Bank A.E.C. Atomic Energy Commission A.F.P.R.O. Action for Food Production A.I.C.C. All India Congress Committee A.I.D.W.A. All India Democratic Women’s Association A.I.D.S. Acquired Immune Deficiency Syndrome A.I.H.B. All India Handicrafts Board A.I.R. Annual Information Report A.J.T. Advanced Jet Trainer A.P.E.C. Asia-Pacific Economic Cooperation A.R.F. ASEAN Regional Forum A.S.E.A.N. Association of South-East Asian Nations A.S.L.V. Augmented Satellite Launch Vehicle A.U. African Union A.V.E.S. Acute Viral Encephalitic Syndrome A.W.A.N. Army Wide Area Network A.Y.U.S.H. Ayurveda, Yoga, Unani, Siddha and Homeopathy B B.A.R.C. Bhabha Atomic Research Centre B.C.C.I. Board of Control of Cricket in India/Bank of Credit and Commerce International B.C.G. Bacillus Calmette Guerin (Anti-T.B. vaccine) B.C.T.T. Bank Cash Transaction Tax B.O.A.C. British Overseas Airways Corporation B.P.O. Business Process Outsourcing BREAD Basic Research Education And Development (SOCIENTY) B.S.N.L. Bharat Sanchar Nigam Ltd. B.V.R.A.A.M. Beyond Visual Range Air-to-Air Missile C C.A. Chartered Accountant C.A.C. Capital Account Convertibility 4 | G.K. C.A.C.C.I. -
Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Ek Paheli 1971 Mp3 Songs Free Download Ek Nai Paheli
ek paheli 1971 mp3 songs free download Ek Nai Paheli. Ek Nai Paheli is a Hindi album released on 10 Feb 2009. This album is composed by Laxmikant - Pyarelal. Ek Nai Paheli Album has 8 songs sung by Anuradha Paudwal, Lata Mangeshkar, K J Yesudas. Listen to all songs in high quality & download Ek Nai Paheli songs on Gaana.com. Related Tags - Ek Nai Paheli, Ek Nai Paheli Songs, Ek Nai Paheli Songs Download, Download Ek Nai Paheli Songs, Listen Ek Nai Paheli Songs, Ek Nai Paheli MP3 Songs, Anuradha Paudwal, Lata Mangeshkar, K J Yesudas Songs. Ek paheli 1971 mp3 songs free download. "Sunny Leones Ek Paheli Leela Makes Over Rs 15 Cr in Opening Weekend - NDTV Movies. The Indian box office is still reeling from Furious 7's blockbuster earnings of over Rs 80 . Jay Bhanushali: Really happy that people are enjoying 'Ek Paheli Leela' It's Sunny side up: Ek Paheli Leela touches Rs 10.5 crore in two days. More news for Ek Paheli Leela Full Movie Ek Paheli Leela - Wikipedia, the free encyclopedia. Ek Paheli Leela is a 2015 Bollywood musical-thriller film, written and directed by Bobby Khan and . The full audio album was released on 10 March 2015. Ek Paheli Leela Online 2015 Official Full Movie | NOORD . 1 day ago - Ek Paheli Leela Online 2015 Official Full Movie; Ek Paheli Leela; 2015 film; 4.8/10·IMDb; Ek Paheli Leela is a 2015 Bollywood musical-thriller . Ek Paheli Leela Full Movie Online Watch Bollywood Full . onlinemoviesgold.com/ek-paheli-leela-full-movie-online-watch- bollywo. -
Veer–Zaara Regie: Yash Chopra
Veer–Zaara Regie: Yash Chopra Land: Indien 2004. Produktion: Yash Raj Films (Mumbai). Regie: Yash Chopra. Buch: Aditya Chopra. Regie Actionszenen: Allan Amin. Kamera: Anil Mehta. Ton: Anuj Mathur. Musik: Madan Mohan. Neueinspielung: Sanjeev Kohli. Arrangements: R.S. Mani. Liedtexte: Javed Akhtar. Sänger: Lata Mangeshkar, Udit Narayan, Sonu Nigam, Roop Kumar Rathod, Gurdas Mann, Ahmed Hussain, Mohammed Hussain, Mohammed Vakil, Javed Hussain, Pritha Majumder. Ausstattung: Sharmishta Roy. Choreographie: Saroj Khan, Vaibhavi Merchant. Kostüme: Manish Malhotra. Beratung (Drehbuch & Ausstattung): Nasreen Rehman. Schnitt: Ritesh Soni. Produzenten: Yash Chopra, Aditya Chopra. Co-Produzenten: Pamela Chopra, Uday Chopra, Payal Chopra. Aufnahmeleitung: Sanjay Shivalkar, Padam Bhushan. Darsteller: Shahrukh Khan (Veer Pratap Singh), Rani Mukerji (Saamiya Siddiqui), Preity Zinta (Zaara), Kirron Kher, Divya Dutta, Boman Irani, Anupam Kher, Amitabh Bachchan, Hema Malini, Manoj Bajpai, Zohra Segal (Bebe), S.M. Zaheer (Justice Qureshi), Tom Alter (Dr. Yusuf), Gurdas Mann (als er selbst), Arun Bali (Abdul Mallik Shirazi, Razas Vater), Akhilendra Mishra (Gefängniswärter Majid Khan), Rushad Rana (Saahil), Vinod Negi (Ranjeet), Balwant Bansal (Qazi), Rajesh Jolly (Priester), Anup Kanwal Singh (Sänger), Kanwar Jagdish (Glatzkopf im Bus), Dev K. Kantawalla (Munir), Vicky Ahuja (Vernehmungsbeamtin), Ranjeev Verma (Vernehmungsbeamter), Jas Keerat (Junger Cricket-Spieler), Sanjay Singh Bhadli (Bauer), Kulbir Baderson (Töpferin), Shivaya Singh (Kamli), Huzeifa Gadiwalla -
World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 4-26-2017 8:00 PM World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017" (2017). Conservatory of Music Concert Programs. Program 144. http://lux.lawrence.edu/concertprograms/144 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. WORLD MUSIC SERIES Zakir Hussain with Rahul Sharma award in India; National Heritage Fellowship; and Officier in France’s Order of Arts and Letters. In 2015, he was voted “Best Percussionist” by Zakir Hussain with Rahul Sharma both the DownBeat Critics’ Poll and Modern Drummer’s Reader’s Poll. As an educator, he conducts many workshops and lectures each year, has been in residence at Princeton University and Stanford University Wednesday, April 26, 2017 and, in 2015, was appointed Regents Lecturer at University of California, 8 p.m. Berkeley. He is the founder and president of Moment Records, an Lawrence Memorial Chapel independent record label presenting rare live concert recordings of Indian classical music and world music. Hussain was resident artistic director at SFJazz from 2013 until 2016. Program announced from stage Rahul Sharma learned music and the santoor from his father, Guru No intermission Pandit Shivkumar Sharma, who is a music legend in India and throughout the world. -
FACT FILE We Filmed
Star Watch have done this film. I had a stern word with god the moment Birthday October 28 I read the script and it worked! Lalitha and I possibly have similar cores — a squeaky clean heart! Hometown Hyderabad/New Delhi School/College Rich Valley School (KFI) / Lady Shriram College High point of your life This year, my screen award for Ye Saali Zindagi — big surprise! We both believe that music or any art form has no Low point of your life This year, my nani landed boundaries. Ali and I love music and that’s what we bonded in hospital 2 days before I left for the shoot of over. Ali has a Sufi core and I’ve grown up surrounded by London Paris New York. Buddhist and Sufi philosophy… divisiveness is a political agenda and it has no place in our hearts and minds. A song that describes you best Voh Dekhne Mein from London Paris New York. Actors/actresses you admire Audrey Hepburn, Waheeda Rehman, Vidya Balan, Madhuri Dixit, I’ve sung the love song Theree Si Zindagi with Ali and the Shah Rukh Khan, Aamir Khan, Natalie Portman female version of Voh Dekhne Mein which was recorded with me in the studio and Ali on Skype from Pakistan… we did it Fashion style Casual chic to classic in one take! I’ll sing if someone asks me to, I will never force it down anyone’s throat! I love music and I sing all the time. Favourite author Isabel Allende — Magic Realism Aditi is a student of renowned dancer Leela Samson and has danced since she was five and Fabulous! Could it be anything less? We worked very hard performed all over the world. -
Waheeda Rehman to Receive First Centanary Award at 44Th IFFI by : INVC Team Published on : 19 Nov, 2013 07:13 PM IST
Waheeda Rehman to receive First Centanary Award at 44th IFFI By : INVC Team Published On : 19 Nov, 2013 07:13 PM IST INVC, Delhi, An icon for the film lovers and iconoclast for the professionals, Waheeda Rehman will be honoured with the first Centanary Award for the Indian Film personality at the 44th International Film Festival of India (IFFI). The award has been introduced this year and the veteran actor will receive the trophy on the opening day of the festival. It consists of a cash component of Rs. 10 lakh and a citation. The ‘Quintessential Beauty of Bollywood’ is known as much for her performance as for her choice of roles. Her undertoned approach to essay a character added a landmark shine to the golden era of Hindi films. Born in Chengalpattu near Chennai in 1936, Waheeda Rehman began her career with Tamil and Telugu movies and went on to work with Gemini Ganesan in ‘Kaalam Maari Pochu’ in 1955. Guru Dutt happened to see the Telugu version of this film and offered her a role in ‘C.I.D.’. With this, the Indian screen was gifted with an artist who redefined the Hindi film heroine by breaking away from the theatrical style prevalent in the 1940’s and 1950’s. The pairing of Waheeda Rehman with Guru Dutt treated the cinegoers with such marvels as ‘Pyasa’. ‘ Kaghaz Ke Phool’, ‘Saheb Bibi aur Ghulam’ and ‘ Chudhvin ka Chaand’. Her riveting performance also impressed the other stalwarts like Dilip Kumar (Ram aur Shayam, Dil Diya Dard Liya), Raj Kapoor (Teesri Kasam) and Dev Anand (Guide). -
Sagar-XIX.Pdf
Editorial Board Ishan Chakrabarti – Co-Editor-in-Chief, The University of Texas at Austin Matthew D. Milligan – Co-Editor-in-Chief, The University of Texas at Austin Dan Rudmann – Co-Editor-in-Chief, The University of Texas at Austin Kaitlin Althen – Editor, The University of Texas at Austin Reed Burman – Editor, The University of Texas at Austin Christian Current – Editor, The University of Texas at Austin Cary Curtis – Editor, The University of Texas at Austin Christopher Holland – Editor, The University of Texas at Austin Priya Nelson – Editor, The University of Texas at Austin Natasha Raheja – Editor, The University of Texas at Austin Keely Sutton – Editor, The University of Texas at Austin Faculty Advisor Syed Akbar Hyder, Department of Asian Studies Editorial Advisory Board Richard Barnett, The University of Virginia Manu Bhagavan, Hunter College-CUNY Nandi Bhatia, The University of Western Ontario Purnima Bose, Indiana University Raza Mir, Monmouth University Gyan Prakash, Princeton University Paula Richman, Oberlin College Eleanor Zelliot, Carleton College The University of Texas Editorial Advisory Board Kamran Ali, Department of Anthropology James Brow, Department of Anthropology Barbara Harlow, Department of English Janice Leoshko, Department of Art and Art History W. Roger Louis, Department of History Gail Minault, Department of History Veena Naregal, Department of Radio-Television-Film Sharmila Rudrappa, Department of Sociology Martha Selby, Department of Asian Studies Kamala Visweswaran, Department of Anthropology SAGAR A SOUTH ASIA GRADUATE RESEARCH JOURNAL Sponsored by South Asia Institute Itty Abraham, Director The University of Texas at Austin Volume 19, Spring 2010 Sagar is published biannually in the fall and spring of each year. -
INTRODUCTION: Indian Media the Indian Media Industry Has Developed Enormously in Every Aspect Because of Rising Incomes and Advancing Lifestyle
INTRODUCTION: Indian Media The Indian media industry has developed enormously in every aspect because of rising incomes and advancing lifestyle. Audience across demographics consume media through TV, films, out of home (OOH), radio, visual effects (VFX), music, gaming, digital advertising, and print. It has been broadly perceived that media can assume a significant role in promoting and spreading information and are main players in the social and economic development. Therefore, media largely reflects the lifestyles, socialization patterns, participation levels, cultural boundaries, political manoeuvrings, religious manifestations, educational standards, social hierarchy, and of course, society images of any given society. Actually, media can assume a huge role in either sustaining or challenging social standards and practices of the general public. The portrayal of Women in Indian media, be it films, TV serials, news, media, visual advertisement, or modernized media, is for sure an area of research and studies. Women & Media Women, who constitute half of the populace, require specific consideration of the media not exclusively to raise the issues identified with them yet additionally to demonstrate their accomplishments, examples of overcoming adversity and their battle towards their fantasy of making a feeling of sense of pride, confidence, financial freedom and equality in status with men. We can perceive how the media depicts ladies in the advertisement and motion pictures. A portion of the advertisements and characters in the motion pictures are as yet stereotyped far from real. Portrayal of women in Advertisements: In recent years, Indian advertising has seen a huge change in the way in which women are depicted. The manner in which women are shown in the advertisements changes with times, mirroring the change occurring in the society. -
Volume-15-Harmony-1458-Songs.Pdf
HINDI 1458 Song No Song Name Singer Movie/Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13309 Aa Re Preetam Pyaare Sarosh Mamta Sharma Rowdy Rathore Volume-8 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 13310 Aaj Hai Sagaai Abhijeet Alkaji Pyaar To Hona Hi Tha Volume-8 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj Khushi Se Jhum Raha Sara Asha Bhonsle Suntan Volume-5 14437 Aaj Ki Raat Mohammed